Not only are Mark Bradford’s typical works monumental in vertical and horizontal scale, they are also layered, built-up thick, oozing a palpable density. These layers can be pages from old comic bo…
Within Bradford's "Pickett's Charge," there is a rawness, a free construction that flies in the face of popular culture's insistence on a simplified historical and visual record.
Mark Bradford’s multilayered paintings find abstract beauty in the AIDS epidemic in nineteen-eighties Los Angeles.
Mark Bradford, Deep Blue (2018), installation view The Broad has put on view Mark Bradford's 50-foot-wide collage-painting Deep B...
Mark Bradford’s multilayered paintings find abstract beauty in the AIDS epidemic in nineteen-eighties Los Angeles.
Mark Bradford joins the ranks of the museum’s other big-name creative trustees, including Barbara Kruger, John Baldessari, Ed Ruscha, and Catherine Opie.
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Hauser & Wirth was founded in 1992 in Zurich by Iwan Wirth, Manuela Wirth and Ursula Hauser, who were joined in 2000 by Partner and President Marc Payot
continuing its longstanding heritage of supporting the visual artists, steinway & sons has launched 'the steinway commission' beginning with artist mark bradford.
We visited American artist Mark Bradford at his studio, ahead of his major solo show ‘Masses and Movements’, which inaugurated Hauser & Wirth’s new Menorca arts centre in July 2021
The artist's homecoming, after a critically acclaimed pavilion in Venice, doesn't lack for ambition—or size.
I am currently an intern at the Smithsonian Institution 's Hirshhorn Museum and Sculpture Garden , where I often give tours of the featured art. One piece I almost always include in my tours is Mark Bradford's Pickett's Charge , a massive collage installment commissioned specifically for the Hi
“Looking at me Funny.” Mark Bradford, Looking At Me Funny, “Mark Bradford. New Works”, Hauser & Wirth Los Angeles; Photo credit Shana Nys Dambrot
Hauser & Wirth was founded in 1992 in Zurich by Iwan Wirth, Manuela Wirth and Ursula Hauser, who were joined in 2000 by Partner and President Marc Payot
“Politically and socially, we are at the edge of another precipice. I’m standing in the middle of a question about where we are as a nation.”—Mark Bradford Images Videos Related […]
Not only are Mark Bradford’s typical works monumental in vertical and horizontal scale, they are also layered, built-up thick, oozing a palpable density. These layers can be pages from old comic bo…
continuing its longstanding heritage of supporting the visual artists, steinway & sons has launched 'the steinway commission' beginning with artist mark bradford.
“Politically and socially, we are at the edge of another precipice. I’m standing in the middle of a question about where we are as a nation.”—Mark Bradford Images Videos Related […]
Not only are Mark Bradford’s typical works monumental in vertical and horizontal scale, they are also layered, built-up thick, oozing a palpable density. These layers can be pages from old comic bo…
“Politically and socially, we are at the edge of another precipice. I’m standing in the middle of a question about where we are as a nation.”—Mark Bradford Images Videos Related […]
Hauser & Wirth was founded in 1992 in Zurich by Iwan Wirth, Manuela Wirth and Ursula Hauser, who were joined in 2000 by Partner and President Marc Payot
We visited American artist Mark Bradford at his studio, ahead of his major solo show ‘Masses and Movements’, which inaugurated Hauser & Wirth’s new Menorca arts centre in July 2021
The artist's homecoming, after a critically acclaimed pavilion in Venice, doesn't lack for ambition—or size.
continuing its longstanding heritage of supporting the visual artists, steinway & sons has launched 'the steinway commission' beginning with artist mark bradford.
Mark Bradford (American, 1961), How much do your stones weigh lady?, 2018. Mixed media on canvas, 72 x 96 in. via abstrakshun
Né en 1961 à Los Angeles, Mark Bradford est un artiste plasticien qui propose une pratique plastique oscillant entre peinture et collage, entre abstraction et expressionnisme. Dans ses « toiles-collages », il utilise la peinture tout en intégrant des matériaux issus de la vie quotidienne et de l’environnement urbain – papiers ou tissus, lambeaux d’affiches publicitaires, cordes, matières…
