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Artist ~ Micell A.
Статья, которую мы предлагаем читателю, написана Владимиром Кричевским, автором известных книг «Типографика в терминах и образах», «Печатные картинки революции», «Поэтика репродукции», «Модерн(ъ) в печати», исследователем русского графического дизайна начала XX века. «Типографика футуристов...» была опубликована в «Терентьевском сборнике» под редакцией С. Кудрявцева в 1998 году (изд. «Гилея», Москва) и, по словам автора, осталась непрочитанной как дизайнерами, так и филологами. Со свойственным ему артистизмом и внимательностью к мелочам Кричевский добавляет к многочисленным исследованиям творчества «будетлян» ещё один пласт типографический. С разрешения автора мы разделили объёмную статью на две части и ввели новые иллюстрации для обогащения зрительного ряда.
Revue Ciel et Espace, septembre 1987. Artiste inconnu.
🪐🛸☄️🚀#retro#retrofuturism#vintage#space#stars
Lightly textured 100% cotton paper. Gallery quality vibrant prints with white border for easy framing. Multiple standard sizes offered. Additional sizes are available. Retro futurism inspired city.
Description From the anthology edited by Gardner Dozois, commissioned and published by Bluejay/St. Martin's Press, 1987 This was originally a art school assignment, whose criteria was only that there be a "train" in the art. It was one of those assignments in which I took the advice of one teacher who said "listen to what they don't say, as well as what they say..." So, it became a futuristic setting, and, although at the time, there were some chuckles among the students, this ended up as a paid book cover 7 years later. As with nearly all anthologies, the cover is there just to give a "feel" for the book. Oil on masonite, 16" x 22"
F.T. Marinetti
Its troubled birth in 1982, which included being a box-office failure, didn't stop Ridley Scott's film Blade Runner from becoming a timeless futuristic
Antonio Sant'Elia
Tullio Crali, Study for a Woman's Dress. In 1920 Volt published Manifesto della moda femminile futurista. In Volt's manifesto, woman is now a principal agent of revolt, a "walking synthesis" of the audacious, performance oriented aesthetic of the Futurist universe. He announces that "women's fashion has always been more or less Futurist." The Futurist hymn to progress reaches new extremes ("Women's fashion can never be extravagant enough").
Pavel Filonov. Simultaneity of centrifugal and centripedal forms (Woman at a window). 1914
Tour Eiffel
The Street Pavers, 1914 Giclee Print by Umberto Boccioni. Find art you love and shop high-quality art prints, photographs, framed artworks and posters at Art.com. 100% satisfaction guaranteed.
Tour Eiffel
