21 of the most beautiful and important Armenian churches and monasteries, including UNESCO World Heritage Sites and lesser-known gems.

Rubik Kocharian is a fine artist living and working in California. To date in his prolific career, he has produced over 1,000 original oil paintings and drawings. Rubik was born in 1940 in Yerevan, Armenia. His family was exiled to Siberia in 1946 during Stalin’s regime. Rubik studied under Ivan Pavlov, a Russian artist in exile. […]

Authentic Armenian recipes are a great way to get in touch with your culinary roots if you love experimenting with food and trying new international cuisine. Authentic Armenian recipes, will introduce your family to some

About The Artwork The painting shows a group of Armenian musicians playing kamancheh, a bowed string instrument, and a woman dancing gracefully in front of them. The background of the painting is the majestic Ararat mountain, a symbol of Armenian identity and history. The painting also illustrates the importance of music and dance in Armenian culture. Music and dance are expressions of the inner feelings and emotions of Armenians. The painting also expresses the beauty of a dancing Armenian woman. Original Created:2023 Subjects:Culture Materials:Canvas Styles:Fine ArtFolk Mediums:Acrylic Details & Dimensions Painting:Acrylic on Canvas Original:One-of-a-kind Artwork Size:19.6 W x 23.6 H x 0.8 D in Frame:Not Framed Ready to Hang:No Packaging:Ships in a Box Shipping & Returns Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments. Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines. Ships From:Armenia. Customs:Shipments from Armenia may experience delays due to country's regulations for exporting valuable artworks. Have additional questions? Please visit our help section or contact us.

We present to you 10 the most beautiful Armenian women who are not only very beautiful and stunning but have received worldwide recognition for the talents they have.

We present to you 10 the most beautiful Armenian women who are not only very beautiful and stunning but have received worldwide recognition for the talents they have.

The status of the Armenian version of the New Testament as an important text-critical resource is likely to continue to increase in the coming decades. It is not easy to realize its significance by reading the 2005 edition of Bruce Metzger’s handbook, The Text of the New Testament: Its Transmission, Corruption, and Restoration, (co-edited by Bart Ehrman). Like the preceding editions, its description of the Armenian version barely fills a page. A statue of Mesrop Mashtots at Ejmiadsin, Armenia. Fortunately, in The Text of the New Testament in Contemporary Research: Essays on the Status Quaestiones, initially published in 1995, S. Peter Cowe’s chapter on the Armenian version occupies 31 pages (not including the bibliography). Cowe’s research shows that although the Armenian version has been contaminated by rival text-streams, its earliest recoverable forms are valuable witnesses to the New Testament text. He also shows that the Armenian evidence is extensive, stating (on page 256) that a recent inventory of the six largest public collections of Armenian Scriptures includes 115 New Testaments and 3,003 Gospel-books. The history of the Armenian New Testament began in the early 400s; the scholar Mesrop Mashtots (also spelled Maštoc) designed the Armenian alphabet and used it in the production of a translation of the Bible, beginning in 406 with the book of Proverbs, and finishing in 411. Working with him in this task were other scholars including Sahak (Isaac) the Parthian and Eznik of Golb. The initial translation is generally thought to have been based on a Syriac text. Twenty years later, though, when Eznik and other Armenian scholars returned to Armenia from the Council of Ephesus, they brought with them a cherished Bible which had been obtained in Constantinople. Recognizing the superiority of this newly available resource, the Armenian scholars revised their translation so as to bring it into conformity with the Greek text. This revision was completed by 440. Before moving on from the lifetimes of the first generation of Armenian translators, we should realize that the Armenian version of the New Testament had a prehistory. Prior to the introduction of the Armenian alphabet, Armenia was already a Christian nation. Just as the Armenian city of Yerevan pre-dates Rome, the adoption of Christianity as the official religion of Armenia pre-dates the official adoption of Christianity in any other nation. Gregory the Illuminator In the late 200s, King Trdat (Tiridates) III persecuted and imprisoned the Christian preacher Gregory the Illuminator (257-331), and oversaw the martyrdom of some of his fellow Christians. In 301, though, when Trdat recovered from a mental disorder after Gregory was brought to him and prayed for him, Trdat was converted, and proceeded to sponsor the evangelization of his people. The message of Christ circulated in Armenia for over a century before it was written down in the alphabet devised by Mesrop Mashtots. The echo of Syriac texts did not die out the instant that the initial Armenian version was revised, and it shaped both the Armenian canon and some aspects of its text. The text known as Third Corinthians, for example, which was part of a Syriac text of the Pauline Epistles, was also included in the early Armenian canon. Likewise Revelation was not initially in the Armenian canon, but was included later. The transmission-stream of the Armenian New Testament in the 400s-600s was a racetrack on which the text of the initial translation (from Syriac) and the text of the revision (from Greek) were in competition – and readings from one sometimes rubbed off onto the other. In the early Middle Ages, Armenian scholar-monks spread the Armenian version wherever they went – and they went throughout Eastern Christendom: to Jerusalem, to Edessa, to Alexandria, to St. Catherine’s, to Mount Athos, and so forth. Occasionally the Armenians compared their Armenian Scriptures to local standards and adjusted their text accordingly. In the later Middle Ages in Cilicia (southeastern Turkey), the Latin Vulgate – the text of the nearby Crusader States – influenced the Armenian text, resulting in the introduction of some readings that are conspicuously absent from earlier copies. Most Armenian manuscripts are medieval, and quite a few were made after the invention of the printing-press. Even the earliest substantial Gospels-manuscripts in Armenian feature the Eusebian Canons and, frequently, illustrations, which may indicate that these features were present in the Armenian tradition along with the text ever since the revision in the 430’s. Aside from fragments and pages recycled as part of the bindings of younger manuscripts, the most important Armenian copies of the Gospels include the following: (1) Gospels of Queen Mlk’ē (San Lazzaro MS 1144/86), produced in 851. (2) The Lazarian Gospels (Matenadaran MS 6200), produced in 887. (3) British Library Add. MS 21932, produced c. 900. (4) Gospels of the Priests (Walters MS 537), produced in 966. This is the earliest substantial Armenian manuscript in the Western hemisphere. (5) The Cughrut Gospels, produced in 974. (6) Matenadaran 2374, produced in 989. This manuscript was formerly identified as Ejmiadsin (also spelled Etchmiadsin) 229. A black-and-white facsimile is online. It is known for its inclusion of an unusual form of the pericope adulterae (John 7:53-8:11), and for the note “The elder Ariston” added between Mark 16:8 and Mark 16:9, and for its four illustrations, and for its ivory covers, which may have been obtained from its exemplar. (7) San Lazzaro MS 123/68, produced in the 900s. If you know the Armenian numerals (which are the letters of the alphabet), you can locate passages in the Gospels by identifying their Eusebian section-number, even if you can't read Armenian. (8) Gospels of Adrianople, produced in 1007. (9) Matenadaran 10434, produced in 1069. The colophon of this manuscript states that its exemplar, according to a tradition, had been made by Mesrop Mashtots. (10) British Library Add. MS 19727, produced in 1166. (11) The Red Gospels of Karahissar/Ganjasar (University of Chicago, Goodspeed Collection MS 949), produced in the 1100s or early 1200s. Ernest Colwell made a detailed study of the text, illustrations, and liturgical marginalia in this manuscript in 1936. (12) Gospels of Keran, produced in 1265. (13) The Gladzor Gospels (UCLA Armenian MS #1), produced in the 1200s. Other manuscripts are listed at Dickran Kouymjian’s online Index of Armenian Art. In addition to these codices, a multitude of ancient Armenian fragments have been collected from the bindings of later manuscripts. Perhaps the most interesting early fragment is MS Arm. N. 640, a papyrus housed in the National Library of France. In this non-Biblical fragment from the 500s, the text consists of Greek words transliterated in Armenian letters. Erkat'agir text from Mark 2:14-15 in MS 338, Image 2. From the Goodspeed Manuscript Collection at the University of Chicago. Different Armenian manuscripts display different kinds of lettering, roughly analogous to the difference between uncials and minuscules in Greek manuscripts. The earliest Armenian manuscripts have erkatʻagir lettering. (This term means “iron letters.” Some researchers have suggested that this name implies that this script was used in metal-working, but a more likely origin is that it expresses its first developers’ hope that this alphabet would endure for a very long time, like iron.) Manuscripts from the 1100s and later – especially after the 1200s – usually have bolorgir lettering, which is rounder and smaller than the erkatʻagir script. The relationship between the Armenian erkatʻagir and bolorgir scripts is probably similar to the relationship between the Greek uncial and minuscule scripts: the erkatʻagir script existed first, and the bolorgir script developed later, in the 900s. The theory that both scripts developed side-by-side cannot be ruled out; the earliest substantial Gospels-manuscript, written in erkatʻagir lettering, is from the mid-800s, and a bolorgir script was used in a non-Biblical manuscript only a century later. However, the paucity of evidence before the 800s only allows, rather than supports, such a theory. The third kind of Armenian script in Gospel-manuscripts is notrgir, which consists of cursive lettering. In some manuscripts in which the main text is written in erkatʻagir or bolorgir lettering, the notrgir script is used in marginalia and colophons. A zoomorphic Armenian letter with bolorgir script in the Armenian Gospels of the Fluting Shepherd, MS 139, Image 133. From the Goodspeed Manuscript Collection at the University of Chicago. It is not rare for Armenian manuscripts to feature zoomorphic letters, that is, letters consisting of abstractly drawn animals, especially in the opening verses of each Gospel. Birds often appear in the margins of Armenian manuscripts, sometimes to accompany Eusebian canon-numbers, but sometimes at random. The Eusebian Canon-tables in some Armenian manuscripts are a veritable aviary and zoo, spectacularly decorated. The Armenian version’s earliest stratum represents the Caesarean Text, but it has been subjected to several divergent influences. When assessing the text of an Armenian Gospels-manuscript, several questions should be asked: (1) Is it written on parchment, or paper? (2) What script is used? (3) Does it contain a colophon, and if so, what does it say about when and where the manuscript was made, and by whom, and on the basis of what kind of exemplar, and under what conditions? (4) Does the binding contain “guard leaves” from an earlier manuscript? (5) Does the pericope adulterae appear after the end of the Gospel of John? (This passage is not in the Gospel of John in most of the older Armenian Gospels-manuscripts, but was cited by Gregory of Narek in the mid-900s.) (6) Does it contain Luke 22:43-44? (7) Do its chapter-divisions correspond to the chapter-divisions of the Vulgate? By provisionally separating Armenian Gospels-manuscripts into groups, depending on the answers to these seven questions, one can create categories reflective of different stages in the transmission-history of the Armenian version. This task, though not complicated, is far from complete. The bright light that promises to shine from the Armenian evidence has not yet been set upon the lamp-stand it deserves. Additional resources about Armenian manuscripts and the history of Armenia (both ancient and recent) can be found by visiting the following links: J. Rendel Harris, one of the leading textual critics of the late 1800s, protested the Hamidian Massacres in 1895 and personally raised support to deliver aid to persecuted Armenians. Gospel-titles in Armenian and English Armenian manuscripts at the National Library of Russia Matenadaran - Gospels Matenadaran - Cilician Gospels (text begins on page 71) Armenian Gospels from 1302 (text begins on page 17) The Lectionary of King Hetum II Miniature Painting in Armenian Cilicia Gregory of Narek’s Laments and Prayers The Armenian Library and Museum of America (in Watertown, Massachusetts) History Museum of Armenia (in Yerevan, Armenia) Arts of Armenian - by Dickran Kouymjian Notes on Armenian Codicology, Part 2 - by Dickran Kouymjian Armenian Resources at the University of Illinois Armenian Genocide Museum The Bible in Eastern Armenian Gospel of Matthew in Eastern Armenian Gospel of Mark in Eastern Armenian Gospel of Luke in Eastern Armenian Gospel of John in Eastern Armenian

FOBO: picture Page 10: Armenian

These Armenian recipes will take you on a delicious culinary journey. Learn how to create traditional dishes and explore the rich heritage of Armenian cuisine.

Manti are classic Armenian dumplings made with a pasta-like dough and filled with a savory ground beef filling.

Get familiar with famous Armenian queens who had a specific role in the history of Armenia, helping their husbands in governance and defense of the country.

A classic Armenian recipe that comes together with just a few simple ingredients. Made from tender red bell peppers and ground meat cooked in a medley of different seasonings and broth, this cozy and comforting recipe is perfect for those colder months when you're craving a dish that's filling, without being heavy. My Healthy Armenian Stuffed Red Bell Peppers (aka Dolma) are a recipe taken straight from my bestselling cookbook, LOVE TO EAT, and is a recipe that the whole family is sure to enjoy!

Armenian jewelry Armenian silver necklace Armenian letters necklace Armenian silver jewellery Armenian alphabet necklace Armenian gift All letters of the Armenian alphabet are depicted in the necklace. The necklace is made of 925 Sterlring Silver. Weight of the necklace 85-90 grams. It is handcrafted! Check a matching bracelet here https://etsy.me/3n13jGq

China Arm Art

This set of 2 different coloured amazing art decor medium-sized (3.15x3.95 inches) pomegranates is made to give your home a classy and elegant look. The pomegranate is made by an outstanding Armenian master to look as real as possible. The pomegranate is made of beech wood and is stuffed inside. This is a perfect gift for a person who has an aesthetic taste in art and decorations. Besides, pomegranate symolizes strength, life and prosperity and is believed to keep us out of from the evil spirits. In feng shui it symbolizes fertility and happiness in the family, as well as good luck. That is why you should consider not only having it in your own house, but also giving it to people who are special to you. The set can also be used as a wedding ceremony decoration The delivery is made within 15-35 days by HayPost. You can follow your product through tracking code on haypost.am. Your feedback is very important for us.

Gata is a unique, delicious Armenian pastry that is hard to compare with any other desserts. It is made with flakey dough filled with sugar, flour, and butter. It is crispy on the outside and soft on the inside.

Are you looking to learn more about Armenian food and explore some of the best Armenian dishes that exist? This guide uncovers all! Learn more here!

This is a subject that will certainly ruffle some feathers and potentially cost me more than a few subscribers. But I’m sitting home in quarantine with nothing better to do, so I thought to myself, it’s time for a good old fashioned digital controversy. All joking aside though, if you thought the “dolma wars” were […]

Gift for Armenian friend family modern wall art prints. This is a a high resolution and professional quality print from artwork created and signed by artist jinet shahbazian. The vibrant color of these canvas prints enable the elegance of nature to be brought indoors that make for great fine art decor. ★Canvas option ►Printed with professional pigment ink printer, the ink is specially designed for indoor high-definition photo printing. It is completely environmentally friendly, without any air pollution. The image is clear and long-lasting, and it will not fade for decades. ►The canvas print will be mounted over 1-1/4 inch thick stretcher bars and the image will wrap on the sides with a fraction of an inch around the back.No framing required and is ready to hang at your convenience for your gallery, office, or home. ------------------------------------------------------ ★Fine art paper option ►The image will be printed on a bright white watercolor acid free textured paper ( 300g - 19.5 mil) cold press 100% cotton rag.The print has 1 inch white extra border around the edges for easy framing. The cold-press texture adds depth to the fine art and has a substantial feel and weight. ►Paper prints are shipped rolled in a sturdy tube. ------------------------------------------------------ ►The photo frame is not included. ►The appearance of colors may vary from monitor to monitor.Therefore The printed artwork's colors might be slightly different form what you see in your monitor. ►Depends on the print size you pick, it may not show as much detail as the original file in the listing. ►Size options are available in the drop down menu. For larger sizes please contact me for information. ►Style Options - If you would like the image to be black & white or monotone color please contact me for arrangements. ------------------------------------------------------ ►Any duties and/or customs fees are solely the buyer's responsibility ------------------------------------------------------ ★All images of original artwork and designs are the property of artist Jinet shahbazian and subject to copyright laws. ------------------------------------------------------ "I want you to be completely satisfied! Please let me know if there are any issues or questions with your order. If you're pleased with your purchase, please feel free to leave me a review."

These flavor-packed, football-shaped flatbreads, stuffed with a summer pasture’s-worth of wild herbs and greens, hail from the breakaway region of Nagorno-Karabakh (aka Artsakh in Armenian).

Do you like coffee? If you have a positive response, then you will like the Armenian coffee that is known in the native Armenian tongue as “soorj”.

Armenian Woman

April 24 marked the 100-year anniversary of the Armenian genocide, during which Armenians were taken from their homes, jailed, tortured and murdered.