Astarte is the Greek name of the Assyrian, Akkadian, and Babylonian Semitic goddess Ishtar. Her symbols were the lion, the horse, the sphinx, the dove, and a star within a circle indicating the planet Venus. Pictorial representations often show her naked. She has also been known as the deified evening star. I have no further description, at this time She was worshiped in the Phoenician city states of Sidon, Tyre, and Byblos; as well as Syria and Canaan, beginning in the first millennium BC. She came from the same Semitic origins as the Mesopotamian goddess Ishtar. Her worship spread to Cyprus. Greeks in classical, Hellenistic, and Roman times occasionally equated Aphrodite with Astarte, in keeping with their frequent practice of synchronizing other deities with their own. Other faith centers were Cythera, Malta, and Eryx, in Sicily, from which she became known to the Romans as Venus. I have no further description, at this time Astarte arrived in Ancient Egypt during the 18th dynasty. She appeared as daughter of Ra, and was given in marriage to the god Set. She was usually depicted full faced and naked, except for some ornamental jewelry. Astarte also appeared holding her breasts in her hands. Her thighs were rounded, which was considered to be extremely feminine in that particular culture, while her legs, from her knees down through her ankles to her feet, were pressed closely together. Ishtar I have no further description, at this time Easter, the celebration of Jesus's resurrection, is the most sacred day of the Christian year. In ancient Babylon, around the spring solstice, people celebrated the resurrection of their god Tammuz, who was brought back from the underworld by his mother/wife Ishtar (pronounced “Easter” in most Semitic dialects). Flowers, painted eggs, and rabbits were the symbols of the holiday then, as now. Edward Henry Corbould (British, 1815–1905) ASTARTE , c. 1887 Watercolor 75 x 37.5 cm. (29.5 x 14.8 in.) Private collection Inanna, another aspect of Ishtar, was a Goddess of Sensual and Sexual Love, and her followers practiced what has been referred to as “sacred prostitution.” Ishtar was also known as the Lady of Battles, and it was in this particular aspect that she sported a full beard, which fell all the way to her breasts. She rode in a chariot which was similar to Astarte’s and like Astate's, it was drawn by seven lions. Ishtar's symbols were the Moon, Venus, the eight-pointed star, a lion and a scorpion. Edward Henry Corbould, R.I. (5 December 1815, in London – 18 January 1905, in London) was a British artist, noted as a historical painter and watercolourist. Born in London, he was son of Henry Corbould and grandson of Richard Corbould, both painters. He was a pupil of Henry Sass, and a student at the Royal Academy. In 1842 his watercolour of The Woman taken in Adultery was purchased by Albert, Prince Consort, and nine years later he was appointed instructor of historical painting to the Royal Family. He continued for twenty-one years teaching its members. Corbould died at Kensington on 18 January 1905. He has a memorial tablet in St Mary Abbots church in Kensington, London. His grandson was the noted designer Leonard Wyburd. More on Edward Henry Corbould Charles Allen Winter (1869-1942) Nude With Purple Iris, c. Date: 1919 Oil On Stretched Canvas 10 1/2" x 12 1/2" Private collection Charles Allan Winter was a versatile and accomplished artist and, along with his wife Alice Beach Winter, a central figure in the art world on Cape Ann for many years. Born in Cincinnati, Charles Allan Winter enrolled in the Cincinnati Art Academy at a young age. In 1894, Winter was awarded a scholarship to study at the Académie Julian in Paris and in Rome. Returning to this country, he taught portraiture at the St. Louis School of Fine Art from 1898 to 1901. In 1901, the Winters settled in New York where he worked as a portrait painter and as a magazine illustrator. During this time, like many painters, Winter began experimenting with various color theories and technical approaches to painting using geometric principals to strengthen his compositions. It was around 1910 that the Winters made their first summer visit to Gloucester and Cape Ann. Charles Allan Winter was employed during the 1930s as a mural painter under the auspices of the Works Progress Administration. Examples of his murals are preserved within Gloucester’s City Hall. More on Charles Allan Winter Gustave Moreau Salome Dancing before Herod, c. 1876 Dance of the 7 Veils Oil on canvas height: 143.5 cm (56.4 in); width: 104.3 cm (41 in) Hammer Museum Gustave Moreau Detail; Salome Dancing before Herod, c. 1876 Dance of the 7 Veils Oil on canvas height: 143.5 cm (56.4 in); width: 104.3 cm (41 in) Hammer Museum Salome: Dance of the 7 Veils is also thought to have originated with the myth of the fertility goddess Ishtar (Astarte) of Assyrian and Babylonian religion. Gustave Moreau, (born April 6, 1826, Paris, France—died April 18, 1898, Paris), French Symbolist painter known for his erotic paintings of mythological and religious subjects. The only influence that really affected Moreau’s development was that of his master, Théodore Chassériau (1819–56), an eclectic painter whose depictions of enigmatic sea goddesses deeply impressed his student. In the Salon of 1853 he exhibited Scene from the Song of Songs and the Death of Darius, both conspicuously under the influence of Chassériau. Moreau’s Dance of Salome (c. 1876) shows his work becoming increasingly concerned with exotic eroticism and violence, and his richly crowded canvases made greater use of dramatic lighting to heighten his brilliant, jewel-like colours. His last work, Jupiter and Sémélé (1896), is the culmination of such tendencies. Moreau’s art has often been described as decadent. He made a number of technical experiments, including scraping his canvases; and his nonfigurative paintings, done in a loose manner with thick impasto, have led him to be called a herald of Abstract Expressionism. Moreau succeeded Elie Delaunay as professor at the École des Beaux-Arts, and his teaching was highly popular. He was a very influential teacher of some of the artists of the Fauve movement, including Matisse and Rouault. At his death, Moreau left to the state his house and about 8,000 works, which now form the Musée Gustave Moreau in Paris. More on Gustave Moreau Dante Gabriel Rossetti Astarte Syriaca, c. 1877 Oil on canvas Manchester Art Gallery Painted in 1877, Astarte Syriaca is a sensual and elaborate Pre-Raphaelite portrait of the goddess Venus. It belongs to the latter part of Dante Gabriel Rossetti’s career. The model was Jane Morris, wife of William Morris. More on this painting Dante Gabriel Rossetti (12 May 1828 – 9 April 1882) was an English poet, illustrator, painter and translator. He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais. Rossetti was later to be the main inspiration for a second generation of artists and writers influenced by the movement. His work also influenced the European Symbolists and was a major precursor of the Aesthetic movement. Rossetti's personal life was closely linked to his work, especially his relationships with his models and muses Elizabeth Siddal, Fanny Cornforth and Jane Morris. More on Dante Gabriel Rossetti I have no further description, at this time I AM BABYLON. I AM INNIN I AM INANNA I AM NANAEA I AM ISHTAR I AM ASTARTE. I AM the purest heart. The holiest place in existence is my sacred womb. Only love can reside there. Death is left below me; it is not permitted within me. For although I welcome and guide the dead I AM Mother of ALL life. I AM the cleanser. I AM the purifier. No unclean thoughts can pass through the gates to my temple, No loveless lust can enter into my presence Jacques Reich Eástre Guerber, H. A. (1909) Myths of the Norsemen George G. Harrap and Co. Ltd In the bible, Ishtar is called Ashtoreth, the supreme goddess of Caanan and the female counterpart of the gods called Baal or Bel. "The immoral rites with which the worship of Ishtar in Babylonia was accompanied were transferred to Canaan and formed part of the idolatrous practices which the Israelites were called upon to extirpate," says BibleStudyTools.com. Among those pagan, idolatrous practices was the burning of incense, thought to be cannabis (caneh bosm,meaning sweet or good cane, mistranslated as "calamus" in the bible). Jacques Reich first studied art in Budapest. In 1873 he came to the U.S. and continued his studies at the National Academy of Design in New York and the Pennsylvania Academy of Fine Arts in Philadelphia. In 1879 he went to Paris to study for a year under the noted painters William-Adolphe Bouguereau and Joseph Nicolas Robert-Fleury. In 1880 Reich returned to Philadelphia, and in 1885 moved to New York and established a studio there. For some years he devoted himself to portraits for Appletons' Cyclopædia of American Biography, numbering over 2,000, and most of the portraits for Scribner’s Cyclopedia of Painters and Paintings. In addition he made many pen and ink illustrations for magazines and text books. More on Jacques Reich Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints and 365 Days, also visit my Boards on Pinterest Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me. I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses. If you enjoyed this post, please share with friends and family. Thank you for visiting my blog and also for liking its posts and pages. Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online. Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints and 365 Days, also visit my Boards on Pinterest Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me. I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses. If you enjoyed this post, please share with friends and family. Thank you for visiting my blog and also for liking its posts and pages. Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.