S O L O S C O P A M I C I ? 🤯♡♡♡🤯

Grace Robertson. Conga Line, London Women's Pub Outing, 1956

The Word of the Day for December 4, 2023 is gauche. Find out the meaning of gauche and learn about its origin and uses!

In his little books of sinister whimsy, Gorey was true to his belief in leaving things out, so that the reader’s thoughts could flower, Joan Acocella writes.

Grace Jones and Dolph Lundgren. Photographed by Helmut Newton, 1983. I’ve said it before and I’ll keep saying it until I can’t remember that far back—the 80s were a weird, wonderful decade. And a perfect example of how wonderful it was is the unexpected coupling of 6’5” actor Dolph Lundgren and enigmatic Jamaican-born powerhouse, Grace Jones. Born in Stockholm, before he got into acting Lundgren was an accomplished scholar who by the time 1982 arrived had already received a scholarship to fulfill his Master’s Degree in Chemical Engineering at the University of Sydney in Australia. While he was in Australia, Lundgren worked security detail for musicians like Joan Armatrading, Dr. Hook and Grace Jones—and his chance meeting with Jones would turn into a four-year love affair. In 1983 Lundgren was the recipient of the prestigious Fulbright scholarship to the equally prestigious MIT (Massachusetts Institute of Technology) in Boston. According to Dolph he would arrive on the legendary campus on his motorcycle with a leather-clad Jones in tow. At Jones’ urging Dolph soon switched gears and headed to New York to study drama. He worked security at the Limelight nightclub until Limelight boss Peter Gatien caught him eating...

I wish you beautiful weather and a restful Sabbath for your slow stitching. --Nancy. .

Today's #WomensHistoryMonth bio is Émilie du Châtelet! A fascinating mathematician. http://ift.tt/1B2Aa0w

Artist: Thomas Gainsborough (British, Sudbury 1727–1788 London). Date: 1778. Medium: Oil on canvas. Dimensions: 92 1/4 x 60 1/2in. (234.3 x 153.7cm). Clas...

Animals often have instincts and senses more impressive than ours. They can see farther, smell better, and individual animals can also run faster, jump higher, and basically do everything better than us. But if there's one thing that unites all adorable animals and humans, it's the fact that animals, just like us, aren't immune to looking ridiculous every once in a while.

Tumblr Blog

This is a follow-up to The Devoted Classicist post of August 11, 2011, that profiled a brief history of the Nissim de Camondo Museum in Paris and presented an architectural survey of its principal rooms. Here we have some highlights of the collection, all previously comprising the furnishings in the home of the Count de Camondo that is now a museum. Although most of the furnishings belong to either the final phase of the Louis XV period, the transitional style, or to the Louis XVI period, a pair of encoignures (corner cabinets) on the landings of the grand staircase is a notable exception. They are attributed to Bernard Van Risen, a Parisian master of Dutch extraction. The door panels of Japanese black and gold lacquer were probably part of a folding screen and the rest of it of vernis Martin lacquer to match, highlighted with mounts of chased and gilt bronze. A much-admired circa 1760 table en cabaret (drinks table) is topped with a Sevres soft-paste porcelain top, the table is finished with vernis Martin lacquer decoration that originally matched the porcelain but has now yellowed with time. It is attributed to a collaboration between marchand mercier Poirier and Roger Vandercruse, who stamped his work RVLC. The marchand mercier, the merchant of merchandise, played a very important role in 18th century decoration. Working outside the control of the powerful guild system that restricted craftsmen to working only with the one material with which they had apprenticed, these shopkeepers acted as general contractors, able to have Chinese porcelains mounted with gilt bronze handles and stands, and to have Japanese lacquer panels or Sevres plaques incorporated into furniture. Simon-Phillipe Poirier is credited with introducing furniture such as this with mounted Sevres elements. Purchased in 1934 from the rue Royale dealer Bensimon, it was one of the count's last acquisitions. The circa 1780 bureau a cylindre (roll-top desk) by Claude-Charles Saunier in the Grand Bureau is typical of the Louis XVI style. It is made of oak with veneer panels of flame grain mahogany and ornamented with chased and gilt bronze mounts.  After the 1765 discovery of limousin kaolin at Saint-Yrieix, France was able to produce hard-paste porcelain, such as this garniture by Niderviller consisting of a clock and a pair of vases, circa 1785  This very unusual table en chiffoniere was made by Jean-Henri Riesener and delivered in 1788 for the cabinet interieur of Queen Marie-Antoinette at Saint-Cloud. Although a trough-shaped top with a high edge indicates its use as a sewing table, the drawer with a leather lid and a silver-plated pen holder also makes it a writing table. The ebeniste Adam Weisweiler became a master in 1778 and was a favored supplier of the French and English aristocracy. Rather than using marquetry for decoration, gilt bronze was usually enmployed, as seen in this dessert console. The marble shelves are backed by mirror and the piece is set against a shallow mirrored niche in the Dining Room. The leather desk armchair by Jean-Rene Nadal l'Aine was delivered in 1775 for the cabinet interieur of Count d'Artois at Versailles. (Louis XVI's younger brother, born 1757, survived the Revolution to become Charles X in 1824). The pair of voyeuses (conversation chairs) in the Grand Bureau were part of a set of four that were commissioned from Jean-Baptiste Claude Sene for the Salon Turc, the game room of the king's sister Madame Elisabeth, in her small Chateau de Montreuil in Versailles. The grey and white rechampi finish has survived, but the original fabric, with a design of flowers and palm trees on a white ground, has not. Although the maker of the clock in the count's room is not known, it is a famous model with both Marie-Antoinette and Count d'Artois owning copies. Known as a clock a l'oiseau (with a dead bird), circa 1780, of chased and gilt bronze, white and blue marble, it is notable for the hands coverd in diamonds. The exception gilt bronze chandelier in the Grand Salon is attributed to Francois Remond, a favorite supplier of both Marie-Antoinette and the Count d'Artois. Believed to have originated from the Royal Household, Napolean presented it to the Arch-Chancellor of the Empire for his Parisian residence in 1808. Little is known of the three-legged center table in the Grand Salon bought from Seligmann in 1900. Made of chased and gilt bronze with Sarancolin marble, it dates from the end of the 18th century. A detail of one of the three griffins on the base is shown in the first image. A pair of circa 1780 vases carved from petrified wood and entwined with chased gilt bronze serpents decorated the cabinet interieurs (most private rooms) of Marie-Antoinette. In 1789, at the beginning of the Revolution, the queen entrusted her collections of precious objects to Dominique Daguerre, the marchand mercier who had been in partnership with Simon-Phillipe Poirer before assuming the business. (In 1778, Daguerre had moved to London where he was responsible for Carlton House and Brighton Pavilion decoration). In 1793, shortly after the execution of Marie-Antoinette, the whole lot was returned to the Nation. The Directoire put these vases up for sale, with some other objects, in 1798. And they were known to be sold again in 1841 before joining Count de Camondo's collection. The silver tureen and try commissioned by Catherine II for Gregory Orloff, 1770/71, was made by Jacques-Nicolas Roettiers de La Tour. The Soviet government dispersed the magnificent vestiges of the Russian court in the late 1920s and the Count de Camondo was able to acquire several pieces from the same French-made service. A two-handled milk goblet and its saucer, dating from 1753, are a remarkable example of Manufacture de Vincennes, founded in 1738 to compete with Meissen. In 1756, the manufacture moved to Sevres, where it remains today. This detail shows the Manufacture de la Savonnerie carpet, circa 1740, in the Grand Salon. Part of the set of ninety three commissioned by Louis XIV for the Grande Galerie of the Louvre, this one, the fiftieth of the series, represents the "Allegory of Air" with four heads representing the winds blowing into trumpets. The folding screen was an important element in 18th century interior decoration, deflecting drafts and making large rooms more cozy. This Manufacture de la Savonnerie folding screen of six panels, circa 1735-1740, was made in the older style with tapestry on both faces. Later screens had crimson cloth on the obverse. The "Bust of a Black Woman" presented in the Dining Room was acquired in 1932. About 1781, Houdon was commissioned to create a fountain for Folie Monceau representing a black woman, executed in lead, pouring water on the shoulders of a bather of white marble. During the revolution, the figures were lost, with the bather eventually being acquired by the Metropolitan Museum in New York. Houdon had kept a plaster bust of the black woman, however, and later used it in an allegory celebrating the emancipation of the black slaves. This patinated bronze bust bears the inscription that it was cast by Thomire after Houdon. "The Shepardess in Love" is one in a series of seven oil on canvas panels and two overdoor panels by Jean-Baptist Huet purchased by Count de Camondo in 1900. Painted in the second half of the 18th century, the lot came from the Chateau of Benguet, near Mont-de-Marsan. A third overdoor panel, dated 1776, was acquired in 1927, but nothing is known of its provenance. Bronze played an increasingly important role in furniture in the last third of the 18th century as evidenced by this silver-plated and gilt bronze console with green Egyptian marble. Designed by Victor-Louis, it was delivered to the royal palace of Warsaw in 1766. The footstool, circa 1780, was made by Georges Jacob. The small genre oil painting "Bad Tidings", 1740, by Jean-Baptist-Marie Pierre reflects the love that the Count de Camondo had for the 185h century decorative arts and the representation of the touching reality of everyday life. Most of the factual information and all the photos presented in this essay come from the 1991 book The Nissim De Camondo Museum available through The Devoted Classicist Library here.

Preferences and Imagines/One-Shots for the Voltron characters. Includes Shiro, Lance, Keith, Hunk, and Pidge. This book is completed, so please don't send in any more requests!

Juno’s champion

19thC; Hawarden C, D 328, 5 Princes Gardens, Isabella Grace, c. 1861

Master Tao, a 93 year old yoga master, showed us the moves in Central Park.

Portrait of Grace Wilbraham by John Michael Wright (1617 – 1694)

Every soul has its story, writes BEL MOONEY. This is a valuable and uplifting piece of personal history, as simple as it is enchanting.

a-harlots-progress: High School Students, NY, 1955, by Eve Arnold

Darci Kistler and Robert LaFosse photographed by Annie Leibovitz. There's a lovely article about Darci in the Wall Street Journal. Her farewell performance at New York City Ballet is set for Sunday June 27th, 2010.

Many have requested a list of great books for children, ones that inspire young hearts to courageous living. I've been busy and did just that.

'Grace And Frankie' production designer Devorah Herbert discusses designing a new house for Sol and Robert in Season 3.

There's a little Grace in all of us.

Mid-century flight attendants seemed to exude beauty and glamour. How did they do it? They practiced these grooming for confidence habits.

I titled this post “Back to School with Humor and Grace”. But who am I kidding? There’s no grace. Only humor! Indeed, amidst the shopping, planning, packing, strategizing, schedul…

Hello lovelies :) Hope you all had a fantastic week! Mine literally flew by. I feel like a zombie from Monday to Thursday, that comes back to life on Friday. Today's post is all about ballerinas. I think ballet is a beautiful art, and seriously though, major props to the talented dancers for being able to look so elegant and effortless, all the while balancing on their toes. I find much girly inspiration from their attire: tulle skirts, lace up shoes, and a chic bun. Perfect girly outfit. via Pinterest Oh yeah, just a casual bike ride in a tulle skirt while looking perfect... the usual. via Pinterest Blair from Atlantic-Pacific. She is one of my FAVORITE bloggers. Every outfit she wears is genius. Oh, Marilyn. via Pinterest Amazing ballerina-inspired flats from Chloe. My jaws dropped when I first saw these. Then, my jaws dropped even more when I saw these Louboutins. via Pinterest Leave it to Lauren to create the perfect, chic ballerina bun. Can't wait until my hair gets long enough, so I can do this hairstyle! Vogue Russia October '12 Editorial. [watch behind-the-scenes video] And I will end this post with the cutest ballerinas EVER: Sophia Grace and Rosie!!! October was a great month, filled with traveling back and forth to Montreal, visiting my sister. During my flights, I would pass the time by knitting. (I'm currently working on another circle scarf.) It's really kind of awkward because I feel like I'm being judged by people when I casually pull my knitting needles out of my purse. They're probably wondering why the heck a 17-year old teenager is at the airport alone, knitting. I hope you liked this inspiration post, and have a great weekend! xoxoDahye Follow via Bloglovin'

INPRNT IS DOING FREE WORLDWIDE SHIPPING! <3

Mipha’s Grace.

Explore badkitty2006's 1813 photos on Flickr!

"Someone's gotta be the designated drinker."