A staircase at the door next to Gaurav Gupta’s store leads to Swan, which is mainly a terrace restaurant.
The sale has sparked plenty of interest from buyers and the general public.
The owner of the house are from New Zealand, so based on their choices, steel beams are exposed and other
Everything you need to know about the WDW Swan and Dolphin weddings & Swan Reserve wedding venues. Choose a stress-free wedding package with Just Marry!
Make the most of the outdoors this season with Swans Al Fresco range of stylish patio heaters. Enjoy your garden, patio or terrace all year round with this sleek Al Fresco wall mounted patio heater from Swan. Featuring a generous 1. 8m power supply cord, this versatile patio heater can be mounted onto the ceiling of an outdoor structure or garden wall. With a handy remote control at your fingertips, simply turn the heater on or off at the push of a button, giving you more time to relax uninterrupted with friends and family. At 1800W, the Swan Al Fresco patio heater is designed with a highly efficient carbon heating element coupled with a high rated aluminium reflector. Ensuring optimum heating for you and your guests whatever the weather.
I recently had the pleasure of visiting Atlanta, Georgia, for the first time with my friend, designer Michael Hampton, and of course the number one place on my list to visit was Swan House, one of the most famous houses in the world designed by Classical architect Philip Shutze. I remember first falling in love with this house in the 1980s in the pages of Architectural Digest - not as a feature but the house was used as a backdrop in an ad campaign. I'm buying what they're selling! We're all familiar with this famous facade but did you know this is actually the back? This is the view from the street; an impressive classical Italian facade floating above formally terraced garden. Shutze studied in Italy after wining the Rome Prize in 1915 and that shows clearly in this commission as well as in much of his other work. The front is very different but no less impressive. A classical Palladian porte cochere welcomes one into the house. This was designed in 1928, the age of the automobile, and the house won't let you forget that early modern jazz age. Shutze worked for the firm Hentz, Reid, & Adler and became partner while designing the Swan house for Edward and Emily Inman in 1927, afterwards known as Hentz, Adler, & Shutze. The impressive scale of the porte cochere works despite not being classically proportioned. That's the beauty of a Beaux-Arts architectural education; once you know the rules you can break them and use them to your advantage. Shutze also designed the formal gardens and landscaping which feature garden rooms, fountains, and enfilades similar to the Italian gardens he so loved. This is why I'm always in favor of a classical education in whatever field you study. You can't change things without understanding a bit of the past. Don't forget Picasso and all of the great early modern artists were classically trained. These artists expanded upon an ideal -they didn't reinvent the wheel. Most architectural schools today barely offer architectural history courses let alone a classical education. I took every architectural history course I could (unlike my fellow students) but not many were available and the offerings now are even less from what I hear. But I digress....we're not here for my views on education (or lack thereof) but for the Swan House. Opposite the porte cochere Shutze designed a terraced garden which features perfect views of the front facade. I love these obelisks flanking the stair! As you can see it was pouring rain during our visit. The front door has a beautiful stone quoin surround. The leaded glass transom above features a swan prominently in the design. The front door is flanked by urn filled niches with heavy bracketed pediments above. These urns hide small windows servicing the separate his and her 'cloak rooms' RE: powder room. Before going inside lets take a look at the first floorplan. While a large house it's smaller than many of the awful mcmansions built today: impressive entry foyer, living room, library (functions as what we today refer to as a family room), dining room, and breakfast room. with a screened porch balancing the kitchen wing. The rest of the plan is given over to service spaces which today in modern houses are replaced by cleaning ladies and microwaves. One enters into a small round entry vestibule. To either side are what were politely termed 'cloak rooms' (much more elegant than 'the john') and the family breakfast room. Don't miss the amazing marble starburst floor. The HVAC vents are cleverly hidden within the pattern taking the place of the dark stone. The floors even feature in the original blueprints! All of the broken pediment overdoors in the first floor feature vases and urns: I wonder if original from decorator Ruby Ross's scheme or has been added since being taken over by the Atlanta Historical Society in 1966. The gentleman above in suit and hat is supposed to be the architect Philip Shutze. The house doesn't have formal guided tours but actors such as this gentleman, are available to help provide history, answer questions, and remind people to keep their hands in their pockets and not on the objects. I just would like to point out however that a gentleman such as Shutze would never have worn a hat indoors - character broken Mr. annoying actor who would NOT break character. The stairhall is probably the most beautiful room in the house. The graceful curved stair elegantly floats in front of the view of the terraced backyard. Everything is balanced by not symmetrical. Above to the left is the library and to the right is the living room. The vestibule outside of the library features a fantastically arched plaster ceiling. The small door on the left leads into a telephone closet. The dark wood paneled library is a cozy space despite the size and looks out into the entry court. The french doors in the distance go to the screened porch. The arched white plaster ceiling helps keep the dark room from feeling confined. The Atlanta history museum tries to make the house museum approachable. Therefore the house is set up as if the family just left moments before. Above you see a card game in process. Framed family portraits and other objects clutter the tabletops. The library would have been what we term the family room today remember - this is how people live, they have things. Below is the large screened porch. I bet for a large part of the year the family really lived out here! The living room is painted a lovely vintage green color. A number of years ago a very controversial 'restoration' occurred where a lot of the paint finishes were ruined, I mean changed, and this room is I believe one of the offenders. It's still pretty special none the less. Again the room is set as if the family just left their morning tea on the sidetable. The large fireplace would be lovely on a cold evening. Below you can catch a glimpse of the living room headed up the stair. The dining room is probably the most impressive room in the house. Featuring hand painted chinoiserie wallpaper and gorgeous furnishings, the room could have been decorated yesterday. The ceiling detail here was designed by Shutze as was all of the architectural detailing in the house. The table is set with one of many sets of china. Thanks to the rainy day and my poor iphone photos you can barely catch a glimpse of one of a pair of sidetables bought at an English country house sale by the Inmans which feature swans. Legend is that it is these very tables that give the house its name (although no one knows for sure!). I loved the details of the fireplace surround. My favorite room in the house however, is probably the butler's pantry and kitchen. Everything, and I mean EVERYTHING, is painted the same shade of lovely vintage green -a sort of turquoisey green. Notice the cabinetry, walls, trim, ceiling, and even the stepstool, are painted the same shade. Love this! A true butler's pantry, it looks out onto the entry so that staff knows when guests or family are arriving. The cabinetry is really wonderful. I loved the radiator above which doubles as a food warmer. The kitchen is an extension of the butler's pantry; Everything the same shade of green and the beautiful linoleum floor continues. The hood over the range is pretty spectacular! Everything including the kitchen sink. Very nice to have kitchens above ground and with a lot of the same amenities found throughout the house. Separation of church and state or rather of staff and family. Legend has it however that Mrs. Inman would not let family or staff use the main stair for fear of it looking 'worn'. Everyone democratically used the backstairs here! Going up the main stair (we are guests afterall) notice that the windows on either side have jambs at angles to the room. Symmetry above all! This is so that the windows work just as well on the interior facade as they do on the exterior. I love these architectural paintings flanking the upper stairhall. Second floorplan Notice the interesting ceiling here as well. To the left is the Guest room (now furnished as a child's bedroom) and to the right is the back stair. Only 2 bedrooms on this level are open to view (such a shame!) and this was Mrs Inman's bedroom. She lived in the house until 1965. Large but not a huge room, the fireplace still has room for a small seating area. Her bathroom is rather oddly decorated and I'll spare you the details. I suspect it fell prey to the 'restoration'. Notice however the mirrored cabinet doors to the closets and the poured terrazzo flooring. The master bath doesn't have a tub (the family only took showers) so the only tub to be found was in the guest bath. The guest room is set up as a child's bedroom to appeal to younger visitors who can play with the toys and draw messages to the 'family', a nice touch. This fireplace surround is certainly too grand for a child's bedroom! The guest bathroom remains original with beautiful fixtures and cabinetry. Some things never go out of style, Waterworks still sells similar fixtures. No medicine cabinet, only a glass shelf. The staff quarters are on the top floor with the best views! This room features the round window from the rear facade. The staff shared this bathroom below but it features natural light and a bathtub so not too shabby. The old rug is a strange touch but I'm sure there is a story there. I hope you enjoyed this brief visit to the Swan House. If you find yourself in Atlanta definitely take the time to stop by, I suspect you'll love it as much as I did!
These swans glided by as I sat on a bench and ate my lunch.
The owner of the house are from New Zealand, so based on their choices, steel beams are exposed and other
I recently had the pleasure of visiting Atlanta, Georgia, for the first time with my friend, designer Michael Hampton , and of course the ...
Design your wedding with Just Marry's award-winning Orlando Wedding Planners - Plan a Dream Wedding, Disney Wedding, Elopement Wedding Package, Gay Wedding
I recently had the pleasure of visiting Atlanta, Georgia, for the first time with my friend, designer Michael Hampton, and of course the number one place on my list to visit was Swan House, one of the most famous houses in the world designed by Classical architect Philip Shutze. I remember first falling in love with this house in the 1980s in the pages of Architectural Digest - not as a feature but the house was used as a backdrop in an ad campaign. I'm buying what they're selling! We're all familiar with this famous facade but did you know this is actually the back? This is the view from the street; an impressive classical Italian facade floating above formally terraced garden. Shutze studied in Italy after wining the Rome Prize in 1915 and that shows clearly in this commission as well as in much of his other work. The front is very different but no less impressive. A classical Palladian porte cochere welcomes one into the house. This was designed in 1928, the age of the automobile, and the house won't let you forget that early modern jazz age. Shutze worked for the firm Hentz, Reid, & Adler and became partner while designing the Swan house for Edward and Emily Inman in 1927, afterwards known as Hentz, Adler, & Shutze. The impressive scale of the porte cochere works despite not being classically proportioned. That's the beauty of a Beaux-Arts architectural education; once you know the rules you can break them and use them to your advantage. Shutze also designed the formal gardens and landscaping which feature garden rooms, fountains, and enfilades similar to the Italian gardens he so loved. This is why I'm always in favor of a classical education in whatever field you study. You can't change things without understanding a bit of the past. Don't forget Picasso and all of the great early modern artists were classically trained. These artists expanded upon an ideal -they didn't reinvent the wheel. Most architectural schools today barely offer architectural history courses let alone a classical education. I took every architectural history course I could (unlike my fellow students) but not many were available and the offerings now are even less from what I hear. But I digress....we're not here for my views on education (or lack thereof) but for the Swan House. Opposite the porte cochere Shutze designed a terraced garden which features perfect views of the front facade. I love these obelisks flanking the stair! As you can see it was pouring rain during our visit. The front door has a beautiful stone quoin surround. The leaded glass transom above features a swan prominently in the design. The front door is flanked by urn filled niches with heavy bracketed pediments above. These urns hide small windows servicing the separate his and her 'cloak rooms' RE: powder room. Before going inside lets take a look at the first floorplan. While a large house it's smaller than many of the awful mcmansions built today: impressive entry foyer, living room, library (functions as what we today refer to as a family room), dining room, and breakfast room. with a screened porch balancing the kitchen wing. The rest of the plan is given over to service spaces which today in modern houses are replaced by cleaning ladies and microwaves. One enters into a small round entry vestibule. To either side are what were politely termed 'cloak rooms' (much more elegant than 'the john') and the family breakfast room. Don't miss the amazing marble starburst floor. The HVAC vents are cleverly hidden within the pattern taking the place of the dark stone. The floors even feature in the original blueprints! All of the broken pediment overdoors in the first floor feature vases and urns: I wonder if original from decorator Ruby Ross's scheme or has been added since being taken over by the Atlanta Historical Society in 1966. The gentleman above in suit and hat is supposed to be the architect Philip Shutze. The house doesn't have formal guided tours but actors such as this gentleman, are available to help provide history, answer questions, and remind people to keep their hands in their pockets and not on the objects. I just would like to point out however that a gentleman such as Shutze would never have worn a hat indoors - character broken Mr. annoying actor who would NOT break character. The stairhall is probably the most beautiful room in the house. The graceful curved stair elegantly floats in front of the view of the terraced backyard. Everything is balanced by not symmetrical. Above to the left is the library and to the right is the living room. The vestibule outside of the library features a fantastically arched plaster ceiling. The small door on the left leads into a telephone closet. The dark wood paneled library is a cozy space despite the size and looks out into the entry court. The french doors in the distance go to the screened porch. The arched white plaster ceiling helps keep the dark room from feeling confined. The Atlanta history museum tries to make the house museum approachable. Therefore the house is set up as if the family just left moments before. Above you see a card game in process. Framed family portraits and other objects clutter the tabletops. The library would have been what we term the family room today remember - this is how people live, they have things. Below is the large screened porch. I bet for a large part of the year the family really lived out here! The living room is painted a lovely vintage green color. A number of years ago a very controversial 'restoration' occurred where a lot of the paint finishes were ruined, I mean changed, and this room is I believe one of the offenders. It's still pretty special none the less. Again the room is set as if the family just left their morning tea on the sidetable. The large fireplace would be lovely on a cold evening. Below you can catch a glimpse of the living room headed up the stair. The dining room is probably the most impressive room in the house. Featuring hand painted chinoiserie wallpaper and gorgeous furnishings, the room could have been decorated yesterday. The ceiling detail here was designed by Shutze as was all of the architectural detailing in the house. The table is set with one of many sets of china. Thanks to the rainy day and my poor iphone photos you can barely catch a glimpse of one of a pair of sidetables bought at an English country house sale by the Inmans which feature swans. Legend is that it is these very tables that give the house its name (although no one knows for sure!). I loved the details of the fireplace surround. My favorite room in the house however, is probably the butler's pantry and kitchen. Everything, and I mean EVERYTHING, is painted the same shade of lovely vintage green -a sort of turquoisey green. Notice the cabinetry, walls, trim, ceiling, and even the stepstool, are painted the same shade. Love this! A true butler's pantry, it looks out onto the entry so that staff knows when guests or family are arriving. The cabinetry is really wonderful. I loved the radiator above which doubles as a food warmer. The kitchen is an extension of the butler's pantry; Everything the same shade of green and the beautiful linoleum floor continues. The hood over the range is pretty spectacular! Everything including the kitchen sink. Very nice to have kitchens above ground and with a lot of the same amenities found throughout the house. Separation of church and state or rather of staff and family. Legend has it however that Mrs. Inman would not let family or staff use the main stair for fear of it looking 'worn'. Everyone democratically used the backstairs here! Going up the main stair (we are guests afterall) notice that the windows on either side have jambs at angles to the room. Symmetry above all! This is so that the windows work just as well on the interior facade as they do on the exterior. I love these architectural paintings flanking the upper stairhall. Second floorplan Notice the interesting ceiling here as well. To the left is the Guest room (now furnished as a child's bedroom) and to the right is the back stair. Only 2 bedrooms on this level are open to view (such a shame!) and this was Mrs Inman's bedroom. She lived in the house until 1965. Large but not a huge room, the fireplace still has room for a small seating area. Her bathroom is rather oddly decorated and I'll spare you the details. I suspect it fell prey to the 'restoration'. Notice however the mirrored cabinet doors to the closets and the poured terrazzo flooring. The master bath doesn't have a tub (the family only took showers) so the only tub to be found was in the guest bath. The guest room is set up as a child's bedroom to appeal to younger visitors who can play with the toys and draw messages to the 'family', a nice touch. This fireplace surround is certainly too grand for a child's bedroom! The guest bathroom remains original with beautiful fixtures and cabinetry. Some things never go out of style, Waterworks still sells similar fixtures. No medicine cabinet, only a glass shelf. The staff quarters are on the top floor with the best views! This room features the round window from the rear facade. The staff shared this bathroom below but it features natural light and a bathtub so not too shabby. The old rug is a strange touch but I'm sure there is a story there. I hope you enjoyed this brief visit to the Swan House. If you find yourself in Atlanta definitely take the time to stop by, I suspect you'll love it as much as I did!
The apparent simplicity of this small, three-pavilion home in Brisbane’s inner suburbs, inspired by the clients’ love of cooking and South-East Asian architecture, is the outcome of a rigorous plan that creates a sum greater than its parts.
I recently treated myself to a book I have coveted for a long time, American Splendor; The Residential Architecture of Horace Trumba...
I recently had the pleasure of visiting Atlanta, Georgia, for the first time with my friend, designer Michael Hampton , and of course the ...
John Danzer, designer of historically inspired as well as original garden furniture, likes to operate under the radar. However, his small, third-floor show
I recently had the pleasure of visiting Atlanta, Georgia, for the first time with my friend, designer Michael Hampton, and of course the number one place on my list to visit was Swan House, one of the most famous houses in the world designed by Classical architect Philip Shutze. I remember first falling in love with this house in the 1980s in the pages of Architectural Digest - not as a feature but the house was used as a backdrop in an ad campaign. I'm buying what they're selling! We're all familiar with this famous facade but did you know this is actually the back? This is the view from the street; an impressive classical Italian facade floating above formally terraced garden. Shutze studied in Italy after wining the Rome Prize in 1915 and that shows clearly in this commission as well as in much of his other work. The front is very different but no less impressive. A classical Palladian porte cochere welcomes one into the house. This was designed in 1928, the age of the automobile, and the house won't let you forget that early modern jazz age. Shutze worked for the firm Hentz, Reid, & Adler and became partner while designing the Swan house for Edward and Emily Inman in 1927, afterwards known as Hentz, Adler, & Shutze. The impressive scale of the porte cochere works despite not being classically proportioned. That's the beauty of a Beaux-Arts architectural education; once you know the rules you can break them and use them to your advantage. Shutze also designed the formal gardens and landscaping which feature garden rooms, fountains, and enfilades similar to the Italian gardens he so loved. This is why I'm always in favor of a classical education in whatever field you study. You can't change things without understanding a bit of the past. Don't forget Picasso and all of the great early modern artists were classically trained. These artists expanded upon an ideal -they didn't reinvent the wheel. Most architectural schools today barely offer architectural history courses let alone a classical education. I took every architectural history course I could (unlike my fellow students) but not many were available and the offerings now are even less from what I hear. But I digress....we're not here for my views on education (or lack thereof) but for the Swan House. Opposite the porte cochere Shutze designed a terraced garden which features perfect views of the front facade. I love these obelisks flanking the stair! As you can see it was pouring rain during our visit. The front door has a beautiful stone quoin surround. The leaded glass transom above features a swan prominently in the design. The front door is flanked by urn filled niches with heavy bracketed pediments above. These urns hide small windows servicing the separate his and her 'cloak rooms' RE: powder room. Before going inside lets take a look at the first floorplan. While a large house it's smaller than many of the awful mcmansions built today: impressive entry foyer, living room, library (functions as what we today refer to as a family room), dining room, and breakfast room. with a screened porch balancing the kitchen wing. The rest of the plan is given over to service spaces which today in modern houses are replaced by cleaning ladies and microwaves. One enters into a small round entry vestibule. To either side are what were politely termed 'cloak rooms' (much more elegant than 'the john') and the family breakfast room. Don't miss the amazing marble starburst floor. The HVAC vents are cleverly hidden within the pattern taking the place of the dark stone. The floors even feature in the original blueprints! All of the broken pediment overdoors in the first floor feature vases and urns: I wonder if original from decorator Ruby Ross's scheme or has been added since being taken over by the Atlanta Historical Society in 1966. The gentleman above in suit and hat is supposed to be the architect Philip Shutze. The house doesn't have formal guided tours but actors such as this gentleman, are available to help provide history, answer questions, and remind people to keep their hands in their pockets and not on the objects. I just would like to point out however that a gentleman such as Shutze would never have worn a hat indoors - character broken Mr. annoying actor who would NOT break character. The stairhall is probably the most beautiful room in the house. The graceful curved stair elegantly floats in front of the view of the terraced backyard. Everything is balanced by not symmetrical. Above to the left is the library and to the right is the living room. The vestibule outside of the library features a fantastically arched plaster ceiling. The small door on the left leads into a telephone closet. The dark wood paneled library is a cozy space despite the size and looks out into the entry court. The french doors in the distance go to the screened porch. The arched white plaster ceiling helps keep the dark room from feeling confined. The Atlanta history museum tries to make the house museum approachable. Therefore the house is set up as if the family just left moments before. Above you see a card game in process. Framed family portraits and other objects clutter the tabletops. The library would have been what we term the family room today remember - this is how people live, they have things. Below is the large screened porch. I bet for a large part of the year the family really lived out here! The living room is painted a lovely vintage green color. A number of years ago a very controversial 'restoration' occurred where a lot of the paint finishes were ruined, I mean changed, and this room is I believe one of the offenders. It's still pretty special none the less. Again the room is set as if the family just left their morning tea on the sidetable. The large fireplace would be lovely on a cold evening. Below you can catch a glimpse of the living room headed up the stair. The dining room is probably the most impressive room in the house. Featuring hand painted chinoiserie wallpaper and gorgeous furnishings, the room could have been decorated yesterday. The ceiling detail here was designed by Shutze as was all of the architectural detailing in the house. The table is set with one of many sets of china. Thanks to the rainy day and my poor iphone photos you can barely catch a glimpse of one of a pair of sidetables bought at an English country house sale by the Inmans which feature swans. Legend is that it is these very tables that give the house its name (although no one knows for sure!). I loved the details of the fireplace surround. My favorite room in the house however, is probably the butler's pantry and kitchen. Everything, and I mean EVERYTHING, is painted the same shade of lovely vintage green -a sort of turquoisey green. Notice the cabinetry, walls, trim, ceiling, and even the stepstool, are painted the same shade. Love this! A true butler's pantry, it looks out onto the entry so that staff knows when guests or family are arriving. The cabinetry is really wonderful. I loved the radiator above which doubles as a food warmer. The kitchen is an extension of the butler's pantry; Everything the same shade of green and the beautiful linoleum floor continues. The hood over the range is pretty spectacular! Everything including the kitchen sink. Very nice to have kitchens above ground and with a lot of the same amenities found throughout the house. Separation of church and state or rather of staff and family. Legend has it however that Mrs. Inman would not let family or staff use the main stair for fear of it looking 'worn'. Everyone democratically used the backstairs here! Going up the main stair (we are guests afterall) notice that the windows on either side have jambs at angles to the room. Symmetry above all! This is so that the windows work just as well on the interior facade as they do on the exterior. I love these architectural paintings flanking the upper stairhall. Second floorplan Notice the interesting ceiling here as well. To the left is the Guest room (now furnished as a child's bedroom) and to the right is the back stair. Only 2 bedrooms on this level are open to view (such a shame!) and this was Mrs Inman's bedroom. She lived in the house until 1965. Large but not a huge room, the fireplace still has room for a small seating area. Her bathroom is rather oddly decorated and I'll spare you the details. I suspect it fell prey to the 'restoration'. Notice however the mirrored cabinet doors to the closets and the poured terrazzo flooring. The master bath doesn't have a tub (the family only took showers) so the only tub to be found was in the guest bath. The guest room is set up as a child's bedroom to appeal to younger visitors who can play with the toys and draw messages to the 'family', a nice touch. This fireplace surround is certainly too grand for a child's bedroom! The guest bathroom remains original with beautiful fixtures and cabinetry. Some things never go out of style, Waterworks still sells similar fixtures. No medicine cabinet, only a glass shelf. The staff quarters are on the top floor with the best views! This room features the round window from the rear facade. The staff shared this bathroom below but it features natural light and a bathtub so not too shabby. The old rug is a strange touch but I'm sure there is a story there. I hope you enjoyed this brief visit to the Swan House. If you find yourself in Atlanta definitely take the time to stop by, I suspect you'll love it as much as I did!
An exclusive rest area located in the roof top where Vondom's furniture is placed. Kes, Ulm and Stones collections, check out this workspace project.
Meet the designer of these stunning boutique hotel properties across the South — Libby Patrick of Sims Patrick Studio.
Design your wedding with Just Marry's award-winning Orlando Wedding Planners - Plan a Dream Wedding, Disney Wedding, Elopement Wedding Package, Gay Wedding
I recently had the pleasure of visiting Atlanta, Georgia, for the first time with my friend, designer Michael Hampton, and of course the number one place on my list to visit was Swan House, one of the most famous houses in the world designed by Classical architect Philip Shutze. I remember first falling in love with this house in the 1980s in the pages of Architectural Digest - not as a feature but the house was used as a backdrop in an ad campaign. I'm buying what they're selling! We're all familiar with this famous facade but did you know this is actually the back? This is the view from the street; an impressive classical Italian facade floating above formally terraced garden. Shutze studied in Italy after wining the Rome Prize in 1915 and that shows clearly in this commission as well as in much of his other work. The front is very different but no less impressive. A classical Palladian porte cochere welcomes one into the house. This was designed in 1928, the age of the automobile, and the house won't let you forget that early modern jazz age. Shutze worked for the firm Hentz, Reid, & Adler and became partner while designing the Swan house for Edward and Emily Inman in 1927, afterwards known as Hentz, Adler, & Shutze. The impressive scale of the porte cochere works despite not being classically proportioned. That's the beauty of a Beaux-Arts architectural education; once you know the rules you can break them and use them to your advantage. Shutze also designed the formal gardens and landscaping which feature garden rooms, fountains, and enfilades similar to the Italian gardens he so loved. This is why I'm always in favor of a classical education in whatever field you study. You can't change things without understanding a bit of the past. Don't forget Picasso and all of the great early modern artists were classically trained. These artists expanded upon an ideal -they didn't reinvent the wheel. Most architectural schools today barely offer architectural history courses let alone a classical education. I took every architectural history course I could (unlike my fellow students) but not many were available and the offerings now are even less from what I hear. But I digress....we're not here for my views on education (or lack thereof) but for the Swan House. Opposite the porte cochere Shutze designed a terraced garden which features perfect views of the front facade. I love these obelisks flanking the stair! As you can see it was pouring rain during our visit. The front door has a beautiful stone quoin surround. The leaded glass transom above features a swan prominently in the design. The front door is flanked by urn filled niches with heavy bracketed pediments above. These urns hide small windows servicing the separate his and her 'cloak rooms' RE: powder room. Before going inside lets take a look at the first floorplan. While a large house it's smaller than many of the awful mcmansions built today: impressive entry foyer, living room, library (functions as what we today refer to as a family room), dining room, and breakfast room. with a screened porch balancing the kitchen wing. The rest of the plan is given over to service spaces which today in modern houses are replaced by cleaning ladies and microwaves. One enters into a small round entry vestibule. To either side are what were politely termed 'cloak rooms' (much more elegant than 'the john') and the family breakfast room. Don't miss the amazing marble starburst floor. The HVAC vents are cleverly hidden within the pattern taking the place of the dark stone. The floors even feature in the original blueprints! All of the broken pediment overdoors in the first floor feature vases and urns: I wonder if original from decorator Ruby Ross's scheme or has been added since being taken over by the Atlanta Historical Society in 1966. The gentleman above in suit and hat is supposed to be the architect Philip Shutze. The house doesn't have formal guided tours but actors such as this gentleman, are available to help provide history, answer questions, and remind people to keep their hands in their pockets and not on the objects. I just would like to point out however that a gentleman such as Shutze would never have worn a hat indoors - character broken Mr. annoying actor who would NOT break character. The stairhall is probably the most beautiful room in the house. The graceful curved stair elegantly floats in front of the view of the terraced backyard. Everything is balanced by not symmetrical. Above to the left is the library and to the right is the living room. The vestibule outside of the library features a fantastically arched plaster ceiling. The small door on the left leads into a telephone closet. The dark wood paneled library is a cozy space despite the size and looks out into the entry court. The french doors in the distance go to the screened porch. The arched white plaster ceiling helps keep the dark room from feeling confined. The Atlanta history museum tries to make the house museum approachable. Therefore the house is set up as if the family just left moments before. Above you see a card game in process. Framed family portraits and other objects clutter the tabletops. The library would have been what we term the family room today remember - this is how people live, they have things. Below is the large screened porch. I bet for a large part of the year the family really lived out here! The living room is painted a lovely vintage green color. A number of years ago a very controversial 'restoration' occurred where a lot of the paint finishes were ruined, I mean changed, and this room is I believe one of the offenders. It's still pretty special none the less. Again the room is set as if the family just left their morning tea on the sidetable. The large fireplace would be lovely on a cold evening. Below you can catch a glimpse of the living room headed up the stair. The dining room is probably the most impressive room in the house. Featuring hand painted chinoiserie wallpaper and gorgeous furnishings, the room could have been decorated yesterday. The ceiling detail here was designed by Shutze as was all of the architectural detailing in the house. The table is set with one of many sets of china. Thanks to the rainy day and my poor iphone photos you can barely catch a glimpse of one of a pair of sidetables bought at an English country house sale by the Inmans which feature swans. Legend is that it is these very tables that give the house its name (although no one knows for sure!). I loved the details of the fireplace surround. My favorite room in the house however, is probably the butler's pantry and kitchen. Everything, and I mean EVERYTHING, is painted the same shade of lovely vintage green -a sort of turquoisey green. Notice the cabinetry, walls, trim, ceiling, and even the stepstool, are painted the same shade. Love this! A true butler's pantry, it looks out onto the entry so that staff knows when guests or family are arriving. The cabinetry is really wonderful. I loved the radiator above which doubles as a food warmer. The kitchen is an extension of the butler's pantry; Everything the same shade of green and the beautiful linoleum floor continues. The hood over the range is pretty spectacular! Everything including the kitchen sink. Very nice to have kitchens above ground and with a lot of the same amenities found throughout the house. Separation of church and state or rather of staff and family. Legend has it however that Mrs. Inman would not let family or staff use the main stair for fear of it looking 'worn'. Everyone democratically used the backstairs here! Going up the main stair (we are guests afterall) notice that the windows on either side have jambs at angles to the room. Symmetry above all! This is so that the windows work just as well on the interior facade as they do on the exterior. I love these architectural paintings flanking the upper stairhall. Second floorplan Notice the interesting ceiling here as well. To the left is the Guest room (now furnished as a child's bedroom) and to the right is the back stair. Only 2 bedrooms on this level are open to view (such a shame!) and this was Mrs Inman's bedroom. She lived in the house until 1965. Large but not a huge room, the fireplace still has room for a small seating area. Her bathroom is rather oddly decorated and I'll spare you the details. I suspect it fell prey to the 'restoration'. Notice however the mirrored cabinet doors to the closets and the poured terrazzo flooring. The master bath doesn't have a tub (the family only took showers) so the only tub to be found was in the guest bath. The guest room is set up as a child's bedroom to appeal to younger visitors who can play with the toys and draw messages to the 'family', a nice touch. This fireplace surround is certainly too grand for a child's bedroom! The guest bathroom remains original with beautiful fixtures and cabinetry. Some things never go out of style, Waterworks still sells similar fixtures. No medicine cabinet, only a glass shelf. The staff quarters are on the top floor with the best views! This room features the round window from the rear facade. The staff shared this bathroom below but it features natural light and a bathtub so not too shabby. The old rug is a strange touch but I'm sure there is a story there. I hope you enjoyed this brief visit to the Swan House. If you find yourself in Atlanta definitely take the time to stop by, I suspect you'll love it as much as I did!
I recently treated myself to a book I have coveted for a long time, American Splendor; The Residential Architecture of Horace Trumbauer by Michael Kathrens. It does not disappoint. A catalog of Trumbauer's best work, each chapter is devoted to a different project and even floorplans for each are included!. If you're not familiar with Trumbauer you may be familiar with some of his work. A self-educated man, he rose to become one of the most sought after residential architects of the early 20th century. His last completed project, Rose Terrace, is the subject of this brief post. Started in 1930 the house wasn't finished until 1934 for Anna Dodge Dillman in Grosse Pointe Farms, Michigan. While noted as a difficult woman she had amazing taste and hired (or married) the best tastemakers of her day; Trumbauer, Lord Duveen, and Alavoine & Cie, amongst others. Anna lived at Rose Terrace until her death in 1970, spending summers at her Mizner designed estate in Palm Beach, Playa Riente (not a bad life, no?). The house was immense as you can see from the floorplans above. While Trumbauer was known mainly for large houses, this was his last and certainly his finest. Many refer to the house as the best example of French neoclassical style ever built in this country: a slight on Miramar, the Trumbauer house on which Rose Terrace was based. Anna lived at Rose Terrace in isolated splendor especially as she descended into her twilight years; money provides an excellent buffer and she lived in a Belle Epoque splendor as the fortunes of Detroit crumbled. Sadly the house didn't fair as well as Anna. After her death the house was unable to be sold, mainly due to the 70s recession. After a few years of neglect the contents were dispersed (mostly auctioned off although the music room resides in the Detroit Art Museum) and the house torn down. The gates now enclose a bland subdivision. Was Rose Terrace one of the last great estates to be seen in this country? If so its ending is rather poetic as it lasted as long as Anna. See and read more about Rose Terrace at Old Long Island and a series of fascinating videos HERE. All images are from the aforementioned book and not the editor's own.
On the 19th floor of a commercial tower in a busy, Downtown neighborhood in Vancouver, is ‘Vancouver Tea Room’—a rooftop terrace pavilion for traditional tea...
