Cliché Verres–You can also make cyanotypes-salt prints-and hand color these !! Many possiblities to bridge drawing and photography and painting all in one. Instructions: Coat glass with ink o…
Le« cliché verre » ou «hyalographie » est une combinaison du dessin, de la gravure et de la photographie. Une plaque de verre est enduite d'encre et saupoudrée de poudre de céruse. L'artiste dessine à la pointe d'acier. Le tracé dégage le verre tr...
La galerie Serge Aboukrat présente un ensemble exceptionnel d’une quarantaine de « clichés verre » de Corot, Daubigny, Delacroix, Millet et Rousseau. La technique du Cliché verre, à mi-chem…
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Bruno Schulz may have tragically died over seven decades ago, but he has undoubtedly been granted a second life through countless international reinterpretations
Melanie Walker, Head of the House, Cliche verre with selective toning, 20″x 16″
Twenty-five years after UNESCO announced that 1992 was to be the year of Bruno Schulz, interest in the writer is still constantly growing. This interest has led to the creation of a discipline dedicated specifically to the prominent writer’s life and work: Schulzology.
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Offset lithograph on mylar, "Cliche' Verre" by Robert Rauschenberg, signed lower left corner, limited edition print 105/200. Dimensions: 25" H x 19" W x 1" D Please reach out if you have any questions. Thank you for visiting Lefflers Antiques!
Rare cyanotype cliche-verre by Fritz Scholder. Hand signed, titled and numbered by the artist in pencil. Circa late 1970s. Comes with gallery certificate of authenticity. Artist bio: Fritz Scholder (1937-2005) was born in Breckenridge, Missouri. He was the fifth consecutive male of his family to bear this name. His paternal grandmother was a member of the Luiseño tribe of Mission Indians. Although Scholder did not consider himself an Indian, he was regarded by many as a leader of the New American Indian Art movement. Throughout his childhood, the painter's family moved frequently, living mostly in small towns in the Dakotas and Wisconsin. In the long winter evenings, young Fritz amused himself by drawing, an interest that was soon channeled into serious art study. The painter Oscar Howe, a Sioux Indian, introduced him to modern art while he was still in high school. In 1957, the family settled in Sacramento, where Scholder earned a Bachelor of Arts degree at Sacramento State University. At Sacramento, the painter Wayne Thiebaud exposed Scholder to the Pop Art movement. Thiebaud also arranged Scholder's first solo exhibition. After graduation, Scholder taught public school in Sacramento. In 1961, he won a scholarship to the Southwest Indian Art Project at the University of Arizona, where he earned a Master's of Fine Arts degree. From 1964 to 1969 he taught painting and art history at the Institute of American Indian Arts in Santa Fe, New Mexico. From the beginning, he struggled to represent the landscape and people of the Southwest without indulging in the romantic clichés of genre art on the Native themes. In time he created an extraordinary fusion of abstract expressionism, surrealism and pop art to expresss his unique vision of the Southwestern scene and the Native experience. Early in his career, he received support from the Rockefeller, Whitney and Ford Foundations. After five years in Santa Fe, he retired from teaching to paint full-time. For the next few years he traveled in Europe and North Africa. He added sculpture and printmaking to his activities, creating mixed media constructions, bronzes, lithographs, etchings and monotypes. From the beginning, he created works in series: women, landscapes, Indians, butterflies, cats, dogs, dreams, the Empire State Building, ancient Egypt. Beginning in the late '60s, Fritz Scholder was a guest artist or artist-in-residence at American University, Idyllwild School of Music and the Arts, the Oklahoma Arts Institute, Santa Fe institute of Fine Arts, and Dartmouth College. He received grants from the American Academy of Arts and Letters, as well as arts organizations in France and Germany. Over a dozen books have been published on Fritz Scholder and his work, and he has been profiled in two documentaries for public television. In a single year, exhibitions of his work were seen in Japan, France, China, Germany and at the Hermitage Museum in St. Petersburg, Russia. For many years, he maintained his primary residence in Scottsdale, Arizona. He died in 2005 at the age of 67. less
Twenty-five years after UNESCO announced that 1992 was to be the year of Bruno Schulz, interest in the writer is still constantly growing. This interest has led to the creation of a discipline dedicated specifically to the prominent writer’s life and work: Schulzology.
I decided to use both black permanent marker and Ink. I used the Ink to make smudges and create a sort of texture and I used the permanent marker for fine lines and tracing. I ended up tracing some of my own photographs that I took in other photo workshop classes. I also used some designs and ideas from the internet. So this is what I came up with....... :) This one is my favorite :)
Cliché Verres–You can also make cyanotypes-salt prints-and hand color these !! Many possiblities to bridge drawing and photography and painting all in one. Instructions: Coat glass with ink o…
Writer painter, illustrator and graphic artist known for short story collections that bring back the magical reality of Poland's pre-war shtetl's.
Cliché Verres–You can also make cyanotypes-salt prints-and hand color these !! Many possiblities to bridge drawing and photography and painting all in one. Instructions: Coat glass with ink o…
