Manualidades infantiles: ¡tejer es divertido! 5 manualidades infantiles para tejer con niños: tejer con pajitas, tejer con los dedos...

Discover and Build an Inkle Loom!: I've been thinking about weaving for a while as something I might enjoy to pass the time or teach my children. The weather is getting colder lately and I'm finding more excuses to lay about in the warm house. One problem with weaving is that it can…

The weaving loom is made from authentic, beautiful, polished and long-lasting beech wood. Easy to assemble - It only takes a few minutes to assemble the weaving loom kit. Convenient and simple to operate: Instead of requiring someone to sit in front of a large, free-standing loom, this versatile loom makes it easy to create tapestries on a table, floor or laps. Best gift for tapestry weaving beginners - It can be used to create unique wool tapestries and wall arts. It supports parent-child activities, DIY teaching, and youngsters can learn real tapestry weaving to develop children's opponents' ability and interest in crafts. Suitable for: Adults and children aged 6 and older can find enjoyment from this loom and textile craft. Available Sizes: Diameter : 19 cm / 7.48 in Diameter : 28.5 cm / 11.22 in Package Contents: Weaving Loom X 1 Large Eye Needle X 1 Optional: 1mm X 220m Cotton Warp Thread - Available on our shop: https://etsy.me/3eyIEVG Note: Please note that we don't include PRINTED instructions with the package, to support environmental protection. But we do support new weavers with tutorial videos on request. Please continue to support our small business by purchasing our bestselling round looms. Enjoy weaving and all the best.

Boy howdy, it’s been a long time since I last blogged! I really have no excuse other than… life. Ya know? That’s not to say that I haven’t been knitting up a storm. I have! …

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Kids dye their own chunky wool yarn with Koolaid, then make happy little weavings on cardboard looms.

Ritoccate senza fatica le fastidiose crepe e gli strappi e aggiungete un tocco di design personalizzato!   Sei stanco di buttare via i tuoi vestiti preferiti a causa dei bei buchi? Hai mai desiderato che esistesse  un modo semplice ma creativo per  rammendare i tuoi vestiti senza problemi?   Loom Master cambierà la tua vita per sempre.....   Questo mini telaio da cucito è il tuo  accessorio perfetto per una soluzione rapida! Dì addio a fastidiose crepe e strappi con questo pratico strumento. Grazie al suo design compatto e alla facilità d'uso, questo mini telaio rappresenta una svolta per qualsiasi fai-da-te. Basta intrecciare, rammendare e voilà: i tuoi vestiti preferiti sono come nuovi!  Riparazione degli indumenti senza problemi, sempre e ovunque!   Immagina di riparare senza sforzo fastidiosi strappi e rotture in pochi minuti, salvando i tuoi amati capi e i tuoi sudati soldi senza alcuna abilità di cucito. Che si tratti di un calzino, un maglione o un paio di jeans, questo strumento per orlare porta a termine il lavoro in pochissimo tempo. Saluta il mini telaio FB: la tua soluzione perfetta per riparazioni rapide dei capi. Loom Master™ Mini telaio per rammendo   ✔ Riparazioni rapide: Loom Master ti consente di riparare i vestiti in pochi minuti, risparmiando tempo e frustrazione.   ✔ Versatilità: Dalle calze ai maglioni, questo telaio è adatto a un'ampia gamma di tessuti , così potrai  rammendare facilmente tutti i tuoi capi preferiti.   ✔ Design compatto: Le sue dimensioni ridotte lo rendono ideale per le riparazioni in movimento, così puoi riparare i tuoi vestiti sempre e ovunque.   ✔ Non sono richieste competenze di cucito: Che tu sia una sarta esperta o un principiante assoluto, Loom Master è  facile da usare, rendendo le riparazioni degli abiti accessibili a tutti. Come si usa: Passaggio 1. Posiziona il tessuto sul telaio.Passaggio 2. Utilizzare lo strumento incluso per intrecciare i fili.Passaggio 3. Rimuovi il Loom Master e il tuo capo sarà riparato! Informazioni sul prodotto: Materiale principale: Materiale principale: legno, gomma, acciaio inossidabile Dimensioni: 11,5x6,5 cm/4,5x2,6 pollici Colore: marrone

Week 4: Vandaag was het prachtig zonnig weer. Daarom heb ik lekker in het zonnetje zitten weven en gespeeld met patronen. De spandraden heb ik op mijn oude weefgetouwtje opgezet met twee kleuren en de patronen heb ik er met deelfde kleuren ingeweven. Het werkje is bijna klaar, maar hier alvast een voorproefje. Patronen weven

I've proposed a class in tablet weaving for our local OLLI. I don't know how the proposal will fare, but I'm having fun doing the research. Tablet weaving has been resident in my box of tricks for a long time....

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En estas piezas me aproximo al mundo vegetal y al paisaje; a través del laborioso y minucioso trabajo del bordado y el tejido trato de acercarme a sus ritmos y su constante transformación, y así forzarnos a tomar una mirada contemplativa sobre nuestro entorno. La imagen es tejida a partir de mapas geológicos, climáticos e hidrológicos de las zonas donde la fotografía fue tomada. Los hilos que componen la imagen están hechos de fibras animales y vegetales y teñidos con tintes naturales por comunidades cercanas al paisaje que vemos en la foto. Fotografía: Juan Pablo Murrugarra Urdir Tejido en telar con hilo de algodón, fibra de oveja y alpaca teñido con tintes naturales, bordado sobre fotografía digital en papel de algodón. 110 x 180 cm 2018 Hilar Bordado con hilo de fibra de alpaca sobre fotografía digital en papel de algodón 120 x 80 cm 2018 Tramar tejido en telar con hilos de algodón, lana de oveja y alpaca teñido con tintes naturales, bordado sobre fotografía digital en papel de algodón. 157 x 55 cm 2018 Trama discontinua Tejido en telar con hilo de algodón teñido con tintes naturales, bordado sobre fotografía digital en papel de algodón. 100 x 58 cm 2019 Urdimbre discontinua tejido en telar con lana de oveja y alpaca teñido con tintes naturales, bordado sobre fotografía digital en papel de algodón. 175 x 90 cm 2019 Trama discontinua tejido en telar con hilo de algodón teñido con tintes naturales, bordado sobre fotografía digital en papel de algodón. 75 x 90 cm 2019 Torcer Tejido en telar con hilo de algodón teñido con tintes naturales, bordado sobre fotografía digital en papel de algodón. 86 x 140 cm 2018 Laguna de Humantay Fotografía digital en papel de algodón y tejido en hilo de algodón, oveja y alpaca. 52 x 100 cm 2019 Paraíso Fotografía digital en papel de algodón y tejido en hilo de algodón, oveja y alpaca. 122 x 92 cm 2019 Laguna de Humantay Fotografía digital en papel de algodón y tejido en hilo de algodón, oveja y alpaca. 52 x 100 cm 2019 Punta Roquitas Fotografía digital en papel de algodón y tejido en hilo de algodón. 92 x 47 cm 2019

A while back I received this enthusiastic message, "I have been searching high and low to find a strap to match one of my guitars. I am so happy to have come across your website! I absolutely love your straps! They are exactly what I’ve been looking for." (My website is here: www.WeaverGuitarStraps.com) "I would love to have one made to match my guitar if you’re interested. The guitar is a 3 tone sunburst Telecaster. It has a few subtle appointments that make it what I consider to be a very beautiful guitar, off white binding and abalone dot inlays on the fretboard." I can never resist a creative challenge like this. So, what would I make to match this guitar? Since I LOVE color blending, I started with a design which played off of the color gradation, or "burst" as they call this type of paint job on a guitar. I used 9 colors and loved the progression! But, it didn't include any of the colors from the abalone, which he really wanted. So, Jason, being very clever, found his way to the "Band Weaving Pattern Editor", my favorite design tool and created his own strap pattern, shown below! Good job! Not enough threads, though. He and I kept playing with variations on this design until we got one that he liked. I sent him some photos of yarn, so he could help choose the colors. Then, magic happened! He wrote, "When I started looking at a color wheel to help pick the colors for the guitar strap, I realized that it was separated into 12 sections just like the circle of fifths used in music." (Wikipedia: https://en.wikipedia.org/wiki/Circle_of_fifths) "You and I had already discussed some possible colors inspired by the finish adornments on the guitar so I had an idea of some bass notes, or base colors to look for. I used the I V vi IV musical progression and set the C note to line up with orange on the color wheel which gave me: I - C - Orange V - G - Yellow vi - A(min) - Green IV - F - Purple/Wine red There was the palette! I used that as a base when I set up the colors in the pattern editor. So what we have represented in the colors is: The red, orange, and yellow gradient from the sunburst finish on the guitar body. I really liked the first weave you did with the really elaborate gradient, It was beautiful! I wanted to make sure we paid homage to that. Then we have the green which was matched to the slight tint of green in the pick guard and also one of the colors in the abalone inlays. There is also a deep purple / wine red which matches the abalone and the darkest shades of the sunburst finish. Black as a background color. And finally the off-white from the binding on the guitar. We checked all of the boxes from the original inspiration!" So, I wove Jason's design, sent him a photo and it was a hit! His response, upon receiving the strap, " It’s awesome! It looks even better in person! I am so happy with it! It matches the guitar beautifully. I’ve attached a picture for you. Thanks again! This was a great experience. You are a master of your craft!" So then, he made me this color wheel combined with the circle of fifths so I could experiment!!! "You could find the chords to a song you like and see how they correspond to the colors on the color wheel - or vice versa- You could use the color from a pattern you create and then see how it translates musically. Bear in mind too that you could shift the color wheel or the circle of fifths in either direction to get different combinations. Like if C lined up with blue instead of red, you could still use the same intervals and get a harmonious color palette. Depending on ones knowledge of music theory and/ or color theory you could dig kind of deep with this. You’ll notice that a lot of the same harmonious relationships exist on the color wheel and on the circle of fifths. Using this method, any piece of music could be interpreted as color and any instance of color could be represented by sound." I'd love to hear from anyone about experiences designing with musical harmonies! ~Annie

Thanks to Jeen on Ravelry, I found a "recipe" for 8-shaft weaving on a rigid heddle loom. This is Pinwheel Weave. Yes, it is very cool. It is also somewhat time consuming (with 6 pick-up rows out of every 8 weft throws), so if you like rigid heddle to be a quick weave, this is not the draft for you! It is possible to get a nice rhythm going with it though, and the pick-up pattern is not hard to memorize, so if you do not have access to an 8-shaft loom, give this a try! I used a merino sock yarn and a 12 dent reed (wanted more wheels across the width) but I think I should have followed Jeen's advice and started out with chunky on a 5 dent, or maybe worsted on an 8 dent. This would give fewer pinwheels in a row, but also fewer threads to pick up, which would make a significant difference in the time and difficulty of the pattern. So here's how it goes (though I do recommend going to Ravelry for Jeen's step-by-step instructions and many examples of this pattern in different color combinations plus other variations and other weaving patterns). (OK, I like Jeen - she's bold and experimental and likes to try out lots of crazy ideas.) Directions: A. Warp your loom with 8 threads of each color, alternating 8 thread colors blocks all the way across. B. With your darker color, weave a plain border of some kind, at least 2 rows (more, if you like). C. Starting with your darker color, begin the pattern. You'll do all 8 rows of the pattern with this color. Pattern: row 1 - Heddle in neutral. In each 8 thread color section all the way across the row, from right to left, go over 4 threads and pick up 4 threads. Turn the pick up stick on its side to create a shed and weave your color through. row 2 - Heddle in neutral. In each 8 thread color section all the way across the row, go over 3 threads, pick up 1, over 1, pick up 3 threads. Turn the pick up stick on its side to create a shed and weave your color through. row 3 - Heddle in neutral. In each 8 thread color section all the way across the row, from right to left, go over 2 threads, pick up 1, over 1, pick up 1, over 1, and pick up 2 threads. Turn the pick up stick on its side to create a shed and weave your color through. row 4 - no pick-up (take a breath) Heddle down, plain weave shot. row 5 - no pick-up (take a breath) Heddle up, plain weave shot. row 6 - Heddle in neutral. In each 8 thread color section all the way across the row, from right to left, pick up 2 threads, over 1, pick up 1, over 1, pick up 1, and go over 2 threads. (for those who think analytically, this is the opposite of row 3) Turn the pick up stick on its side to create a shed and weave your color through. (this shows the pick up stick making the shed) row 7 - Heddle in neutral. In each 8 thread color section all the way across the row, from right to left, pick up 3 threads, over 1, pick up 1, and go over 3 threads. (opposite of row 2) (sorry, apparently I neglected to take a picture of this one) Turn the pick up stick on its side to create a shed and weave your color through. row 8 - Heddle in neutral. In each 8 thread color section all the way across the row, from right to left, pick up 4 threads and go over 4 threads. Turn the pick up stick on its side to create a shed and weave your color through. Repeat this pattern (rows 1 through 8) with your second color. And that's it, alternating colors to the end of your project. D. End with the 8 row pattern in your darker color. E. Put in your plain weave border. F. Finish fringes as desired (I twisted mine in solid color 8 thread units) And voila, a pinwheel scarf (or dishtowel, or whatever project you choose) So even though it's pretty slow going, it's actually fun! Really! And it's pretty flash, oh yes it is! (edited post on March 19 - so sorry, I was in a hurry when I first did this, and put all the process photos in upside down! All better now.)

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Recuerdan el Mito de la Caverna del libro VII de La República de Platón ? básicamente no es un mito sino una alegoría, pero la situación es...

I hope you are all doing well out there during this strange time! Since my teaching tour in California got cut short by the Corona Virus Pandemic, I am working on some lessons which I'll share here on the blog and some that may be a future book or workshop. I'm also going to be exploring ways to teach workshops online in the future. In the meantime, I thought I'd run a special on my ebook for the next week. The offer is good until April 6th. You can get it here in my Etsy shop for $6. https://www.etsy.com/listing/539998779/inkle-weaving-ebook-by-annie-machale-in WARNING! A PIRATE HAS STOLEN MY EBOOK FILE AND IS SELLING IT ON ETSY AND EBAY. PLEASE MAKE SURE THAT YOU ARE BUYING FROM MY SHOP. THANKS! It's also available in print. Have a look at the Etsy listing for a peek inside. The book has received some high praise from some special people in the weaving world! Susan Foulkes told me in a recent email: "Looking at your book again is so inspiring. The work you put into it is tremendous and the photographs are superb. Just the sort of colourful book to cheer us up in these difficult times." She also wrote a review and tested a pattern from the book on her blog here: https://durhamweaver64.blogspot.com/2019/05/a-new-band-weaving-book.html Sara Lamb wrote a lovely review in the March/April issue of "Handwoven". She says "Annie MacHale has produced a beautiful and useful book for inkle weavers who want to understand color and proportion in their woven bands........This book is a feast for the eyes." I love this especially because I've taken a color class from Sara and she knows what she's talking about! In the Fall 2019 issue of "Shuttle, Spindle & Dyepot", Gail Gondek wrote: "Vibrant color paired with exceptional and unusual art direction in this book make it a rare find. Annie MacHale is known for her use of saturated color: anyone who adores color will be unable to resist it, as it is ALL ABOUT COLOR!" In a personal email from Barry Schacht, he told me that "I just read through your Inkle book. It’s terrific." This is one of my favorite pages! It shows the same pattern in 12 different colorways. Fun!

We visit CTTC and its founder Nilda Callañaupa Alvarez to learn about Peruvian Textiles and what’s being done to protect Andean craft for future generations.

Some of my posts will include warping drafts and pattern drafts and links will be listed below. Have fun browsing! If you use any of these yourself, I'd love to see photos. You can e-mail me at [email protected]. If you are new to inkle weaving, you may want to check out my FAQ's page here: https://aspinnerweaver.blogspot.com/p/inkle-weaving-faqs-and-answers.html I have two pattern books available from Taproot Video in both print or ebook form. The first is about how to use color and design bands using plain weave only. It includes a discussion of color theory and how to apply it in inkle weaving. There are 200 patterns included. Published in March 2019. Click here to learn more or to purchase. The second book, published in May 2021, is about a unique Baltic-style pickup technique. You should have experience using regular Baltic pickup before trying this. 100 patterns are included. Click here to learn more or to purchase. IN ALL WARPING DRAFTS ON THIS BLOG, CONSIDER THE TOP ROW TO BE HEDDLED THREADS AND THE BOTTOM ROW TO BE OPEN (UNHEDDLED) THREADS. Below is a sample of a plain weave warping draft shown in 2 different forms. The warping draft tells you in what order to arrange your warps on the loom to get the desired pattern. Each colored cell represents one warp thread. There are two rows. The top row represents warps that are heddled. The bottom row represents warps that are not heddled (open). Start with #1 by threading it onto the loom through a heddle and up over the top bar. Then, thread #2 without a heddle, under the top bar in the "open" position. Continue warping the rest of the threads in numerical order, always following the same order and alternating between one heddled and one open. Both of the below charts were created using the Band Weaving Pattern Editor. I like to use the first version as I think it more closely represents the look of the woven band. The cells look more like the threads as they appear in a woven band. Most weaving books and many other sources will show a pattern in the form like the one below. In this version, the colored squares indicate the warp threads with white blocks in between them. The white blocks are just space holders and don't represent warp threads. To see the correct paths for your loom, consult your owner's manual. If your loom did not come with one, you may be able to follow the instructions given by Schacht Spindle Company here. Or Ashford Wheels & Looms here. To chart your own patterns, here are some great resources. I've used them to create all the patterns on this blog. The graph paper was created by Misty Wood and can be found here: http://flufdrax.deviantart.com/art/Inkle-offset-graph-74494166 I'm very grateful to her for it. This online pattern-making tool created by Jeff Bigot makes it super easy to chart patterns in many variations. I used it to illustrate both of my books: https://www.raktres.net/seizenn/#/ Click the links below to access my free patterns. Use them as they are, or use them as inspiration to create your own. PLAIN WEAVE Simple Two-Color Patterns Patterns W/Links to Pattern Editor (Online Design Tool) Instructions for Using the Pattern Editor Most Popular Pattern A Dozen Plain Weave Pattern Drafts 10 One Inch Wide Pattern Drafts More One Inch Wide Pattern Drafts Design Elements- Chains Analogous Color Schemes Monochromatic Color Schemes Reptile Inspirations Using Red and Black My Best Design Secret Inspiration is Everywhere PICKUP Greek Key Pickup Tutorial Weaving Letters on an Inkle Band Introduction to Baltic style pickup Two Pickup Patterns

Простое болеро спицами. Болеро с прямоугольника схема | Домоводство для всей семьи.

La misma importancia de la figura arquetípica de la tejedora, contraparte del guerrero, se reitera en las imágenes del mundo textil que recurren en diferentes aspectos de la vida femenina. A veces,…

Leer weven met stap voor stap instructies In deze tutorial leer je de basis van het weven. Van het opzetten van je kettingsteken, tot het maken van weefsteken. Scroll naar beneden om alles te leren over je eerste weefproject. Weven op een weefraam is een trendy handwerktechniek. Je kunt er je eigen keuken handdoeken mee maken

EL DÍA AHORA TIENE 16 HORAS. EL SALTO CUÁNTICO DIMENSIONAL

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Learn to weave and you’ll never put down the yarn again!

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Inkling my way through life....

This post pays tribute to simplicity. A good combination of two colors can create a simple but satisfying piece. Below are a few of my favorite ways to use only two colors in a plain weave design. You'll find the pattern chart below each one. If you use any of these to weave a piece yourself, I'd love to see the results. Send a link or a photo to me at [email protected] FOR SIMPLICITY OF USE, CONSIDER THE TOP ROW TO BE HEDDLED THREADS AND THE BOTTOM ROW TO BE OPEN THREADS ON ALL OF THE DRAFTS.

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Textured wall weaving create a lovely effect. In this tutorial, you will learn 5 simple and easy ways to add texture to your DIY wall weaving.