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Young French artist and photography included, graduating with fine art, honours in 2011, her work is divided into four sections - Landscapes, portraits, anatomy and vanities. Her portraits series shows human portraiture photographs with paint on top of them creating an animals features and face instead of keeping the humans. Exhibited in the National Portrait Gallery, the work was created personally, the 2 portraits coming together to try to give a form of duality and create harmony between the 2 mediums. It is a fashion piece and relates to catwalk fashion in terms of over the top head gear which hides identity or gives an animal like behavoir impression.I have chosen to analyse this piece because I really like the way to two mediums sit well together and the way it looks so natural and normal even though it is completely unrealistic, the colours blend well together and being a painter myself I think I could incorprate similar elements in my own work. I could use the same materials or perhaps try embroidery instead of paint, I also think the pieces would look good on material such as cotton fabrics. I translated the information from French on her website (charlottecaron.fl) and looked at trendland.com for photographs of this work and information about her four different types of work and when she graduated/the type of art she does. I have noticed in her other works she uses a similar techniqure when painting, for example her landscapes colour is blended very well and gives a dripping down effect within the painting as does her portraiture work here. Caron quotes 'The series of paintings/photographs are trying to respond to a form of duality, ultimately creating an osmosis of the two mediums. The genre is portraiture, although mixed media is used to enhance the original photograph, making it more interesting and worked on. The title of the works is as a series is simply Animal Portraits over Human Portraits and ach individual work isn't named, this lets us focus completely on the visual side of the work and how it sits, she also supplies us with a set meaning rather than letting a title put this into place or letting us interpret it. The subject of meaning is the consistence of two sides, this being the human side and the animalization of them with including the animal side, it shows we are all mammals and beings of this Earth and combines us into one being. She is trying to present duality in her work, this could be because of its theory of good and evil forces being balanced on Earth, if the animals can do bad and good then so can we as humans and she has found inspiration in this personal and desired attempt to create a visual representation of it. Materials used are a DSLR camera to take high quality photographs of her human subject as the base of the work, I suspect photoshop or an editorial has been used to brighten the contrast and smooth the photograph over for a more flawless effect on the materials we see seen as the faces are completely hidden. Painting being her mostly used skill and what she did for the main bulk of her degree, she paint realistically in terms of the animal subject and colour mixing is an important skill for her here. Various brushes used, small ones for hairs on the beak and larger ones to create shape with is important for the composition, the colour element alone isn't enough to produce the whole painting part of the composition, because of the subtleness line isn't too important because nothing needs outlining because it isn't there when we look at the subject in reality although tone when mixing colour is important to achieve various shades in the same colour spectrum. She uses colour in a similar spectrum for example the colours in this bird one merge together, the browns gradually lighten forming ochres and yellows, with are then lightened to create a white which blend blue in gradually, we can see that she has spread the colour down the painting and perhaps used water as an additive to let the pale colours drip over the slightly darker ones in a rather subtle way, depth is created with small brush flicks in the direction of the skeletal structure on the birds face, the paint is used quite sparingly in terms of how it is applied, there are no thick blobs or worked on bumps, the paint in flat but texture is created by the drips and the smoothness of the paint strokes she blends. It reminds me of the realism art movement, although this was particularly used on humans it has a similar look in terms of texture and a flattened paint approach creating a realistic look with complex tones of the colours used and shadow being applied to add to the realism as Carom does with the fine brush strokes for the beak hairs and the deepness of the eyes and the gaze they give off. The scale of the work is around a meter by a meter and presented on canvas, I think the scale is important in terms of each composition, it should always be kept the same so that one composition doesn't stand out too much and over take the others. The scale is perfect to looks around at each piece, if it was too large it would be too overbearing and seem less like a series when exhibited like one. My first reaction to the work was that it was more simple in terms of paint but when I looked closer I could see more detail and that it fitted to the facial composition. I like the colours used and how effective they are in terms of the piece being more complicated than simple. The blending also helps it to be more subtle. I am inspired because I feel this could be good to use my painting skills in my own photography work, also the idea of using other mediums such as sewing and fabric printing to enhance my own photographs when trying out this method. It doesn't remind me of anything I've seen before, I think the work is such a simple idea yet never thought of and produced in this interesting way.
March 5th marks the 200th anniversary of the death of Franz Anton Mesmer, the man who brought the world psychoanalysis, despite his very best efforts. Oh, and the glass harmonica.
The following story will help us understand how the living entity changes from one body to another based on his desires. Once there lived a person named Kailash who was very attached to his house. One day the great sage Narada came to him and said, "Kailash, come with me. I am going to Vaikuntha (the kingdom of God). I will take you along with me." Kailash replied, "Sorry sir, my children are very young. I have to take care of them. Maybe later." Several years later Narada returned to him and asked, "Kailash, ready now?" Kailash replied, "Sorry sir, now I have my grandson to take care. Also everyone at home needs my guidance. I cannot come now." When Narada returned after many years, he came to know that Kailash had passed away. While leaving he noticed a dog barking loudly at the doorway. The dog said, "O Naradaji, I am Kailash here" Surprised Narada replied, "O Kailash, you have become a dog now! What are you doing here? Even now, it is not too late. I can take you to the kingdom of God. Would you like to accompany me?" The dog replied, "Sorry sir, my sons are very careless with the wealth I acquired. I have therefore become a dog to protect that wealth from thieves." Feeling very sorry for the attached Kailash, Narada went away. After many years when Narada returned, he learnt that the dog had died. Thinking sadly that Kailash must have gone to some unknown body, Narada departed. When he was walking behind the house in the paddy field, a snake came hissing on the way. The snake said, "Narada, I am Kailash here, I am Kailash here." Narada asked him, "What are you doing here in a snake's body, Kailash? Don't you want to come with me now? Even now it is not too late." The snake replied, "Now I am happy that my sons have put all the money in a bank. But they are so lazy that they wake up very late in the morning. By that time, all the grains in this paddy field are either destroyed by elephants or stolen by neighbors. I have therefore become a snake to go round and round the field to protect the grains. I am very, very busy. I am sony, I cannot come with you now also."Seeing the pitiable condition of Kailash, Narada muni clapped his hands loudly, called the sons of Kailash and showed them the large snake living in their field. Immediately the sons of Kailash started hitting the snake with sticks. Kailash in his snake body tried to tell his sons, "I am your father and I am protecting your paddy fields for your sake. Why are you killing me?" But the more he hissed, the more his sons hit him till he finally died. While dying the snake remembered Narada and in his next life he became a great devotee of Lord Krishna by Narada's grace. Thus a person is impelled to accept one body after another according to his desires and actions. Such a person, being attached to his material plan-making business, spends all his time in bodily consciousness and goes on suffering in the cycle of birth and death.
Animal liberation front & animal rights activism news
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"¿No puedo hacer eso? Mira lo poco que me importa tu regla" dijeron todos.
Artist Barbara Daniels‘ latest series flips animal torture on its head by introducing a parallel world where humans reverse roles with the animals. What would happen if animals were given the same privileges as we? These are some of the questions that run the mind when you go through these chilling illustrations. Scroll down and...
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Dobutsudomo [Animals]. 1943. Book cover.
Dans un mélange fascinant entre cartographie et illustration, l'artiste britannique Ed Fairburn utilise des cartes comme toiles pour ses portraits
Exponatus - by Konstantin Korobov. Russian artist. oil on canvas
Beautiful 'Cute Llama Art' Poster Print by Creative Ys ✓ Printed on Metal ✓ Easy Magnet Mounting ✓ Worldwide Shipping. Buy online at DISPLATE.
Il est l'un des plus mystérieux animal de la jungle palombienne car personne hormis ses amis Spirou et Fantasio n'ont réussi à l'approcher et à se faire
