I’m shocked by how little information I was able to obtain about this incredible noir artist (honestly, I forgot what life was like before wikipedia). The info I did find was fascinating. Edw…
Edwin Lord Weeks 1849-1903 Verenigde Staten
Cat vibes 🐱
Edwin Longsden Long 1829-1891 Engeland
Edwin Longsden Long
Edwin Holgate - Coolie Girl, Jamaica, 1929. lacalaveracatrina
Edwin Austin Abbey (1852 – 1911) was an American illustrator and painter. He was renowned for his paintings and drawings of Shakespearean and Victorian subjects, as well as Arthurian lore, which I’m a really big fan of. This is why I was quite surprised that I’ve never come cross his work or his name until […]
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Astronomer Edwin P. Hubble 1948 TIME cover art by Boris Artzybasheff
Frederic Edwin Church - The Iceberg (1875), Canvas Gallery Wrapped Giclee Wall Art Print (D5060) Types: ➤Archival Paper Print (rolled) ➤Canvas Print, Gallery wrapped (mirrored edges) on 2cm depth pine wooden frame (stretched), rolled in a tube, or framed (wood floater frame). Options: ➤Archival Paper Print (rolled) ➤Rolled Canvas Print ➤Stretched and Ready to Hang 1 Panel Canvas Print ➤Stretched and Ready to Hang 3 Panel Canvas Print ➤Canvas in Black, Brown or White Wood Floating Frame (2'' | 5cm thick) ★★★WHAT'S THE DIFFERENCE BETWEEN A ROLLED CANVAS PRINT AND AN ARCHIVAL PAPER PRINT? ★★★ Whereas our canvas prints come with that typical characteristic texture own to canvas, our archival paper prints come on cotton rag paper without texture. A rolled canvas print is normally stretched on wood stretcher bars, whereas archival paper prints are not. Additionally, a stretched canvas can be framed, but it doesn't need to be. Thus, our rolled canvas prints come in their advertized size + mirrored edges by default for easy stretching. Prefer a cut to size rolled canvas print instead, because you want to frame it in a traditional fine art frame behind glass? Then just type ''cut to size'' in our personalization box (listing top right ''add your personalization''). Note that our rolled canvas prints do not come with stretcher bars or frames. Either take it to your local framer, or stretch/frame it yourself. Other sizes than listed in our drop-down menu available upon request! Have something in mind that you don't see in our shop? Anything at all? We've got your back! Here you can order anything you'd like: https://www.etsy.com/listing/1528183805 Our high quality images are environmentally friendly printed on museum grade canvas, with high quality inks that will last for over 200 years. Our canvas prints are odorless and stable to UV-radiation. Please note that our standard processing time is 3-5 days. Our actual canvases may slightly differ from the pictures shown, as every item that we sell is created especially for you. Our canvas prints actually look BETTER in real life. Please note: all watermarks shown will not be seen on the actual product. **All images and advertized text courtesy of VNTGARTGallery. Text and photos may not be used without written permission.**
Jephthah's Vow: The Martyr Edwin Long (1829–1891) Russell-Cotes Art Gallery & Museum
birdsong27: missfolly: In Awe, by Edwin Austin Abbey, undated
Edwin Austin Abbey (1852 – 1911) was an American illustrator and painter. He was renowned for his paintings and drawings of Shakespearean and Victorian subjects, as well as Arthurian lore, which I’m a really big fan of. This is why I was quite surprised that I’ve never come cross his work or his name until …
Aurora Borealis, 1865 framed print by Frederic Edwin Church. Bring your print to life with hundreds of different frame and mat combinations. Our framed prints are assembled, packaged, and shipped by our expert framing staff and delivered "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.
Vintage Festival Portrait Of The Artist’s Wife Only By Remembering Our Mistakes We Can Learn Greek Maiden In Arms Of Greek Gentleman Music A Modern Rebecca Patria The Festival Of Spring Red C…
Edwin Longsden Long 1829-1891 Engeland
In the summer of 1859, American landscape painter Frederic Edwin Church (1826–1900) took trip aboard a schooner to Newfoundland and Labrador to observe icebergs. Louis Legrand Noble wrote up the excursion in the book After Icebergs with a Painter. In 1861, at the outbreak of the Civil War, Church exhibited Icebergs: The North at the … Continue reading "Frederic Edwin Church’s Iceberg Paintings – 1859 – 1861"
1825 Edwin Henry Landseer Pen and brown ink 15.8 x 11 cm British Museum, London Sir Edwin Henry Landseer (1802 – 1873) was an English artist best known for his animal paintings and sculptures. Landseer’s popularity in Victorian Britain was considerable, and his reputation as an animal painter was unrivalled. He is particularly associated with Scotland, which he first visited in 1824, and you will see that many of his works are of Scottish subjects. In 1858 the government commissioned Landseer to make four (now famous) bronze lions for the base of Nelson’s Column in Trafalgar Square. Edwin Landseer died in October 1873, and his death was widely marked in England. He was buried in St. Paul’s Cathedral, London. For fuller notes on Landseer, and for earlier works, see part 1 also. This part 2 of a 6 – part series on the works of Edwin Landseer: 1824 The Angler's Guard Oil on panel 12.7 x 14.6 cm Victoria and Albert Museum, London 1824-26c Copy after Rubens's "Wolf and Fox Hunt" Oil on Wood 40.6 x 60.6 cm Metropolitan Museum of Art, New York City (see original by Rubens below) 1616c Peter Paul Rubens 'Wolf and Fox Hunt" Oil on canvas 245.4 x 376.2 cm Metropolitan Museum of Art, New York City 1824c The Cat's Paw Oil on panel 75.6 x 69.8 cm Private Collection 1826 On the Tilt, Perthshire Oil on canvas 25.8 x 35.5 cm Manchester Art Gallery, UK 1827 (exhibited) A Scene at Abbotsford Oil on wood 45.1 x 61 cm Tate, London 1827 A Moonlight Landscape Oil on panel 25.4 x 35.6 cm Private Collection 1827 The Deerstalker's Return Oil on canvas 1827c Study for "The Deerstalker's Return" Oil on canvas 27.2 x 35.6 cm 1828 Portrait of a Terrier: The Property of Owen Williams, Esq. Oil on canvas 102 x 127 cm Milwaukee Art Museum, Wisconsin 1828c Sketch for "Deer-Stalking in the Highlands" Oil on canvas 43 x 53.5 cm Wolverhampton Art Gallery, UK 1829 A Fireside Party Oil on panel 25.4 x 35.6 cm Victoria and Albert Museum, London 1829 Attachment Oil on canvas 101.3 x 83.5 cm Saint Louis Art Museum, Missouri 1829 High Life Oil on mahogany panel 45.7 x 34.9 cm Tate, London 1829 Low Life Oil on mahogany panel 45.7 x 35.2 cm Tate, London Low Life Engraving by H. Beckwith after Edwin Landseer 1829 The First Leap, Lord Alexander Russell on His Pony 'Emerald' Oil on paper 41 x 46 cm Guildhall Art Gallery, London 1829c (exhibited 1830) Highland Music Oil on mahogany panel 47 x 59.1 cm Tate, London 1829c The Illicit Highland Whisky Still Oil on panel 80 x 101.5 cm Wellington Collection at Apsley House, London before 1830 The Bride of Lammermoor Oil on panel 32.4 x 24.8 cm Philadelphia Museum of Art, PA 1830 The Stone-breaker and His Daughter Oil on panel 45.7 x 58.4 cm Victoria and Albert Museum, London 1830-35c Bolton Abbey, Yorkshire Oil on canvas 25.3 x 35.5 cm Manchester Art Gallery, UK 1830-39c Head Study of a Girl Oil on board 23 x 25 cm Private Collection 1830-40c The Letter Black chalk with white and red chalk touches on paper 29 x 22.9 cm Victoria and Albert Museum, London 1830c 'The Pot of Gartness', Drymen, Stirlingshire Oil on panel 25.1 x 35.5 cm The Fitzwilliam Museum, Cambridge, UK 1830c A Highland Landscape Oil on board 203 x 254 cm Yale Centre for British Art, New Haven, CT 1830c A Lake Scene Oil on canvas 20.5 x 25.5 cm Sudley House, Liverpool Museums, UK 1830c Donald McIntyre Oil on panel 60.6 x 46 cm Yale Centre for British Art, New Haven, CT 1830c Head of a Roebuck and Two Ptarmigan Oil on panel 22.5 x 30.4 cm Art Institute of Chicago, IL 1830c The Faithful Hound Oil on canvas 66 x 88.9 cm Royal Academy of Arts, London 1830s The Falconer [possibly a portrait of William Russell] Oil on canvas 138.4 x 110.5 cm Philadelphia Museum of Art, PA 1832 Hawking in the Olden Time Oil on canvas 153 x 184 cm Kenwood House, London 1832 Lady Blessington's Dog: The Barrier Oil on panel 29.2 x 38.1 cm Victoria and Albert Museum, London before 1832 Lassie Herding Sheep Oil on canvas mounted on panel 44.5 x 60 cm n.d. Lassie Herding Sheep Mezzotint by John Burnet Harvard Art Museums-Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray 1832-33c Deer and Deer Hounds in a Mountain Torrent Oil on canvas mounted on wood 40.5 x 60.8 cm Tate, London n.d. Death of a Stag Engraving by John Cousen after Edwin Landseer Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall 1832-33c Study of a Dead Heron Oil on panel 53.3 x 38.7 cm Museum of Fine Arts, Houston, Texas 1832c A Study of Rocks and a Rivulet Oil on canvas 20.2 x 25.2 cm Walker Art Gallery, Liverpool, UK 1832c William Cavendish, 6th Duke of Devonshire Pen and wash 22.6 x 18.8 cm National Portrait Gallery London 1833 Head of a Goat Oil on canvas 38 x 46.5 cm Anglesey Abbey, Lode, Cambs., UK 1833 Sir Augustus Wall Callcott Oil on millboard 35.6 x 25.1 cm National Portrait Gallery London 1833-36c Scene in Chillingham Perk: Portrait of Lord Ossulston Oil on canvas 223.5 x 223 cm Private Collection
A leader in the second wave of "pretty-girl" artists: more like pin-ups without actually being pin-ups. Largely self-taught, learning his way up in ad and art agencies. A pilot in WWI. Style ranged from simple, posteresque lines and colors to his more famous pointillist pieces with boldly directed light, a unique use of warm shadows, and sparkling colors.
1914 Self Portrait in a Fur Hat For painters who work from observation there are few greater painters to study or get inspiration from than Edwin Dickinson. (Born NY: 1891...Read More
sunmoonstar: “ the-art-of-romance: “ My life. You. Illustration by Edwin Georgi. ” ”
