The Glacier Bay Edgewood 8 in. Widespread 2-Handle High-Arc Bathroom Faucet in Brushed Nickel has an elegant, curved design that will complement a wide variety of bathroom decor. WaterSense certified, this faucet has a 1.2 GPM water flow rate to help conserve water and ceramic disc cartridges to prevent drips. The 2-handle design offers precise control over water flow and temperature, while the high-arc spout design provides plenty of clearance. This Faucet features the Glacier Bay exclusive ClickInstall drain for quick and simple installation. Pair with other pieces from the Edgewood Collection for a complete and polished look."}},"base-catalog-323775284":{"__typename":"BaseProduct 2-handle design provides ease of use High-arc spout provides ample washing space Brushed nickel finish uses a physical vapor deposition process that ensures the finish is a durable lifetime finish Easy to install 3-hole mount for widespread vanity top installation Replacement parts available including model numbers: RP90037 (handle inverters), RP90034 and RP90067 (bonnet nuts), RP90113 and RP90025 (cold cartridge assembly), RP90114 and RP90024 (hot cartridge assembly), RP90064 (drain assembly in brushed nickel), RP90087 (Mandouri 1.2 GPM LED bathroom sink faucet aerator in brushed nickel), RP90090 (Edgewood 4 in. centerset 1.5 GPM bathroom sink faucet aerator in chrome) RP90092 (Edgewood 4 in. centerset handle kit in brushed nickel), RP90094 (handle flanges in brushed nickel) and RP90095 (Edgewood 8 in. widespread lift rod kit in brushed nickel) Features the Glacier Bay ClickInstall drain system for easy installation Ceramic disc cartridge ensures long-lasting, Drip-free performance Features Limited Lifetime Warranty For additional assistance with Replacement parts see the Replacement Part List under Info & Guides or call 1-855-HD-GLACIER This faucet is WaterSense Certified and provides a flow rate of 1.2 Gallons Per Minute.
This listing is for a set of four 8-1/4" salad plates in Noritake's "Edgewood" pattern (#5807), in production from 1957-73. “Edgewood” has a pink and blue patterned edge with a platinum verge and trim. These salad plates are in very good vintage used condition; light utensil marks and minor wear to the trim. I have other pieces available in “Edgewood.” I offer for sale a wide variety of china, dinnerware and pottery. I hope you'll spend some time browsing through the selection in my shop. http://www.etsy.com/shop/JosChinaShop L1121
Photo 8 of 11 in Edgewood House by Terry & Terry Architecture. Browse inspirational photos of modern homes. From midcentury modern to prefab housing and renovations, these stylish spaces suit every taste.
Highlights "STANDARD SIZE TABLE: This 7’ Modern Industrial style billiard table is designed for competitive action with a playfield size found in many pool bars, and it ships partially preassembled with all the accessories you need for a classic game of pool CRAFTSMANSHIP: The top rail and apron of this table are made of MDF and PVC laminated with a dark finish, and the playing surface is made of 3/4” thick (18mm) engineered wood with double side lamination for durability PLAYING SURFACE & BALL ROLL: The 74.75"" x 37.375"" playfield of this parlor-style metal corners drop pocket table is 50% wool felt blend cloth-covered with rubber K818 bumpers for a smooth ball roll of the included 2.25” pool ball set STURDY LEG DESIGN: The legs are made of MDF with PVC laminated wood grain finish, and metal crossbars to create the Modern Industrial style. The legs have adjustable 1.5” hidden levelers, 3 more brackets are under the playfield to help even the surface ROOM SIZE & ASSEMBLY: The playfield mainframe is preassembled, the assembly process mostly consists of the leg structures, and leg levelers, the recommended room size for this table is 16.5’ x 13.5’ to allow for cue stick movement around the table ACCESSORIES INCLUDED: This pool table comes with a complete set of billiard accessories to start playing right away and includes one set of 2.25” billiard balls, two 57” cue sticks, one triangle, two chalks, one brush " Description This unique Hall of Games 7' Billiard Table is just the thing to improve your family's basement or game room. Premium K-818 bumpers offer a consistent ball bounce while the wool blend top allows for a smooth ball roll. Reinforced play surface for enhanced durability and level playfield. It's suitable both for beginners as well as the most experienced of players. This billiard table is easy to assemble and has leg levelers to ensure you can achieve and maintain a level playing surface.
A selection of works by London-based artist Lynette Yiadom-Boakye will be on view at the Yale School of Art's 32 Edgewood Avenue Gallery April 8–May 30. Best known for her large-scale figurative paintings of subjects that she constructs from a combination of memory, imagination, drawing, and scrapbooks, Yiadom-Boakye has had her works exhibited at museums and galleries around the world, including London, New York, Cape Town, Lyon, and Kiev. In 2013 she was the first black woman ever to be nominated for the Turner Prize, one of Europe’s most coveted artist competitions. The exhibition has been curated by Robert Storr, dean of the Yale School of Art, and is free and open to the public. Here are some works from the show.
The 45th Annual Edgewood Heritage Festival takes place from 8:45 a.m. to 4 p.m. Saturday, November 12, at the Heritage Park Museum of East Texas in Edgewood. The park includes three city blocks of roughly 20 buildings that pre- serve the architecture of the past. The annual festival raises funds to maintain the restored and furnished buildings that preserve the history of life in Van Zandt County in the early 1900s.
Description: Edgewood by Noritake Pink and blue flowers with platinum trim Made in Japan, 1957-1973 Creamer Dimensions: 2 5/8" Height 8 OZ Condition: Used, Chip Free About This China: This China is previously loved. We've ensured this piece is chip free, but surface imperfections may exist.
First Light © 2014 by Karen Mathison Schmidt 12 x 9 inches • oil on archival, museum-quality 3/4" cradled GessobordTM gloss varnish for UV protection sides painted dark umber, so can be displayed with or without a frame One thing then another has filled my days and kept me from my blog for too long! Just wanted to share this painting I just finished, and then gotta run. Later, taters! Oh, and happy painting, too!
You'll love the textures in this piece! The dictionary describes an Arbor as: a shady garden alcove with sides and a roof formed by trees or climbing plants trained over a wooden framework.(*The British spelling of Arbor is Arbour, and we chose that, because we're fancy). The depths of green make this piece feel reminiscent of a secret garden space, just waiting for you to enjoy. Bring the outdoors in every day with Arbour, in your choice of an art print or a canvas.
Not sure what got into me today; maybe it was the rockin’ good breakfast, maybe it was the gorgeous springtime weather. Whatever it was, I did two, count ’em, TWO fun new fauve-a-licious landscapes today! Pink Path © Karen Mathison Schmidt 14 x 11 x ¾ inches • oil on ¾" cradled Museum Series GessobordTM gloss varnish (UV protective) • sides painted dark umber can be beautifully displayed with or without a frame CLICK HERE TO BID or view the auction • ends evening of Thursday, April 9 10% of proceeds to be donated to Mercy Ships ____________________________________________________________ Bodega Bay © Karen Mathison Schmidt 14 x 11 x ¾ inches • oil on ¾" cradled Museum Series GessobordTM gloss varnish (UV protective) • sides painted dark umber can be beautifully displayed with or without a frame CLICK HERE TO BID or view the auction • ends evening of Thursday, April 9 10% of proceeds to be donated to Mercy Ships Back in January I participated in one of Susan Sarback’s color intensive workshops in Fair Oaks, California. I’ve studied and recommended her book, Capturing Radiant Light and Color in Oils & Pastels, for almost twenty years; it’s one of the books I reference again and again (along with my big book of California Impressionists that I’ve had for over ten years). At the workshop I met a bunch of friendly painterly type people, got to see Susan paint first hand, and learned how she builds up a painting by applying layers of color with a palette knife. I was somewhat out of my comfort zone, painting with a knife instead of a brush, but had a lot of fun learning to mix the colors actually on the painting instead of the palette and practicing; by the fourth and last day I was starting to get the hang of it. I also have been studying the paintings of Richard Schmid, another artist whose work I greatly admire, and reading his book, Alla Prima II: Everything I Know About Painting. So, in these paintings I started trying to incorporate what I’ve been learning about impressionist color relationships and technique, painting more thickly and quickly, wet into wet, all in one go. And might I just say: it’s a blast! I felt like I had a “Helen Keller at the water pump” afternoon -- you know, where she finally GOT that the words her teacher had been signing into the palm of her hand actually MEANT something. After I finished the first painting (which was oh-so-loosely based on a photo I took in Norton Art Gallery gardens here in Shreveport) I thought, what ELSE can I paint like this? A few days ago I had come across a photo of Bodega Bay that I took a decade ago and thought that would be a great subject to try. I just kept going and going, and then it was time to feed the dogs and have dinner with my husband. What a great work day! And on Monday I’ll be announcing details of a workshop (maybe two!) I myself will be teaching in Savannah, Georgia next April. And one or two here in Shreveport this fall. Woo-hoo! I hope you all have a beautiful Easter!
Product Information Width: 8 1/4 in Porcelain Crafted In Japan Hand Wash Discontinued Piece Piece Code: SP Condition: Used (each item is inspected for quality and is guaranteed to be in excellent condition) Web ID: 4313741
A Jocund Company © 2014 Karen Mathison Schmidt 6 x 6 inches • oil on 1/8" GessobordTM gloss varnish for UV protection CLICK HERE TO GO TO THE AUCTION PAGE Auction ends April 21 Three different kinds of daffodils gathered in the aluminum pitcher I use for my spring treasure outings. And a sneak peek at what’s coming next: Happy Painting!
Highlights "STANDARD SIZE TABLE: This 7’ Modern Industrial style billiard table is designed for competitive action with a playfield size found in many pool bars, and it ships partially preassembled with all the accessories you need for a classic game of pool CRAFTSMANSHIP: The top rail and apron of this table are made of MDF and PVC laminated with a dark finish, and the playing surface is made of 3/4” thick (18mm) engineered wood with double side lamination for durability PLAYING SURFACE & BALL ROLL: The 74.75"" x 37.375"" playfield of this parlor-style metal corners drop pocket table is 50% wool felt blend cloth-covered with rubber K818 bumpers for a smooth ball roll of the included 2.25” pool ball set STURDY LEG DESIGN: The legs are made of MDF with PVC laminated wood grain finish, and metal crossbars to create the Modern Industrial style. The legs have adjustable 1.5” hidden levelers, 3 more brackets are under the playfield to help even the surface ROOM SIZE & ASSEMBLY: The playfield mainframe is preassembled, the assembly process mostly consists of the leg structures, and leg levelers, the recommended room size for this table is 16.5’ x 13.5’ to allow for cue stick movement around the table ACCESSORIES INCLUDED: This pool table comes with a complete set of billiard accessories to start playing right away and includes one set of 2.25” billiard balls, two 57” cue sticks, one triangle, two chalks, one brush " Description This unique Hall of Games 7' Billiard Table is just the thing to improve your family's basement or game room. Premium K-818 bumpers offer a consistent ball bounce while the wool blend top allows for a smooth ball roll. Reinforced play surface for enhanced durability and level playfield. It's suitable both for beginners as well as the most experienced of players. This billiard table is easy to assemble and has leg levelers to ensure you can achieve and maintain a level playing surface.
COMMISSION Joy of Reading © 2016 Karen Mathison Schmidt10 x 8 inches • acrylic on cradled GessobordTMCommission • New Orleans, Louisiana CLICK HERE TO SEE STEP-BY-STEP PROCESS
A selection of works by London-based artist Lynette Yiadom-Boakye will be on view at the Yale School of Art's 32 Edgewood Avenue Gallery April 8–May 30. Best known for her large-scale figurative paintings of subjects that she constructs from a combination of memory, imagination, drawing, and scrapbooks, Yiadom-Boakye has had her works exhibited at museums and galleries around the world, including London, New York, Cape Town, Lyon, and Kiev. In 2013 she was the first black woman ever to be nominated for the Turner Prize, one of Europe’s most coveted artist competitions. The exhibition has been curated by Robert Storr, dean of the Yale School of Art, and is free and open to the public. Here are some works from the show.
Edgewood Golf Course is located in Massachusetts. This unique, watercolor-style golf course maps are collectable pieces of art, perfect for any golfer or golf fan. It's a keepsake and personal memento that you can proudly display on the wall of your home or official SPECS - 8x10", 11x14”, 18x24" and 24x36" size is printed on Premium Textured Cardstock Paper (unframed) SHIPPING Estimated 4-7 business days for FREE delivery within the US. Edgewood Golf Course, located in Southwick, Massachusetts, is a picturesque 18-hole golf course that offers golfers of all skill levels a challenging and enjoyable golfing experience. Nestled in the scenic Pioneer Valley, Edgewood Golf Course is known for its beautiful views, well-manicured fairways, and excellent amenities that make it a popular destination for golfers in the region. One of the standout features of Edgewood Golf Course is its stunning setting. The course is nestled in a serene and natural landscape, surrounded by lush forests and rolling hills. The picturesque scenery creates a peaceful and enjoyable atmosphere for golfers to enjoy their game. Many golfers appreciate the opportunity to connect with nature while playing their favorite sport, and Edgewood Golf Course delivers on this front with its stunning surroundings. The course itself is well-designed, with 18 challenging holes that offer a variety of play options. The course is par-72 and measures 6,425 yards from the back tees, providing an excellent challenge for experienced golfers while remaining accessible for beginners. The course features a mix of tree-lined fairways, strategically placed bunkers, and water hazards that require golfers to think strategically and make accurate shots. The well-maintained fairways and greens provide a consistent playing surface, ensuring an enjoyable experience for golfers of all skill levels. In addition to its challenging course, Edgewood Golf Course also offers excellent amenities for its visitors. The clubhouse provides a comfortable space for golfers to relax before or after their round. Inside, golfers can find a pro shop stocked with a wide range of golf equipment and apparel, as well as a friendly and knowledgeable staff that can provide advice and assistance. The clubhouse also features a bar and grill, where golfers can enjoy a delicious meal or a refreshing beverage after their game. The friendly and welcoming atmosphere at Edgewood Golf Course creates a sense of community among golfers and fosters a sense of camaraderie among players. Edgewood Golf Course is also known for its commitment to promoting the game of golf and providing opportunities for golfers of all ages and abilities. The course offers golf lessons and clinics for beginners, as well as junior golf programs that aim to introduce young players to the sport and help them develop their skills. The course also hosts various tournaments and events throughout the year, providing golfers with opportunities to compete and socialize with other players. Edgewood Golf Course is dedicated to creating a welcoming and inclusive environment that encourages golfers to enjoy the game and continue to develop their skills. Another notable aspect of Edgewood Golf Course is its affordability. The course offers reasonable green fees, making it accessible to a wide range of golfers. Additionally, the course offers various membership options, including season passes and frequent player programs, which provide even greater value to avid golfers. The affordability of Edgewood Golf Course makes it an attractive option for golfers who are looking for a quality golfing experience without breaking the bank. In conclusion, Edgewood Golf Course in Massachusetts is a beautiful and challenging golf course that offers a memorable experience for golfers of all skill levels. With its stunning setting, well-designed course, excellent amenities, commitment to promoting the game of golf, and affordability, Edgewood Golf Course has become a beloved destination for golfers in the region. Whether you're a seasoned golfer or just starting out, Edgewood Golf Course is a must-visit destination for an enjoyable and rewarding round of golf.
Decorate laptops, Hydro Flasks, cars and more with removable kiss-cut, vinyl decal stickers. Glossy, matte, and transparent options in various sizes. Super durable and water-resistant. Made specifically for any Edgewood college supporters!!!
HENREDON Historic Natchez Collection Traditional Style 46" Edgewood Secretary Desk 6403-23 Comes with keys. 95.25" High 46" Wide 25" Deep We specialize in high end used furniture that we consider to be at least an 8 on a scale of 1 to 10 regarding condition, unless otherwise noted. less
SOLD A Walk in the Park © 2014 Karen Mathison Schmidt 6 x 6 inches • oil on 1/8" Gessobord TM private collection • Elk Grove, ...
Almost finished with this one, I think … Summer Road work-in-progress • 16 x 16 inches • oil on cradled GessobordTM Lots of stormy weather today, so a lazy afternoon for the dogs. Wait a minute. Come to think of it, pretty much every afternoon is a lazy afternoon for the dogs. Long-legged Blue, dreaming away in a chair a couple of sizes too small. Buster spends at least four minutes arranging the quilt just so, before he plops down for a snooze. And here’s Roadie. I don’t see how this can possibly be comfortable. Sweet dreams and happy painting!
WORK-IN-PROGRESS • 24 x 30 oak tree landscape painting I love painting trees. I really don’t think I’ll ever get tired of it. I’m going to try to finish this one today. ______________________________________________________________ German-born California impressionist William Wendt (1865-1946) is one of my absolute favorite artists. I’ve been studying his later paintings of the glorious California landscape, paying special attention to how he used bold, broad strokes to simplify the shapes of the hills and trees. Beautiful.
Evening Reflections © 2011 Karen Mathison Schmidt 11 x 14 x 3/4 inches • oil on 3/4" cradled Gessobord gloss varnish for UV protection • sides painted dark umber can be beautifully displayed with or without a frame CLICK HERE TO BID Auction ends June 4 I hope everyone had a wonderful and safe Memorial Day holiday yesterday. We had a quiet time around the house, and so I had a good, long stretch of time at the easel. Wonderful! I don’t know if it was the leisurely big breakfast, or maybe the four-plus cups of coffee, but I managed to finish this one (which I had already made a start on) and another little one of the pear tree yesterday. This painting is a late spring, just-before-sunset landscape painting of the pond just down the road from us. I used a painting knife on the foreground grasses, and brushwork on the tree and sky ... lots of color layers and fun texture ... and somewhat different from the way I started out to make this painting! Here were the work-in-progress photos as of the beginning of yesterday’s work: First, the acrylic underpainting, consisting of the initial sketch in indigo, and glazes of color in the different areas. Then, more glazes: yellow in the sky, red and fuschia over the horizon trees and their reflection, and the foreground grasses: Now I started adding the oil colors, starting with the sky and its reflection: I kept adding oil colors; what I didn't realize at this point was I was getting far too attached to my initial sketch, not allowing for any spontaneity at all ... ... so by the time I ended up with this, at the end of the day ... ... I did not like the way it was turning out AT ALL! As a result, I was in kind of a grumpy mood at dinner time. I said, “Well, it’s over. I’m a TERRIBLE artist. I’m going to have to figure out something ELSE to do.” At which point Paul just started laughing, and kidded me out of my crummy mood. So the next day before I sat down at the easel, I took two of my art books, which I often use to get “unstuck,” off the shelf: California Impressionism by William H. Gerdts and Will South, and Painting the Impressionist Landscape by Lois Griffel. I browsed through these for about half an hour while I finished my morning coffee, studying the paintings in detail and coming to the realization that I had been trying to be too controlling in my approach, instead of balancing that control with some spontaneity, a MUST when trying to capture the untamed wildness of the landscape around here. I don’t have any work-in-progress photos from today, because once I picked up the painting knife I just went to work and got lost in the process. I did stop once for a lunch break, at which time I studied what I had done so far and made a few changes in my head. Paul always laughs at me when I do this ... just staring trance-like at the painting propped up on the mantle while munching on my sandwich. Then after we finished our lunch I couldn’t wait to get right back to it until I finished an hour or so later. It was kind of funny, a whirlwind of painting right there at the end, and then, quite suddenly, I stopped and looked at the painting, put my knives and brushes down, wiped my hands, threw my arms up in the air like a rodeo contestant just finishing up roping a calf, and said aloud: "DONE!” Which made me laugh. Then, because I wasn’t quite ready to stop for the day ... those creative juices were still flowing ... I did another little one, of a couple of ripe pears on the pear tree out back (no, it’s not quite harvest time; I used a reference photo of last year’s pears.) Anyway, my two lessons that I already knew but were reinforced during the execution of this painting are: 1) The root word of impressionism is impression. Keep it LOOSE! Let the viewer’s brain complete the work of seeing. 2) Especially when it comes to attempting to depict the rural landscape of Louisiana, don't try to tame the untameable (we already get enough of that trying to keep our yard in shape)! Oh, by the way, below is a photo of the actual scene of this painting. As you can see, although we do have plenty of irises growing wild around here, there are no waterside lilies beside this pond in real life; those just sort of appeared during the painting process, like a little gift, and I went with it. Now who would want to tame this?
HENREDON Historic Natchez Collection Traditional Style 46" Edgewood Secretary Desk 6403-23 Comes with keys. 95.25" High 46" Wide 25" Deep We specialize in high end used furniture that we consider to be at least an 8 on a scale of 1 to 10 regarding condition, unless otherwise noted. less
SOLD Almost Spring II © 2015 Karen Mathison Schmidt 20 x 16 inches • oil on archival, museum quality cradled GessobordTM SOLD • private collection, Shreveport, Louisiana I just put the finishing touches on this one this afternoon: the view from our driveway across the yard to the north pasture. Love those old oaks!
We often look past the beauty around us. We might stop and take a picture of a beautiful flower or sunset, but buildings sink into the background. Here are just 12 awesome pieces of architectural brilliance in Wisconsin.
Noritake Edgewood (5807) was produced from 1957 to 1973. The gold trim on this pattern means it is not safe for use in the microwave. Set includes: 4-pieces set includes: 1 - Footed Cup & Saucer Set 2 1/4 in 1 - Dinner Plate 10 1/2 in 1 - Salad Plate 8 1/4 in Singles pieces: Creamer: 2 5/8 in, 8 OZ capacity Oval Serving platter: Length: 13 7/8 in with handles. Lugged Cereal Bowl: Width: 6 3/4 in Oval Divided Vegetable Bowl: 10 in (Rare find)
HENREDON Historic Natchez Collection Traditional Style 46" Edgewood Secretary Desk 6403-23 Comes with keys. 95.25" High 46" Wide 25" Deep We specialize in high end used furniture that we consider to be at least an 8 on a scale of 1 to 10 regarding condition, unless otherwise noted. less
8 Seater: Ø: 59.8” (152cm) Height: 29,5” (75cm) Thickness: 2” (5cm) Top Shape: Round Edge: Eased Edge Wood: Walnut Wood Base: Lacquer Painted Wood and Chrome Plated MetalDisclaimer: The product in the photo is an example. Each new product is produced from different wood slabs. Therefore the color, textures, and curves of wood used in the product can be changed.
Dreaming in Color III: Impressions © 2013 by Karen Mathison Schmidt, artist 6 x 6 inches • oil on archival, museum quality GessobordTM SOLD • private collection, Independence, Missouri Ray can sleep anywhere. Books and magazines are his favorite. And picture frames, don’t forget the picture frames. Anything with an edge to it. Hey, can I help it if my sleep number is 837? Speaking of sleep numbers ... I think I’d better go hit mine. Sweet dreams, everybody!
4 Seater: Ø: 35.8” (91cm) Height: 29,5” (75cm) Thickness: 2” (5cm) Top: Round Edge: Eased Edge Wood: Walnut Wood Finish: High Gloss Base: Black Powder Coated Metal Note: This product is made to order. Custom sizes, colors and finishes are available.Disclaimer: The product in the photo is an example. Each new product is produced from different wood slabs. Therefore the color, textures, and curves of wood used in the product can be changed.
SOLD A Study in Ray and Purple © 2014 Karen Mathison Schmidt 6 x 6 • oil on 1/8" GessobordTM private collection • Seminole, Florida Here’s Ray in his favorite spot with MY favorite sweater. This is another alla prima study (after studying the paintings of Richard Schmid); I’m going to try to do more of these small studies every week, in addition to the larger paintings I’m working on. We were away from home most of the day today but after we got home I wasn’t tired at all so I decided to see if I could paint this one in one sitting, which I did. And now I have stayed up WAY too late, so good-night, all!
SOLD Anticipating Autumn ©2016 Karen Mathison Schmidt10 x 10 inches • oil on ⅛" Ampersand Museum Series (archival) GessobordTMprivate collection • Keene, New Hampshire On a hot day like today I’m r
I had the pleasure of meeting William Eubanks in Palm Beach a few years ago and subsequently posting one of his special decorating projects for Ambassador Mary Ourisman. He and…
SOLD Cool Breeze ©2016 Karen Mathison Schmidt10 x 10 inches • oil on ⅛" archival Gessobord panel private collection • Shreveport, Louisiana
I think that I shall never see a poem as lovely as a tree ... JOYCE KILMER SOLD Sunny Oaks © Karen Mathison Schmidt 6 x 6 inches • oil on ⅛" Museum Series (archival) GessobordTM private collection • Salem, Oregon Last month I was in Savannah, Georgia, teaching a couple of workshops, and in between the two I had the weekend free. Sunday afternoon I was kicking back in the living room with a glass of iced tea and a book, when my hostess with the mostest (hey, Sue!) breezes through the room and says, “Come with me, there’s something you need to see. You can bring your tea. And grab your camera!” So I picked up my glass of tea and followed her out, swooping up my camera as we passed by the hall table. We piled into her SUV and she drove me to a nearby neighborhood where she parked in front of the biggest, most jaw-droppingly gorgeous oak tree I’ve ever seen. That’s me there in front, so you can see how GIGANTIC this old tree is. After I finished taking approximately one gazillion photos of the tree, Sue took me to nearby Wormsloe Plantation, where I took more photos, one of which was the inspiration for today’s painting. The tours were closed for the day, so we couldn’t drive in, but just looking down the oak-lined drive was pretty spectacular. After that, we did some more sightseeing until the sun started going down. I enjoyed the afternoon immensely, and came back with lots and lots of reference photos. All in all, a beautiful way to spend an April afternoon in Savannah. Thanks, Sue! This last one I took when we got back to Sue’s house. From the window of my guest bedroom.
