“I like bad drawers, or I like when there are vulnerable elements in a drawing,” says artist Judit Kristensen. From Umeå in the north of Sweden but currently based in Copenhagen, Judit has tried to hang on to some of the less-than-perfect technical details from when she first started working in this style two years ago. “ I guess time has made me a better draftsman – for better and for worse. I prefer empathetic over perfection, and you cant really be voluntarily bad to make a drawing vulnerable. I think that would have an opposite effect.”