The 1950s and ’60s were a time when most wanna-be illustrators wanted to be Bob Peak. It was also the moment when illustration was at a crossroads. Would it continue to merely serve or illuminate a text, or would it say something more? Since the emerging editorial themes (war, peace, race, etc.) were more socially and metaphorically charged, the substance and style of illustration could no longer be entirely realistic. Certain levels of abstraction were filtered into the Amer