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Fits: This Mag Pouch features adjustable retention screws allowing for fitment of many different models. This one Mag Pouch will accommodate mags for the: Beretta 92 - 92A1, 92 Brigadier, 96 - 96A1, 96 Vertec, M9 - M9A1, PX4 Storm 9-40, Bersa Thunder 9 Pro XT, Browning High Power 9-40, Canik TP9 SA, TP9 V2, CZ 75 Series, P-06, P-07, P-09, P-10C, P-10F, Shadow 2, SP01, EAA Double Stack 9-40, FMK 9C1, FN FNP 9-40, FNX 9-40, Ruger American 9-40, Security 9 Compact, Security 9 FS, SR40, SR9 Fits: S&W M&P 9 Shield Plus, CSX, Equalizer 9mm, S&W M&P 9-40, M&P SD9 VE, Sigma 9-40, SCCY CPX1, CPX2, Sig P224 9-40, P226 9-40, P226 X5 9-40, P228 9-40, P229 9-40, P250 9-40, P320 9-40, P320 M18, P320 Subcompact, P320C 9-40, P365, P365 XL, SP 2022 9-40, SP 2340 9-40, Spinx XDP Compact, Springfield Hellcat, Hellcat Pro, XD 9-40, XD 9-40 Mod.2, XDM 9-40, XDM 9-40 Mod.2, Taurus G2, G3, G2C, G3C, PT 111, Walther Creed, PP9, PPQ, PPQ M + M2, and Wilson Combat Brigadier Tac 92 G

Składniki:1. Sałata rzymska mała lub sałata lodowa 1/2 główki2. Tuńczyk w sosie własnym puszka 150 g3. Pomidorki koktajlowe 10 sztuk4. Oliwki zielone 10 sztuk5. Jajka 46. Papryka czerwona 1/27. Cebula czerwona8. Szczypiorek 1/2 pęczkaSos sałatkowy:1. Olej lniany 4 łyżki2. Sok z cytryny łyżka3. Musztarda łyżka płaska 4. Sól5. Pieprz + opcjonalnie kilka kropli wody jeśli sos będzie zbyt gęstyPrzygotowanie:Jajka ugotuj na twardo. Przestudź, obierz i pokrój na ćwiartki.Paprykę, pokroić w kostkę. P

Les différentes propositions Juxtaposition, coordination G3 Les différentes propositions G4 Juxtaposition, coordination CM2 CM2 1 1 Les propositions indépendantes peuvent être reliées entre elles de plusieurs façons : Il existe 3 types de propositions __________________________ Elle se suffit à elle-même. Elle ne dépend de rien d’autre. La cloche retentit et les enfants se mettent en rang. Par des signes de ________________ ( , ; : ) On dit alors qu’elles sont _______________________ proposition indépendante proposition indépendante L’été arrive, les vacances commencent _____________________ Elle se suffit à elle-même mais est complétée par une autre proposition. _________________________ Elle complète la principale et n’a aucun sens toute seule. Par des petits mots qu’on appelle des ___________________ __________________________ . Ce mots sont : mais, ou, et, donc, or, ni, car On dit que les phrases sont _______________________ . Les enfants se mettent en rang / lorsque la cloche retentit. proposition principale proposition subordonnée J’enfile mon maillot de bain car je vais aller me baigner. Exercices à faire à l’oral. Exercices à faire à l’oral. As-tu compris ? As-tu compris ? Vrai ou faux ? Vrai ou faux ? Les propositions subordonnées se suffisent à elles-mêmes. Une proposition indépendante a un sens. La proposition principale complète la proposition subordonnée. Une proposition subordonnée ne peut pas exister sans la proposition principale. Les propositions reliées par une virgules sont juxtaposées. Les petits mots « mais, où, et, donc, or, ni car » sont des conjonctions de subordination. Les propositions reliées par un mot de coordination sont dites juxtaposées. Les propositions juxtaposées sont reliées par un virgule, un point-virgule ou deux points. La proposition soulignée est-elle celle proposée ? 1. Faux 2. vrai 3. faux vrai 5. oui non 7. non oui Est-ce juste ? Nous sommes heureux et nous sourions souvent. : PI Le soleil revient quand la pluie s’arrête. : PI Les tablettes et les ordinateurs sont très pratiques mais il ne faut pas en abuser ! : PS Le chien qui aboie sans cesse est celui des voisins. : PS Ses parents se fâchèrent et la gondèrent. : P. coord. Tom est dans sa chambre car il fait ses devoirs. : P. juxt. Le loup flaira le danger ; il s’enfuit. : P. juxt. Je ne sais pas si je m’assois ou si je reste debout. P. coord. 1. Vrai 2. faux 3. faux 4. vrai 5. oui non 7. oui oui

Compre Blusa Social Feminina manga Longa na Shopee Brasil! Blusa Social Feminina manga Longa Quer uniformizar sua empresa? A GZ uniformes é a solução: QUEREMOS VESTIR SUA MARCA! • Há mais de 18 anos UNIFORMIZANDO equipes; • Somos loja de fábrica; • Com envio IMEDIATO • E compra garantida. Características essenciais para você que busca o distribuidor certo para os uniformes de sua empresa. LEIA AS PERGUNTAS FREQUENTES NO FINAL DA DESCRIÇÃO. TABELA DE MEDIDAS (cm): • PP » Ombro: 11cm / Busto: 93cm / Costas: 38cm / Cintura: 86cm / Quadril: 96cm / Comprimento: 59cm / Comp. Manga: 60cm; • P » Ombro: 11cm / Busto: 94cm / Costas: 39cm / Cintura: 90cm / Quadril: 96cm / Comprimento: 59cm / Comp. Manga: 60cm; • M » Ombro: 13cm / Busto: 102cm / Costas: 40cm / Cintura: 97cm / Quadril: 108cm / Comprimento: 63cm / Comp. Manga: 62cm; • G » Ombro: 13cm / Busto: 108cm / Costas: 42cm / Cintura: 104cm / Quadril: 116cm / Comprimento: 65cm / Comp. Manga: 64cm; • GG » Ombro: 14cm / Busto: 115cm / Costas: 45cm / Cintura: 110cm / Quadril: 126cm / Comprimento: 67cm / Comp. Manga: 64cm; • XGG » Ombro: 16cm / Busto: 118cm / Costas: 47cm / Cintura: 116cm / Quadril: 132cm / Comprimento: 72cm / Comp. Manga: 65cm; • G2 » Ombro: 16cm / Busto: 128cm / Costas: 49cm / Cintura: 122cm / Quadril: 142cm / Comprimento: 75cm / Comp. Manga: 66cm; • G3 » Ombro: 17cm / Busto: 132cm / Costas: 51cm / Cintura: 128cm / Quadril: 150cm / Comprimento: 77cm / Comp. Manga: 68cm; FICHA TÉCNICA: • Camisete Social Feminina Manga Longa; • Confeccionado em Gabardine Elegance; • Composição: 100% Poliéster; • Modelo: Social, com Manga Longa; • Cores: Branco, Preto e Azul Marinho; • Marca: GZ Uniformes; • Numerações: PP ao GG (Trabalhamos com tamanhos Plus Size); PERGUNTAS FREQUENTES: • QUAL NOSSO PÚBLICO PRINCIPAL? Somos uma empresa de uniformes profissionais, focada em uniformes administrativos e cozinha. • PRODUTO A PRONTA ENTREGA? Sim. Todos os nossos produtos estão disponíveis em estoque, enviados imediatamente após a confirmação do pagamento.

Identifier: penmansartjourna31nati Title: Penman's Art Journal Year: 1907 (1900s) Authors: Subjects: Publisher: National Penmanship Press Contributing Library: The University of Scranton Weinberg Memorial Library Digitizing Sponsor: Lyrasis Members and Sloan Foundation View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: g—such as Roman, ItalicRoman, Gothic, Old English, German and ChurchTexts, Mediaeval and Mediaeval modified, Egypt-ian, German Round, Rustic and Marking Alpha-bets, Variety Caps, Monograms, etc. Hints ocmaterials, etc., etc. Twenty cents is the price toyou—a 60-cent book. Send to-day. THE PENMANS ART JOURNAL,229 BROADWAY NEW YORK. Its aHandy B00K! YES I It is. The title is thePenmans Dictionary, and itsgot over 3,000 words, suitablyarranged for instant reference, forpenmanship practice. If your classneeds drills on small ts for in-stance, you have 48 special wordsembracing that feature. And howoften do you want class practice o»long words to develop continuousmovements? Eight 2-cent stampsgeisthelitl^book. PenmansArtJournal.229 Broadway, New York. BEATS THE WORLD I Worthingtons Ink positively unequalled for fine riting. 6 bottles for $1. Sample bottle by mail 25c. B.M.ttORTHINGTQUW Randolph M..(bkaei In answering advertisements please mention the Pen Jotjrnj >Q7titCL%iUAa& Text Appearing After Image: Flourishing by F. M. Nierstheimer, Howard Payne College, Brownwood, Texas. A Few Reasons Why Our Practical Bookkeeping and the Twentieth Century Business Practice producethe best results: They were prepared by men successful as teachers, bookkeepers, and in business. Needless theorizing has been avoided, and accounting and office methods are presented in an interesting way. Theory and practice are combined in just the right proportion. Clear illustrations and concise explanations precede each step. The student is taught to depend upon himselffrom the outset, thus developing his self-reliance and thinking powers, and saving much of the teachers valuable time. The text-book is beautifully illustrated with copper-plate script. The writing on the engraved business forms wasdone by more than one hundred of the best-known penmen, including E. C. Mills, A. N. Palmer, C E. Doner,H. B. Lehman, and C. P. Zaner. Our Bookkeeping has been used since first published in the Spencerian Commer-cial Sc Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.

Compre Conjunto Femino De Veludo Plush HBD-CON-001 na Shopee Brasil! Seja bem vindo! HBD COMERCIO Somos uma loja com marca e fábrica própria queproduz itens de alta qualidade! --------------------------------------------------------------------------------------------------------------- SKU HBD-CON-001 TECIDO :PLUSH /VELUDO CONJUNTO DE VELUDO PLUSH COM CAPUZ Moda Casual Versátil Apropriado ------------------------------------------------------------------------------------------------------------------------------------------------------ >>>> ESPECIFICAÇÕES:Tecido: VELUDO / PLUSH  >>> ​Detalhes: CAPUZ / BOLSOS. DO PRODUTO  >>> POR TAMANHO: Tamanho : P: Blusa: Calça: Busto: 94 cm Cintura: 64/84 cm Manga: 63 cm Quadril: 104 cm Comprimento: 60 cm Comprimento:101 cm M: Blusa: Calça: Busto: 98 cm Cintura: 68/88cm Manga: 64 cm Quadril: 108 cm Comprimento: 61 cm Comprimento:102 cm G: Blusa: Calça: Busto: 102 cm Cintura: 72 /92cm Manga: 65 cm Quadril: 112 cm Comprimento: 62 cm Comprimento:103 cm GG: Blusa: Calça: Busto: 106 cm Cintura: 76-96 cm Manga: 66 cm Quadril: 116 cm Comprimento: 63 cm Comprimento:104 cm G1: Blusa: Calça: Busto: 112 cm Cintura: 80/105 cm Manga: 65 cm Quadril: 124 cm Comprimento: 65 cm Comprimento:104 cm G2： Blusa: Calça: Busto: 116 cm Cintura: 85/110 cm Manga: 66 cm Quadril: 128 cm Comprimento: 66 cm Comprimento:104 cm G3： Blusa: Calça: Busto: 120cm Cintura: 90/115 cm Manga: 67 cm Quadril: 132 cm Comprimento: 67 cm Comprimento:104 cm G4： Blusa: Calça: Busto: 124cm Cintura: 95/120 cm Manga: 68 cm Quadril: 136 cm Comprimento: 68 cm Comprimento:104 cm >>> Várias cores :      PRETO, VERDE MILITAR, ROXO, ROSA CLARO, VERDE ( MUSGO ), VINHO, ROSA, TERRA COTA, AZUL MARINHO , CINZA. __________________________________________________________________________________________ PACOTE:  01 CONJUNTO DE VELUDO PLUSH COM CAPUZ ATENÇÃOAs peças podem ter centímetros de diferenças e alguns desvios de cores devido aparelho utilizado para efetuar as compras.Antes de comprar verifique se os dados de envio estão corretos!( CEP, Nome da rua, complemento como número da casa e apartamento) Observações: - Em caso de duvidas ou reclamações, chamar no chat para que possamos resolver da melhor forma. - Fotos reais tiradas em nossa Loja, produto idêntico com a foto. - Enviamos em até 2 dia útil após a aprovação do pagamento. - Navegue por nossa loja na shopee, para ver todos os produtos. -Toda Transação no shopee é feita de forma segura, isso significa que se caso ocorra algum imprevisto o shopee fará o estorno do seu pagamento.

I honestly cannot remember a time when I wasn’t interested in the natural world around me. I do remember when I first took a specific interest in birds at the age of fourteen, and it was shortly after that when I started my first insect collection. At the encouragement of a good friend I bought my first SLR just before going up to the arctic in 1974 to spend a summer doing bird surveys over the Beaufort Sea. Unfortunately I eventually got discouraged with nature photography because of the weight of the equipment I was carrying around. When the first point and shoot digital cameras came out, my interest was rekindled, but it took a few years before the first p & s came out that did a decent job on both birds, insects, and everything else. Since then my interest in nature photography has become more of a passion, and much of my time, especially in the summer, is spent on that pursuit. In late July of 2011 I made the step up from a point and shoot camera to a micro four thirds system, the Panasonic Lumix G3 with a 100 to 300 mm zoom lens. For anyone not familiar with this system the camera body and lenses are much smaller than the equivalent DSLR. As well a 100 to 300 mm lens is the equivalent of a 200 to 600 mm lens in an SLR camera. I use stepping rings and the Canon 500D close-up lens in front of the zoom lens for most of my macro photography. For those who might be interested, I worked for four years, from 1972 to 1976 for a private ecological consulting company based in Edmonton, Alberta, doing mostly bird work, and much of it in the Canadian Arctic. I then freelanced for a couple of years before joining the staff of the then Provincial Museum of Alberta (it is now the Royal Alberta Museum) in 1978 as a foreground artist working on dioramas. I did this for 5 years then switched to the newly formed Invertebrate Zoology Program where I stayed until I retired in 2006. I now live in Comox on Vancouver Island, B.C. These galleries are meant to feature my best photos, and are in no way a comprehensive library of my photographs. As such the galleries are meant to be enjoyed rather than to be informative. For anyone wishing to see a more complete body of my work, and wishing to see galleries that are hopefully both informative and educational, please go to www.pbase.com/terrythormin .

I honestly cannot remember a time when I wasn’t interested in the natural world around me. I do remember when I first took a specific interest in birds at the age of fourteen, and it was shortly after that when I started my first insect collection. At the encouragement of a good friend I bought my first SLR just before going up to the arctic in 1974 to spend a summer doing bird surveys over the Beaufort Sea. Unfortunately I eventually got discouraged with nature photography because of the weight of the equipment I was carrying around. When the first point and shoot digital cameras came out, my interest was rekindled, but it took a few years before the first p & s came out that did a decent job on both birds, insects, and everything else. Since then my interest in nature photography has become more of a passion, and much of my time, especially in the summer, is spent on that pursuit. In late July of 2011 I made the step up from a point and shoot camera to a micro four thirds system, the Panasonic Lumix G3 with a 100 to 300 mm zoom lens. For anyone not familiar with this system the camera body and lenses are much smaller than the equivalent DSLR. As well a 100 to 300 mm lens is the equivalent of a 200 to 600 mm lens in an SLR camera. I use stepping rings and the Canon 500D close-up lens in front of the zoom lens for most of my macro photography. For those who might be interested, I worked for four years, from 1972 to 1976 for a private ecological consulting company based in Edmonton, Alberta, doing mostly bird work, and much of it in the Canadian Arctic. I then freelanced for a couple of years before joining the staff of the then Provincial Museum of Alberta (it is now the Royal Alberta Museum) in 1978 as a foreground artist working on dioramas. I did this for 5 years then switched to the newly formed Invertebrate Zoology Program where I stayed until I retired in 2006. I now live in Comox on Vancouver Island, B.C. These galleries are meant to feature my best photos, and are in no way a comprehensive library of my photographs. As such the galleries are meant to be enjoyed rather than to be informative. For anyone wishing to see a more complete body of my work, and wishing to see galleries that are hopefully both informative and educational, please go to www.pbase.com/terrythormin .

Description BACKGROUND OF THE INVENTION 1. Field of the Invention The invention pertains to visual art and craft demonstration, more specifically to designs made by strung colored filament. 2. Description of the Prior Art U.S. Pat. No. 2,728,149 patented Dec. 27, 1955 by M. Radt describes a plurality of pins uniformly spaced in a circle mounted on a base. The pins are given sequential identifying numbers which are marked on the base alongside the each pin. The total number of pins in the circle is equal to a prime number. A string is attached to any one of the pins, and is stepwise conducted to others of the pins while skipping an always equal number of intermediary pins until contact has been made with all the pins. Upon returning to the starting point, all pins are contacted an equal number of times. U.S. Pat. No. 2,984,488, patented May 16, 1961 by S. Kirchner, describes a board having a multiplicity of pin-receiving holes. A flexible sheet is adapted to overlay the board. The sheet has a multiplicity of perforations that form an illegible picture or design. Removable pins are inserted through the holes in the sheet, and into the holes in the board. Areas of the sheet which do not have holes conceal holes in the board. Rubber bands of different color are looped over selected sets of pins, forming a picture. U.S. Pat. No. 3,905,133 patented Sep. 16, 1975 by P. Charman describes a plurality of strips. Each strip includes a resilient spine. A plurality of pins, each pin having an enlarged portion or cap to prevent thread from falling off the free end of the pin, is attached to and protruding from one face of the spine. The opposite face of the spine has a set of projecting plugs that are adapted to inserted into selected holes in a baseboard so that the strips can be mounted on the board in a choice of different positions. Thread is strung between pins from one strip to another. The spine is adapted to flex at least in the plane of the board. U.S. Pat. No. 4,540,375, patented Sep. 10, 1985 by Fogarty et al. describes a flexible plate having a plurality of upward extending, flexible fingers arrayed in equally spaced, parallel, transverse rows on the top of the plate. A tool having an internal reel of string, dispenses the string through a tubular tip which a person extends into the fingers and moves around among the fingers to lay out the string in a design below the tops of the fingers. SUMMARY OF THE INVENTION It is one object of the invention to provide a three dimensional tactile art item. It is another object that the three dimensional tactile art item is made by wrapping string about pins. It is another object that the pins driven into a board according to directions on a sheet through which the nails are driven into the board. It is another object that the string is a plurality of pieces of different colored yarn, and that the string is wrapped in layers on the board. A plurality of pins are mounted in a base in a predetermined pattern of pins in a line that includes outline by the pins of a loop, a first length of string wrapped around a first pin at one part of the line of pins, extends to a second pin at another part of the line of pins along a first direction of progression, spaced a plurality of pins in the first direction of progression from the first pin, adjacent to the last pin wrapped at the other part of the line to the side of the last pin that is in the first direction of progression, and extends back and fourth in sequence of pin to adjacent pin, taking an acute angle about each of the pins, forming a layer of string having a first internal diameter of an arc in the loop, so that a first dense layer of string is formed, a second length of string wrapped around a third pin at one part of the line of pins, extends to a fourth pin at another part of the line of pins along a second direction of progression, spaced a plurality of pins in the second direction of progression from the third pin, adjacent to the last pin wrapped in the second wrapping at the other part of the line to the side of the last pin that is in the second direction of progression, and extends back and fourth in sequence of pin to adjacent pin, taking an acute angle about each of the pins, forming a layer of string having a second internal diameter of an arc in the loop, so that a second dense layer of string is formed which extends over the first dense layer, exposing a portion of the first dense layer adjacent to an edge of the second dense layer forming a sculptured three dimensional shape with the first dense layer. The pins are equally spaced on the line. BRIEF DESCRIPTION OF THE DRAWINGS In order that the invention be more fully comprehended, it will now be described, by way of example, with reference to the accompanying drawings, in which: FIG. 1 is a side view of the invention. FIG. 2 is an instruction sheet showing numbered pin locations of a butterfly design. FIG. 3 is a schematic view of a three dimensional butterfly plaque of the invention. FIG. 4 is a schematic cross section view of a lobe of FIG. 3 viewed along 4--4. FIG. 5 is a diagrammatic view of partial stringing of the first layer of the lower left wing lobe of FIG. 2. FIG. 6 is a diagrammatic view of partial stringing of the first layer of lower left wing lobe of FIG. 2. FIG. 7 is a diagrammatic view of completed stringing of the first layer of lower left wing lobe of FIG. 2. FIG. 8 is an instruction sheet showing partial stringing of the first layer of another three-dimensional butterfly of the invention. FIG. 9 is an instruction sheet showing partial stringing of the second layer of the butterfly of FIG. 8. FIG. 10 is an instruction sheet showing partial stringing of the third layer of the left side of the butterfly of FIG. 8. FIG. 11 is an instruction sheet showing complete stringing of the fourth layer of the left side of the butterfly of FIG. 8. FIG. 12 is an instruction sheet showing complete stringing of the fifth layer of the left side of the butterfly of FIG. 8. FIG. 13 is an instruction sheet showing complete stringing of the sixth layer of the left side of the butterfly of FIG. 8. FIG. 14 is an instruction sheet showing complete stringing of the seventh layer of the left side of the butterfly of FIG. 8. FIG. 15 is an instruction sheet showing partial stringing of the eighth layer, trim, of the left side of the butterfly of FIG. 8. FIG. 16 is an instruction sheet showing partial stringing of the eighth layer, trim, of the left side of the butterfly of FIG. 8. FIG. 17 is an instruction sheet showing complete stringing of the ninth layer, trim, of the left side of the butterfly of FIG. 8. FIG. 18 is an instruction sheet showing stringing of the first layer of the body of the butterfly. FIG. 19 is an instruction sheet showing complete stringing of the second layer of the body. FIG. 20 is an instruction sheet showing complete stringing of the third layer of the body. FIG. 21 is an instruction sheet showing complete stringing of the fourth layer of the body. FIG. 22 is an instruction sheet showing complete stringing of the first layer of the head of the butterfly. FIG. 23 is an instruction sheet showing complete stringing of the second layer of the head. FIG. 24 is an instruction sheet showing complete stringing of the third layer of the head. FIG. 25 is an instruction sheet showing complete stringing of the fourth layer of the head. FIG. 26 is an instruction sheet showing complete stringing of the antenna of the butterfly. DESCRIPTION OF THE PREFERRED EMBODIMENTS Before explaining the invention in detail, it is to be understood that the invention is not limited in its application to the detail of construction and arrangement of parts illustrated in the drawings since the invention is capable of other embodiments and of being practiced or carried out in various ways. It is also to be understood that the phraseology or terminology employed is for the purpose of description only and not of limitation. Referring to FIGS. 1-4, kit 65 of butterfly 98 includes wooden board 69, and thin paper sheet 71 which includes nail location dots 73. Each dot indicates where a nail 75 must be driven through sheet 71 into upper surface 74 of the board when the sheet is laid on the board. The sheet is preferably removed after the nails are driven in, before string is wound on the nails. Fabric 76 is mounted on board 69 by tacks 77. Other means for mounting may be used including adhesive. Fabric 76 may be burlap, velvet, cotton, plastic, or other material to provide a background other than can be provided by wood finish. The board may be made from wood, plastic or other material that will take the nails, and may be used without fabric. A nice finish would then be preferred. Each nail location, illustrated in FIG. 2 as a dot, is marked with an identification number 78. Examples of identification numbers are H33, G27, F4, and J31. The sheet that is nailed through may have only dots designating nail points. The sheet is preferably removed after the nails are in the board and before the wrap begins. As this sheet may be damaged or destroyed by removing it from the nailed board, separate reference sheet is provided with identification numbers. The butterfly has a soft three-dimensional layered form with the transitional edges 104 of the layers having a bulbous feel, being raised in cross section. Kit 65 also includes sheets like sheets 79, 81, 64, 66, 68, 70 and 72 and additional sheets which instruct where, how, and in what order and direction to wrap colored yarn around nails 75. Packets of yarn in red 80, yellow, 82, green 84, light green 86, dark blue 88, white 90, black 92, light blue 100, and intermediate blue 102, are included in the kit for butterfly 98. Instruction sheets 79, 81, 64, 66, 68, 70 and 72 for making a different butterfly, butterfly 99, are shown in FIGS. 8-17. Referring to FIG. 2 and to FIGS. 5-7, FIGS. 5-7 show steps in making a completely encircled wrap of the lower left lobe of butterfly 99. Nail line 108 passes through nails 75. Nail line 116 passes through nails 75 and diverges from nail line 108 as the two lines extend from vertex 122 of left lower lobe 132 of butterfly 99 and from nail G1. Nail lines 108 and 116 also diverge from one another as they extend from vertex 128 of lobe 132 and from nail I34. Preferably the nails in nail line 108 are spaced equal distances from each other and the nails in nail line 116 are spaced equal distances from one another, the same distance between nails as in line 108. Preferably an end of line 108 continues with an end of line 116 by nails spaced from one another as nails spaced within line 108. Preferably the nails count around to an even number. Preferably the nails in four wings of the butterfly are the same distance between nails within each line of nails that forms the lobes of the wings, and where the lines forming the lobes cross each other. Each lobe of the wings is a loop. Preferably the loop is closed. Preferably opposite sides of the loop are symmetrical to each other. Instructions for constructing the first, or lowermost, layer of the left lower lobe 132 of butterfly 99 includes tying one end of a continuous string 106 of red yarn 80 to nail I24 of nail line 108, extend the string in a straight line to nail G7 of nail line 116, wrapping the string around the nail and extending the string in a straight line to the next nail adjacent to nail I24 in direction 120. The wrapping continues with the string being threaded in sequence of nail to adjacent nail in opposite directions 120, 126 on each line 108, 116, taking an acute angle 130 about each of the nails. Opposite directions 120, 126 comprise a continuous circular direction of progression 128 around the lobe 132. The steps, sequence, and direction of stringing is numbered ##a for convenience of the reader of this specification. By following numbers 1a, 2a, 3a, 4a, 5a, and so forth the reader can see the order and direction of progression of the wrapping steps. On instruction sheets for users of the kit numbering by quadrant "E", "G" "C", etc. with a sequential number may be used. This numbering system is shown in FIG. 2, and is referred to in FIGS. 8-18. A dense layer of the criss-crossed string is built in a dense, bulbous 140 band 142 adjacent to the circumference 148 of predetermined size loop 150. Loop 150 has a shape determined by the shape of lobe lines 108, 116. Lobe lines 108 and 116 are fixed in geometrical space to one another. Loop 150 geometrical shape is fixed by the nails in the board. Band 142 has an inner circumference 154 and an outer circumference 156. The inner circumference of band 142 is formed by string that passes through the outer circumference of band 142, crosses the band, and is tangent to circumference 148 of loop 150. The outer circumference of band 142 is formed by string that is tangent to the outer circumference of band 142 and does not pass through band 142. String which forms inner circumference 154 extends from a nail in one line of lines 108 and 116, to another nail in the other of lines 108 and 106 adjacent to the last nail wrapped in the other of the lines and in the direction of progression 128 from the last nail wrapped in the other of the lines. String which forms outer circumference 156 extends from a nail in one line of lines 108 and 116, to another nail in the other of lines 108 and 106 adjacent to the last nail wrapped in the other of the lines and in the direction opposite to the direction of progression 128 from the last nail wrapped in the other of the lines. In terms of the direction of progression, string which forms inner circumference 154 extends from a first nail at one part of the line of nails 75 along direction of progression 128 that form the outer shape of lobe 132, say 13a, to a second nail 14a at another part of the line of nails 75 along direction of progression 128 spaced a plurality of nails in the direction of progression from the first nail, adjacent to the last nail 12a wrapped at the other part of the line to the side of the last nail 12a that is in the direction of progression 128. In terms of the direction of progression, string which forms outer circumference 156 extends from a first nail at one part of the line of nails 75 along direction of progression 128 that form the outer shape of lobe 132, say 14a, to a second nail 15a at another part of the line of nails 75 adjacent to the last nail 13a wrapped in the other part of the line to the side of the last nail 13a that is in the direction of progression 128. direction opposite to the direction of progression 128 from the last nail wrapped in the other of the lines. In FIG. 6, the wrapping has progressed to second wraps around some of the nails, including I23, but inner circumference 154 and outer circumference 156 are incomplete toward nail line 108. In FIG. 7, band 142, and inner circumference 154 and outer circumference 156 are completely formed. Wrap of the nails circles in order of progression 128 from start nail I24 back to and past the same start nail, I24, and on around to wrap on nail G6 at wrap number 134a and to end at start nail I24 at number 135a. Every nail in nail lines 108 and 116 up to starting nail I24 is wrapped by two acute angle thread folds. Nail I24 has one acute angle wrap and an acute angle between two additional string attachments, one start connection string leading away to G7 and one end connection string coming back from G6. In FIG. 8 instructions for making the first layer of butterfly 99 describe wrapping with light blue yarn. In each lobe, making a knot at the starting nail, and wrapping until a circle having a closed inner circumference with bulbous edge and closed outer circumference is formed. The wrap of pins as discussed earlier in with reference to FIGS. 5-7, circles around the lobe twice so that each nail up to the starting nail has at least two acute angle wraps. Preferably the starting nail has two acute angle string contacts. In the FIG. 8 construction the instructions for complete stringing of the layer provided with sheet 79 of partial stringing include: pin type=makes its own hole in the board, preferably flat head nail string color=blue string type=yarn String starting from the "tie to" pin, around the lobe in the continuous circular direction of progression until a loop band is formed having the appearance of being closed, that is, full circle, with continuous inner and outer circumference. Preferably string around the lobe past the starting "tie to" pin and end by stringing back to the "tie to" pin from an acute angle wrap around the pin before and adjacent to the "go to" pin taken from the continuous circular direction of progression, and tie off on the "tie to" pin. TABLE 1 ______________________________________ FIG. 8 Start: direction last 2nd acute tie go to and of angle wrap lobe to pin wrap around progression preferably ______________________________________ top left 134 H25 G57 162 G58 top right 138 K25 J57 164 J58 bottom left 132 I24 G7 128 G6 bottom right 136 L24 J7 166 J6 ______________________________________ 162 and 166 are clockwise (cw) 164 and 128 are counterclockwise (ccw) In complete circle wrap, the tie-off of the string can be at the start pin. But to avoid having two knots, the starting knot of the string, and the tie-off end knot of the string, on the same pin, the tie off can be on the "go to and wrap around pin", in which case the last 2nd acute angle wrap will be around the start "tie to" pin. This instruction provides in the bottom left lobe, a blue background of radial colored string appearing to emanate from a loop shaped band having a continuous outer circumference, and a continuous inner circumference 170, and extending to the circumference of the lobe. The inner circumference having a loop diameter LD1. This lower left lobe first layer is like the lower left lobe first layer stringing of FIGS. 5-7 which have the same start and go to locations. For more advanced kit builders, the instruction means may be only a numbered sheet like FIG. 2, and written directions like those above. In the FIG. 9 construction the instructions for complete stringing of the layer provided with sheet 81 of partial stringing include: string color=purple string type=yarn String, starting from the "tie to" pin, around the lobe in the continuous circular direction of progression until a loop band is formed having the appearance of being closed with continuous inner and outer circumference. Preferably string around the lobe past the starting "tie to" pin and end by stringing back to the "tie to" pin from an acute angle wrap around the pin before and adjacent to the "go to" pin taken from the continuous circular direction of progression, and tie off on the "tie to" pin. TABLE 2 ______________________________________ FIG. 9 Start: direction last 2nd acute tie go to and of angle wrap lobe to pin wrap around progression preferably ______________________________________ top left 134 H24 G60 162 G61 top right 138 K24 J60 164 J61 bottom left 132 I24 G3 128 G2 bottom right 136 L24 J3 166 J2 ______________________________________ This instruction provides in the bottom left lobe, a purple layer of radial colored string appearing to emanate from a loop shaped band having a continuous outer circumference, and a continuous inner circumference 172, and extending to the circumference of the lobe. The inner circumference having a loop diameter LD2. Diameter LD2 is larger than diameter LD1. This permits a portion of the blue band of diameter LD1 to show within the diameter of the purple band of diameter LD2. The rest of the blue background is covered by the purple layer. The adjacent inner diameters provide a three-dimensional look and feel within the lobe. In FIGS. 10-17, just the left side of the butterfly is shown. The right side of the butterfly is symmetrical with the left side. In the FIG. 10 construction the instructions provided for complete stringing of the layer with sheet 64 of partial stringing of the left side include: string color=black string type=yarn String, starting from the "tie to" pin, around the lobe in the continuous circular direction of progression until a loop band is formed having the appearance of being closed with continuous inner and outer circumference, that is, full circle. Preferably string around the lobe past the starting "tie to" pin and end by stringing back to the "tie to" pin from an acute angle around the pin before and adjacent to the "go to" pin taken from the continuous circular direction of progression, and tie off on the "tie to" pin. TABLE 3 ______________________________________ FIG. 10 Start: direction last 2nd acute tie go to and of angle wrap lobe to pin wrap around progression preferably ______________________________________ top left 134 H23 H2 162 H3 top right K23 K2 (ccw) K3 bottom left 132 I23 I2 128 I3 bottom right L23 L2 (cw) L3 ______________________________________ This instruction provides in the bottom left lobe, a black layer of radial colored string appearing to emanate from a loop shaped band having a continuous outer circumference, and a continuous inner circumference 174, and extending to the circumference of the lobe. The inner circumference having a loop diameter LD3. Diameter LD3 is larger than diameter LD2. This permits a portion of the blue band of diameter LD1 and purple band of diameter LD2 to show within the diameter of the black band of diameter LD3. The adjacent inner diameters provide a three-dimensional look and feel within the lobe. In the FIG. 11 construction the instructions for stringing of the fourth layer of the left and right side of the butterfly provided with sheet 66 showing complete stringing of the left side of the butterfly are: string color=red string type=yarn String around the lobe in the continuous circular direction of progression only where shown. Preferably string around the lobe from the "tie to" pin and end with a leg from the last acute angle wrap by tie off on the "end pin". TABLE 4 ______________________________________ FIG. 11 Start: direction tie go to and of lobe to pin wrap around progression end pin ______________________________________ top left 134 H15 H33 180 G48 top right K15 K33 (cw) J48 bottom left 132 I15 G33 182 G16 bottom right L15 L33 (ccw) J16 ______________________________________ This instruction provides in the bottom left lobe, a red layer of radial colored string appearing to emanate from inner circumference arc 176 having a loop diameter LD4. Diameter LD4 is larger than diameter LD3. This permits portions of the blue band of diameter LD1, the purple band of diameter LD2, and the black band of diameter LD3 to show within the diameter of the red band of diameter LD4. The adjacent inner diameters provide a three-dimensional look and feel within the lobe. In the FIG. 12 construction the instructions for complete stringing of the fifth layer of the butterfly provided with sheet 68 showing the left side are: string color=dark brown string type=yarn String around the lobe in the continuous circular direction of progression only where shown. Preferably string around the lobe from the "tie to" pin and end with a leg from the last acute angle wrap by tie off on the "end pin". TABLE 5 ______________________________________ FIG. 12 Start: direction tie go to and of lobe to pin wrap around progression end pin ______________________________________ top left 134 H19 H2 162 G45 top right K19 K2 (ccw) J45 bottom left 132 I19 I2 128 G19 bottom right L19 L2 (cw) J19 ______________________________________ This instruction provides in the bottom left lobe, a dark brown layer of radial colored string appearing to emanate from inner circumference arc 178 having a loop diameter LD5. Diameter LD5 is larger than diameter LD3, and the same size as diameter LD4. This permits portions of the blue band of diameter LD1, the purple band of diameter LD2, and the black band of diameter LD3 to show within the diameter of the dark brown band of diameter LD5. The adjacent inner diameters provide a three-dimensional look and feel within the lobe. In the FIG. 13 construction the instructions for complete stringing of the sixth layer of the butterfly provided with sheet 70 showing the left side include: string color=dark brown string type=yarn String around the lobe in the continuous circular direction of progression only where shown. Preferably string around the lobe from the "tie to" pin and end with a leg from the last acute angle wrap by tie off on the "end pin". TABLE 6 ______________________________________ FIG. 13 Start: direction tie go to and of lobe to pin wrap around progression end pin ______________________________________ top left 134 H19 H34 180 J44 top right K19 K34 (cw) G44 bottom left 132 I19 134 182 G20 bottom right L19 L34 (ccw) J20 ______________________________________ This instruction provides in the bottom left lobe, a dark brown layer of radial colored string appearing to emanate from inner circumference arc 192 having a loop diameter LD6. Diameter LD6 is larger than diameters LD3, and LD4. This permits portions of the blue band of diameter LD1, the purple band of diameter LD2, the black band of LD3, and the red band of diameter LD4 to show within the diameter of the dark brown band of diameter LD6. The adjacent inner diameters provide a three-dimensional look and feel within the lobe. In the FIG. 14 construction the instructions for complete stringing of the seventh layer of the butterfly provided with sheet 72 showing the left side include: string color=beige string type=yarn String around the lobe in the continuous circular direction of progression only where shown. Preferably string around the lobe from the "tie to" pin and end with a leg from the last acute angle wrap by tie off on the "end pin". TABLE 7 ______________________________________ FIG. 14 Start: direction tie go to and of lobe to pin wrap around progression end pin ______________________________________ top left 134 H16 H2 162 G48 top right K16 K2 (CCW) J48 bottom left 132 NA NA NA NA bottom right NA NA NA NA ______________________________________ This instruction provides in the upper left lobe, a dark brown layer of radial colored string appearing to emanate from inner circumference arc 194 having a loop diameter LD7. This permits portions of the blue band, the purple band, and the black bands below to show within the circumference of the dark brown layer arc 194. The adjacent inner diameters provide a three-dimensional look and feel within the lobe. By comparing the direction of progression of the same lobe for the stringing on sheets 79, 81, 64, 66, 68 and 70, you can see that a string layer can have a different direction of progression from the angle of progression of the string layer that it covers. TABLE 8 ______________________________________ Direction of Progression cw = clockwise ccw = counterclockwise lobe sheet 134 132 138 136 ______________________________________ 79 162, cw 128, ccw 164, ccw 166, cw 81 162, cw 128, ccw 164, ccw 166, cw 64 162, cw 128, ccw ccw cw 66 180, ccw 182, cw cw ccw 68 162, cw 128, ccw ccw cw 70 180, ccw 182, cw cw ccw 72 162, cw NA ccw NA ______________________________________ Given the same starting pin of an upper layer having continuous, complete LD that is concentric with the continuous, complete, smaller LD of a layer below, the number of pins from the starting tie to pin to the first wrap pin counted in the direction of progression in the upper layer is smaller than it is for the layer below. TABLE 9 ______________________________________ longest inner Sheet Diameter string length circumference ______________________________________ 79 LD1 29 nails 170 81 LD2 25 nails 172 ______________________________________ Various materials may be used for the string as long as it can be wrapped. Colored yarn, flexible wire, and flexible woven fiberglass can be used. Nails, self tapping screws, wood screws, stick pins and other pins which can make their own holes in the board may be used. Preferably the pin is stiff and is larger at the free end to prevent slippage of the string off the free end when the pin is in the board. In FIG. 15, outer trim is applied. The construction instructions provided include: String color=dark brown string type=yarn String around the outer side of the lobe in the continuous circular direction of progression. TABLE 10 ______________________________________ FIG. 15 Start: direction tie go to and of lobe to pin wrap around progression end pin ______________________________________ top left 134 H14 H1 180 (ccw) H14 top right K14 K1 (cw) K14 bottom left 132 I14 I1 182 (cw) O14 bottom right L14 L1 (ccw) L1 ______________________________________ In FIG. 16, inner trim is applied. The construction instructions provided include: String color=dark brown string type=yarn String around the inner sides of the combined upper and lower lobes in the continuous circular direction of progression. TABLE 11 ______________________________________ FIG. 16 Start: direction tie go to and of lobe to pin wrap around progression end pin ______________________________________ left G14 G1 (ccw) G14 right J14 J1 (cw) J1- ______________________________________ In FIG. 17, another layer of trim is applied over the layer of FIG. 15. The construction instructions provided include: String color=beige string type=yarn String around the outer side of the lobe in the continuous circular direction of progression. TABLE 12 ______________________________________ FIG. 17 Start: direction tie go to and of lobe to pin wrap around progression end pin ______________________________________ top left 134 H7 H1 180 (ccw) H7 top right K7 K1 (cw) K7 bottom left 132 I7 I1 182 (cw) I1 bottom right L7 L1 (ccw) L1 ______________________________________ Tables 13, 14, and 15 instruct wrapping for the body, head and antenna of the butterfly. Notice that in FIG. 18, ending at F11 leaves F10 visually missing a line of string compared to the other nails. In FIGS. 19, 20, and 21, and others, ending one pin past the starting pin does not easily show the resulting superimposed parallel string line. TABLE 13 ______________________________________ Body: Make complete circles clockwise. tie go to and layer Fig. to pin wrap around end pin color ______________________________________ 1 18 F10 E3 F11 black 2 19 F8 F1 F7 dark blue 3 20 F6 F1 F5 black 4 21 F4 F1 F3 dark blue ______________________________________ TABLE 14 ______________________________________ Head: Make complete circles clockwise. tie go to and layer Fig. to pin wrap around end pin color ______________________________________ 1 22 D8 C3 D7 black 2 23 D6 C2 D5 blue 3 24 D4 C3 D3 black 4 25 D3 C2 D2 blue ______________________________________ TABLE 15 ______________________________________ FIG. 26 A is counterclockwise B is clockwise Antenna: tie go to and side to pin wrap around end pin color ______________________________________ left A10 A1 A11 white right B10 B1 B11 white ______________________________________ Means for providing instruction for stringing the string can be provided on paper, on electronic media such as CD-ROM, or on other media for convenience of the user. Although the present invention has been described with respect to details of certain embodiments thereof, it is not intended that such details be limitations upon the scope of the invention. It will be obvious to those skilled in the art that various modifications and substitutions may be made without departing from the spirit and scope of the invention as set forth in the following claims. Drawing Designators (Informal) 65 kit 69 board, wooden 71 sheet 73 dots, nail location 74 upper surface of board 75 nail 76 fabric 77 tack 78 identification number 79 sheet 81 sheet 64 sheet 66 sheet 68 sheet 70 sheet 72 sheet 80 red yarn 82 yellow yarn 84 green yarn 86 light green yarn 88 dark blue yarn 90 white yarn 92 black yarn 98 butterfly 99 butterfly 100 light blue yarn 102 intermediate blue yarn 104 transitional edge 106 string 108 nail line 116 nail line 120 direction, arrow 122 vertex of lobe 132 124 vertex of lobe 132 126 direction, arrow 128 direction of progression 130 acute angle 132 left lower lobe 134 left upper lobe 136 right lower lobe 138 right upper lobe 140 bulbous edge 142 band 148 circumference of loop 150 150 loop 154 inner circumference 156 outer circumference 162 direction of progression 164 direction of progression 166 direction of progression 170 inner circumference 180 direction of progression 182 direction of progression 184 direction of progression 186 direction of progression 172 inner circumference 174 inner circumference 176 inner circumference 178 inner circumference 192 inner circumference 194 inner circumference