EMILE PIERRE METZMACHER - An amorous couple picking cherrie (detail)

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COACHING WORKSHEETS get unstuck and experience the life God designed for you to live Ready to discover your best next step? Are you feeling stuck? Uncertain how to get past that mental block? Ready to put in the work to develop new habits, but don’t know where to start? Our coaching tools and worksheets are designed with you in mind. No matter where you find yourself in life today, these biblically-guided, coaching-driven resources will help you seek God afresh and discover His best next step for you. And the good news is that if you’re still stuck, you can book…

Captivating the essence of the Scottish Highlands, this evocative print brings the majesty of Cruach Àrdrain to your home or office. With sinuous lines and fluid contours characteristic of Art Nouveau, the illustration boasts a harmonious interplay of natural forms and elegant, stylised details. The peaks of the mountain are rendered with a profound sense of grandeur, soaring towards a mellow sky that transitions from soft yellows to pale blues. At the heart of the composition lies a serene loch, its water a dazzling azure that mirrors the tranquillity of the scene. It's cradled by the warm, rich ochres and burnt oranges that define the surrounding landscape's rugged flora and geology. Notice how the streams of sunlight appear to dance upon the water's surface, creating a spectacle of light that is both profound and transient. Each brushstroke and line in this illustration is a testament to the raw beauty found in Scotland’s untamed environments, particularly within its legendary Munros. The meticulously depicted stony outcrops and gentle gradients evoke a tactile sense of dimension and depth that invites the viewer to step into this enchanting wilderness. Whether you’re a lover of the great outdoors, a connoisseur of fine art, or seeking a piece that captures the soulful beauty of Scotland’s natural landscapes, this print is sure to become a focal point of conversation and admiration wherever it is displayed.

Martin Ramirez (January 30, 1895 – February 17, 1963) was an immigrant who arrived in California from his native Jalisco, Mexico, in 1925, where he owned a small ranch, leaving behind his wife and four children in his search for work. There was trouble at home: Starting in 1926, the three-year Cristero Rebellion—in which … Continue reading "Martin Ramirez: Gorgeous Paintings By The Immigrant Artist Who Lived And Died In A Mental Hospital"

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Every summer, right in the middle o' July, I attend the most amazing professional development known to man: The Tennessee Arts Academy in beautiful (albeit hawt as Hades) Nashville, TN. If you follow me on the Instagramz than you've prolly seen me sharing the most amazing projects, craziness and overall good times which all went down this past week. AND if you've been hangin around this here blog for a pinch, then you've seen my past TAA adventures here and here. This year was easily one of my faves because I got to spend time with my craziest art teacherin' buddy, Laura Lohmann of Painted Paper! Laura is a powerhouse of an art teacher, y'all. My group stayed with her for just two days and we learned so stinkin' much about her amazing approach to teaching art to children. I'm gonna share just a handful of her projects but I gotta encourage you to visit her Teachers Pay Teachers store to purchase complete copies of her lesson plans. Laura pours over these plans and they are a steal of a purchase when you see all of the art history and project ideas included. Y'all can thank me laters. On our first day with Laura, we worked with Model Magic to create flowers. Our inspo was Monet but Laura left the creativity and imagination up to us. Her projects are very open-ended and her directions are short and to the point. Once the flowers were done, we set about painting paper. This is Laura's whole deal: have the students create tons of painted paper to use in later projects. That stack in front of her was created by my group in a matter of an hour. We used a variety of texture tools and simply painted as many papers as we could in the time we had. This became our beautiful stash to create later projects with. Like those flowers I mentioned... Once the Model Magic was dry, we painted our flowers anyway we liked an adhered them to a piece of cardboard with Aleene's Tacky Glue. Our painted papers serving as a background. After gluing my papers, I did enhance them with a small brush and some white paint. Because of Laura's anything-goes teaching technique, everyone created a wonderfully different piece. This photo gives you a little peak into how Laura teaching painting to children: without water. RIGHT?! The kids work from paint palettes that have been set up in Roy G. Biv order. When they paint, they start with the lightest colors first and work their way around the color wheel. When they wish to change colors, they simply wipe their brush on their place mats. We used maps of Laura's home state of Ohio for our mats! Laura's suggestion of painting tools included many that I'd never thought to use with my students: round stencil brushes, scouring pads, odd looking paint tools from Lakeshore, you name it, her kids are painting with it! Next up, we created Tikis! Using our painted papers, we learned about Paul Gauguin, Tahiti and the history of tikis. Then Laura let us loose and we created the most amazingly fun tikis ever, if I do say so mah-self. Like, riiiiight? On our second day with Laura, we painted large flowers on tag board. This lesson is actually FREE on Laura's TPT page right meow. You needs to get it because these flowers were so beautiful and fun! What a lovely way to start off the school year and brighten the halls of our schools, right?! After that, Laura had us creating landscapes inspired by Monet... Like this lovely reflections painting by a fellow art teacher buddy. And Gauguin. Now, I gotta tell ya, normally, I'm all chatty at TAA because I do love to hang with "my people". However, I was so into what I was creating on this day that I don't believe I said a peep...and I ended up with a stack of ideas to bring back to my classroom. I'm so excited! A view of our Gauguin-inspired landscapes. On the third day, it was time to switch classes and go spend the next coupla days with one of the funniest dudes I've ever met: Jim McNeill. Jim is the illustrator of Pam Stephens' "Dropping in on [insert famous artists' name here] with Puffer" and Tessellations: History & Making of Design. I gotta tell ya, I've never been a fan of tessellations myself and had some pretty serious reservations about this two day event. However, I really got into it! I fell in love with creating my Diner Dames, as I've dubbed them, and actually think I might have to make more! Folks had some super clever ideas for their tessellations. There were even ones that popped out, morphed and transformed! It was pretty magical. I even did a lil art teacher teachin' for a couple days and taught some fiber techniques for teachers to take back to their classrooms. My art teacherin' students learned needle felting, string art, yarn bombing and how to teach embroidery to small children. I absolutely love teaching art teachers, they come up with THE BEST ideas! On Thursday, Laura and I had to get all pretty for our big AOE conference! I was so glad that Jessica of AOE allowed that crazy girl and me to present back to back since we were at TAA that day. I had the opportunity to watch the presentations last night and, as always, I learned so much (Alecia Eggers, can you PLEASE come organize my liiiiiiifeeeee?!). Now, whilst I was painted paperin' and gettin' my tessellation on (er, whuuuut?) the high school art teachers were hanging with Debbi Engbring, high school teacher from Arizona (pictured second from the left) and Laurie Gatlin (on left) from SoCal. Laurie is an incredible teacher with a unique way of teaching her students through the use of sketchbooks. And I'm not talkin a black-leather bound book or some spiral bound nonsense. Naw, her kids MAKE the books, paint the pages, and sketch daily. I first met Laurie this past fall at our state conference where she was our keynote speaker and shared her method. I was blown away. She's amazing! Debbi had her students IN TWO DAYS create these magnificent teapots. Y'all. These were not thrown on the wheel! She had a very clever way of having the students use half styrofoam sphere's to create each half of the sphere and then put the two together. From there, more clay was added to decorate as well as black glaze for some sgraffito. Super amazing. Now, I gotta tell ya, my favorite-favorite part of TAA is hanging out with this bunch! We are the facilitators or the helpers for the arts portion of TAA. Jim Dodson, on the left, is our fearless leader who organizes everything from the art shows that take place (both student and teacher art shows happen at TAA) as well as arranging all of our presenters and speakers. Libby Lynch (second from the left) organizes the art shows mentioned including the finale art show that features the work of all the teachers. And the rest of that line up is just a buncha trouble! From the right, there's Ken, me, Debbie Flynt and Kim Shamblin, all art teachers and all TAA buds for life. Okay, that's a wrap! For more information on Tennessee Arts Academy and how you can attend (anyone can, y'all!), be sure to pop over here. There's A LOT more to it than I've managed to squeeze into this already-large post. So, if you have any questions, leave 'em in the comments!

So, I've created my first concept specific packet for Teachers Pay Teachers. This is something that I have been debating to do. I want to make products that are accessible and usable for teachers, regardless of their training, experience or background. But I'll be honest that my products are created with the Kodály metholodogy and sequence in mind. That being said, I also don't want to undermine or sell products that you really need to create on your own when taking a Kodály level. I know, sounds kind of mean and selfish. Let me explain. I did my levels at Portland State (four years worth) and then two more (level II & III) at Colorado State University and I'm going to be teaching level II this summer at CSU. At Portland State I learned pedagogy from the brilliant, amazing Susan Brumfield. Then at CSU I had Sue Liethold-Bowcock and Ann Eisen, who, too were amazing and wonderful. Each of these teachers presented things in a different way. Some of the things that they taught me are amazing and I use them each and every year. There are other ideas that I pull out from time to time (you know what I mean. You go back to your notes or you go to a workshop and you recall something from levels and you say to yourself "oh yeah! I forgot about that activity or song!!") And other ideas flopped because either I was so overwhelmed with everything going in my brain that I forgot how to do the activity or I wasn't sold on it and in turn my kids didn't "buy it." Each of us are going to develop our own style and ways to prepare, present and practice melodic and rhythmic concepts. You get all these tools and ideas in levels, from your teacher and from your peers. Some are going to work beautifully and some need to be adapted and tweaked to meet the needs of your kids. When I started thinking about creating concept specific files I didn't want to give away my concept plans or some of my specific preparation and practice activities because I know that the plans HAVE to be specific to you and that some of the things I do you have to see in action because they are too complex or complicated to explain. You have to choose your song literature, you have to choose the activities that you like to teach (because face it, you won't sell it to your students if you don't like it). And with the activities, it's back to the old saying that there's more than one way to skin a cat. There are a gazillion ways to prepare and practice each concept. Each are wonderful and amazing and quite frankly creating and selling a file of things that I do that are concept specific overwhelmed me because of how vast of a task that would be!! So, I decided to go to the bare bones of ways that each of us prepare and practice elements and make things that really exam at the critical attributes of that element. So, the meat of this file is 10 PDF files (that you can run like a PowerPoint, the instructions are included or that you can convert into a PDF) that are adaptable so you can use them for either preparing, presenting or practicing Ta & Ti-Ti: There is notation for 15 songs and chants and games, if applicable. And I included my ta & ti-ti flashcards. Here are the songs that are included (I know, three of the songs are in the Bee Bundle, and these are similar but made specific for ta & ti-ti): There are also worksheets (I'll show you a couple more down below): Here's an example of one of the PDFs, they are all set up exactly like this, so you can choose what to use out of the file. There is a lyric slide: Then a beat slide(s): Then a rhythm prep slide with iconic representation: Then the presentation slides. This notation presents ta and ti-ti written both with and without note heads: Then immediately applying this knowledge to the song: Then reading it, this can be for immediate practice (same lesson as presentation) or later practice: And then one more time with note-heads: For every PDF there are two matching worksheets (which are in color and black & white): There is one that is a rhythm chart: To go with this, for practice after ta & ti-ti I created rhythm strips. There are multiple rhythms. I suggest in the file to print each set of rhythms out on different colored papers. Cut along the lines and then I tell you how many of each rhythm pattern to have in each set that you will then put in an envelope. This way, you can use the same set of envelopes with all 10 songs (rather than cutting all these strips and tailoring them for each song) AND the color coded strips make it REALLY easy to assess. As you look around you class to see who has the correct rhythms all you have to do is look at the color: There is a writing worksheet for that goes with each of the 10 songs in PDF form: And then I included rhythm preparation cards. I have to say that these are one of my favorite visual ways to prepare ta & ti-ti. (There are cards that match each of the 10 PDFs and the hearts for the chart). The idea is that the hearts only are in the chart. The class (or you could use this as a station) derive the way the words go. This is an example of "Jean Jean": (this is my big chart, it can actually hold 16 beats:) After your kiddos know ta & ti-ti, we then use this in early practice to go from the iconic to the symbolic representation. As you can see, the first line has been replaced (I usually just stick the cards on top and then sort them later): And here the whole song has been replaced: I also use the hearts on a chart like this. There are paperclips that I inserts into slots that I cut using an exacto knife that hold the cards in place: Same idea, then the rhythms replace the icons: This is available at my Teachers Pay Teachers store. Have a GREAT weekend everyone!

Belgian painter Alfonse Van Besten (1865-1926) embraced technology, utilising innovative color processes to transfer black and white photographs into vivid, at times lurid autochromes. The tableaux of his autochromes (a technology patented by the Lumière brothers in 1903 and the first colour photographic process developed on an industrial scale) are often bucolic and romantic. Demure ladies and … Continue reading "Alfonse Van Besten’s Dreamy Autochromes (1910-1915)"

An 87-year-old pensioner has lost her three-year-battle against eviction from the home she has lived in for 60 years because her lifelong collection of memorabilia has been deemed a fire hazard.

Birdie Little Ballerina A Keeper Butterfly Kisses First Spring On My Way Secrets title unknown Wicker Rocker The Locket Whistler’s Daughter Heart To Heart Young Gardeners title unknown Ashley…

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