Coleção “mani cores” #unharosa

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Hans von Bülow Hofkappelmeister 1867-1869 [De] Gemälde, das derzeit in den Balkongängen des Münchner Staatstheaters ausgestellt ist. [Fr] Ta...

Ninon de L'Enclos : [estampe] / Mignar pinx. ; F. Janinet sculp. -- 1786 -- images

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おはようございます匠海ですよ！！！！！！昨日は、学校は大掃除でした今日は、終業式です。ついに、中3ですよ！！！！！！受験生になるので勉強頑張らないとま、、いろ…

Give me credits⛽⛽⛽⛽Iccy pinx

The lower margin reads: "January/ T. Burford pinx. et fecit./ Publish'd according to Act of Parliam.t"

The lower margin reads: "February/ T. Burford pinx. et fecit./ Publish'd according to Act of Parliam.t"

Signed Pasch pinx and dated 1784. Canvas, oval 81 x 67 cm. Gilded and bronzed frame.

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This plate has been trimmed beyond the margin. The title and dedication on another copy of this print print in the British Museum reads: "A. Brunias Pinx..t et Sculp.t …

Les Pecheurs De Sirenes (Collection de M.L. de Lieben, a Vienne.) A.Boeklin, Pinx L. Muller, SC Gazette des Beaux-Arts Imp. A. Salmon & Ardaul, Paris A quality facsimile Antique print from Paris, - Les Pecheurs De Sirenes

五輪史上初の〝兄妹アベック金〟を目指す柔道の阿部一二三と詩の兄妹に訊いてみたら、二人とも２位じゃ満足できない、というのだった。 文・増田晶文　写真・エイミー・スー@PINX　スタイリング・三宅陽子　メイク・吉田奈央　ヘア・小田代 裕@mod’s hair

Joseph Lees enamel depicts George III as an old man, bearded and with grey hair, seated in profile to the left, wearing a blue ermine-lined cloak; organ pipes can be seen in the background on the left. The counter-enamel is signed, dated and inscribed in black paint: His Majesty George the 3rd / from the Original sketch by John Jackson Esq. R.A./ Joseph Lee Pinx t / London / 1827. However, although a painting of this subject by John Jackson (present location unknown) must have existed, the origin of the...

Portrait of the Imperial Privy Councillor Anton Rummel von Lichtenau, his coat of arms at upper left, oil on canvas, 64 x 51.5 cm, framed Provenance: Collection Knights of Vintler, Brunico/South Tyrol; sale, C. J. Wawra, Vienna, 29 January 1919, lot 208 (as Tyrolean master, 16th century); Private collection, SwitzerlandThe present painting seems to have been in the collection of the knights of Vintler, one of Tyrol’s oldest families, for a considerable length of time. There exists a copy by the Austrian painter Fanny Inama von Sternegg (1870–1928) from 1902 that was obviously made before the present original was relined. An inscription on the stretcher of the copy reads: “The original is in the Vintlers’ collection in Brunico.” Moreover, the copy is inscribed on the reverse: “Moroni ? pinx.”. Whether this inscription was copied from the original before it was lined can no longer be said with certainty. It is interesting that a portrait of Count Oswald Trapp I at Castel Coira in South Tyrol by the same artist has also been attributed to Moroni. The portrait of Anton Rummel von Lichtenau is by the hand of a portraitist active at the court of Innsbruck or Vienna, such as Paul Dax, Ottavio Zanuoli, or Michael Praun. Anton Rummel von Lichtenau (1462–1538) had acquired wealth and recognition through his marriage into the noble Kripp family, who had made their fortune in the silver mining business, and with Martha von Spaur. He was a senior official in the service of the archbishop of Bressanone in Brunico and was appointed imperial privy councillor by Charles V. The city in the right background can possibly be identified as Brunneck in the Pustertal valley.