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I recently headed to St. Pauls for a spot of gardening...
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This is the gold coffin of Egyptian King Tutankhamun, year unknown.
David Britt, a former partner at the Big Four audit firm, admitted to conspiracy to commit wire fraud
PARFOIS & FRIENDS SOIRÉE SHOOTING TEATRO CALDERON MADRID, OCTOBER 2015 THANKS PARFOIS TEAM!
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Dans le monde de Noell S. Oszvald, le silence est de plomb, les pensées opaques, les ombres faussement muettes, et les formes, enfin, sublimement envahissantes. Chercher à s’échapper du réel semble alors presque illusoire. Et pourtant. Tandis que la réalité s’enracine au plus profond, l’espri...
Russia! Clearly, home to one of the most Iconic Architectural Silhouettes in the World: The Onion Shaped Domed Roof. Russia's Design Style is Strongly Graphic, Bold and often Gilded in Gold - until you go Countryside, where you'll find it to be Charming, Rustic and Woody. Back in Manhattan I had the utmost privilege to work with several Russian Artisans and let me tell you, their skills were off the chart! So why not click on to a little "From Russia with Love" and begin the scroll down to check out just why Russian design is so inspiring. St. Basil's Always one of my favorites! Russian-American Painter - Mark Rothko Faberge Hen 1930 Art Deco Cabinet - Serge Chermayeff Iconic YSL Russian Collection - 1976 Mosque in Saint Petersburg Russian Designer: Katia Mossinar Russian Painter: Nicholas Roerich Catherine Palace and Park 1924 Vavarra Stepanova Fabric Design Moscow Metro Peterhof Gardens Faberge Case Yves St. Laurent 1976 Russian Collection St. Petersburg Nadezhda Lamanova 1920's Art Nouveau Gown Malachite ipad Cover from Zazzle.com Petrof Gardens Russian Malachite Box Moscow Ballets Russes 1920's Sketches of the Ballets Russes Faberge Gorgeous Uzbek Ikat Faberge Nicholas Roerich Chanel's 2009 Russian Collection - Notice the cool stitch detailing! 1920's Ballet Russes Costume 1920's Vavarra Stepanova Fabric Peterhof Palace Top and Bottom Photo: 1965's - Dr. Zhivago Glass Logs (Contact us for information) Add caption Neoclassical Russian Chandlier, circa 1860 Russian Armchair circa 1810 St. Petersburg 1931 Sidney Myer Chandelier Russian Artist: Paul Pepperstein Russian Quilt 19th Century Russian Bronze Bear Inkwell Add caption 19th Century Russian Mahogany Obelisks Elle Decor 2006 SO in love with this! Incredibly Cool 'Olenishka' Chair by Russian Designer Niazique 'Fancy' Dacha near St. Petersburg Chanel 2009 - Russian Collection Traditional Russian Textile Yves St. Laurent - Russian Collection 1976 Mark Rothko Russian Artist - Natalija Goncharova Russian Elle Decor Faberge Case Yves St. Laurent - Russian Collection 1976 The Bolshoi Mark Rothko Faberge Russian Artist - Alexej Von Jawlensky Mark Rothko Diaghilev, 1917 Ballets Russes Costume by Picasso Perfect pieces for a Lux Russian Look (Contact us for information on either piece) Turandot Restaurant - Moscow
Cet incroyable pavillon est le résultat d’une série de recherches sur le biomimétisme par les organismes ICD et ITKE ayant pour but d’édifier un
Soapmakers often get asked about the use of lye in their soap. The fact is that lye is indeed used to make soap. While in many minds, “lye soap” brings up images of grandmas and washboa…
Founder & owner of Archie McPhee. Popular culture is not for the faint of heart. Follow @mcpheeceo...
Feb 24, 2018
Meet my family of inkle looms! Ashford Inklette- The cutest of inkle looms. I like this one because it is small enough to fit easily on my lap and can be held between my knees. I can even weave while riding in a car. Because of it's petite size, there is not a lot of clearance and it feels awkward for my hands to work within such a small space and narrow shed opening. Also, I am used to using a lot of tension and am always careful not to use too much tension on this one because it is more petite. But I find it nice for weaving really narrow things like the silk ribbon and stampede straps that I have been making. I have a small child's suitcase on wheels which just fits this and makes it a dream for traveling. Schacht- I have 3 of these. This loom is perfectly configured for ease of weaving, in my opinion. I much prefer the slide type tensioner of this loom to the paddle type of the Inklette. I also prefer the tensioner to be in front as this allows for the easiest of adjustments. The spacing of the uprights suits me; it has just the right length between me and the heddles for weaving. (Too long and my back gets tired of reaching, too short and I have to advance the warp too often.) Northwest- Beautifully crafted of walnut. This one is constructed much like the Schacht, with a couple of differences. It has a second side to the frame, which is removable. This makes it so convenient for taking to shows and demonstrations. The second side keeps warps from slipping off the ends of the pegs while I am toting it around. It also allows me to work wider without constantly herding the warps away from the edge and it provides that extra support and stability for those who use a lot of tension, like me. The front upright angles forward a little more than the Schacht, which creates a shorter weaving distance and it is necessary to advance the warp more often. Homemade- (Shown here with the Schacht for size comparison.) You could weave all week on this baby. I once made a sash 14' long on it, and I don't think that I used it's full capacity. If you are going for yardage, this would be the best choice. It stands on the floor and I find that I am most comfortable tipping it forward onto my lap to work. When I get a really long warp on it, the process of advancing the warp is a challenge. Makes me wish I had more arms. My brilliant husband pointed out that it would have been nice to have something for scale in each photo. I wish I would have thought of that. Other looms have come and gone from my life. This is the current collection and as you can see, each serves a purpose. There are a couple more that I have a hankering to own, though. There are so many varieties of inkle looms available; a recent brief search of the web turned up many small manufacturers. It would be fun to test them all! The beauty of the inkle loom above all others, I think is the ease of setup. A continuous warp wound directly onto the loom eliminates the step of preparing the warp. (If an inkle loom has two sides, one of them needs to be removable to accomplish this.) I have tried a little tapestry weaving. I also own a perfectly beautiful Kromski Harp rigid heddle loom. But the truth is, I love inkle weaving and will always come back to it.
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Pakistani artist Khalil Chishtee takes an unwanted, meddlesome material — the plastic grocery bag — and creates sculptures that express feelings of sorrow, dejection and even victimhood. Chishtee builds human figures from these discarded objects, leaving the bags' rough, torn edges visible to add a sense of fragility to the works. Captivating with their delicate beauty, the monochromatic figures sullenly peer at their feet; some are life-like while others appear supernatural with angel wings or altered limbs. Take a look at some of Chishtee's works after the jump.
