Safety, a sense of space and taking nature into account are the corner stones of the beautiful modern log home of Linda and Christian.
Pull up a stool as Magdalena Roze shares all the details of her fresh and recently renovated kitchen in the heart of her Byron Bay home.
In the realm of Japandi bathroom design, simplicity and nature converge in a quiet celebration of space. This gallery unveils bathrooms that stand as
A look at the latest project from Norm Architects - a coastal cabin which blends Scandinavian and Japanese influences to beautiful effect...
This Australian house pairs the simplicity of Scandinavian interior design with modern home decor to cultivate a contemporary retreat.
In the realm of the bathroom, where water serves as both medium and muse, a fusion of Japandi and contemporary design emerges with quiet confidence. This
Introduce contemporary style to your home with the Rise Sand Rug. This hand-tufted blend of wool and viscose is hand-carved with a low-pile border and raised centre, creating a unique and sophisticated look. With 6 distinct colours to choose from, you can customize the perfect addition to your home.
A theatre of life, where past and present interact, creating atmospheres of timeless elegance.
A design is all about transparency and simplicity.
This contemporary house overlooking Birra Birra Reef by Tobias Partners provides a resort-style atmosphere in lush tropical gardens.
The Isle Rattan Pendant Light is an in-demand designer choice, featuring a premium natural rattan finish in a floral design with refined curves and a contemporary silhouette that exudes timeless elegance, promising a luxurious lighting experience. With a range of sizes to choose from, finding the perfect match for your decor has never been more convenient. Brand Heartnests Style Farmhouse, Boho, Minimalistic, Scandinavian, Coastal, Provincial, Art Decor, Contemporary Colour Natural Rattan Size Size L: 60cm/23.6'' Width x 30cm/11.8'' Height Size M: 45cm/17.7'' Width x 25cm/9.8'' Height Ceiling Canopy 12cm width x 2cm height Globe Type E26/E27 Edison Screw Cord and Chain Length Colour: Canopy Colour - Black/White/Natural Wood Cable Colour - Black/White PVC./Natural Jute Lamp Holder Colour - Black/White/Natural Wood Suitable for shades that: Have a 40-48mm hole opening. Are no more than 2.5kg Dimensions: Cable Length - 1800mm to 2400mm (Adjustable). Plug In cable - 4400mm. Canopy Diameter (for hardwire cord sets)- 120mm. Globes Specification: 1 x E27 Globe 60w Max. Works with incandescent, halogen or LED bulb. Use of non-frosted bulb recommended for appearance. Dimmable - Yes (dimmer switch is not included) Power Rating: 240v IP Rating: IP20 Condition: Brand new in manufacturer's packaging. Cord Notes All hardwire cords are adjustable by shortening cable. Material Rattan woven on a well-constructed metal frame Number of Globes 1 Optional: Can be extended up to 5 bulbs using "bulb socket extender" (not included). Notes - This listing is for 1 single pendant light- Globe is not included- Suitable for indoor domestic or commercial applications- Sizes are approximate- All necessaries for installation and instruction are included. Why Choosing Heartnests and Our Products 🌟Distinguished from mass-produced wicker items, our lampshade is meticulously crafted from top-tier A-grade materials, delivering unmatched quality. 🌟Shipping from Australia, our products undergo rigorous examination and quality control by Australian customs, ensuring that our canes are free from bugs, insects, and mould. 🌟Beyond being a mere business, we are a family devoted to the art of craftsmanship. Each piece undergoes meticulous handcrafting, from the careful selection of materials to the finishing touches. Our pride in this process ensures exceptional results. 🌟In keeping with our name, Heart Nests, we infuse love from our hearts to every single product we create. 🌟Effortless assembly, complimented by thoughtfully chosen accessories, showcases our design team's impeccable taste. This meticulous curation allows the light to cast the perfect ambiance. 🌟Driven by a dedication to excellence, we consistently emphasize deliberate design and meticulous craftsmanship. This commitment nurtures a realm where the true beauty is found in both originality and simplicity. 🌟We commit to sustainability and community impacts. 🌟48h Dispatch, flexible 30-day return.
So, you’ve got yourself a cozy little cabin nestled somewhere beautiful, and you’re ready to make the most of every square inch? Well, you’re in luck! Transforming your small space […]
This large family residence resembles a contemporary house design but with a contextual response to the more traditional homes in the leafy hillside street.
“Muamba M”, 2017 Vanessa Da Silva
A grand Mediterranean villa is connected to its neighbour through the branches of a Peppertree, and shared architectural vision.
Image 5 of 19 from gallery of Sebastopol Barn House / Anderson Anderson Architecture. Photograph by Anderson Anderson Architecture
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Beach Road House is Farnan Findlay Architects’ take on a quintessential coastal home, designed for the architects’ own family.
Seville's latest boutique hotel, Plácido y Grata, fuses minimalist Scandinavian design with original architecture and an authentic sense of place...
This small semi-detached single-level house in Edinburgh, Scotland was recently renovated by David Blaikie Architects. The 731-square-foot home did not provide enough space, so the focus of the expans
Arkitekt Nikolaj Rahbek Ernst har tegnet en personlig og organisk villa i Nordsjælland. Se den moderne fotolkning af 60'er huset her!
Completed in 2017 in Bregenz District, Austria. Strubobuob is a shop for all things nice and useful around house and garden, located in a former workshop for the reparation of watering cans and...
Harald Viggo Moltke è stato un pittore, scrittore ed esploratore Danese. Le sue opere sono esposte al Museo Nazionale di Danimarca a Copenaghen e nei
For my second blog post I want to further look at two pieces of architecture from Ørestad. First, I'll discuss Lundgaard and Tranberg's Tietgenkollegiet. Tietgenkollegiet was built as a circular student dormitory for the students of any schools within the Copenhagen area. One of the many nice aspects of the residential building is that it promotes a diversity of its students, such as accepting many international students and allowing in all students under the age of 30. During my tour of the dorm, a student told my group that the application process for Tietgenkollegiet is rigorous because the community wanted to support a liveliness that is maintained through social interactions, often seen and supported in the architecture of the dorm. In the center of the dorm is a circular common green space which is often used when the weather supports outdoor activities. Resident students told my tour group that the green is used constantly in the warmer months for community events, such as concerts, parties, and art exhibits. Even in the winter the space becomes a place to soak up the Scandinavian sun. The actual building of Tietgenkollegiet is made up of many different boxes or compartments. The spaces that you see in the picture cantilevering into the common green space are the indoor common rooms. The common rooms were one of my favorite aspects of the dormitory. The common rooms are set up like a large studio apartment, using furniture to divide the space between a large communal kitchen, a dining room, and a lounge/living room. The residents of Tietgenkollegiet really seemed to use the indoor common rooms. The common room my tour group visited had weekly communal dinners where every one pitched in for preparation of the meal. Part of the appeal of the indoor common spaces is that everyone in Tietgenkollegiet has a single room, therefore everyone lives alone. The dorm is divided into groups that all use one common room, designated by color or number. The single rooms all open up in the vicinity of the common room, making the movement flow towards the common space and creating a real sense of community within the dorm. Another appealing aspect about the rooms of Tietgenkollegiet is that the rooms are movable. All of the wooden furniture you see in the picture can be slid along tracks attached to the ceiling. With the mobility of furniture in the room, it allows residents to customize their experience in Tietgenkolligiet. I found the sleek wooden interior beautiful. It enhanced the sunlight and made the rooms feel warm and still Scandinavian. The walls of the rooms are made of a concreate material which has both its aesthetic appeals and financial pluses. The only issue I had with Tietgenkollegiet was its site. I felt that the dorm had no real relation to the architecture around it. Ørestad, as I talked about in last weeks blog post, is a very strange array of modern architecture. The juxtaposition of Ørestad and the campuses of most of Copenhagen's colleges, which are all set in traditional Danish architectural buildings, is interesting to me. Not only do the students have a strange experience leaving their modern dorm to enter very old class rooms, but also their dorm is set on a site that has very little relation between the buildings. As one can see from the photo, the building in Ørestad surrounding Tietgenkollegiet are all modern but have no relationship to each other. Tietgenkollegiet has very little relation to the swerving river found right next to the site! Approaching the dorm was a strange experience because my tour group passed towering buildings for the University of Copenhagen's School of Technology only to enter into a building made primarily of wood. The difference between the wooden and warm building of Tietgenkollegiet with the sleek steel of surrounding buildings, I found odd. To represent the sleekness of the modern scandinavian architecture within the Ørestad neighborhood of Copenhagen, I chose Bella Sky, a building I have a very complicated relationship with. I mostly hate everything about Bella Sky and found that my many metro rides past the site made me only hate the building more and more. I did find that amongst the architecture students in my study abroad program in Copenhagen, the student either despised Bella Sky or loved it. Bella Sky Hotel was built by 3XN Architects, a Danish architecture firm. The hotel is one of the largest hotels in the Nordic region, lending to the idea that Scandinavia and the Nordic region typical design in a smaller, more human or personal scale. Kim Herforth Nielsen stated that Bella Sky was created to not be impersonal but instead to have a theme of "New Nordic Cool" by using how Scandinavians designed their homes as a jumping off point for their design of the hotel. 3XN used three key words in their design: simplicity, functionality, and high quality. These three key terms can be seen in both the design and the materials, according to the firm. One aspect that incenses me about the Bella Sky Hotel is its relation to site and space. The hotel is located right along Amager Common, a very large nature park, similarly to the 8 House. Maybe my experience at the 8 House tarnished my image of Bella Sky but, I think that BIG was much more successful at relating their building to the natural aspects of the area than 3XN. The hotel sites across a rive from the beautiful neighborhood of Amager. Amager is made up of very traditional housing for Copenhagen: 4 stories, narrow streets, and pitched roofs. Bella Sky in no way relates to the architectural aesthetic of Amager. 3XN states that their materiality within the building is both natural and high end, lending itself to simplicity, functionality, and high quality How many residents of Ørestad and Amager are going to ever see the inside of Bella Sky and have accessibility to the materials used on the interiors? The most important aspect to me is the exterior, which I find incredibly garish and almost vulgar. Further offending my taste and sense of space in Ørestad, Bella Sky ignores the wonderful and on point ideas of Jan Gehl who has been a driving force within Copenhagen for decades. The hotel sits on top of a street. Just the thought of this disgusts me. Buildings, streets, and space in general within a city should be created around the pleasure and support of the pedestrian. In Copenhagen many would argue that even the bicycle would be as important as the pedestrian. When approaching Bella Sky, one does not want to walk or ride their bike, however one should be able to since the hotel is situated next to one of the largest green spaces in Copenhagen! The hotel creates an auto friendly zone, which is Copenhagen is a travesty. One of the many things I treasured about the city of Copenhagen was its use of space in relation to the people. Copenhagen, even Denmark in general, rarely favors the car over the individual, which in my opinion is successful design in Scandinavia and even outside of Scandinavia. Bella Sky, by my definition, is not successful.
Explore the captivating fusion of Japanese and Scandinavian design in our in-depth guide to Japandi interior design. Learn how to seamlessly blend these two styles for a serene sanctuary, and transform your living space into a harmonious haven with expert tips and inspiration
Image 3 of 18 from gallery of Ski Lodge Wolf / Bernardo Bader Architekten. Photograph by Adolf Bereuter
¿Qué resulta de mezclar la sobriedad escandinava con las sensuales formas orgánicas que vemos en las casas de California? La respuesta correcta es el estilo decorativo que triunfa en todo el mundo.
So, you’ve got yourself a cozy little cabin nestled somewhere beautiful, and you’re ready to make the most of every square inch? Well, you’re in luck! Transforming your small space […]
