This Is Every Women's Magazine, Ever
What would happen if, instead of celebrities and supermodels, magazine covers showcased women and girls who are invisible to society? That was the motivation behind the Cover Stories campaign, launched […]
FKA twigs for Glamcult magazine - photography by Matthew Stone
A fashion story by Gautier Pellegrin & Aurora Zaltieri for metalmagazine.eu
London photographer Edward Linley Sambourne captured everyday street style around the turn of the 20th century...
Jorja Smith
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Caitin Stickels , 29, was born with Schmid–Fraccaro syndrome, or Cat Eye Syndrome. It contributes to scoliosis, a cleft palette, and heart and kidney problems, among other issues.
It is interesting to observe the way that female Saints like Joan of Arc enthrall people who in other areas of their life are quite uninterested or even antipathetic toward the Catholic Church. I think this is because the female Saints represent an emancipation of the feminine genius, a true "feminism," that emerged far before the modern movement.
Lining up one army-chic outfit
Can Pep Rey Magazine. The artist and artisan Valentine Schlegel was born in 1925 in Sète, a port city in the southeast of France. Read more in our blog!
A daily dose of fashion discoveries and inspirations, contributed by a stylist and a designer who both see the world through rose-colored shades.
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thedoppelganger: Magazine: Rodeo #2 Photographer: Julia Hetta Model: Kamila Filipcikova
To celebrate the actress' 78th birthday, take a look back at her standout style over the years.
Taylor Hill serves pure glam on the spring-summer 2017 cover of POP Magazine. The American beauty wears a cowboy style hat with a Celine jacket and top.
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Anne Scott-James was one of the first top-flight women journalists to cross the barrier between writing principally for and about women to more universal topics. From 1960 to 1968 she wrote a widely-read column in the Daily Mail, a precursor of the legions of opinionated female columnists who now proliferate in the national press.
The way that Margaret Bowland depicts little girls with their faces painted white, wearing cotton wreaths on their heads or how she paints little people in a grand style that's reminiscent of Manet, the famous 19th Century French painter, conjure up ideas about deeply rooted beliefs and societal prejudices. Bowland speaks about her work as a reaction to common mainstream belief structures. She identifies this societal ideal as “One must be tall, thin and white. One’s features must be diminutive and regular.” Read more after the jump!