He was the first war artist to die on active service – and one of the greatest. Now, a new film, featuring Alan Bennett and Ai Weiwei, uncovers his complicated life

The Fry Art Gallery in Saffron Walden puts Eric and Tirzah Ravilious side by side The Fry Art Gallery has a bit of a track record for this; reminding us of the wonderful world of Eric Ravilious, the artist whose...

Dimensions: 178mm by 128mm (landscape). Blank inside, so suitable for birthdays, anniversaries, and all occasions.

Tirzah and Eric Ravilious painting a mural at the Midland Hotel, Morecambe Artist couples are fascinating. Like the rest of us they have a public life and a private life, only the hidden world of an artist couple or family is often revealed - if only in tantalising glimpses - in correspondence, diaries and in artworks themselves. In some cases the relationship has proved inspirational to both halves of the couple, but often one artist's work tends to pushed into the background as the career of the other takes off. Still going strong in 2012 The history of 20th century British art is rich in artist couples. There are those who, like Gilbert and George, have pooled their identities to form an artistic double act and others, among them Mary Fedden and Julian Trevelyan, who succeeded in maintaining parallel careers. This was true too of Ben and Winifred Nicholson, a couple whose artistic relationship long outlived their marriage; they were still busily writing to each other about painting decades after splitting up, although you wouldn't know it to judge from the books about Ben. I was at the Central Library in Bristol the other day - it has a wonderful art history collection - and on asking about Ben Nicholson in the Reference section was presented with a trolleyful of books, each one progressively bigger and glossier and less comprehensible. His first wife merited a solitary book. Personally, I think Winifred's best work is beautiful. I also think the importance of intimate relationships is underplayed in conventional art history, which tends to consider artists in terms of similar artists and via the art historical theories of the day. An artist is only 'important' if they fit within the narrative - but you don't need me to tell you that... Winifred Nicholson, Bonnie Scotland, 1951 (Tullie House) Eric Ravilious was virtually invisible ten years ago and is now a central figure in the alternative story of 20th century British art that Alexandra Harris has championed in her 2010 book 'Romantic Moderns'. The exhibition of his watercolours which opens at the RWA in Bristol next week will be the third show in consecutive years, each one given little attention in the national press but attracting unprecedented numbers of visitors nonetheless. Tirzah Garwood, The Train Journey, 1929-30 His work also features in a second exhibition opening this month, at the Fry Art Gallery in Saffron Walden, but he is not the main subject. 'Long Live Great Bardfield!' is a show about Rav's wife, Tirzah, and the creative force behind it is Anne Ullmann, their daughter and the author/editor of several stunning books about them. Over the past few years she's been editing her mother's autobiography, 'Long Live Great Bardfield, & Love to You All', which is about to be published by the Fleece Press. Eric Ravilious, Train Landscape, 1939 (Aberdeen Art Gallery) I've written before about Tirzah, who learned wood engraving from Eric and as Tirzah Garwood became an outstanding printmaker in her own right. She gave this career up to concentrate on raising her children, but didn't give up art per se. Throughout her married life she made marbled papers, which at different times she sold through London boutiques, and she also assisted Eric, publicly when he was commissioned to paint murals at the Midland Hotel, Morecambe, and privately in ways we will probably never fully appreciate. Her contribution to the painting 'Train Landscape' (1939) is one of my favourite instances. Tirzah Garwood, Orchid Hunters in Brazil, 1950 - there's a story to this... After Eric's death she took up oil painting and also made a series of unusual relief pictures of shops. This work is rarely shown, except at the Fry, and the appearance of two examples on the Antiques Road Show last year caused some consternation to their resident expert. Now we have the opportunity to look at Tirzah's work properly and also to read what she thought about married life with Eric. Famous for her fiery letters, I suspect that she had a thing or two to say... 'Eric Ravilious: Going Modern / Being British' is at the Royal West of England Academy, Bristol, from Saturday March 10th. 'Long Live Great Bardfield!' opens at the Fry Art Gallery, Saffron Walden, on March 31st. Wood engravings by Eric Ravilious are included in an exhibition of work from the archive of the Society of Wood Engravers, showing until March 23rd at Manchester Metropolitan University. 'Ravilious in Pictures: A Travelling Artist' will be launched at the RWA on March 10th, 12-2pm

Eric Ravilious Greetings Card. Dimensions: 140mm by 140mm (square). Blank inside, so suitable for birthdays, anniversaries, and all occasions.

Tirzah was born in Gillingham, Kent. After finishing school she attended the Eastbourne School of Art from 1925-1928. It was here that she met Eric Ravilious. In 1928 she moved to London and studied at the Central School of Art. Tirzah was a skilled wood engraver; She was commissioned to produce woodcuts for Kynoch Press and the BBC. Tirzah and Eric married in 1930. In 1931 they left London and moved to rural Essex where they started a family. She gave up her art to raise their children and to support Eric with his career.  Thankfully Tirzah’s work is now starting to get the recognition it deserves. Style/Type Folded Greetings Card with Envelope Message Blank Inside Size 175 X 125mm Packaging Supplied in cellophane wrapper OFFER 10% Discount Order any FIVE cards for a 10% discount 15% Discount Order any TEN cards for a 15% discount

Geraniums and carnations

Art greeting cards by Eric Ravilious, this fine art greeting card collection by Eric Ravilious has been hand selected by the gallery. This set of nostalgic cards looks at the landscape, rural scenes, harbours and shops trades of the day in the unique and recognisable style of Eric Ravilious. Sizes: Various sizes. Avail

Eric Ravilious Greetings Card. Dimensions: 140mm by 140mm (square). Blank inside, so suitable for birthdays, anniversaries, and all occasions.

This A4 print is suitable for framing. The image runs to, and bleeds over the card edge (in other words, there is no border).

One morning in 1934, Eric Ravilious set off with a sketch pad from his home in Brick House, Great Bardfield, Essex. He didn’t go far – just around the corner, in fact, to where a repair…

The Grape House, lithograph by Eric Ravilious, 1936

The Fry Art Gallery in Saffron Walden puts Eric and Tirzah Ravilious side by side The Fry Art Gallery has a bit of a track record for this; reminding us of the wonderful world of Eric Ravilious, the artist whose...

Eric Ravilious (1903 – 1942) was an English painter, wood-engraver and designer. This is part 2 of a 3-part post on the works of Eric Ravilious. For biographical notes, and for earlier works, see part 1 also. Part 3 will show his ceramic designs. 1937 The Causeway, Wiltshire Downs watercolour © Victoria & Albert Museum, London, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1937 Wiltshire Landscape watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1938 Paddle Steamers, Bristol Quay watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1938 Rye Harbour graphite and watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1938 Illustration for Ariel Poems "Elm Angel" by Harold Monro © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1938 The Lifeboat graphite and watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1938 The Waterwheel watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1938-39c Still Life with Acanthus Leaves watercolour © Fry Art Gallery, Saffron Walden, Essex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 A Farmhouse Bedroom watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 Beachy Head watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 Belle Tout Lighthouse watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 Cuckmere Haven watercolour 41.4 x 57 cm © Towner Art Gallery, Eastbourne, East Sussex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 Design for "Boat Race Day" bowl for Wedgwood © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 Queen's ware "Boat Race Day" bowl designed by Eric Ravilious for Wedgwood 1939 Interior at Furlongs © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 "London Fabric" cover © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 Tea at Furlongs © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 The Long Man of Wilmington, The Wilmington Giant watercolour © Victoria & Albert Museum, London, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London The Long Man of Wilmington, The Wilmington Giant showing similar topography today 1939 The Westbury Horse graphite and watercolour 44.6 x 54.4 cm © Towner Art Gallery, Eastbourne, East Sussex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London The Westbury Horse today 1939 Train Landscape © Aberdeen Art Gallery and Museum, Scotland © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939c The Vale of the White Horse graphite and watercolour 45.1 x 32.4 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London The Vale of the White Horse today 1940 Barrage Balloons at Sea © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 Coastal Defences watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 Dangerous Work at Low Tide ( defusing a German magnetic mine at Whitstable, Kent ) © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 Duty Boat watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 HMS Ark Royal in Action watercolour 43.5 x 58 cm © IWM (Art.IWM ART LD 284) © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 HMS Glorious in the Arctic watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 Leaving Scapa Flow watercolour © Bradford Art Galleries and Museums, West Yorkshire © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 Midnight Sun graphite and watercolour 47 x 59.1 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 No. 1 Map Corridor © Leeds Museums and Galleries ( City Art Gallery ) U.K. © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 Submarines in Dry Dock graphite, watercolour, crayon and pastel 43.2 x 57.1 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 Un-adopted stamp design © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940c Working Controls when Submerged © National Maritime Museum, Greenwich, London © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941 Diving Controls Number 2 lithograph 27.5 x 31.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941 Introductory Drawings lithograph 27.5 x 31.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941 Shelling by Night graphite and watercolour 44.5 x 54.6 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941 Testing Davis Equipment lithograph 27.5 x 31.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941 The Diver lithograph 31.9 x 27.9 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941 Ward Room Number 1 lithograph 27.5 x 31.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941 Ward Room Number 2 lithograph 27.7 x 31.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941 Working Controls while Submerged lithograph 31.4 x 27.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941-42c Iron Bridge at Ewenbridge watercolour 54.6 x 49.5 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941c Commander Looking Through the Periscope lithograph 27.7 x 31.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941c Different Aspects of Submarines lithograph 27.9 x 31.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941c Working Controls when Submerged lithograph 27.7 x 31.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1942 Spitfires at Sawbridgeworth watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1942 Tiger Moth graphite and watercolour 45.7 x 55.9 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1942c Aerodrome graphite and watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1998 The Rich Jew of Malta wood engraving 18.6 x 11.6 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1998 The Rich Jew of Malta wood engraving 18.6 x 11.6 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1998 The Rich Jew of Malta wood engraving 18.6 x 11.6 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1998 The Rich Jew of Malta wood engraving 18.6 x 11.6 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London Beautiful Britain © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London Cockerel wood engraving © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London Design or a Plant-house graphite and watercolour 55.9 x 38.1 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London Design for Curwen Press © Curwen Press © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London Halstead Road in Snow watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London Paddle Steamers by Night watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London Shadow of Small Plane Falling on the World wood engraving © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London The Attic Bedroom watercolour 44.5 x 62.5 cm. © Fry Art Gallery, Saffron Walden, Essex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London

Dimensions: 140mm by 140mm (square). Blank inside, so suitable for birthdays, anniversaries, and all occasions.

Tirzah was born in Gillingham, Kent. After finishing school she attended the Eastbourne School of Art from 1925-1928. It was here that she met Eric Ravilious. In 1928 she moved to London and studied at the Central School of Art. Tirzah was a skilled wood engraver; She was commissioned to produce woodcuts for Kynoch Press and the BBC. Tirzah and Eric married in 1930. In 1931 they left London and moved to rural Essex where they started a family. She gave up her art to raise their children and to support Eric with his career. Thankfully Tirzah’s work is now starting to get the recognition it deserves. Style/Type Folded Greetings Card with Envelope Message Blank Inside Size 175 X 125mm Packaging Supplied in cellophane wrapper OFFER 10% Discount Order any FIVE cards for a 10% discount 15% Discount Order any TEN cards for a 15% discount

Ravilious was a versatile artist producing paintings (largely watercolour), wood-engravings as well as commercial designs for companies like Wedgwood ceramics. He became one of the 37 artists comm…

South Coast Beach,1939-42

Ethereal paintings that capture the imagination.

Eric Ravilious (1903-1942) This is a small wood engraving printed in 1950 from the the original 1938 block and was used for years by Wisden for its front cover. Originally commissioned by publisher Robert Harling, he republished this in an edition of Image Quarterly using the original block. This is not a facsimile. Printed by the Shenval Press. Image measures c.2.75x 2ins. Unmounted. Further image to reverse-does not show through. An article on the 'Inexpensive Progress' blog details the history of this charming woodcut. 'Wisden, Ravilious and a Supplementary Spy' by Robjn Cantus. Our usual packaging: Beautifully presented in cello bag backed by acid-free card. Will be also sent in cardboard reinforced DO NOT BEND envelope. Where possible, we also include a sheet with information about the print.

Eric Ravilious in 1939 photo by Serge Chermayeff Eric Ravilious (1903 – 1942) was an English painter, wood-engraver and designer. He was educated at Eastbourne School of Art and then at the Royal College of Art (1922–5), where he was taught by Paul Nash and became close friends with Edward Bawden. His early works included the refectory mural (destr. 1940) in Morley College, London, and wood engravings in the tradition of Bewick for the Golden Cockerel, Curwen and Nonesuch presses. In the 1930s he began painting larger compositions in a wider range of colour, and this led him to use lithography. Ravilious also produced designs for Wedgwood, including the celebration mug (1936) for the coronation of King Edward VIII, which was withdrawn and revised for the coronations of George VI and Elizabeth II; the Alphabet mug (1937); the Afternoon Tea (1937), Travel (1938) and Garden Implements (1939) china sets; and the Boat Race Day cup (1938). He also designed glass for Stuart Crystal (1934), furniture for Dunbar Hay (1936) and graphic work for advertisements for London Transport and others. Despite his success as a designer, Ravilious concentrated increasingly on watercolours. His landscapes and rural interiors often featured the downland and coast of southern England; haunting and lyrical, these works show a world in suspense and often feature chalk hill figures, and empty rooms (e.g. Farmhouse Bedroom, 1939; London, V&A). 1939 A Farmhouse Bedroom watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London In 1939 Ravilious became a War Artist. He died in 1942 while observing a sea rescue mission. This is part 1 of a 3-part post on the works of Eric Ravilious. Parts 1-2 show a chronology of his works other than ceramic designs – part 3 will show ceramic designs. 1927c Boy Bird-nesting wood engraving © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1928 Dr. Faustus Conjuring Mephostophilis engraving 18.3 x 13.1 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1928 Harlequin watercolour 52 x 50 cm © Fry Art Gallery, Saffron Walden, Essex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1928 Wet Afternoon watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1928c Neptune watercolour 33 x 21 cm © Fry Art Gallery, Saffron Walden, Essex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1930 Edward Bawden Working in his Studio tempera on board 79 x 92 cm © Royal College of Art, London, UK © Estate of Eric Ravilious. All rights reserved, DACS 2012 1930sc Tirzah Garwood and Charlotte Bawden in Brick House, Great Bardfield watercolour 44.2 x 55 cm © Towner Art Gallery, Eastbourne, East Sussex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1932 Strawberry Nets watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1932 View from Brick House, Great Bardfield © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1932c The River Thames at Hammersmith © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1934 BBC talks pamphlet © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1934 Downs in Winter graphite and watercolour 44.2 x 55 cm © Towner Art Gallery, Eastbourne, East Sussex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1934 Furlongs watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1934 Windmill graphite and watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1934 Advertisement in Wine and Food magazine woodcut printed by Curwen Press 1934 Woodcut from the above © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Chalk Paths watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Channel Steamer Leaving Harbour watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Cover design for Curwen Press Newsletter No. 6 © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Cucumber House watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Graphic for a bank form by the Royal Horticultural Society and the Westminster Bank © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Hull's Mill, Sible Hedingham, Essex watercolour © Fry Art Gallery, Saffron Walden, Essex © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 The Greenhouse, Cyclamen and Tomatoes graphite and watercolour 47 x 59.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Title page for "Winters of Content" by Osbert Sitwell © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Train Going over a Bridge at Night watercolour 40 x 50 cm © Towner Art Gallery, Eastbourne, East Sussex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Wood-engraving for The Hansom Cab and the Pigeons by L.A.G. Strong © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935-36 Country Walks wood engraving © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935c Two Cows watercolour 56.8 x 44.2 cm © Fry Art Gallery, Saffron Walden, Essex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1936 Caravans watercolour © Fry Art Gallery, Saffron Walden, Essex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1936 Village Street graphite and watercolour 39.5 x 51.8 cm © Towner Art Gallery, Eastbourne, East Sussex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1936c Wood Engraving of Hull's Mill 12.4 x 19.4 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1937 Alphabet for Wedgwood ceramics © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London A ceramic plate by Wedgwood from my own collection High Street In 1938 Ravilious created a set of 24 lithographs of shops, which were found on the British High Street of that time, for Country Life books. These prints formed a book for children printed by the Curwen Press. Unfortunately, only 2000 books were printed because it’s printing plates were destroyed during the blitz but as a result High Street has become one of the most highly sought after artists books of the time. 1938 Cover of "High Street" 1938 Title page of "High Street" 1938 A Saddler and Harness Maker from "High Street" lithograph 22.7 x 14.5 cm 1938 Amusement Arcade from "High Street" lithograph 23.1 x 14.8 cm 1938 Baker and Confectioner from "High Street lithograph 1938 Cheesemonger from "High Street" lithograph 23.4 x 115.6 cm 1938 Clerical Outfitter from "High Street" lithograph 1938 Coach Builder from "High Street" lithograph 1938 Family Butcher from "High Street" lithograph 1938 Fireworks from "High Street" lithograph 1938 Grill Room and Restaurant from "High Street" lithograph 1938 Hams from "High Street" lithograph 1938 Hardware from "High Street" lithograph 1938 Knife Grinder from "High Street" lithograph 1938 Letter Maker from "High Street" lithograph 1938 Model Ships and Railways from "High Street" lithograph 1938 Oyster Bar from "High Street" lithograph 1938 Public House from "High Street" lithograph 1938 Second-Hand Furniture from "High Street" lithograph 1938 Submarine Engineer from "High Street" lithograph 1938 The Furrier from "High Street" lithograph 1938 Theatrical Properties from "High Street" lithograph 1938 Undertaker from "High Street" lithograph

Museum Crush talks to Andy Friend about the Eric Ravilious exhibition exploring his circle of friends Is there anything new to be said about Eric Ravilious? More than any other mid-century artist, the Sussex-born painter-designer’s star has risen to the...

Eric Ravilious Greetings Cards. Dimensions: 178mm by 128mm (landscape). Blank inside, suitable for birthdays, anniversaries, all occasions.

HIGH-QUALITY ART Our premium prints brighten any wall. They are ideal for your home, bar, kitchen, restaurant, dorm, office and, well, you name it. They look fantastic everywhere. A PERFECT GIFT Art is the perfect gift for the people you love. Gift our high-quality prints for birthdays, weddings, house warming, Christmas, anniversaries, Father's Day, Mother's Day, Valentine's Day and to say Thank You. EASY TO FRAME Our prints are sized for easy framing. The sizes make it easy to find a frame here on Etsy or at any craft or department store. FRAMED PRINTS & CANVASES We do sell famed prints and and canvases. If you would like your artwork to arrive framed or in a different style, please get in touch.. MUSEUM-GRADE PAPER Our papers are sourced from the world's finest paper mills. We pair the image to the paper most suited to it, typically using: Canson Infinity Platine Fibre Rag (310gsm with a satin finish); Hahnemühle Photorag paper (308g with a super matt finish); Hahnemühle Photo Luster 260gsm; and Somerset Enhanced Velvet 330gsm. We also have a range of three papers from Hahnemühle's Natural Line range - agave, bamboo and hemp. Please get in touch if you would like to confirm a paper choice. GENUINE ARCHIVAL INKS Our Giclée prints are made from higher quality, fade-resistant, archival, pigment-based inks. When applied to high-quality archival substrates, like, for example, the Hahnemühle cotton-based, acid free Rag papers we use, this results in an unbeatable archival lifespan of up to 200 years. WE TAKE CARE OF YOUR PRINTS We pack our prints with the utmost care. We love art. We want it to reach you in perfect condition. For prints over 420mm wide, we carefully cover your prints with tissue paper and bubble wrap, eliminating the danger of any scratches or folds. Your prints are placed into a robust cardboard tube, secured and sealed at both ends. For prints below 420mm wide, we package your print in a robust envelope. Your print is placed in group sleeves on card stiffener, fixed to the card with stickers and placed in the secure envelope. SHIPPING We carefully package multiple prints together, saving you any extra costs. Shipping rates for prints typically start at: UK and Germany £7; EU and EEA €12; USA $18; RoW £20. We work hard to keep shipping costs down, but couriers have raised their rates sharply over the past year. SUSTAINABLE PACKAGING The materials we use have been carefully selected to reduce any impact on the environment while still ensuring your orders get to you in perfect condition. All packaging is a mix of being sustainably sourced, recyclable and biodegradable.

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Eric Ravilious was an artist, illustrator and designer specialising in watercolour paintings of the British countryside, most famously of Sussex. Ravilious had a special connection to the area, as he grew up there and studied at the Eastbourne School of Art. He went on to study at the Royal College of Art and later became one of the most popular artists of the 1930’s. He also served as a war artist and was the first British war artist to die on active service in World War II when the aircraft he was in was lost off Iceland. Style/Type Folded Greetings Card with Envelope Message Blank Inside Size 175 X 125mm Packaging Supplied in cellophane wrapper OFFER 10% Discount Order any FIVE cards for a 10% discount 15% Discount Order any TEN cards for a 15% discount

Art and Artists, Paintings, Painters, Prints, Printmakers, Illustration, Illustrators

Famed for his imaginative transformations of the art and imagery of the past, and the subject of our new book, Eric Ravilious’ reputation continues to grow.

Eric Ravilious in 1939 photo by Serge Chermayeff Eric Ravilious (1903 – 1942) was an English painter, wood-engraver and designer. He was educated at Eastbourne School of Art and then at the Royal College of Art (1922–5), where he was taught by Paul Nash and became close friends with Edward Bawden. His early works included the refectory mural (destr. 1940) in Morley College, London, and wood engravings in the tradition of Bewick for the Golden Cockerel, Curwen and Nonesuch presses. In the 1930s he began painting larger compositions in a wider range of colour, and this led him to use lithography. Ravilious also produced designs for Wedgwood, including the celebration mug (1936) for the coronation of King Edward VIII, which was withdrawn and revised for the coronations of George VI and Elizabeth II; the Alphabet mug (1937); the Afternoon Tea (1937), Travel (1938) and Garden Implements (1939) china sets; and the Boat Race Day cup (1938). He also designed glass for Stuart Crystal (1934), furniture for Dunbar Hay (1936) and graphic work for advertisements for London Transport and others. Despite his success as a designer, Ravilious concentrated increasingly on watercolours. His landscapes and rural interiors often featured the downland and coast of southern England; haunting and lyrical, these works show a world in suspense and often feature chalk hill figures, and empty rooms (e.g. Farmhouse Bedroom, 1939; London, V&A). 1939 A Farmhouse Bedroom watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London In 1939 Ravilious became a War Artist. He died in 1942 while observing a sea rescue mission. This is part 1 of a 3-part post on the works of Eric Ravilious. Parts 1-2 show a chronology of his works other than ceramic designs – part 3 will show ceramic designs. 1927c Boy Bird-nesting wood engraving © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1928 Dr. Faustus Conjuring Mephostophilis engraving 18.3 x 13.1 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1928 Harlequin watercolour 52 x 50 cm © Fry Art Gallery, Saffron Walden, Essex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1928 Wet Afternoon watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1928c Neptune watercolour 33 x 21 cm © Fry Art Gallery, Saffron Walden, Essex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1930 Edward Bawden Working in his Studio tempera on board 79 x 92 cm © Royal College of Art, London, UK © Estate of Eric Ravilious. All rights reserved, DACS 2012 1930sc Tirzah Garwood and Charlotte Bawden in Brick House, Great Bardfield watercolour 44.2 x 55 cm © Towner Art Gallery, Eastbourne, East Sussex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1932 Strawberry Nets watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1932 View from Brick House, Great Bardfield © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1932c The River Thames at Hammersmith © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1934 BBC talks pamphlet © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1934 Downs in Winter graphite and watercolour 44.2 x 55 cm © Towner Art Gallery, Eastbourne, East Sussex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1934 Furlongs watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1934 Windmill graphite and watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1934 Advertisement in Wine and Food magazine woodcut printed by Curwen Press 1934 Woodcut from the above © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Chalk Paths watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Channel Steamer Leaving Harbour watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Cover design for Curwen Press Newsletter No. 6 © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Cucumber House watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Graphic for a bank form by the Royal Horticultural Society and the Westminster Bank © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Hull's Mill, Sible Hedingham, Essex watercolour © Fry Art Gallery, Saffron Walden, Essex © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 The Greenhouse, Cyclamen and Tomatoes graphite and watercolour 47 x 59.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Title page for "Winters of Content" by Osbert Sitwell © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Train Going over a Bridge at Night watercolour 40 x 50 cm © Towner Art Gallery, Eastbourne, East Sussex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Wood-engraving for The Hansom Cab and the Pigeons by L.A.G. Strong © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935-36 Country Walks wood engraving © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935c Two Cows watercolour 56.8 x 44.2 cm © Fry Art Gallery, Saffron Walden, Essex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1936 Caravans watercolour © Fry Art Gallery, Saffron Walden, Essex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1936 Village Street graphite and watercolour 39.5 x 51.8 cm © Towner Art Gallery, Eastbourne, East Sussex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1936c Wood Engraving of Hull's Mill 12.4 x 19.4 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1937 Alphabet for Wedgwood ceramics © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London A ceramic plate by Wedgwood from my own collection High Street In 1938 Ravilious created a set of 24 lithographs of shops, which were found on the British High Street of that time, for Country Life books. These prints formed a book for children printed by the Curwen Press. Unfortunately, only 2000 books were printed because it’s printing plates were destroyed during the blitz but as a result High Street has become one of the most highly sought after artists books of the time. 1938 Cover of "High Street" 1938 Title page of "High Street" 1938 A Saddler and Harness Maker from "High Street" lithograph 22.7 x 14.5 cm 1938 Amusement Arcade from "High Street" lithograph 23.1 x 14.8 cm 1938 Baker and Confectioner from "High Street lithograph 1938 Cheesemonger from "High Street" lithograph 23.4 x 115.6 cm 1938 Clerical Outfitter from "High Street" lithograph 1938 Coach Builder from "High Street" lithograph 1938 Family Butcher from "High Street" lithograph 1938 Fireworks from "High Street" lithograph 1938 Grill Room and Restaurant from "High Street" lithograph 1938 Hams from "High Street" lithograph 1938 Hardware from "High Street" lithograph 1938 Knife Grinder from "High Street" lithograph 1938 Letter Maker from "High Street" lithograph 1938 Model Ships and Railways from "High Street" lithograph 1938 Oyster Bar from "High Street" lithograph 1938 Public House from "High Street" lithograph 1938 Second-Hand Furniture from "High Street" lithograph 1938 Submarine Engineer from "High Street" lithograph 1938 The Furrier from "High Street" lithograph 1938 Theatrical Properties from "High Street" lithograph 1938 Undertaker from "High Street" lithograph

Talbot-Daracq, 1934

Eric Ravilious (1903 – 1942) was an English painter, wood-engraver and designer. This is part 2 of a 3-part post on the works of Eric Ravilious. For biographical notes, and for earlier works, see part 1 also. Part 3 will show his ceramic designs. 1937 The Causeway, Wiltshire Downs watercolour © Victoria & Albert Museum, London, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1937 Wiltshire Landscape watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1938 Paddle Steamers, Bristol Quay watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1938 Rye Harbour graphite and watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1938 Illustration for Ariel Poems "Elm Angel" by Harold Monro © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1938 The Lifeboat graphite and watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1938 The Waterwheel watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1938-39c Still Life with Acanthus Leaves watercolour © Fry Art Gallery, Saffron Walden, Essex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 A Farmhouse Bedroom watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 Beachy Head watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 Belle Tout Lighthouse watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 Cuckmere Haven watercolour 41.4 x 57 cm © Towner Art Gallery, Eastbourne, East Sussex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 Design for "Boat Race Day" bowl for Wedgwood © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 Queen's ware "Boat Race Day" bowl designed by Eric Ravilious for Wedgwood 1939 Interior at Furlongs © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 "London Fabric" cover © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 Tea at Furlongs © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 The Long Man of Wilmington, The Wilmington Giant watercolour © Victoria & Albert Museum, London, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London The Long Man of Wilmington, The Wilmington Giant showing similar topography today 1939 The Westbury Horse graphite and watercolour 44.6 x 54.4 cm © Towner Art Gallery, Eastbourne, East Sussex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London The Westbury Horse today 1939 Train Landscape © Aberdeen Art Gallery and Museum, Scotland © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939c The Vale of the White Horse graphite and watercolour 45.1 x 32.4 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London The Vale of the White Horse today 1940 Barrage Balloons at Sea © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 Coastal Defences watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 Dangerous Work at Low Tide ( defusing a German magnetic mine at Whitstable, Kent ) © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 Duty Boat watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 HMS Ark Royal in Action watercolour 43.5 x 58 cm © IWM (Art.IWM ART LD 284) © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 HMS Glorious in the Arctic watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 Leaving Scapa Flow watercolour © Bradford Art Galleries and Museums, West Yorkshire © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 Midnight Sun graphite and watercolour 47 x 59.1 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 No. 1 Map Corridor © Leeds Museums and Galleries ( City Art Gallery ) U.K. © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 Submarines in Dry Dock graphite, watercolour, crayon and pastel 43.2 x 57.1 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 Un-adopted stamp design © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940c Working Controls when Submerged © National Maritime Museum, Greenwich, London © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941 Diving Controls Number 2 lithograph 27.5 x 31.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941 Introductory Drawings lithograph 27.5 x 31.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941 Shelling by Night graphite and watercolour 44.5 x 54.6 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941 Testing Davis Equipment lithograph 27.5 x 31.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941 The Diver lithograph 31.9 x 27.9 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941 Ward Room Number 1 lithograph 27.5 x 31.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941 Ward Room Number 2 lithograph 27.7 x 31.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941 Working Controls while Submerged lithograph 31.4 x 27.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941-42c Iron Bridge at Ewenbridge watercolour 54.6 x 49.5 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941c Commander Looking Through the Periscope lithograph 27.7 x 31.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941c Different Aspects of Submarines lithograph 27.9 x 31.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941c Working Controls when Submerged lithograph 27.7 x 31.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1942 Spitfires at Sawbridgeworth watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1942 Tiger Moth graphite and watercolour 45.7 x 55.9 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1942c Aerodrome graphite and watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1998 The Rich Jew of Malta wood engraving 18.6 x 11.6 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1998 The Rich Jew of Malta wood engraving 18.6 x 11.6 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1998 The Rich Jew of Malta wood engraving 18.6 x 11.6 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1998 The Rich Jew of Malta wood engraving 18.6 x 11.6 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London Beautiful Britain © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London Cockerel wood engraving © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London Design or a Plant-house graphite and watercolour 55.9 x 38.1 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London Design for Curwen Press © Curwen Press © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London Halstead Road in Snow watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London Paddle Steamers by Night watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London Shadow of Small Plane Falling on the World wood engraving © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London The Attic Bedroom watercolour 44.5 x 62.5 cm. © Fry Art Gallery, Saffron Walden, Essex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London

One morning in 1934, Eric Ravilious set off with a sketch pad from his home in Brick House, Great Bardfield, Essex. He didn’t go far – just around the corner, in fact, to where a repair…

“I never saw Eric Ravilious depressed. Even when he fell in love – and that was frequently – he was never submerged by disappointment. Cheerfulness kept creeping in.” – Douglas Percy Bliss on his friend Eric Ravilious from their time at the Royal College of Art Eric Ravilious loved painting, of seeing the beauty … Continue reading "Eric Ravilious’ Visionary Views of England"

Eric and Tirzah spent a couple of nights in Buscot Park in the summer of ’38. He described it as the grandest house house he’d ever been in, and mentions a whale’s jaw in the grounds. Whale jaws (often from the Fin or Bowhead whale) were not an unusual dight, acting as decorative arches or frames. Many examples still exist around the country, perhaps most prominently at Whitby in Yorkshire. This card is also available as part of the ‘The Eric Ravilious Country House Collection‘. Printed on 300gsm Invercote card stock using high quality inks to retain the colours of the original image, and comes with a white envelope. The card dimensions are 178mm x 127mm.

'River Thames at Hammersmith', Eric Ravilious, watercolour and pencil, 1933.Printed on 300gsm Invercote card stock using high quality inks.

Diving Controls (2), 1941

Eric Ravilious (1903 – 1942) was an English painter, wood-engraver and designer. This is part 2 of a 3-part post on the works of Eric Ravilious. For biographical notes, and for earlier works, see part 1 also. Part 3 will show his ceramic designs. 1937 The Causeway, Wiltshire Downs watercolour © Victoria & Albert Museum, London, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1937 Wiltshire Landscape watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1938 Paddle Steamers, Bristol Quay watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1938 Rye Harbour graphite and watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1938 Illustration for Ariel Poems "Elm Angel" by Harold Monro © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1938 The Lifeboat graphite and watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1938 The Waterwheel watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1938-39c Still Life with Acanthus Leaves watercolour © Fry Art Gallery, Saffron Walden, Essex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 A Farmhouse Bedroom watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 Beachy Head watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 Belle Tout Lighthouse watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 Cuckmere Haven watercolour 41.4 x 57 cm © Towner Art Gallery, Eastbourne, East Sussex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 Design for "Boat Race Day" bowl for Wedgwood © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 Queen's ware "Boat Race Day" bowl designed by Eric Ravilious for Wedgwood 1939 Interior at Furlongs © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 "London Fabric" cover © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 Tea at Furlongs © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939 The Long Man of Wilmington, The Wilmington Giant watercolour © Victoria & Albert Museum, London, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London The Long Man of Wilmington, The Wilmington Giant showing similar topography today 1939 The Westbury Horse graphite and watercolour 44.6 x 54.4 cm © Towner Art Gallery, Eastbourne, East Sussex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London The Westbury Horse today 1939 Train Landscape © Aberdeen Art Gallery and Museum, Scotland © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1939c The Vale of the White Horse graphite and watercolour 45.1 x 32.4 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London The Vale of the White Horse today 1940 Barrage Balloons at Sea © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 Coastal Defences watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 Dangerous Work at Low Tide ( defusing a German magnetic mine at Whitstable, Kent ) © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 Duty Boat watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 HMS Ark Royal in Action watercolour 43.5 x 58 cm © IWM (Art.IWM ART LD 284) © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 HMS Glorious in the Arctic watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 Leaving Scapa Flow watercolour © Bradford Art Galleries and Museums, West Yorkshire © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 Midnight Sun graphite and watercolour 47 x 59.1 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 No. 1 Map Corridor © Leeds Museums and Galleries ( City Art Gallery ) U.K. © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 Submarines in Dry Dock graphite, watercolour, crayon and pastel 43.2 x 57.1 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940 Un-adopted stamp design © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1940c Working Controls when Submerged © National Maritime Museum, Greenwich, London © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941 Diving Controls Number 2 lithograph 27.5 x 31.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941 Introductory Drawings lithograph 27.5 x 31.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941 Shelling by Night graphite and watercolour 44.5 x 54.6 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941 Testing Davis Equipment lithograph 27.5 x 31.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941 The Diver lithograph 31.9 x 27.9 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941 Ward Room Number 1 lithograph 27.5 x 31.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941 Ward Room Number 2 lithograph 27.7 x 31.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941 Working Controls while Submerged lithograph 31.4 x 27.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941-42c Iron Bridge at Ewenbridge watercolour 54.6 x 49.5 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941c Commander Looking Through the Periscope lithograph 27.7 x 31.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941c Different Aspects of Submarines lithograph 27.9 x 31.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1941c Working Controls when Submerged lithograph 27.7 x 31.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1942 Spitfires at Sawbridgeworth watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1942 Tiger Moth graphite and watercolour 45.7 x 55.9 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1942c Aerodrome graphite and watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1998 The Rich Jew of Malta wood engraving 18.6 x 11.6 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1998 The Rich Jew of Malta wood engraving 18.6 x 11.6 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1998 The Rich Jew of Malta wood engraving 18.6 x 11.6 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1998 The Rich Jew of Malta wood engraving 18.6 x 11.6 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London Beautiful Britain © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London Cockerel wood engraving © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London Design or a Plant-house graphite and watercolour 55.9 x 38.1 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London Design for Curwen Press © Curwen Press © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London Halstead Road in Snow watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London Paddle Steamers by Night watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London Shadow of Small Plane Falling on the World wood engraving © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London The Attic Bedroom watercolour 44.5 x 62.5 cm. © Fry Art Gallery, Saffron Walden, Essex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London