Plate 18 by The Yokohama Nursery Co Ltd. King & McGaw has an extensive collection of art prints by established and emerging artists, which are all framed by hand in the UK.
Explore emmeffe6's 1306 photos on Flickr!
This artwork titled "Submerged Form" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British surrealist artist Graham Vivian Sutherland, 1903-1980. It is hand signed and numbered 2/70 in pencil by the artist. The sheet size is 19.65 x 25.75 inches, framed size is 31.5 x 37.5 inches. Published by Marlborrough Fine Art Ltd, London, Printed by Fernand Mourlot, Paris. Referenced and pictured in the artist's catalogue raisonne "Graham Sutherland Complete Graphic Work" by Ediciones Poligrafa, published by Edward Quinn, plate #106. Custom framed in a wooden black and gold frame, with gold color spacer and fabric matting. It is in excellent condition. About the artist: Graham Vivian Sutherland became a landscape painter in his mid 30s, having been a printmaker of pastoral subjects. He painted his landscapes in an abstract style, showing much interest in shapes and forms, and he experimented with Surrealism and exhibited in the 1936 International Surrealist Exhibition in London. He also did teaching in London art schools, did designing of glass, fabric and posters, and painted many portraits including Somerset Maugham and Winston Churchill, which was commissioned by the Houses of Parliament for Churchill's 80th birthday celebration in 1954. The latter commission turned into a public controversy that pitted Sutherland's modernist approach to portraiture against the Churchill's expectation that the work would depict the subject as a revered, 'international symbol.' Sittings were done during the summer of 1954 at Chartwell, country home of the Churchill's, and the Churchill family was much charmed by the artist with a close friendship developing. However, when the portrait was unveiled in November, 1954, Churchill "took an instant loathing to it. He felt he had been betrayed by the artist, whom he had liked and with whom he felt at ease" because, according to Churchill's wife, Clementine, "it was a cruel and gross travesty of Winston, showing all the ravages of time and revealing nothing of the warmth and humanity of his nature." (Soames, 589) Because it caused Winston such dismay, his wife had it destroyed several years after it was painting. However, photographs of it survived, and because it was modernist work, many critics defended it because of its realism and the fact that Sutherland disregarded his subject as self perceived and instead, painted the aging man he saw before him. Graham Sutherland was born in Streatham, studied at Epsom College, Surrey, and Goldsmiths College, at the University of London. He worked as an engineer at the Midland Railway Works at Derby before studying engraving at Goldsmiths College from 1921 to 1926. In 1927 he married Kathleen Barry. During World War II, he served as an official artist and stayed primarily in England, depicting scenes of bomb damage, mining and industry. From 1926, when he converted to Catholicism, he was deeply religious for the remainder of his life, and his convictions were often reflected in his artwork. He purchased a villa at Menton in the south of France, and spent much of his post war existence there. There were major retrospective shows of Sutherland's artwork at the Tate Gallery in 1982, France in 1998, and the Dulwich Picture Gallery in 2005. Works by Sutherland are held in collections and museums worldwide including, the Amgueddfa Cymru – National Museum Wales, Bristol Museum and Art Gallery, Doncaster Museum and Art Gallery, Kirklees Museums and Art Gallery, Herbert Art Gallery and Museum, Manchester Art Gallery, National Portrait Gallery, Norwich Castle Museum and Art Gallery, Northampton Museums and Art Gallery, Pallant House Gallery, Southampton City Art Gallery, The Ingram Collection of Modern British and Contemporary Art, Tenby Museum and Art Gallery, The Fitzwilliam Museum and The Priseman Seabrook Collection. 35.5 less
The Gleam, Northern Quebec, c. 1935 Franz Johnston, Canadian, 1888 - 1949 Oil on panel Overall: 30.5 x 39.7 cm Gift from the Fund of the T. Eaton Co. Ltd. for Canadian Works of Art, 1952 © 2013 Estate...
Esto es Iblard, un hermoso mundo imaginario, cambiante, apacible… Naohisa Inoue nació en 1948 en la prefectura de Osaka. Ingresó en la Universidad de Arte de la Prefectura de Ishikawa en 1971…
BLUNDLUND.CO.,LTD fine art , toys & stories - Hmm designed by BLUNDLUND.CO.,LTD. Connect with them on Dribbble; the global community for designers and creative professionals.
Pomp and Circumstance von Edward Elgar
Blundlund.Co.,Ltd at Contemporary Art Week 2018 - Beijing, China designed by BLUNDLUND.CO.,LTD. Connect with them on Dribbble; the global community for designers and creative professionals.
Potworks No2 Limited Edition Signed Print by Francis Proudlove Potteries landscape print signed and ltd edition by artist Francis Proudlove. Mounted Size: 60cm x 45cm Inspired by the Skyline of Stoke on Trent in the early 20th century when Francis Proudlove was a student at the Burslem School of Art.
Vase, 'Sunray' pattern, earthenware painted with enamels, designed by Clarice Cliff, made by Newport Pottery Co. Ltd. (part of A. J. Wilkinson Ltd.), Burslem, ca. 1929
Plate 9 by The Yokohama Nursery Co Ltd. King & McGaw has an extensive collection of art prints by established and emerging artists, which are all framed by hand in the UK.
"Affirmations in Black" by Nicolette Capuano Set of Four Canvas Titles: "Purpose", "Fearless", "Stillness", "Limitless" Positive affirmations have the have the power to transform lives. Our thoughts and beliefs shape both our perception and experience of ourselves, and the world around us. Each piece of the Affirmations Collection serves as a visual inspiration to focus on the positive and live with positive intention each day. Made by hand, every nuance of brushwork, texture and technique is visible on the canvas surface. COLORS: Black, Ivory *This piece is created on natural canvas for added texture. SIZE: Each canvas measures 16" x 20" - Set of (4) MATERIALS: This piece is painted on high quality canvas with acrylic paint. Each piece is created on 1.5" thick solid wood stretcher bars with a gallery wrapped edge, so framing is not necessary. Arrives stretched and ready to hang. SIGNATURE: Nicolette's signature is on the front of the painting. CERTIFICATE OF AUTHENTICITY: Included in your shipment for proof of its origins.
For sale today I have 2 Vintage Post Cards showing the Parliament Buildings in Ottawa Canada. The titles of these Post Cards are: Hall of Fame Parliament Buildings Ottawa Ontario Confederation Hall Parliament Buildings Ottawa Post Card The back of each Post Card is marked "Published by International Fine Art Co. Ltd. Montreal". Please refer to photos for item condition. Please note this item will be shipped letter post without a tracking #. Thanks for looking & have a Great Day!
In Our Own Image von George Zarkadakis
Mug titled 'Nessie beaker', earthenware with screen-printed decoration, designed by William John Clappison, manufactured by Hornsea Pottery Co. Ltd., England, ca. 1968-1970.
Read Art Deco (Vol. 2) by HI-DESIGN INTERNATIONAL PUBLISHING (HK) CO., LTD. on Issuu and browse thousands of other publications on our platform. St...
