Selected Details From Irish Artist Harry Clarke’s Stained Glass Windows (Sources from Flickr) Harry Clarke was born on March 17th, 1889 in North Frederick Street, Dublin, where his father Joshua had a...
Stained glass panel of part of a border, from a window at Canterbury Cathedral. English, ca.1200
UK, Scotland, Great Britain, Edinburgh, Stained Glass Window In Saint Giles Cathedral Item # 2605770 Richard Taylor UK, Scotland, Great Britain, British Isles, Edinburgh, Stained glass window in Saint Giles Cathedral. Elevate any room with our handcrafted stretched canvas gallery wraps. Printed with archival inks and wrapped around a 1.25” inch solid wood stretcher bar, our giclée big canvas art prints are a timeless option for any décor style or space. Long-Lasting Color and Detail Our giclée canvas art prints are produced with high quality, UV-resistant, environmentally-friendly, latex inks and artist grade, polycotton canvas. We pride ourselves on color accuracy and image clarity to ensure your new canvas wall art lasts for years to come. Handcrafted Gallery Wraps Assembled in the USA, each of our 1.25” inch gallery wrapped canvas art prints is stretched and stapled by our highly skilled craftspeople. Each canvas print is carefully handcrafted to ensure taut canvas wraps and clean corners for outstanding quality and durability. Easy to Install Our handcrafted stretched canvas prints include sawtooth hangers for an easy and secure installation. Architecture Places of Worship Cathedral Window Photography Richard Taylor
Consecrated in 1497 but not completed until 1520, St. Mary's Church in Fairford, Gloucestershire, was built with funds from a local wealthy wool merchant, John Tame. It is a very good example of a Cotswold Perpendicular Gothic church, not least because it has the most complete set of mediaeval stained glass of any parish church in Britain as well as several carved wooden misericords. The 28 stained glass windows were made between 1500-17 by the king's glazier Barnard Flower, using many Dutch artisans whose style is said to be visible in the images. This picture shows souls being taken to hell, from a window depicting the Last Judgement.
Panel of clear and coloured glass with painted and stained details depicting St Lawrence. English, about 1434. Said to have come from Hampton Court, Herefordshire.
Today: Side-splitting trousers, rescued seals and sprout man
Richard III Act Five By Dennis Abrams ———————– Act Five: Buckingham is captured by Richard’s allies and is executed. Meanwhile, Richard, marching t…
Some of the 72 panels of stained glass in King Arthur's Great Halls in Tintagel. The windows are by Veronica Whall and illustrate the Arthurian tales.
'Penelope', stained glass panel, designed by Edward Burne-Jones, made by Morris, Marshall, Faulkner & Co., about 1864, London, England
Consecrated in 1497 but not completed until 1520, St. Mary's Church in Fairford, Gloucestershire, was built with funds from a local wealthy wool merchant, John Tame. It is a very good example of a Cotswold Perpendicular Gothic church, not least because it has the most complete set of mediaeval stained glass of any parish church in Britain as well as several carved wooden misericords. The 28 stained glass windows were made between 1500-17 by the king's glazier Barnard Flower, using many Dutch artisans whose style is said to be visible in the images. This picture shows a detail from a window depicting the four evangelists.
Panel of clear and coloured glass with painted details and later additions. Depicting the head of the patriarch Semei. Originally from the Southeast transept of Canterbury Cathedral. English, about 1180.
Consecrated in 1497 but not completed until 1520, St. Mary's Church in Fairford, Gloucestershire, was built with funds from a local wealthy wool merchant, John Tame. It is a very good example of a Cotswold Perpendicular Gothic church, not least because it has the most complete set of mediaeval stained glass of any parish church in Britain as well as several carved wooden misericords. The 28 stained glass windows were made between 1500-17 by the king's glazier Barnard Flower, using many Dutch artisans whose style is said to be visible in the images. This picture shows a detail from a window depicting the Last Judgement.
Fragment of clear glass painted with brown/black pigment and silver (yellow) stain. Depicting an angel playing a rebec. English, first half 15th century.
F. Sydney Eden. Building the Temple. 16th century Flemish stained glass from the Jesus Chapel, Prittlewell Church, Essex.
Britain’s churches, great houses and civic buildings are treasure houses, adorned with a collection of vivid stained glass that is the envy of the world. This is the perfect introduction to this too-often overlooked art form.
Roundel of clear glass with painted details and yellow (silver) stain depicting an angel musician. English, c.1420-40.
Panel of clear and coloured glass with painted details and yellow (silver) stain. Depicting an angel. Made in England, c.1450
If you love the legends of King Arthur and Avalon, then visiting Tintagel, Cornwall in the south west of England and following the King Arthur Trail is a must! From the rugged, windswept ruins of King Arthur's Castle on Tintagel Island, to the...
Conservators spent some 92,400 hours cleaning and protecting the great east window's 311 panels
St. Andrew's. Holy Trinity Church. The Perfect Knight. Douglas Strachan, 1920.
Window, clear glass painted with dancing figures and a may-pole with the inscription 'A Merry May'. English, ca. 1621
A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12.[1] The revival led to stained-glass windows becoming such a common and popular form of coloured pictorial representation that many thousands of people, most of whom would never commission or purchase a painting, contributed to the commission and purchase of stained-glass windows for their parish church.
Explore semplemike's 6605 photos on Flickr!
Stained glass windows that give great colour to the inside.
Sir Edward Coley Burne-Jones, 1st Baronet, ARA 1833 – 1898 was a British artist and designer associated with the Pre-Raphaelite movement, who worked with William Morris on decorative arts as a founding partner in Morris, Marshall, Faulkner & Co. Burne-Jones was involved in the rejuvenation of the tradition of stained glass art in Britain. Burne-Jones’s early paintings show the inspiration of Dante Gabriel Rossetti, but by the 1860s Burne-Jones was discovering his own artistic “voice”. In 1877, he was persuaded to show eight oil paintings at the Grosvenor Gallery (a new rival to the Royal Academy). These included The Beguiling of Merlin. The timing was right and he was taken up as a herald and star of the new Aesthetic Movement. Burne-Jones worked in crafts; including designing ceramic tiles, jewelry, tapestries, and mosaics. For Personal use only. All commercial uses are strictly prohibited. Upon completion of your order I will send a link for you to download the high resolution jpeg file suitable for home printing or having printed by a commercial printer. File size 4500x6000 pixels Suitable to print: 9x12 inches or 22.5x30cm 12x16 inches or 30x40 cm 18x24 inches or 45x60 cm 24x32 inches or 60x80 cm Prints available message for details
The fantastically colourful stained glass inside of Bath Abbey, Bath, Somerset. Nikon D40, 55-200mm. All of my images are available in hi-res without the stamp and border.
Border panel with rinceaux design. Originally from Canterbury Cathedral. Made in England, about 1180 to 1205.
Composite panel composed of clear, coloured and flashed glass with painted details. Originally from Salisbury Cathedral. English, ca.1220-1270.
George Ebenezer Williams was Organist and Master of the Choristers at Westminster Abbey from 1814-1819. He was buried in the south cloister in April 1819.
Consecrated in 1497 but not completed until 1520, St. Mary's Church in Fairford, Gloucestershire, was built with funds from a local wealthy wool merchant, John Tame. It is a very good example of a Cotswold Perpendicular Gothic church, not least because it has the most complete set of mediaeval stained glass of any parish church in Britain as well as several carved wooden misericords. The 28 stained glass windows were made between 1500-17 by the king's glazier Barnard Flower, using many Dutch artisans whose style is said to be visible in the images. This picture shows a detail from a window depicting the Last Judgement.
In the chapel at Great Chalfield Manor, nr Broughton Gifford, Wiltshire (National Trust property)
