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Page 6- NEW YORK | Citigroup Center | 915 FT / 279 M | 59 FLOORS | 1977 Buildings & Architecture
Designer: Hang Mingshi (杭鸣时) 1964, August Carry forward the revolutionary tradition to become a red successor Jicheng geming chuantong zuo hongse jiebanren (继承革命传统做红色接班人) Call nr.: BG E37/239 (Landsberger collection) The image in the background is the 1957 sculpture "Tough Times" or "Tough Years" by Pan He (潘鹤). More? See: chineseposters.net
Pierre Shire - 1980s
Designer: Wang Xiqi (王锡麒) 1975, August Composing a new song Pu xin ge (谱新歌) Call nr.: BG E15/693 (Landsberger collection) More? See: chineseposters.net
新中国成立宣传招贴曾经感动和激励过一代知识青年的艺术形式，新中国宣传画使用通俗朴素的爱国主义标签，营造宏大的政治目的。新中国时期老式宣传画海报新中国复古宣传画设计图片作品大全新中国时期老式宣传画海报新中国时期老式宣传画海报新中国复古宣传画设计图片作品大全新中国时期老式宣传画海报新中国复古宣传画设计图片作品大全新中国时期老式宣传画海报新中国复古宣传画设计图片作品大全新中国时期老式宣传画海报新中国复古宣传画设计图片作品大全新中国时期老式宣传画海报新中国复古宣传画设计图片作品大全
In what Robert Nisbet called “One of the few authentic classics in the American political tradition” Richard Weaver unsparingly diagnoses the ills of the modern age and offers a remedy. He asserts that the world is intelligible, and that man is free. The catastrophes of our age are the product not of necessity but of unintelligent choice. A cure, he submits, is possible. It lies in the right use of man’s reason, in the renewed acceptance of an absolute reality, and in the recognition that ideas, like actions, have consequences.
Translated into English, the Portuguese word ‘margem’ means ‘margin’ and that’s a suitably chosen name for a studio determined to stretch its work beyond the limits of generic restriction. Founded in 2014, Estudio Margem is the brainchild of Alexandre Lindenberg and Nathalia Cury, who met while studying at the University of São Paulo, Brazil. It was there that they fell in love with concrete poetry, the Bauhaus movement and Russian Avant-Garde. “Since then, we have been seeking to find principles common to those languages and contemporary discussions about the clash between modernity and postmodernity”, the studio explains.
The second half of the 20th century in Argentina had as its main character one of the most renowned architects in its recent history, responsible for a very extensive work developed almost exclusively within the country. We are referring, of course, to Clorindo Testa. The Naples born architect was quickly adopted by the southern country and today his work is a substantial part of the architectural (and pictorial) imaginary of Argentina. With more than 60 years of professional practice, Clorindo Testa was the author (and co-author) of more than a hundred works of architecture, including projects and realizations, which marked a before and after in Latin American architecture but perhaps, sadly, have not had the same impact in other contexts globally. In this series of articles, we are going to recall some of his most important works, which oscillated between modernity and postmodernity, with clearly differentiated periods, but also with many links and interactions that were able to tie his entire professional career.
Other title: Ayasofya Muzesi Creator: Anthemios, ho Trallianos, 6th cent. Date: 532-537 Current location: Istanbul, Istanbul, Marmara, Turkey Description of work: To begin, Anthemius and Isidorus laid out a huge rectangle, almost square, 230 feet by 250 feet. Within the rectangle, a 100 foot square was established, and four huge piers built at its corners. They rise 70 feet, at which point four arches swing across the sides of the square. Above is set a dome on pendentives, the domes itself somewhat less than a full hemisphere and articulated by forty ribs separating a continuous ring of windows at the base. (Trachtenberg, Marvin. Architecture, From Prehistory to Postmodernity. 2nd Ed. Prentice-Hall Inc. 2002. pg 174) Work type: Architecture and Landscape Style of work: Byzantine Culture: Byzantine Materials/Techniques: masonry Source: Porter, Arthur. Medieval Architecture: its Origins and Development, with lists of monuments and bibliographies. 2 vols. New York: Baker and Taylor Company, 1909. (Vol. 1 Ill. 79) Resource type: image File format: JPG Image size: 2250 x 1689 pixels Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm Collection: Worldwide Building and Landscape Pictures Filename: WB2006-827 Hagia Sophia Plan.jpg Record ID: WB2006-827 Sub collection: temples churches
Michael Horton’s highly anticipated The Christian Faith represents his magnum opus and will be viewed as one of—if not the—most important systematic theologies since Louis Berkhof wrote his in 1932. A prolific, award-winning author and theologian, Professor Horton views this volume as “doctrine that can be preached, experienced, and lived, as well as understood, clarified, and articulated.” It is written for a growing cast of pilgrims making their way together and will be especially welcomed by professors, pastors, students, and armchair theologians. Features of this volume include: (1) a brief synopsis of biblical passages that inform a particular doctrine; (2) surveys of past and current theologies with contemporary emphasis on exegetical, philosophical, practical, and theological questions; (3) substantial interaction with various Christian movements within the Protestant, Catholic, and Orthodoxy traditions, as well as the hermeneutical issues raised by postmodernity; and (4) charts, sidebars, questions for discussion, and an extensive bibliography, divided into different entry levels and topics."Dr. Horton has produced a remarkable work. His approach to systematic theology is fresh and critically needed in our time. Every pilgrim will profit from this work."—R.C. Sproul, Chairman and President, Ligonier Ministries"A crisp, clear, and forceful new theology that is at once biblical and reverent, historical and contemporary, learned but accessible. What a great gift this is to the church!"—David F. Wells, Distinguished Research Professor, Gordon-Conwell Theological Seminary
