It's June and I'm installing my show with Kyle Ripp tomorrow in the Elizabeth Denison Hatch Gallery, at the Delaware Center for the Contempo...
It's June and I'm installing my show with Kyle Ripp tomorrow in the Elizabeth Denison Hatch Gallery, at the Delaware Center for the Contempo...
"I stopped drinking, I stopped smoking. I live for this period of being in the studio," he says. Known for his vibrant, draped fabrics, Gilliam is currently enjoying a resurgence in popularity.
The artist expresses herself with strong colors and fabric combinations while adding text and sewing canvases to elongate their size.
It's June and I'm installing my show with Kyle Ripp tomorrow in the Elizabeth Denison Hatch Gallery, at the Delaware Center for the Contemporary Arts. Here's a teaser. I went back and forth on whether I should paint the wall blue behind it. I have decided to install it and then decide but I think I'm NOT going to paint the wall. I want it to be viewed from as many angles as the space allows and not just from head on. I will know when I get it installed whether I've made the right choice. Since this is my first time showing sculpture in a gallery it's been really hard to visualize it. I'm also working on a sound component which will be available for listening on a personal player with headphones, another first for me. Here is a detail from the painting also included in the show. Title: "Crash, Hush..." 48 x 92 inches (diptych). The opening is this Friday, June 4th, 5:30 - 9 pm. I'll be giving an artist's talk starting with the piece I have included in the member's show NEW juried by Roberta Fallon and ending in the Hatch Gallery. The talk will be sometime between 6:30 and 7:00.
Jon Rafman, Matisse Boy’s Room, 2011
While the ecological aspect of Suter’s work is particularly timely, her obvious enjoyment of pure color and form makes her artworks all the more enduring.
Image 14 of 32 from gallery of The Art Space Gallery & Restaurant / ShapeUs studio. Photograph by Hiroyuki Oki
The lobby gallery at the Skidmore, Owings & Merrill-designed midtown office tower at 1285 Avenue of the Americas, with its partitioned walls flanked by floor-to-ceiling windows on the north and south sides of the building, is unusually well-suited for both casual and concentrated encounters with art.
While the ecological aspect of Suter’s work is particularly timely, her obvious enjoyment of pure color and form makes her artworks all the more enduring.
I visited Judy Pfaff's studio this week to check out the work that will be here for her show. Judy's studio is on a large plot of land at the base of the Catskill mountains. It is pretty idyllic. It was raining pretty hard that day, but Judy warmed me up with a cup of tea and her generous spirit. She's an outstanding and lovely individual. Her studio is a place of constant flux - the way any good studio is. She's simultaneously preparing for our show at the gallery, our booth at Art Chicago and a concurrent show at the Reavley Gallery at the Texas National 2010 show in Nacogdoches, Texas. The Texas National show is an annual competition, open to all artists living and working in the United States, juried each year by an internationally acclaimed artist. This year, 191 artworks by 161 artists were chosen by Judy. The TN 2010 show will be held in the Ledbetter Gallery of The Cole Art Center at the SFA School of Art. Previous jurors have included Doug and Mike Starn, who have also show at the David Weinberg Gallery, along with the likes of Leon Golub, Donald Sultan, Sandy Skoglund, Ed Moses, and - one of my favorite enigmatic artists - Mel Chin. On top of managing all of this, Judy is also the head of the Art Department at Bard. It's pretty astonishing to think that she can handle the (overly)full plate that is in front of her, especially considering that several works we will show are very large, new, and never before seen. She's amazing and the show will be amazing. See you there! New, in progress and as yet untitled work by Judy Pfaff - likely to appear on the back wall in Gallery 1, Assemblage materials / Mixed media, 91x91, 2010 A photo I snapped on my last visit to Judy's studio in August of 2009. Judy is a sponge and takes inspiration from nearly everywhere, but this is just outside her back door and I think you can see a direct relationship to the previous image. Awesome. Studio view Another studio view
Summer living, a Cotswold bolt-hole, and a Cornish retreat
Van Gogh, Starry Night degrades the work of the daring painter while underusing the awesome powers of immersive digital technology.
Completed in 2014 in Dunkerque, France. Images by Julien Lanoo. The project is located in an old industrial park along the railroad tracks at the entrance of the city of Dunkirk, in fact just a stone’s-throw away...
The artist — still brilliant and brimming with artistic talent — will celebrate his 86th birthday on November 30.
Compre arte da Roberval Sales (Envio Grátis, Compra direta segura): Desenho intitulada "Os Retirantes - Série Pobreza Extrema"
architectural elements rendered as foldable skins that stand as thin fragments of spatial existence, catching the specific characteristics of a structure.
Artist and textile designer on the rise Shilo Engelbrecht gleaned inspiration from Greece’s sacred, UNESCO world heritage site, Delos for her recent small capsule collection Andamento.
Exposição Conecta Orgânica no Café Jabô,. Apresentamos o Biombo Modular: instalação multifuncional que se adequa ao ambiente.
O Museu de Arte do Rio (MAR) no Rio de Janeiro é um dos museus da nova Praça Mauá. As exposições falam sobre o Rio de Janeiro.
Boro: The Fabric of Life presents Japanese recycled and patch-worked textiles.
