ODETTE NEW YORK MANON NECKLACE Sculptural necklace, first carved from wax by hand then cast in Brass. Pendant .8” in length, 18” chain. Made in New York City.
An imaginative game - what would it be like if a coral would breathe air and turn into a terrestrial organism. This necklace was born from these kinds of abstract ideas. A coral with two lungs and many endings that would breathe and exhale air. It’s an attempt to embody and highlight such a primitive
On that note, today's post is a collection of mind-boggling sculptures from all over the world that appear to defy the laws of physics. Created by master craftsmen, these sculptures are a testament to the ...
Explore kashigata's 672 photos on Flickr!
Close up Abi Skinner https://www.facebook.com/abiskinnerart
‘WHO KNOWS WHERE THE TIME GOES’ 2012 - SUSAN CUTTS - ‘The First Cut’
FARIS is a jewellery line that distils complexity into a wearable statement. Designed by Faris Du Graf in Seattle, Washington, FARIS celebrates the space between the levity of play and the gravity of embodiment.The FARIS Nina Necklace in Bronze is a sculptural but understated everyday piece.
Starneese| Newark| I never check my asks. Just send me a dm.
anna van bohemen
Artist Paula Hayes joins natural and sculptural forms in her otherworldly creations. Here, she creates a miniature birdbath—providing a respite for humans and animals alike—exclusively for Cultured Magazine. "I made this tiny translucent form to be set in a garden space, either inside or outside, in a place where small birds can bathe in the small amount of water that can be poured into the top dish shape. The form can also be given a blossom to float in the water. I made it as a reminder of devotion and taking that moment to care about the birds and flowers, to slow down a minute and do something beautiful." —Paula Hayes
Ann Carrington‘s piece “Galleons and Feathers” is inspired by Wing Wo Wave City, an industrial estate in Zhuijang Province, China which manufactures a massive amount of pearl adornment. The piece is formed in the shape of a 3-mast shop, floating over an opulent sea of brooches, earrings, necklaces and tiaras. The work both contains, and is inspired by, these glistening round objects, and Carrington explains on her website that they highlight “the discrepancy between their perceived status of being timeless status symbols of refined taste and wealth (with exotic overtones) and the often very unromantic reality.” Carrington studied at Bournville College of Art, Birmingham and The Royal College of Art where she graduated in 1987. More
Lot Ishtar Asherah Astarte Selene Goddess Of Near Middle East Statues & Pendants
From polyester, nylon, and cotton, Japanese artist and designer Mariko Kusumoto fabricates sculptural forms that resemble the creatures and everyday objects she finds most fascinating. She uses a proprietary heat-setting technique to mold the ubiquitous materials into undulating ripples, honeycomb poufs, and even tiny schools of fish that are presented in elegant and fanciful contexts. Whether a pastel coral reef or a fantastical bracelet filled with mushrooms, rosettes, and minuscule bicycles, Kusumoto’s body of work, which includes standalone objects and wearables, uses the ethereal qualities of the translucent fibers to make even the banalest forms appear like they’re part of a dream. More
Japanese artist Mariko Kusumoto uses translucent fabric to produce balloon-like objects, orbs that contain various forms trapped within their soft exterior. The creations inside range from smaller versions of the spherical sculptures to sea creatures and cars, playful forms that fit the bright colors Kusumoto chooses for her works. To set the polyester fabric into the shapes she desires she heats the pieces to the right temperature, allowing the material to memorize the shape she wishes to create. More
L’artiste japonaise Mariko Kusumoto réalise de surprenantes et jolies créations à base de tissu. Elle utilise en effet des morceaux translucides qu&rsq
