Découvrez la bibliothèque "Maison du Mexique". Design de Charlotte Perriand. Nous expertisons et estimons toutes ses œuvres gratuitement en France.
Le 24 octobre, s'est tenue une grande vente aux enchères de 20 pièces rares de la designer Charlotte Perriand.
Entre les années 1930 et 1950, la première femme designer de l’histoire aménage en partie la Cité internationale universitaire de Paris. Dans le Pavillon suisse et à la Maison du Brésil, deux chambres témoignent encore de sa créativité inégalée.
Discover the mid-century world of Charlotte Perriand in a New York City exhibition highlighting the female architect and designer’s best designs at Venus Over Manhatten
2.2. Mobilier et objets L’« art d’habiter » de Charlotte Perriand ne se limite pas à l’architecture, il s’étend aussi bien aux […]
Créatrice de génie, l’architecte a traversé le XXe siècle en imaginant un nouvel art de vivre et d’habiter. A l’occasion des 20 ans de sa disparition, la Fondation Louis Vuitton lui rend un hommage éblouissant.
Inspired by a visit to the Fondation Louis Vuitton’s exhibition Charlotte Perriand: Inventing a New World, William Middleton explores the life of this modernist pioneer and her impact on the worlds of design, art, and architecture.
About Charlotte Perriand, Pierre Jeanneret and Le Corbusier “LC7” dining chairs for Cassina, brown leather and steel, Italy, 1927, set of six. An icon with a versatile and functional soul, the "LC7" was designed in 1927 by Charlotte Perriand for her own apartment in the Place Saint-Sulpice in Paris. First exhibited at the 1928 Salon des Artistes Décorateurs, it was also shown at the Salon d'Automne one year later, where it formed part of a collection that Charlotte Perriand co-created with Le Corbusier and Pierre Jeanneret. Re-upholstered in prime quality cognac leather, this swivel chair features a four-legs chromed structure as well as an expanded polyurethane and padded polyester filling for back and seat. At the beginning of her professional career, Charlotte Perriand (1903-1999) was acclaimed by critics for her Bar under the roof, exhibited at the Salon d’Automne in 1927 and constructed entirely in nickel-plated copper and anodized aluminum. In the same year, at just twenty-four years old, she began a decade-long collaboration with Le Corbusier and Pierre Jeanneret at the famous design studios, at 35 rue de Sèvres in Paris. Our atelier carefully restored and reupholstered the chairs in brown leather. Slight signs of use and time. The chairs were recently re-chromed and they lost the original mark during the process.
Barnabé Fillion has developed an original fragrance dedicated to the late French interior architect Charlotte Perriand.
The tempestuous history of Charlotte Perriand’s coveted Nuage cabinet
If you haven't heard of her, you've definitely seen her work.
Her family still escapes to this French Alps idyll, seen here in an exclusive new book excerpt.
Previously unseen works are going under the hammer at Sotheby’s forthcoming Parisian sale
Les Arcs sont la grande aventure de l'architecte et designeuse Charlotte Perriand. Savoyarde d'origine, elle a largement contribué à rendre accessibles les sports d'hiver en se consacrant à l'habitat en montagne à partir des années 1930. Visite en images, à travers le livre Charlotte Perriand, Une architecte en montagne, récemment paru aux Editions Norma.
Aux Arcs, visite d'un appartement Charlotte Perriand conservé dans le style de l'époque, une vision moderne en duplex largement ouverts sur la montagne
In an extract from The Design Museum's new book on the modernist designer Charlotte Perriand, we explore how her detailed, illustrated notebooks allow historians to trace the origins of her designs.
London’s Design Museum presents ‘Charlotte Perriand: The Modern Life’, an exhibition turned the spotlight on one of the most iconic creators of the 20th century
Les Arcs sont la grande aventure de l'architecte et designeuse Charlotte Perriand. Savoyarde d'origine, elle a largement contribué à rendre accessibles les sports d'hiver en se consacrant à l'habitat en montagne à partir des années 1930. Visite en images, à travers le livre Charlotte Perriand, Une architecte en montagne, récemment paru aux Editions Norma.
Charlotte Perriand Rockin’ the bear pits at her home ”Case a la Loti” Le Plan d’Osier, France, 1939 Parte de la obra de Charlotte Perriand (Francia, 1903-1999) ha sido conocida a través de sus cola…
About Price given applies to the piece as shown in the first picture. Prices vary dependent on the chosen material. Available in Mahogany or American walnut or a lacquered version (different colors available). A design table crafted by Charlotte Perriand to bring the warmth of wood and a free-spirited aesthetic into her studio.
Image 7 of 23 from gallery of Louis Vuitton Builds Charlotte Perriand's 1934 Miami Beach House. Photograph by Louis Vuitton
If you haven't heard of her, you've definitely seen her work.
They say behind every great man there is an even greater woman. I think this was especially the case with Charlotte Perriand. B...
TABLE DE FORME LIBRE ET SES SIX TABOURETS TRéPIEDS ASSORTIS, RéALISéS PAR ANDRé CHETAILLE, éDITION STEPH SIMON, VERS 1960 En makoré massif Hauteur : 70,5 cm. (27 3/4 in.) ; Longueur : 232 cm. (91 1/4 in.) ; Largeur : 108 cm. (42 1/2 in.) Epaisseur du plateau : 6.5 cm. (2 5/8 in.) (7)
Shelving Unit designed by Charlotte Perriand in 1952-56. Relaunched by Cassina in 2012. Manufactured by Cassina in Italy. Authenticity and avant-garde characterise Charlotte Perriand’s Nuage shelving unit from 1940. Drawing on her experience of seeing cloud-like wall-hung modular shelves in Kyoto, she developed her own version: functional, attractive and versatile. These units can be combined with others so they can serve myriad purposes in myriad settings, creating new combinations: from sideboards to cupboards, from book-shelves against a wall or wall-hung, to free-standing units that can serve as room dividers. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Charlotte Perriand full membership of that avant-garde cultural movement which, from the first decades of the 20th century, brought about a profound change in aesthetic values and gave birth to a truly modern sensitivity towards everyday life. In this context, her specific contribution focuses on interior composition, conceived as creating a new way of living, still today at the heart of contemporary lifestyle. In the sphere of 20th century furnishing history, the advent of modernity made possible the entrepreneurial audacity of this true reformer of interior design. At the beginning of her professional career she was acclaimed by critics for her Bar under the roof, exhibited at the Salon d’Automne in 1927 and constructed entirely in nickel-plated copper and anodized aluminium. In the same year, when she was just twenty-four years old, she began a decade-long collaboration with Le Corbusier and Pierre Jeanneret, at the famous design studios at 35, rue de Sèvres in Paris. Her presence in the Le Corbusier studio is visible in all the furnishings designed with him and with Pierre Jeanneret: and so Charlotte Perriand becomes a cornerstone in the reformation project promoted by the architect, adding a distinct dimension of humaneness to the often cold rationalism of Le Corbusier. In her creations she manages to animate the fundamental substance of daily life with new aesthetic values: in particular her talent and intuition in the discovery and use of new materials manifest themselves to their full extent. The ten-year long collaboration with Le Corbusier and Pierre Jeanneret, and her Japanese experience, represent periods of intense creative effervescence in the life of the artist. During her long stay in the Far East (‘40-‘46), she reveals her artistic talent to the full, through a reinterpretation of the reality of life to echo both tradition and modernity. By way of example, worthy of mention are the furnishings produced using traditional bamboo processing techniques, capable of enhancing the new forms already experimented using steel-tubing. After her work as a professional, she concentrates on a series of original and balanced productions, commissioned by top-level authorities and leading companies of the calibre of Air France, and by a number of foreign organizations, authenticating the fame she had by now gained on the international scene. About the manufacturer: In a continuing dialogue between past, present, and future, Cassina has created the I Maestri collection, revisiting furnishing designs by the twentieth century’s best-known architects, including Le Corbusier, Pierre Jeanneret, Charlotte Perriand, Charles Rennie Mackintosh, Gerrit Thomas Rietveld, Franco Albini, Frank Lloyd Wright and Marco Zanuso. While the designs and functional concepts have been precisely preserved, the models have been manufactured using evolved technology. This is also the company that has manufactured iconic pieces of contemporary design from the 1950s to the present day, ideated by some of the most important international designers. Today Cassina continues to look to the future of design with audacious, passionate curiosity and an open, holistic approach. It affirms its exclusive ability to furnish a home’s living and dining spaces completely and iconically with The Cassina Perspective: a concept, a philosophy, an informed, futuristic thought. A detailed, expansive horizon of combinations; when placed together, the products have an innovative soul and the modern icons create authentic, welcoming, personal atmospheres involved in a conversation dominated by a code of design excellence, formal sensitive awareness, solidity and cultural authorityu.
‘Better to spend a day in the sun than to spend it dusting our useless objects.’ We can’t help but agree with Charlotte Perriand (1903-1999), whose pioneering design streamlined the way we live. The Design Museum’s newly-opened retrospective Charlotte Perriand: The Modern Life spans a remarkable 70-year career in which an inimitable spirit and zest for … Continue reading "Charlotte Perriand at The Design Museum"
Entre les années 1930 et 1950, la première femme designer de l’histoire aménage en partie la Cité internationale universitaire de Paris. Dans le Pavillon suisse et à la Maison du Brésil, deux chambres témoignent encore de sa créativité inégalée.
