Part I: 1840 – 1859 A nine part Sunday series on the still remaining and architecturally significant Catholic churches of Cincinnati from 1840 - 1969. This series is an attempt to document every historic Catholic church remaining in Cincinnati. This is not a list of every church, nor is it a history of each Parish. It is simply to serve as a reference for the date of dedication, the architect and style of the church buildings themselves. Included are those that I find to have architectural or historical merit from the Catholic Church’s earliest beginnings in Cincinnati to those churches built just after Vatican II. Part I include the oldest Catholic churches in Cincinnati and include in fact the oldest church, Old St. Mary’s, of any kind remaining and still in use as a church in the city. All have either been identified as a local landmark or on the National Register of Historic Place or are located in a National Register Historic District. Their generally simple Greek Revival form is indicative of the prevalent style of the day. But the design of St. Peter in particular speaks of the relative youth of the Catholic Church in the Ohio Valley at this time. Old St. Mary’s Over the Rhine – 123 East 13th Street Dedicated: 1842; Addition, 1865; Renovation, 1892. Architect: Franz Ignatz Erd Style: Eclectic with Greek and Gothic Revival detail and Baroque Revival interior. Individually listed on the National Register of Historic Places and located in the Over the Rhine National Historic District St. Peter South Fairmont – 2145 Queen City Avenue Dedicated: 1844 Architect: Unknown Style: Vernacular Closed in 1868 Individually listed on the National Register of Historic Places and located in the Lick Run National Historic District St. Peter in Chains Downtown – 325 West 8th Street Dedicated: 1845; Addition & Renovation, 1957 Architect: Henry Walter; Addition & Renovation, Edward J. Schulte Style: Greek Revival A local historic landmark and individually listed on the National Register of Historic Places St. Michael the Archangel Lower Price Hill – 2110 St. Michael Street Dedicated: 1848; Later alterations & renovations Architect: Unknown Style: Eclectic with Greek and Gothic Revival detail Closed in 1998 Located in the Lower Price Hill National Historic District St. Paul Over the Rhine – 12th and Spring Streets Dedicated: 1850; Extensively rebuilt and renovated in 1899 Architect: Seneca Palmer; Renovation and tower, Samuel Hannaford & Sons Style: Greek Revival Closed in 1975 Located in the Over the Rhine National Historic District St. Francis Seraph Over the Rhine – 1615 Vine Street Dedicated: 1859 Architect: James McLaughlin Style: Romanesque Revival Located in the Over the Rhine National Historic District References and the map Historic Catholic Churches of Cincinnati of every church mentioned in this series will be included in Part IX. Next Sunday, April 19 Part II: 1860 – 1879 Historic images from the Library’s Cincinnati Memory Project.

(c) Christ's Hospital of Abingdon; Supplied by The Public Catalogue Foundation

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Marguerite de Valois , queen consort of Henry IV of France, 16th century . A 19th century version based on a 16th century original found in the collection of Bibliothèque St Geneviève, Paris From Le...

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"Affection? Affection is false!"-Queen Elizabeth I, 1600. Queen Elizabeth I had long been observing the frivolous ways of one of her maids of honor, Mary Fitton, and she did not approve of what she saw. In June of 1600, Mary Fitton was leading a court masque entertainment for the wedding celebration of her fellow maid of honor, the Lady Anne Russell. Queen Elizabeth I attended the wedding festivities, and her arrival was famously captured in a painting by Robert Peake the Elder. Queen Elizabeth Going in Procession to Blackfriars in 1601 by Robert Peake the Elder. This portrait depicts Queen Elizabeth I being carried by her maternal relatives in a litter, on her way to the wedding festivities of the Lady Anne Russell. The bride follows behind. You can read more about this painting, and the event it captures HERE. Mary selected her mistress the Queen to take part in the dance, suggesting that Her Majesty should personify "affection" in the allegorical masque. When Elizabeth heard this, she scoffed, "Affection? Affection is false!" Elizabeth was well aware of Fitton's reputation at court as a young woman who tempted even the most sensible of men, and she may have been giving her a public warning about the superficiality and fleeting nature of court liaisons. Also, Elizabeth's open skepticism to romance may have been informed by her own misadventures in love. In an case, Mary Fitton did not heed her mistress's warning, since she would go on to lead a life that defied societal expectations, becoming a mistress to a succession of powerful men at court. A detail of a portrait of Mary Fitton, c. 1595, by an unknown artist. Picture acquired through Wikimedia Commons. Image public domain Prior to the wedding of the Lady Anne Russell to Henry Somerset, later 1st Marquess of Worcester, Mary Fitton had entered the Queen's service just five years before. Mary's father, Sir Edward Fitton, had asked the Queen's kinsman and comptroller, Sir William Knollys, to recommend her and look out for her. Knollys, who was the son of Queen Elizabeth I's most beloved cousin and friend (or possible half-sister), Catherine Carey-Knollys, and her husband, Sir Francis Knollys, happily obliged. He told Sir Edward, "I will be as careful of her well doing as if I were her own true father." (Haynes, 44) A 17th century engraving by Simon van de Passe of William Knollys, 1st Earl of Banbury. Picture acquired through Wikimedia Commons. Image public domain. William Knollys's interest in his young charge was far from paternal, however. Though presently married to Dorothy Bray, Baroness Chandos, William fell in love (or lust) with Mary. William did not hide his interest in the young Mary from his peers, and he was lampooned throughout the court for his obsession (Haynes, 46). Dorothy, the widow of Edmund Brydges, 2nd Baron Chandos, had five children of her own, but had been unable to provide her second husband with a child. Since Dorothy was more than 20 years her husband's senior, she may have been well past her child-bearing years. The 50-year-old William's infatuation with Mary may have been in part because of her youth, and thus her perceived ability to bear him a biological heir. A portrait of a woman by John Bettes the younger, probably Dorothy Bray, Baroness Chandos c. 1578. Picture acquired through Wikimedia Commons. Image public domain. When Dorothy Bray did die (in 1605) Mary still had no interest in the elderly William Fitton. He took another wife, Elizabeth Howard, the daughter of Thomas Howard, 1st Earl of Suffolk. Thus, William Fitton's second wife was the granddaughter of Thomas Howard, the 4th Duke of Norfolk, who had been executed for high treason against Queen Elizabeth I in 1572. A portrait from 1598 of Thomas Howard in his robes for the Order of the Garter. He was later the 1st Earl of Suffolk. Picture acquired through Wikimedia Commons. Image public domain. Mary Fitton left court briefly due to illness in 1599, returning in time to help lead the court entertainments for Lady Anne Russell's wedding. On this occasion, Mary was not only the subject of one of Queen Elizabeth's many witty, biting retorts; she also caught sight of the man who would change her life significantly: William Herbert, the eventual 3rd Earl of Pembroke. A detail of a portrait by Daniel Mytens of William Herbert, 3rd Earl of Pembroke, 1625. Picture acquired through Wikimedia Commons. Image public domain. William Herbert was the son and heir of one of the leading figures in Queen Elizabeth's court, Henry Herbert, the 2nd Earl of Pembroke and his literary wife, Mary Sidney-Herbert, Countess of Pembroke. A miniature from around 1590 of Mary Sidney-Herbert, Countess of Pembroke. By Nicholas Hilliard. Picture acquired through Wikimedia Commons. Image public domain. Eventually following in his mother's footsteps, William would become involved in the literary world, helping to fund the publication of Shakespeare's First Folio in 1623. The frontispiece of Shakespeare's First Folio, published in 1623. Picture acquired through Wikimedia Commons. Image public domain. But as a young, unmarried man of around 20 on the precipice of inheriting his Earldom, William took up with the slightly older Mary Fitton. Given her previous experience of being the object of affection for a much older man, Mary may have been taking control of her own happiness, either consciously or sub-consciously, by having an affair with a younger man. Mary became pregnant with William Herbert's child; she also was likely carrying something else: syphilis, which it is suspected William had. When William admitted paternity of his illegitimate child in February of 1601, but refused to answer for his indiscretion by marrying his mistress, he was thrown into Fleet Prison by the Queen. This was not surprising, since just one year ago, a writer observed of William Herbert that, "I don't find any disposition at all in this gallant young lord to marry" (Furnivall, 3). A month later, aged about 23, Mary gave birth to a son who died almost immediately (Furnivall, 3). Some modern researchers have suggested that the infant's cause of death could have been congenital syphilis. Mary Fitton and her former lover were banished from Queen Elizabeth's court for their transgressions. Elizabeth had always punished those ladies in her service who had compromised their chastity very harshly; she likewise punished the men who impregnated her ladies if they refused to marry them. Still as obsessed as ever, Sir William Knollys offered himself to Mary Fitton once again, even though she was in disgrace. Mary seems to have abhorred the idea of stability and defied convention at all costs, since she spurned Knollys once again to have an affair with the married Vice Admiral Richard Leveson. Leveson's wife was the daughter of Lord High Admiral Charles Howard, a cousin to the Queen. When the Vice Admiral died in 1605 at the age of 35, he left Mary 100 pounds. A statue of Sir Richard Leveson at St. Peter's church, Wolverhampton, by Hubert Le Sueur. This statue was originally part of a larger group in the chancel, now in the Lady Chapel. Picture acquired through Wikimedia Commons courtesy of Siwells53. Still having no interest in marriage, Fitton began a liaison with Captain William Polwhele, and bore him a son. Mary's parents had understandably had quite enough of their daughter's serial dalliances. Mary's mother, Alice Halcroft-Fitton, wrote to her other daughter, Anne, the wife of John Newdigate, in great distress: "such shame as never had a Cheshire woman, worse now than ever. Write no more to me of her." (quoted in Haynes, 49) Captain William Polwhele and Mary did eventually get married, but Mary was widowed by 1610. Presumably to provide for the two children she had had with her late husband, and to attach some respectability to her own name, Mary got married for the last time to another captain. In 1890, Thomas Taylor was the first to put forth the theory that Mary Fitton may have been the mysterious "Dark Lady" of Shakespeare's sonnets. This theory relies heavily on the assumption that William Herbert, 3rd Earl of Pembroke was Shakespeare's "fair youth", whom Shakespeare urges to marry, though there are other candidates. William and his brother Philip made up the "incomparable pair of bretheren" to whom Shakespeare's First Folio is dedicated. According to the Folio editors, the Herbert brothers had "prosecuted both them and their author living with so much favor". Other parts of the dedication imply Shakespeare was close to the Pembroke's. Shakespeare's sonnets are dedicated to "the onlie begetter of these insuing sonnets, Mr. W.H." These initials, of course match those of William Herbert. But "W.H." could just as well be an encrypted reference to Henry Wriothesley, the Earl of Southampton (DNB, 227-28). A full-length portrait of Henry Wriothesley, the 3rd Earl of Southampton, painted between 1594-1600. Picture acquired through Wikimedia Commons. Image public domain. Frank Harris also championed this theory in several of his books, as did A.L. Rowse. Of course, since many Shakespeare scholars cannot even agree on whether Shakespeare really was Shakespeare, attempting to identify the subjects of his sonnets is almost futile. For all the evidence we have that suggests Mary Fitton was the Dark Lady, we have an equal amount of evidence that suggests she was not. One of the chief arguments against her is that the Dark Lady had to have been married to break her "bed-vow"(Furnivall, 5). Fitton was not married at the time of her affair with William Herbert. Playwright George Bernard Shaw knew Thomas Taylor personally, and discussed his theory with him. Shaw was one of the first authors to build a strong case against Mary Fitton as the Dark Lady. Even so, he did use Fitton as the Dark Lady in a work of fiction! While we will probably never know for sure who the Dark Lady was (and really, isn't it almost better that way?) we do know that Mary Fitton has been referenced in other Elizabethan poetry, and had at least one literary work dedicated to her. The comedic actor Will Kempe dedicated his account of his record breaking morris-dancing jig across the English countryside in 9 days to Mary; the work was entitled Nine Daises Wonder (Furnivall, 3). That being said, Kempe was so ill-acquainted with Mary that he painstakingly called her Anne Fitton in his dedication, confusing her first name with that of her married sister, Anne Newdigate! (Funivall, 3). A woodcut of Elizabethan clown William Kempe dancing a jig across the English countryside. Picture acquired through Wikimedia Commons. Image public domain. Whether Mary is the Dark Lady of Shakespeare's sonnets or not, she certainly led a bold and fascinating life! Sources: Haynes, Alan. Sex in Elizabethan England. Gloucestershire: Sutton Publishing Limited, 1997. Print. "Herbert, William, third Earl of Pembroke, 1580-1630". Dictionary of National Biography. Retrieved 8-23-2012. Electronic. Furnivall, Frederick James. "Shakespeare and Mary Fitton". Cornell University Library Database. Retrieved 8-23-2012. Electronic. "Earl of Banbury". Leigh Rayment's Peerage pages. Retrieved 08-22-2012. Electronic

Catherine, Lady St John of Bletso was buried in Westminster Abbey in March 1615. Her monument had originally shown her two children, Oliver and Anne.

For nearly 1000 years people have lived in the Tower of London. Many were tortured and killed there. Things like that leave their mark.

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