In Moki Cherry’s (1943–2009) multifaceted artistic practice, there are no sharp boundaries between design, art, drama and music. She was both typical of her age, and also found her own paths. In the notorious 1970s movement that emerged on the Stockholm art scene that launched rebellious attacks on “the establishment”, Moki Cherry stood out from the crowd. Rather than pointing out shortcomings, she wanted to present other ways of living. Her artistic practice was inspired by experiments such as counterurbanisation, subsistence-farming and children’s projects.