Unlike the majority of the Camden Town Group [Group of British Post-Impressionist artists active 1911-1913] - Walter Richard Sickert was recognised during his own lifetime as an important artist, and in the years since his death has increasingly gained a reputation as one of the most influential figures in twentieth-century British art.

Unlike the majority of the Camden Town Group [Group of British Post-Impressionist artists active 1911-1913] - Walter Richard Sickert was recognised during his own lifetime as an important artist, and in the years since his death has increasingly gained a reputation as one of the most influential figures in twentieth-century British art.

Unlike the majority of the Camden Town Group [Group of British Post-Impressionist artists active 1911-1913] - Walter Richard Sickert was recognised during his own lifetime as an important artist, and in the years since his death has increasingly gained a reputation as one of the most influential figures in twentieth-century British art.

Suspense - Walter Richard Sickert British 1860-1942

Unlike the majority of the Camden Town Group [Group of British Post-Impressionist artists active 1911-1913] - Walter Richard Sickert was recognised during his own lifetime as an important artist, and in the years since his death has increasingly gained a reputation as one of the most influential figures in twentieth-century British art.

Unlike the majority of the Camden Town Group [Group of British Post-Impressionist artists active 1911-1913] - Walter Richard Sickert was recognised during his own lifetime as an important artist, and in the years since his death has increasingly gained a reputation as one of the most influential figures in twentieth-century British art.

Unlike the majority of the Camden Town Group [Group of British Post-Impressionist artists active 1911-1913] - Walter Richard Sickert was recognised during his own lifetime as an important artist, and in the years since his death has increasingly gained a reputation as one of the most influential figures in twentieth-century British art.

Unlike the majority of the Camden Town Group [Group of British Post-Impressionist artists active 1911-1913] - Walter Richard Sickert was recognised during his own lifetime as an important artist, and in the years since his death has increasingly gained a reputation as one of the most influential figures in twentieth-century British art.

Unlike the majority of the Camden Town Group [Group of British Post-Impressionist artists active 1911-1913] - Walter Richard Sickert was recognised during his own lifetime as an important artist, and in the years since his death has increasingly gained a reputation as one of the most influential figures in twentieth-century British art.

Unlike the majority of the Camden Town Group [Group of British Post-Impressionist artists active 1911-1913] - Walter Richard Sickert was recognised during his own lifetime as an important artist, and in the years since his death has increasingly gained a reputation as one of the most influential figures in twentieth-century British art.

Unlike the majority of the Camden Town Group [Group of British Post-Impressionist artists active 1911-1913] - Walter Richard Sickert was recognised during his own lifetime as an important artist, and in the years since his death has increasingly gained a reputation as one of the most influential figures in twentieth-century British art.

Unlike the majority of the Camden Town Group [Group of British Post-Impressionist artists active 1911-1913] - Walter Richard Sickert was recognised during his own lifetime as an important artist, and in the years since his death has increasingly gained a reputation as one of the most influential figures in twentieth-century British art.

Walter Sickert, Maple Street, London, c.1922

blastedheath: Walter Sickert (British, 1860-1942), The Façade of St Jacques, c.1902-03. Pencil and oil on canvas, 24 x 20 in.

Walter Sickert (British, 1860-1942), Self-Portrait: The Bust of Tom Sayers, 1913. Oil on canvas, 61 x 50.3 cm.

Walter Richard Sickert 1860 - 1942 A Street Corner, Dieppe

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thunderstruck9: Walter Sickert (British, 1860-1942), The Haunted House, Dieppe. Oil on canvas, 21 x 15 cm.

High-Steppers (1938). Walter Richard Sickert (British, 1860-1942). Oil on canvas. National Galleries Scotland. The Plaza Tiller Girls, known for their high-kicking long legs, worked at the Plaza...

Chez Vernet - Walter Richard Sickert 1925 British 1860-1942

Walter Sickert (British, 1860-1942), Fête near Envermeu, Dieppe, c.1920. Oil on canvas, 46.3 x 38.1 cm.

Unlike the majority of the Camden Town Group [Group of British Post-Impressionist artists active 1911-1913] - Walter Richard Sickert was recognised during his own lifetime as an important artist, and in the years since his death has increasingly gained a reputation as one of the most influential figures in twentieth-century British art.

When painter Karin Jurick was in high school, she spent many days and hours going to train stations and museums so she could sketch the variety of people who came into her view. She would sketch fast, quickly filling up sketchbook after sketchbook, and it was just something she wanted to do – the more she did it, the better she got.

Unlike the majority of the Camden Town Group [Group of British Post-Impressionist artists active 1911-1913] - Walter Richard Sickert was recognised during his own lifetime as an important artist, and in the years since his death has increasingly gained a reputation as one of the most influential figures in twentieth-century British art.

Walter Sickert (British, 1860-1942) Lainey's Garden / The Garden of Love

Walter Sickert (British, 1860-1942), Priest's House of San Stae, c.1903-04. Oil on board, 46 x 35 cm.

Walter Sickert (British, 1860-1942), Lady in an interior. Oil on canvas, 15 x 11 in.

thunderstruck9: “Walter Sickert (British, 1860-1942), Portrait of the artist’s first wife, née Ellen Cobden, 1892-95. Oil on board, 38 x 28 cm. ”

Walter Sickert (British, 1860-1942), Barnet Fair, Hertfordshire, 1930. Oil on canvas, 73.5 x 61 cm.

Walter Sickert (British, 1860-1942), A Street Corner, Dieppe, c.1902-03. Oil on board, 9½ x 7¼ in.