For your consideration, this is an Antique photographic negative glass plate (OOAK) of a turn of the century portrait of 3 gentlemen, possibly a father and his sons, in elegant dress. It is 3x5", with no breaks, and the pink light spots are not on the negative, they only show up when I try to photograph this negative. The first image is a photoshop refinement, giving you an idea of what the finished photograph would have looked like. This came from a photographer's estate lot, and I will be listing many more such items from the estate.
by Bassano, whole-plate glass negative, 12 July 1917
Amazing collection of portraits by Romanian photographer Costică Acsinte. Costică Acsinte was born 4th of July, 1897 in a small village called Perieți, Ialomița County, Costică Acsinte fought in WWI. Despite his formation as a pilot, he was a official war photographer till 15th of June, 1920. As soon as the war was over he
wet plate collodion on clear glass 5x7" www.facebook.com/ambrotypy
Collection of early 20th century Glass Plate negative diptych portraits of Women & Girls from David Knights-Whittome Photographic Archive 1904-1917.
Actress Mamie Whittaker by Bassano, whole-plate glass negative, 15 September 1910 © National Portrait Gallery, London Actress Mamie Whittaker by Bassano, vintage print, 1910 © National Portr…
I make portraits on colored glass and aluminium plates. I use an old photographic technique called wet plate collodion. It is quite a challenging technique, particularly when working with children.
I make portraits on colored glass and aluminium plates. I use an old photographic technique called wet plate collodion. It is quite a challenging technique, particularly when working with children.
This artist may be onto something by bringing a version of this centuries-old romantic art back!
I make portraits on colored glass and aluminium plates. I use an old photographic technique called wet plate collodion. It is quite a challenging technique, particularly when working with children.
Amazing collection of portraits by Romanian photographer Costică Acsinte. Costică Acsinte was born 4th of July, 1897 in a small village called Perieți, Ialomița County, Costică Acsinte fought in WWI. Despite his formation as a pilot, he was a official war photographer till 15th of June, 1920. As soon as the war was over he
A lovely lithograph on tin of a Victorian woman with long flowing dark hair in a coral colored gown resting against a column. Seated in an ornate gilt wood frame surrounded by a glass front ebonized shadow box frame. Marked on the reverse: Dresden Art Plate No 201 Adriadne. Made only by The Meek Company Coshocton. O. U.S.A. Circa 1900 Overall measures: 14.5” x 14.5” square x 2.5” depth Portrait site area measures: 8.75” diameter, Plate is 9.5” diameter Wear to the frame finish. Small interior frame loss as photographed. Plate seems to be in very good condition, has not been removed from the frame. Seems to be a few loose pieces of gilt within the shadow box area but site areas that can be seen look complete. See photos. Extra care will be taken in preparation for shipping this fragile piece. I usually ship in 1-2 business days. Thank you for viewing BelleEpoqueCadeau!
This artist may be onto something by bringing a version of this centuries-old romantic art back!
In these days of instant digital images, it's hard for many to imagine the effort that went into creating photos during photography's first century and a half. Each single image was precious and painstaking to create. Before the film era and way before the digital era, photographic emulsions were made on glass supports, known as glass plate negatives. Two types of glass plate negatives exist: the collodion wet plate invented by Frederick Scoff Archer, in use from the 1850s, and the silver gelatin dry plate created by Dr. Richard L. Maddox, in use from the 1870s. The wet plates were hand coated by photographers. The dry plates were easier to transport (though still heavy) and didn’t require as much exposure to light. Both processes are still in use by fine art photographers, for their great tonal range and detail, but back in the day they were commonplace for news photography. Here below is a rare collection of 16 glass plate negatives that captured beautiful portraits of Victorian ladies from the 1860s to the 1890s.
Australian artist Jane Long has taken old glass-plate photos and given them a 21st century makeover. Lovers of vintage photography may be interested in a
From its first appearance in the New South Wales colony in the mid-1800s to the mass production of visiting cards, generations of Australians have been enthralled by the power of photography
The home page of Bruno Romanelli, an artist specialising in lost-wax glass casting. Elegant works, exploring light, geometric form, colour and symmetry.
From its first appearance in the New South Wales colony in the mid-1800s to the mass production of visiting cards, generations of Australians have been enthralled by the power of photography
Australian artist Jane Long has taken old glass-plate photos and given them a 21st century makeover. Lovers of vintage photography may be interested in a
On vintage serving ware and ornately decorated plates, Susannah Carson renders fragmented portraits of women.
Explore the connection between the environment and the arts through books, music, films, visual art, and more.
GUSTAV KLIMT Fantastic Masterworks Portraits of Women, Lilien Porzellan Austria Limited Edition, A Large Collection of Porcelain Plates More: https://www.etsy.com/listing/967834083 BRADEX - Nr.: 5-L32-6.X
Download Image of Pauline Brunius, rollporträtt - SMV - GB166. Free for commercial use, no attribution required. Pauline Brunius as Lygia in Quo vadis? at Svenska teatern 1912. Scanned glass negative. Svenska: Pauline Brunius som Lygia i Quo vadis?, Svenska teatern 1912. Skannat glasnegativ.. Dated: 1912. Topics: theater, performing arts, 1912 in theatre, 1912 portrait photographs of women, atelier jaeger, black and white portrait photographs of actresses in theatrical costumes, glass plate negatives in the swedish performing arts agency, images from the swedish performing arts agency, pauline brunius, quo vadis henryk sienkiewicz, high resolution, actresses, female portrait, actress, public domain photos of celebrities, sweden
These are wife killers, petty thieves, dealers of fake opium, hustlers — plucked from the street by the police of 1920s Sydney, Australia and photographed, fresh from the scene of the crime. These photographs reveal a lot more than the usual mugshot. The suspects strike poses. A few look disheveled and deranged, but some look decidedly guilty. They lean casually into their own pockets, hats tipped, eyes scowling. They look in character, the alleged crime still fresh on their mind. There are thousands of vintage glass plates photographs taken by the New South Wales Police Department between 1910 and 1930, now hosted by the The Sydney Justice & Police Museum. These are just some of them. Sidney Kelly – June 25, 1924. New South Wales Police Department. Emily Gertrude Hemsworth, 14 May 1925. State Reformatory for Women, Long Bay, New South Wales Police Department. ”Emily Hemsworth killed her three-week-old son but could not remember any details of the murder. She was found not guilty due to insanity. Hemsworth was to be detained in custody until judged fit to return to society — it is unknown if she was ever released. Aged 24.” Frederick Edward Davies, July 14, 1921. “The handwritten inscription on this unnumbered Special Photograph reads ‘Frederick Edward Davies stealing in picture shows and theatres Dets Surridge Clark and Breen Central 14-7-21.’ Police held sneak thieves in particularly low regard, which may account for the decision to photograph Davies in front of the police station’s toilet stalls.” George Whitehall – February 24, 1922. “George Whitehall, carpenter, handed himself into Newtown police after hacking to death his common-law wife, Ida Parker on Thursday afternoon 21 February 1922, at their home in Pleasant Avenue, Erskineville. This photo was apparently taken the following morning at Newtown Police Station.” Frank Murray alias Harry Williams – February 4, 1929. “Harry Williams was sentenced to 12 months hard labour on March 1929 for breaking, entering and stealing. Although he ‘consorts with prostitutes’ and ‘frequents hotels and wine bars in the vicinity of the Haymarket,’ he is described as being of ‘quiet disposition.’” Hampton Hirscham, Cornellius Joseph Keevil, William Thomas O’Brien and James O’Brien – July 20, 1921 Eugenia Falleni, alias Harry Crawford, 1920. “When ‘Harry Leon Crawford,’ hotel cleaner of Stanmore was arrested and charged with wife murder he was revealed to be in fact Eugeni Falleni, a woman and mother, who had been passing as a man since 1899. In 1914, as ‘Harry Crawford,’ Falleni had married the widow Annie Birkett. Three years later, shortly after she announced to a relative that she had found out ‘something amazing about Harry,’ Birkett disappeared.” Mary Harris, 15 August 1923. State Reformatory for Women, Long Bay, New South Wales Police Department Mr. William Stanley Moore, 1925, New South Wales Police Department Valerie Lowe, 15 February 1922, Central Police Station, Sydney Sydney Skukerman, or Skukarman – September 25, 1924, New South Wales Police Department Walter Smith – December 24, 1924, New South Wales Police Department (via Flavorwire)
From its first appearance in the New South Wales colony in the mid-1800s to the mass production of visiting cards, generations of Australians have been enthralled by the power of photography
I make portraits on colored glass and aluminium plates. I use an old photographic technique called wet plate collodion. It is quite a challenging technique, particularly when working with children.
From its first appearance in the New South Wales colony in the mid-1800s to the mass production of visiting cards, generations of Australians have been enthralled by the power of photography
This artist may be onto something by bringing a version of this centuries-old romantic art back!
Victorian glass plate ambrotype portrait of woman Beautiful very old Victorian ambrotype portrait of a lady with gold tone embossed tin surround. The surface is damaged which gives it a pleasing texture to the portrait. In fair condition - lots of the emulsion has worn off- revealing a lovely effect. Please check out my other interesting and genuine vintage things here http://www.etsy.com/shop/evaelena Like me on facebook here: https://www.facebook.com/evaelena.vintage and Insta @evaelenavintage https://www.instagram.com/evaelenavintage/
