Alisa LaGamma reflects on the recently closed exhibition "Kongo: Power and Majesty."
Inleiding Ik beschouw het als een eer om hier vandaag te praten over hetgeen mij na aan het hart ligt: de Surinaamse bibliotheek; over boeken en over de geschiedenis van Suriname. Over weinig zaken…
Dutch photographer Paul Cupido’s imagery deals largely with the natural world seen through the eyes of a visual poet. Interwoven processes, different...
A retrospective of Ed van der Elsken at the Jeu de Paume in Paris examines his embrace of youth culture and his travels around the world.
“One of the most impressive paintings in the exhibition 'HERE: Black in Rembrandts Time'. This endearing tronie of a young man in a fantasy costume, who looks at us over his shoulder, is by Gerrit Dou. Dou was Rembrandt’s first pupil. #BlackinRembrandtsTime”
Prinsenhofsteeg, Amsterdam, 1949, Ed van der Elsken. Dutch (1925 - 1990)
Europeana
Nachrichten von Surinam: Duitsers in een Nederlandse Kolonie (1650-1900) Suriname kwam bij de Vrede van Breda in 1667 in Nederlandse handen. Tot die tijd waren het afwisselend Fransen, Engelsen en …
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The violence of enslaver logic still lives on within the walls of Dutch cultural institutions, and has not even begun to disappear.
The past is never dead, it isn’t even past (W. Faulkner) The first postcards in Suriname appear around 1880. Around the change of the century the picture postcards becomes popular among the a…
Other stories in museum collections of the Netherlands, sometimes centuries old Dutch version: ———…
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Kees van Dongen, was a Dutch painter and one of the Fauves. He gained a reputation for his sensuous, at times garish, portraits. He was born in the suburbs of Rotterdam. In 1892 van Dongen started his studies at the Royal Academy of Fine Arts in Rotterdam. Between 1892 to 1897, he frequented the Red Quarter seaport area, where he drew scenes of sailors and prostitutes. In 1899 he went to Paris. He began to exhibit in Paris, including the controversial 1905 exhibition Salon d'Automne, in a room featuring Matisse and others. The bright colors of this group of artists led to them being called Fauves ('Wild Beasts'). He was also briefly a member of the German Expressionist group Die Brücke (The Bridge). He was part of an avant-garde wave of painters—Maurice de Vlaminck, Othon Friesz, Henri Rousseau, Robert Delaunay, Albert Marquet, Edouard Vuillard—who incarnated hopes of a renewal in painting stuck in Neo-impressionism. In 1906 he moved to 13 rue Ravignan, where he was friends with the circle surrounding Pablo Picasso. Under the influence of Jasmy Jacob, amongst others, Kees van Dongen developed the lush colors of his Fauvist style. This gained him a solid reputation with the French bourgeoisie. As a fashionable portraitist his subjects included Arletty, Leopold III of Belgium and Maurice Chevalier. With a playful cynicism he remarked of his popularity as a portraitist with high society women; ' The essential thing is to elongate the women and especially to make them slim. After that it just remains to enlarge their jewels. They are ravished.' A remark that allies itself to another of his sayings - ' Painting is the most beautiful of lies.' In 1926 he was awarded the Legion of Honour and in 1927 the Order of the Crown of Belgium. In 1929 he received French nationality and two of his works were admitted to the Musée du Luxembourg.
Kwamina Baja. – Puur neger, 28 jaar oud. Afkomstig van de stam der Saramaccaners, komt van de Boven-Saramacca. Hij woont op Blakkawatra. Hij nam deel aan de reis naar Europa tegen de wil van …
The treasures in Norwich Castle's enigmatic Paston Treasure painting take centre stage in a fascinating new exhibition Part allegory, part cabinet of curiosity, this highly baroque and monumental tableaux painting by a mystery seventeenth century artist, has long intrigued public...
Art.com | We Are Art We exist so you can have the art you love. Art.com gives you easy access to incredible art images and top-notch craftsmanship. High-Quality Framed Art Prints Our high-end framed wall art is printed on premium paper using non-toxic, archival inks that protect against UV light to resist fading. Experience unmatched quality and style as you choose from a wide range of designs to enhance your room décor. Professionally Crafted Framed Wall Art Attention to detail is at the heart of our process, as we exclusively use 100% solid wood frames that include 4-ply white core matboard and durable, frame-grade clear acrylic for clarity, long-lasting protection of the artwork and unrivaled quality. With a thoughtfully selected frame and mat combination, this piece is designed to complement your art and create a visually appealing display. Easy-to-Hang & Ready-to-Display Artwork Each framed art piece comes with hanging hardware affixed to the back of the frame, allowing for easy and convenient installation. Ready to display right out of the box. Handcrafted in the USA. Don Miguel de Castro, Emissary of Kongo, 1643, attributed to Dutch painter Jaspar Beckx, 1627-1647, painting, oil on panel. The portrait was painted during a diplomatic exchange in which the Jesuit educated African ambassador, wore European costume in order to conform to the customs of his European counterparts. Don Miguel de Castro was to seek Dutch mediation in a conflict between his cousin the Count of Sonho, and the King Garcia II of Kongo. The painting was made during Don Miguels de Castros stay in Middelburg, in southwestern Netherlands. (BSLOC_2023_4_30) The Print This art print displays sharp, vivid images with a high degree of color accuracy. A member of the versatile family of art prints, this high-quality reproduction represents the best of both worlds: quality and affordability. Art prints are created using a digital or offset lithography press. Paper Type: Art Print Finished Size: 9" x 12" Arrives by Sat, May 25 Product ID: 59953489645A
Zwarte Piet was een Moor uit Spanje, die zelf slaven maakte van blanken! Angel-Wings
Across his lyrical compositions of images, Paul Cupido uses black and white photography as a deeply personal, emotive language to explore the infinite possibilities of our natural surroundings.
The past is never dead, it isn’t even past (W. Faulkner) The first postcards in Suriname appear around 1880. Around the change of the century the picture postcards becomes popular among the a…
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