BACINO Cottage die Pflanzschale von LECHUZA
Per lavorare in profondità su apertura e flessibilità del bacino è necessario inserire nella propria pratica posizioni specifiche, come quelle che ti propong...
Bacino di San Marco by Ettore Tito
Collect museum-quality work by conceptual contemporary artist Liliana Porter, whose installations, works on paper, and photographs often feature whimsical vignettes of found objects and figurines. Escuela Superior de Bellas Artes Manuel Belgrano in Buenos Aires. New York Graphic Workshop (NYGW) . Jewish. Judía. Staged photography. Fotografía escenificada. Assemblage. Ensamblaje. Luis Camnitzer and José Guillermo Castillo. New York 1965. Bienal de Venecia. Venice Biennial. Jorge Luis Borges. Julio Cortázar. Juan José Arreola. Homero Aridjis. Octavio Paz. José Emilio Pacheco. Carlos Monsiváis. Galería Proteo. Grabado, Litografía. Lithography. Pratt Graphic Arts Center. Luis Felipe Noé. Pop Art. Minimalismo. Minimalism. Surrealism. Surrealismo. Arte Conceptual. Conceptual Art. Lichtenstein. Warhol. Oldenburg. Dieter Roth. Arte Povera. Reduccionismo visual. Visual reductionism. Centro Cultural de Recoleta. Magritte. FANDSO. Free Assemblage Non-Functional Disposal Serial Object. Offset. Aguafuerte. Xilografía. Mail Art. Arte por Correo. Juan Trepadori. Vendible. No-vendible. Lucca, Italia. Gonzalo Fonseca. Galeria Diagramma. Foto-serigrafías. Photo silkscreen. Arte Boludo. Al Wiener. Giorgio Morandi. Barbara Kruger. Jenny Holzer. Cindy Sherman. Joel Shapiro. Richard Artschwager. Jonathan Borovsky. Lienzo. Postmodernismo. Posicionamiento identitario. Feminismo. Feminism. Martha Rosler. Lucy Lippard. Nancy Spero. Miriam Shapiro. Guerrilla Girls. Construcción Social de la condición de mujer. Social construct of the woman condition. Ana Mendieta. Project Room, MoMA. Hundred Acres. Leandro Katz. David Lamelas. Juguetes. Toys. Video. Drum Solo. Solo de tambor. Escala. Modelo. Scale. Model. Tridimensional. 3D. Bidimensional. Collected miniatures. Miniaturas. Representation. Representación.
In his Atmosphères Chromoplastiques, Argentine avant-garde artist Luis Tomasello creates a modular visual system within which to experiment with color and form. A leader in the generation of Latin American expatriate artists who lived in Paris in the 1950s and 1960s, Tomasello explores geometric abstraction through minimalist installations that play with the reflection of light and color on the surface of walls and portable artworks. One of his Atmosphères Chromoplastique murals is in the permanent collection of the Nelson Atkins Museum. Asociación Arte Concreto-Invención (AACI). Max Bill and Georges Vantongerloo. Arte cinético. Los cinéticos. Geometric abstraction. Abstracción geométrica. Kinetic Art. Arte abstracto. Abstract art. Bauhaus. De Stijl. Krebs Gallery. Denise René Gallery, Paris. The Responsive Eye MoMA exhibit. Gestalt psychology. The Illusive Eye. Exhibit Le Mouvement, 1955. Vasarely. Riley. Josef Albers. Constructivism. Constructivismo. Arte Concreto. Arte Perceptual. Perceptual Art. Concrete Art. Optic Nerve. Light and movement. Luz y movimiento. Virtual color. Mobiles. Móviles. Naum Gabo. Grupo Ruptura. Yaacov Agam. Groupe Position. Grupo Posición. Julio Le Parc. Grand Prize for Painting at the Venice Biennale in 1966. Minimalism. Minimalismo. Light and space movement. Liliane Lijn and Vera Molnár. French Nouveau Réalisme movement. Jesús Rafael Soto. Carlos Cruz-Diez. Marcel Duchamp's bicycle. La bicicleta de Marcel Duchamp. Moholy-Nagy. The Light-Space Modulator. 1922 Manifesto on the System of Dynamico-Constructivist Forms. Jean Tinguely. Alexander Calder. Paris-based expatriate. Reflected light. Reflected color. Tomasello’s works are in important collections like the Carnegie Institute of Technology, Pittsburgh; Centre National d’Art Contemporain (CNAC), Paris, France; Centre Pompidou, Paris, France; Centro de Arte Contemporáneo Wifredo Lam, Havana, Cuba; Musée d’Art Moderne de Paris (MAM Paris), France; Musée de Grenoble, France; Musée National d’Art Moderne - Centre Pompidou, Paris, France; Museo de Arte Contemporáneo de Rosario (MACRO), Argentina; Museo Moderno, Buenos Aires, Argentina; Museo de Arte Moderno de Medellín (MAMM), Colombia; Museo Nacional Centro de Arte Reina Sofía (MNCARS), Madrid, Spain; Museo Nacional de Bellas Artes, Buenos Aires, Argentina; Museum für Konkrete Kunst (MKK), Ingolstadt, Germany; The Museum of Fine Arts, Houston (MFAH), Texas; Museum moderner Kunst Stiftung Ludwig Wien (mumok), Vienna, Austria; Museum Ritter, Waldenbuch, Germany; Nelson-Atkins Museum of Art, Kansas City, Missouri; New York University (NYU), New York City; Peter Stuyvesant Foundation, Amsterdam, The Netherlands; and Satoru Sato Art Museum, Tome City, Japan.
Collect museum-quality work by internationally renowned conceptual artist Oscar Munoz, based in Colombia.
Collect modern and contemporary paintings, drawings, sculpture, Excitables, and more by Brazilian master of geometric abstract art Servulo Esmeraldo. Brazil. Brasil. Intersection of science and art. Static electricity. Interactive. Kinesthesia. Max Bill and Georges Vantongerloo. Arte cinético. Los cinéticos. Geometric abstraction. Abstracción geométrica. Kinetic Art. Arte abstracto. Abstract art. Bauhaus. De Stijl. Krebs Gallery. Denise René Gallery, Paris. The Responsive Eye MoMA exhibit. Gestalt psychology. The Illusive Eye. Exhibit Le Mouvement, 1955. Vasarely. Riley. Josef Albers. Constructivism. Constructivismo. Arte Concreto. Arte Perceptual. Perceptual Art. Concrete Art. Optic Nerve. Light and movement. Luz y movimiento. Virtual color. Mobiles. Móviles. Naum Gabo. Yaacov Agam. Julio Le Parc. Minimalism. Minimalismo. Light and space movement. Liliane Lijn and Vera Molnár. French Nouveau Réalisme movement. Jesús Rafael Soto. Carlos Cruz-Diez. Marcel Duchamp's bicycle. La bicicleta de Marcel Duchamp. Moholy-Nagy. The Light-Space Modulator. 1922 Manifesto on the System of Dynamico-Constructivist Forms. Jean Tinguely. Alexander Calder. Pedro de Movellán. Theo Jansen. Mouvement et Lumière. Moving installation. Instalación móvil. Paris-based expatriate. Digital Art. Luis Tomasello and members of the Groupe de Recherche d’Art Visuel (GRAV). Grupo de Investigación del Arte Visual. Sociedade Cearense de Artes Plásticas (SCAP) in Fortaleza. Esmeraldo moved to Europe to continue his studies and pursue a career; he lived in France from 1957 to 1977. While there, he worked and lived in close contact with an expatriate Brazilian community of artists, including Vicente do Rego Monteiro, Lygia Clark, Sérgio de Camargo, Franz Krajcberg, Arthur Luiz Piza, Flávio-Shiró, and Rossini Peres. Ephemeral sculptures. Peggy Guggenheim Collection, Venice. Impossible geometries. Geometrías imposibles. Imposible objects. Objetos imposibles. Escultura monumental. Monumental Sculpture. Erotismo en arte abstracto. Eroticism in abstract art. Excitables. Paper, plastic, string, acrylic, plexiglas. Frotación. Rubbing. Interactive Art. Arte Interactivo.
Delesio Antonio Berni (14 May 1905 – 13 October 1981) was an Argentine figurative artist. He is associated with the movement known as Nuevo Realismo ("New Realism"), an Argentine extension of social realism. His work, including a series of Juanito Laguna collages depicting poverty and the effects of industrialization in Buenos Aires, has been exhibited around the world. Berni was born in the city of Rosario on 14 May 1905. In 1914 Berni became the apprentice of Catalan craftsman N. Bruxadera at the Buxadera and Co. stained glass company. He later studied painting at the Rosario Catalá Center, where he was described as a child prodigy. In 1920 seventeen of his oil paintings were exhibited at the Salon Mari. On 4 November 1923, his impressionist landscapes were praised by critics in the daily newspapers La Nación and La Prensa. The Jockey Club of Rosario awarded Berni a scholarship to study in Europe in 1925. He chose to visit Spain, as Spanish painting was in vogue, particularly the art of Joaquín Sorolla, Ignacio Zuloaga, Camarasa Anglada, and Julio Romero de Torres. But after visiting Madrid, Toledo, Segovia, Granada, Córdoba, and Seville he settled in Paris where fellow Argentine artists Horacio Butler, Aquiles Badi, Alfredo Bigatti, Xul Solar, Héctor Basaldua, and Lino Enea Spilimbergo were working. He attended "City of Lights" workshops given by André Lhote and Othon Friesz at Académie de la Grande Chaumière. Berni painted two landscapes of Arcueil, Paisaje de París (Landscape of Paris), Mantel amarillo (The Yellow Tablecloth), La casa del crimen (The House of Crime), Desnudo (Nude), and Naturaleza muerta con guitarra (Still Life with Guitar). He went back to Rosario for a few months but returned to Paris in 1927 with a grant from the Province of Santa Fe. Studying the work of Giorgio de Chirico and René Magritte, Berni became interested in Surrealism. His late 1920s and early 1930s surrealist works include La Torre Eiffel en la Pampa (The Eiffel Tower in Pampa), La siesta y su sueño (The Nap and its Dream), and La muerte acecha en cada esquina (Death Lurks Around Every Corner). Studied Marxist theory of Henri Lefebvre, who introduced him to the Communist poet Louis Aragon in 1928. In 1931 Berni returned to Rosario, where he briefly lived on a farm and was then hired as a municipal employee. He witnessed labor demonstrations and the miserable effects of unemployment and was shocked by the news of a military coup d'état in Buenos Aires. Surrealism didn't convey the frustration or hopelessness of the Argentine people. Berni organized Mutualidad de Estudiantes y Artistas and became a member of the local Communist party. Berni met Mexican artist David Alfaro Siqueiros who had been painting large-scale political murals on public buildings. The development of a proletarian art." In 1933 Berni, Siqueiros, Spilimbergo, Juan Carlos Castagnino and Enrique Lázaro created the mural Ejercicio Plástico (Plastic Exercise).His popular Nuevo Realismo paintings include Desocupados (The Unemployed) and Manifestación (Manifestation). In 1941, at the request of the Comisión Nacional de Cultura, Berni traveled to Bolivia, Ecuador, Peru, and Colombia to study pre-Columbian art. His painting Mercado indígena (Indian Market) is based on the photos he took during this trip. Two years later, he was awarded an Honorary Grand Prix at the Salón Nacional and co-founded a mural workshop with fellow artists Spilimbergo, Juan Carlos Castagnino, Demetrio Urruchúa, and Manuel Colmeiro. Political paintings including Masacre (Massacre) and El Obrero Muerto (The Dead Worker). From 1951 to 1953, Berni lived in Santiago del Estero. "Motivos santiagueños" and "Chaco." In the 1950s he returned to expressionism with works like Los hacheros (Axemen) and La comida (Food). Villa Piolín (Villa Tweety). La casa del sastre (House of Taylor). La iglesia (The Church). El tanque blanco (White Tank). La calle (Street). La res (The Answer). Carnicería (Carnage). La luna y su eco (The Moon and its Echo). Mañana helada en el páramo desierto (Morning Frost on the Moor). Negro y blanco (Black and White), Utensilios de cocina sobre un muro celeste (Cookware on a Blue Wall). El caballito (The Pony). Art critic and friend Rafael Squirru, Director Of Culture of the Argentine Foreign Relations Ministry (1960) during the government of Arturo Frondizi, sent Berni's engravings to the Venice Biennale, where they obtained First Prize in their category. Berni's post-1950s work can be viewed as "a synthesis of Pop Art and Social realism." In 1958, he began collecting and collaging discarded material to create a series of works featuring a character named Juanito Laguna. The series became a social narrative on industrialization and poverty and pointed out the extreme disparities existing between the wealthy Argentine aristocracy and the "Juanitos” of the slums. After the March 1976 coup, which was like others in Latin America supported by the United States,] Berni moved to New York City, where he continued painting, engraving, collating, and exhibiting. New York struck him as luxurious, consumerist, materially wealthy, and spiritually poor.
space family
Collect work by Mexico City-based contemporary artist Thomas Glassford, who transforms found objects and discarded materials into rhythmic and often abstract creations, reminiscent of Minimalist sculpture and Op Art paintings of the 1960s. Broomsticks. Palos de escoba. Multimedia. Found objects. Objet trove. Objetos encontrados. Autogol. Owngoal. Ceramic. Cerámica. Sculpture. Escultura. Neon Light. Luces de neón. Leather. Cuero. Video. Animación. Animation. Nickel and Steel. Niquel y acero. Gourds. Calabazas. Candelabro. Chandelier. Desierto. Desert. Bicicleta. Bicycle. Afterglow. Xipe Totec. Expatriate. Multimedia.
Antonietta Brandeis 1849-1910 Tsjechië
Influenced by the Bauhaus, 20th century Venezuelan avant-garde artist Carlos Cruz-Diez explored the kinetic and optical effects of juxtaposed color in his Physichromies, using a rigid ordering of line and color to achieve dynamic perceptual effects. Also known for his Transchromies, Chromosaturations, and Chromointerferences, Cruz-Diez is a pioneer of the Kinetic Art movement, and a contemporary of Jesus-Rafael Soto and Alejandro Otero. Working between Paris and Caracas starting in the 1950s, Cruz-Diez belongs to the generation of expatriate Latin American artists in Europe in the mid-century who pushed the limits of geometric abstraction. Known affectionately as El Maestro, Cruz-Diez has completed many public projects such as the Miami Marlins crosswalk, at the Caracas Airport, a large-scale Physichromie at University of Houston, and temporary works for Art Basel Miami Beach. Max Bill and Georges Vantongerloo. Arte cinético. Los cinéticos. Geometric abstraction. Abstracción geométrica. Kinetic Art. Arte abstracto. Abstract art. Bauhaus. De Stijl. Krebs Gallery. Denise René Gallery, Paris. The Responsive Eye MoMA exhibit. Gestalt psychology. The Illusive Eye. Exhibit Le Mouvement, 1955. Vasarely. Riley. Josef Albers. Constructivism. Constructivismo. Arte Concreto. Arte Perceptual. Perceptual Art. Concrete Art. Optic Nerve. Light and movement. Luz y movimiento. Virtual color. Mobiles. Móviles. Naum Gabo. Grupo Ruptura. Yaacov Agam. Groupe Position. Grupo Posición. Julio Le Parc. Minimalism. Minimalismo. Light and space movement. Liliane Lijn and Vera Molnár. French Nouveau Réalisme movement. Jesús Rafael Soto. Carlos Cruz-Diez. Alejandro Otero. Marcel Duchamp's bicycle. La bicicleta de Marcel Duchamp. Moholy-Nagy. The Light-Space Modulator. 1922 Manifesto on the System of Dynamico-Constructivist Forms. Jean Tinguely. Alexander Calder. Pedro de Movellán. Theo Jansen. Mouvement et Lumière. Moving installation. Instalación móvil. Computer program. Motorized. Louvre Museum. Paris-based expatriate. Digital Art. Luis Tomasello and members of the Groupe de Recherche d’Art Visuel (GRAV). Grupo de Investigación del Arte Visual.
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Collect art by Argentine artist Mariano Dal Verme, who explored geometric abstraction through works that blend drawing and sculpture.
Sydney-based artist Maria Fernanda Cardoso, born in Bogotá, Colombia, blends nature, art, science, and technology to transform unconventional materials into awe-inspiring installations, sculptures, performances, macro photography, and videos. One of her most fabled projects is The Cardoso Flea Circus (1994-2000), a performance piece featuring real live fleas. Over the course of a six-year period, Cardoso trained fleas to perform surprising feats such as walking on tightropes, pulling chariots, jumping through hoops, and dancing the tango. In 2000, the Museum of Modern Art (MoMA) in New York City commissioned her to create a major new installation featuring 36,000 plastic lilies along a 125-foot-long wall. It expressed a mourning for lives lost during the rampant violence suffered in her country of birth. She represented Colombia at La Biennale di Venezia in 2003, exhibiting a large installation of starfish woven together into a submarine landscape called Woven Water. In that same year she had a major solo show, Zoomorphia, at the Museum of Contemporary Art Australia (MCA), Sydney. Entomology. Botanical art. Table art objects. In 2012, she completed her PhD at the Sydney College of the Arts (SCA) at The University of Sydney. Her research on the aesthetics of reproductive morphology—likely to be one of the more unusual studies to be presented in the hallowed halls of academia—culminated in the Museum of Copulatory Organs (MoCO). She has used a variety of means to explore our complex and awe-inspiring world: employing microscopes to capture the sex organs of invertebrates and plants; shearing and dying sheepskins to create murals; arranging preserved frogs into abstract patterns; filming the mating rituals of Australian peacock spiders; and using emu feathers to create avant-garde capes and hats.
Acquaforte originale, 593 x 2256 mm.
In his light installations, paintings, and sculpture, kinetic art pioneer Julio Le Parc uses reflection, refraction, and shadows to create ephemeral effects and engage the viewer. A founder of the GRAV (Groupe de Recherche d'Art Visuel) in Paris in the 1950s alongside Francisco Sobrino and François Morellet, Le Parc lives and works in Paris where he continues to explore geometric abstraction and op art in an oeuvre that is both mid-century Modern and contemporary.
View Venice, the Bacino di San Marco By Ziem Félix; oil on canvas; 54 x 84 cm; Signed; . Access more artwork lots and estimated & realized auction prices on MutualArt.
