.
oh, what a world, what a world...: Lance Letscher
Joyce stratton
vintage paper, pastel, marker on 9 x 12 paper NOTE: Oct. 10---Just found out this collage has been accepted into the Grand Small Works Exhibit at the FUEL collection, Dec. 2-28, in Philadelphia.
Saved by Owen (@opwann). Discover more of the best Collage and Art inspiration on Designspiration
Steven Alexander, IS & WAS 1, 2011, Acrylic on Linen, 24 in x 20 in, LewAllen Galleries
Yoko Hara.
things aren't always as solid as they seem
One way to make your work more personal and unique is to use found items, memorabilia, and objects that have meaning for you. You can tape, glue, adhere, staple, or otherwise attach a heck of a lot of neat stuff. There are almost infinite possibilities.
One way to make your work more personal and unique is to use found items, memorabilia, and objects that have meaning for you. You can tape, glue, adhere, staple, or otherwise attach a heck of a lot of neat stuff. There are almost infinite possibilities.
One way to make your work more personal and unique is to use found items, memorabilia, and objects that have meaning for you. You can tape, glue, adhere, staple, or otherwise attach a heck of a lot of neat stuff. There are almost infinite possibilities.
Explore osuzu & izumi's 546 photos on Flickr!
Richard Pearse.
Richard Pearse remains pretty elusive, only confirming on his site that he is a Kiwi "living in a shed in Patea, South Taranaki." I wonder what that shed looks like because if his work is anything to go by I'm sure it's exquisitely well crafted. His sculptural paintings cum woodwork mosaics conjure up old weatherboard houses with peeling paint, intricate tiled floors, aboriginal art, geometric abstract paintings, and colouring-in squares on your maths book (nostalgic). The pieces seem particularly effective due to the careful consideration of rhythms built up by the number and size of the wooden offcuts layered together, coupled with the textural nature of the "paintings."
