Joyce Utting Schutter , poetic and beautiful sculptures

Joyce Utting Schutter , poetic and beautiful sculptures

A Cut Beneath, Joyce Utting Schutter Cove Gallery Insecto en desiento #89, Minoru Ohira Minoru Ohira Rainy Season, Naomi Wanjiku Gakunga October Gallery

Joyce Utting Schutter , poetic and beautiful sculptures

Joyce Utting Schutter's mixed-media sculptures are filled with organic, abstract shapes that evoke the delicate unfurling of flower blossoms. Each piece is created through an interplay of steel armature and paper pulp, which she stretches across the metal frame to give the fiber a translucent effect. While the paper pulp is still wet, Schutter adds various materials between its layers to create various colors and textures. She developed this technique while in graduate school at the University of Iowa, and because of it, her work has a singular look that makes it instantly recognizable.

Joyce Utting Schutter's mixed-media sculptures are filled with organic, abstract shapes that evoke the delicate unfurling of flower blossoms. Each piece is created through an interplay of steel armature and paper pulp, which she stretches across the metal frame to give the fiber a translucent effect. While the paper pulp is still wet, Schutter adds various materials between its layers to create various colors and textures. She developed this technique while in graduate school at the University of Iowa, and because of it, her work has a singular look that makes it instantly recognizable.

I have two pieces in the show, Interwoven: Art Meets Nature at Highfield Hall in Falmouth, MA right now. The show was curated by Marcia Young, editor of Fiber Art Now. An online student, Cindy Gimbert, was able to visit the show and sent me the photos you see in this post. Thank you Cindy!

Joyce Utting Schutter's mixed-media sculptures are filled with organic, abstract shapes that evoke the delicate unfurling of flower blossoms. Each piece is created through an interplay of steel armature and paper pulp, which she stretches across the metal frame to give the fiber a translucent effect. While the paper pulp is still wet, Schutter adds various materials between its layers to create various colors and textures. She developed this technique while in graduate school at the University of Iowa, and because of it, her work has a singular look that makes it instantly recognizable.

Joyce Utting Schutter's mixed-media sculptures are filled with organic, abstract shapes that evoke the delicate unfurling of flower blossoms. Each piece is created through an interplay of steel armature and paper pulp, which she stretches across the metal frame to give the fiber a translucent effect. While the paper pulp is still wet, Schutter adds various materials between its layers to create various colors and textures. She developed this technique while in graduate school at the University of Iowa, and because of it, her work has a singular look that makes it instantly recognizable.

Joyce Utting Schutter's mixed-media sculptures are filled with organic, abstract shapes that evoke the delicate unfurling of flower blossoms. Each piece is created through an interplay of steel armature and paper pulp, which she stretches across the metal frame to give the fiber a translucent effect. While the paper pulp is still wet, Schutter adds various materials between its layers to create various colors and textures. She developed this technique while in graduate school at the University of Iowa, and because of it, her work has a singular look that makes it instantly recognizable.

Joyce Utting Schutter's mixed-media sculptures are filled with organic, abstract shapes that evoke the delicate unfurling of flower blossoms. Each piece is created through an interplay of steel armature and paper pulp, which she stretches across the metal frame to give the fiber a translucent effect. While the paper pulp is still wet, Schutter adds various materials between its layers to create various colors and textures. She developed this technique while in graduate school at the University of Iowa, and because of it, her work has a singular look that makes it instantly recognizable.

Joyce Utting Schutter's mixed-media sculptures are filled with organic, abstract shapes that evoke the delicate unfurling of flower blossoms. Each piece is created through an interplay of steel armature and paper pulp, which she stretches across the metal frame to give the fiber a translucent effect. While the paper pulp is still wet, Schutter adds various materials between its layers to create various colors and textures. She developed this technique while in graduate school at the University of Iowa, and because of it, her work has a singular look that makes it instantly recognizable.

Joyce Utting Schutter's mixed-media sculptures are filled with organic, abstract shapes that evoke the delicate unfurling of flower blossoms. Each piece is created through an interplay of steel armature and paper pulp, which she stretches across the metal frame to give the fiber a translucent effect. While the paper pulp is still wet, Schutter adds various materials between its layers to create various colors and textures. She developed this technique while in graduate school at the University of Iowa, and because of it, her work has a singular look that makes it instantly recognizable.

Joyce Utting Schutter's mixed-media sculptures are filled with organic, abstract shapes that evoke the delicate unfurling of flower blossoms. Each piece is created through an interplay of steel armature and paper pulp, which she stretches across the metal frame to give the fiber a translucent effect. While the paper pulp is still wet, Schutter adds various materials between its layers to create various colors and textures. She developed this technique while in graduate school at the University of Iowa, and because of it, her work has a singular look that makes it instantly recognizable.

Joyce Utting Schutter's mixed-media sculptures are filled with organic, abstract shapes that evoke the delicate unfurling of flower blossoms. Each piece is created through an interplay of steel armature and paper pulp, which she stretches across the metal frame to give the fiber a translucent effect. While the paper pulp is still wet, Schutter adds various materials between its layers to create various colors and textures. She developed this technique while in graduate school at the University of Iowa, and because of it, her work has a singular look that makes it instantly recognizable.