(Visual culture from Los Angeles)
Model Grace Hartzel is styled by Jan Králíček in modern movement, dance and ballet-inspired looks for ‘The Right One’. Grace wears a white couture dress by Dior on the ‘Swan Lake’ inspired white cover, and a dress by Celine for the black swan cover. Dan Beleiu captures Grace with internationa
The founder of KNC Beauty talks to us about her journey into beauty and the return of KNC School of Beauty – an online school to support BIPOC with small businesses – to celebrate Black History Month
I'm reading Vogue Italia August 2000 on Vogue Archive.
Devil horns, third eyes and cigarette smoking bras – enter the visceral world of Parker Day
https://www.instagram.com/p/BwcWj0UAP1C/
theswinginsixties: “ Round-the-Clock Stockings advertisement, 1966. ”
Giselle Bunchen for Dior by Nick Night Fall-Winter (2002)
As a landmark exhibition of his work opens in Paris, we take a closer look at the garments that defined the mysterious designer
Artist Renell Medrano's work celebrates hair in communities of color.
Vogue Czechoslovakia December 2019 Cover
When we proceed to review things, persons, impressions, events and situations which are able to arouse in us a feeling of the uncanny in a particularly forcible and definite form, the first require…
Chiara Scelsi hits the road for the July 2018 issue of Vogue Portugal. Photographed by Branislav Simoncik, the Italian beauty joins male models Kevin and
Georgina Grenville is styled by Nicholas Georgiou in ‘Timeless’, lensed with art direction also by Dionisis Andrianopoulos for Vogue Greece October 2020.
“In the Howling Storm” Photography 30" x 20" inch Edition of 5 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Brian Ziff's "High Risk" series is part of a larger exploration of the emotional application of a single color. Named for the eponymous Pantone swatch (18-1763 High Risk Red) it depicts the color itself as a living, manipulative force; entrancing, seducing, and ultimately melding with the story's protagonist.
