A selection of works on paper by some of the world's greatest artists which will be on display at Oxford's Ashmolean museum to mark its 330th birthday
As we grow and develop in life one of the many ways we learn is through the emulation of others. Whether we copy someone else’s way of walking, talking, their mannerisms, or habits and more, this is in part how we learn to become who we are. When an art student reaches a certain point in th
Jacob de Gheyn II (also Jacques de Gheyn II) ( c. 1565 – 1629) was a Dutch painter and engraver . Study of Eleven… by fineartnow
Ludwig Gloss 1851-1903 Oostenrijk
Hugo Chapman discusses metalpoint drawing, as ‘Drawing in Silver and Gold: Leonardo to Jasper Johns’ opens at the British Museum, London
Drawing after sculpture became common practice in the Renaissance.
For many years I have been inspired by the dynamic and masterful draughtsmanship of the Old Masters. Artists such as Leonardo, Michelangelo and Raphael have influenced the techniques of many artists, as their drawings have touched a very deep sense of what it means to be human. An intense study of the science of human […]
This video will show you how to simplify the anatomical forms of the upper body, and also how to study from the work of the old masters. source FacebookXRedditPinterestEmailWhatsApp
AP Studio Art – DaVinci Hands Work on observational composition. Know about preliminary work (figure studies). Advanced Drawing – Janet Fish Work on compositional approaches. Know about…
Four Studies of Hands. 1588-89. Hendrick Goltzius. Dutch 1558-1617. black and red chalk on coloured paper. http://hadrian6.tumblr.com
Modeling is a term that drawing borrows from sculpture to signify any graphic strategy that develops the appearance of the third dimension. Varying line width and weight, exploring tonal contrasts,…
A selection of works on paper by some of the world's greatest artists which will be on display at Oxford's Ashmolean museum to mark its 330th birthday
Leonardo drawings, anatomical works ahead of their time beautifully executed by the Renaissance master
A stunning new exhibition at the Ashmolean Museum in Oxford shines new light on the Renaissance Master’s language of drawing
