The elaborate distortions created by Hong Kong-based sculptor Johnson Tsang continue to evolve, with a recent showing at Giant Year Gallery of works from his “Lucid Dream” series. Tsang was last mentioned on HiFructose.com here, and he was recently featured in Hi-Fructose Vol. 46.

Young Money Lil Wayne Digital Poster | Lil Wayne Rapper Digital Print | Cash Money Poster | Celebrity Art | Digital Download Poster Wallart This was an original oil painting created in 2023 Now available as a digital print/download Poster Download Includes 1 Image 16.6" x 13.9" JPEG 4181x5000 pixels 300dpi ***This is a digital product--Instant Download Only*** ***no physical product will be sent*** frame not included (this is a digital print) feel free to print it out and please show me if u do! would love to see! Thanks for the Support :) BIG TIME!

Simply stated, Now On View celebrates and showcases the artists of Society6 and their work. Get to know them—and then get lost in their gallery. Check out David Ambarzumjan, an oil painter currently living in Munich, Germany.

Cook sculpture from Ryan Johnson.

Japanese design studio Nendo will conceive an immersive environment for a show of MC Escher’s works at the National Gallery of Victoria in Melbourne

Attention art teachers in need of help in putting on an art show- I have you covered! In this blog I am sharing all of the essential materials, methods and more to ensure the success of your school wide art show!

This dark twist in art by Jeff Huntington, shows the multi-faces of humanity, which we like in art. The smooth yet quick brush storks give the work its arty feeling, nonetheless keeps it in a weak …

This Lighthouse Wall Art is perfect for anyone who loves the beauty of the ocean and the coastal charm that comes with it. This stunning piece of art will surely add a touch of Nautical Elegance to your space. Our Painting Wall Art shows a beautiful lighthouse soaring above the swirling clouds and breaking waves. The epic composition and vibrant colors evoke the power and grandeur of the ocean, creating an atmosphere of adventure and discovery. Whether it’s on your living room wall, in your office, or in your bedroom, our Lighthouse Wall Art is an eye-catching focal point that will take you on a voyage to far-off places. Ocean Lighthouse Painting Wall Art is also a meaningful and thoughtful gift for maritime lovers and enthusiasts who want to bring the charm and romance of the lighthouses to their homes. 🌟 INSTANT DOWNLOAD 🌟 The files will be delivered electronically within minutes of your order and payment. An email will be sent to the address you have associated with your Etsy account with a link for your download. 🌟 HOW TO PRINT 🌟 ✔ Printable art is an easy and affordable way to personalize your home or office. ✔ You can easily print at home using good-quality cards or art paper. Use Satin or matt paper and heavy-weight paper to get high-quality results. To make the prints look complete in the interior, place them in a frame with glass. ✔ You can print at your local copy shop. ✔ Upload to an online print shop. If you want to get your prints printed and shipped to you. Simply contact the seller. They offer affordable and high-quality prints and canvases. 🌟 IMPORTANT NOTE 🌟 This is a digital product. No physical product will be shipped. Refunds cannot be given after the files are downloaded. Colors may vary slightly due to different color monitors. The final quality depends on your printing device, paper, and ink. 🌟 USAGE AND COPYRIGHT INFORMATION 🌟 These files are for personal use only. Purchase of the files does not transfer ownership, rights for reproduction, or for resale. If you have any problems after the purchase, please contact us for customer service, which will make your purchase risk-free, and you could enjoy testing the quality and durability. And we do hope you have a pleasant shopping experience.

In AEC Interesni Kazki's first solo show in France, the surrealist painter offers both new, stirring works and previous pieces with "Déjà vu & Jamais vu,” or "already seen and never seen." Running through Dec. 26, the show opens Friday at the Paris-based venue Adda & Taxie. The artist was last mentioned on our site here.

Oscar Poster - A series of Oscar posters are released by stock photography company Shutterstock as part of its Oscar Pop! challenge. This is a playful and imagin...

My name is Szymon Kot. I'm a painter and designer from Poland who would like to invite you into his world. Through my works, I try to change your point of view, show you the hidden meaning and the other side of the same coin.

Los Angeles-based artist and actor Joseph Lee paints thickly layered portraits that mask the details and expressions of his subjects’ faces. His abstracted profiles sometimes reveal a subtle hint of an eye, nose, or ear between multi-colored brushstrokes, and are set against matte backgrounds to make each painting pop. Although the facial expressions are often hidden, the self-taught artist intends to bring emotions to each face through the turn of the head or the line of a jaw. More

The London Art Fair 2019 at the Design Centre was a show not to be missed. So many gallerys and artists exhibiting. From Walter Sickert to Banksy ....

Growing up can be a challenge, especially in the teenage years. Some people use writing or art as a creative outlet for all the emotions they keep inside.

These beautifully complex portraits convey a sense of internal struggle in a very outward way. Vancouver-based artist Adam Lupton's series, What's in

French artist Gaëtan de Seguin's (b. 1971, Montpellier, France) latest series "J+...." is a reaction to the terrorists attack on French Satirical magazine Charlie Hebdo that took place in January 2015 and the March that took place later that month in Paris and cities around the world. de Sequin explains, "I immediately wanted my characters to gather and spread out of the canvas. Crowds. Be they dense or sparse, joyful, humble, silent or roaring, moving or obnoxious, etc. Their physical appearance does not matter. It is the combination of their convictions that tinctures the whole group." Each work titled “J+...", represents the number of days after the January 2015 events and when de Seguin began to work on the piece. Within this series, de Sequin employs two artistic methods, paint on canvas and Moucharabieh, a perforated wall composed mostly of geometrical, arabesque motifs, in the form of a screen, to animate his crowds. These anonymous characters, consisting of a multitude of silhouettes almost identical but remain singular, are represented by a unique pattern of markings further illustrates this “mosaic of a society, a patchwork of men”; each having their own fears, anxieties, but also their hopes and desires in a world that bears multiple aspects. These qualities within the painting and sculptural work show the individual as much as it offers him the possibility to melt into a much broader and abstract dimension. Within his sculptural pieces, which employ the principles of the moucharabieh, de Sequin continues to offer a different perspective. Questioning the individuals and his place into the grander scheme, he inserts negative space with the pieces to create an alternative focus for the viewer. As light moves through the sculptural works, casting a shadow of the crowd, de Sequin shows humankind constituted of individuals who interact as much as they ignore each other with a great humanism. After graduating from school and completing his military service, he studied art in Paris at ESAG Penninghen. Throughout his career, de Seguin’s works have evolved from abstraction towards figuration, which he continues to develop to this day. "I have always been the one who draws and the one who draws “blokes.” As soon as I lay a hand on anything I can draw on, I cover it up with silhouettes. In 40 years, I became responsible for a great bestiary! Each working session in my workshop gives birth to humankind constituted of individuals who interact as much as they ignore each other. All of them are wild and wise at the same time, creative and vain. As far as I offer to anyone the possibility to invent my characters’ own stories, my painting is decisive of a figurative type. “A thread, if need be… January 2015’s events, for instance, I immediately wanted my characters to gather and spread out of the canvas. Crowds… Be they dense or sparse, joyful, humble, silent or roaring, moving or obnoxious, etc.…Their physical appearance does not matter. It is the combination of their convictions that tinctures the whole group. This is what I am currently working on in my latest series “J+…”.I cover my canvas with a dominant, very dense, almost garish coat. This undercoat subsequently gets entirely covered. The general shade lightens up, and the color scheme fades into a monochrome of grey. At this stage, I can start painting, adding or extracting substance. The music I listen to imposes the rhythm for the group to pop up. Scratching with the most various tools, I can paint with all kinds of brushes. Each scratch represents a unique pattern which characterizes the individual as much as it offers him the possibility to melt into a much broader and abstract dimension." - Gaëtan de Seguin

I got into digital art after my father gave me a 1 megapixel camera back in 2002. I already had spent years painting and drawing and the camera was the perfect tool for endless experimentation. I tried then a scanner and started merging my drawings with my photos because photography was never satisfying to me; my head was always way too up in the clouds to portrait reality, I knew I wanted quiet the contrary, to destroy it and make something new out of it, and what better medium than photomontage to do that?

Sheffield artist Abigail McGourlay has been named the winner of The Arts Society's national competition in support of young artists during lockdown with her painting, Brewing.

About The Artwork Limited edition of 9 units, all hand painted, acrylic on canvas. Series created in 2018, exhibited on three continents, winner of the Displate award, published in 200Best Illustrator Worldwide 18/19, Adeevee, Ads of The World, Top 5 AdForum.us, Best Ads on Tv and Lurzer’s Archive. It is the cartography of the explosion of the outer self. With strong colors and a lot of empasto. The Portraits Colors are the “social feelings” touched upon, brutally shown, it is the extreme youth exposed in a direct way, the poetics of “Being” now, of today, of belonging to the moment. The thick, loose lines running through the whole being shows the ways to go, the existing and being part of it as the most important . The outside, the present, the moment. Original Created:2019 Subjects:Portrait Materials:Canvas Styles:Abstract ExpressionismExpressionismFigurativePortraitureConceptual Mediums:AcrylicInk Details & Dimensions Painting:Acrylic on Canvas Original:One-of-a-kind Artwork Size:29.5 W x 39.4 H x 1.6 D in Frame:Not Framed Ready to Hang:Not applicable Packaging:Ships in a Crate Shipping & Returns Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments. Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines. Ships From:Brazil. Customs:Shipments from Brazil may experience delays due to country's regulations for exporting valuable artworks. Have additional questions? Please visit our help section or contact us.

Japanese photographer Shinichi Maruyama captures the beauty of the human body in motion in his latest series “Nude”. “The figure in the image, which is …

If you’ve never thought about creating a large series before, that’s all right—any artist can learn. I’ll admit that it might not be as fun as just sitting down and painting whatever comes to mind, but the outcome is more than worth it. Here’s what you’ll need to do.

One could say that Surrealism as a movement is a way for artists to seek distraction from the mundane and engage in fantasy. On his current exhibition at AFA Gallery, painter Daniel Merriam shares, “Although I may be guilty of a little denial, it’s enabled me to go to the edge and back, which is kind of where people expect an artist to go." Spanning over 20 new watercolor paintings, titled "Now You See Me: The Art of Escapism", he allows himself to overcome the limitations of reality in this latest series.

My images are Creative Commons licensed, you can get the details here: https://t.co/h9X6oy1MFJ Basically: you can use them as drawing reference for just about everything and your don't really have to credit or show me if you're only looking at my pics to make your art.

Montreal-based artist Sandra Chevrier is creating some of the best pop art I’ve seen in quite some time, mixing her own...

See Renaissance-inspired paintings in “Naudline Pierre: For I Am With You Until the End of Time” at Shulamit Nazarian.

From Wolfgang Tillmans' photo documentations of the cool set in Glasgow to African art's radical hero Issa Samb in London, find out what's happening in art around the country

I got into digital art after my father gave me a 1 megapixel camera back in 2002. I already had spent years painting and drawing and the camera was the perfect tool for endless experimentation. I tried then a scanner and started merging my drawings with my photos because photography was never satisfying to me; my head was always way too up in the clouds to portrait reality, I knew I wanted quiet the contrary, to destroy it and make something new out of it, and what better medium than photomontage to do that?

Innovative creativity from PaperArtsy. Paint, stencils, and techniques galore for any mixed media enthusiast to enjoy.

AgeMaps is a project by photographer Bobby Neel Adams in which he does "photo surgery" on portraits to show two different moments in a person's life in

Situated in an enormous tent stretching almost the length of Randall’s Island, the Frieze art fair sees the world’s galleries descend on New York to show everything from paintings to installations ... and even a beast of burden

Topic 11: Hidden Objects Hi everyone, Leandra here Well this is a bit of tricky topic isn't it! For a start, how can we show pictures of things that are 'hidden' ??? Well we do love a challenge, and I have plenty of images, and even though there is no video from me this week, I have sourced 2 other videos for you to watch to get your heads ticking...more of that in a bit For now, as you might be aware, we are currently up in the north of England at the Stamp magic show in Doncaster. No doubt by now we are hopefully packed up and driving home, but the upshot of our activity is that there is no one around to draw the challenge winner, so we will announce it here tomorrow. So very sorry for the anticlimax, but do check back this time tomorrow by which time Darcy will have updated this post to announce who has won! Darcy here... What a great topic to explore bottles was ...who knew so much could be done with bottles. I can see a lot less bottles going out in the recycling box now. From tiny accent bottles to large vases and garden lanterns, textured paper vases and some fantastic paint effects. Well done everyone! Sooooo, the winning name from Topic 10:Bottles..goes to...Georgina Ford from Kaardvark So....it's Leandra back with you tonight to explore Hidden Objects. First up this really caught my eye...technically its not hidden...but the words on the page infer that it is, and that's good enough for me..you can see more pictures here on the flickr feed In the same vein...is it hidden...isn't it?? I don't mind, but there are pockets involved, and transparent or not, they still fit the vibe! I love this idea, and really great if you have collected holiday mementos for example. Another one for the is-it-hidden-or-isn't-it category, I do love a bit of a glassine envelope! With the vintage theme, this piece it looks stunning! This is exactly what I had in mind fro this topic...stealth journalling..and I love how these sleeves are custom-made as are the tags inside! It's the brainchild of Michelle Ward, and if you go here to the post, it's part of her Crusade Series, you will found a downloadable printable, and more instructions on the rest of the project and process. I love Michelle's use of colour and composition, well worth a look! So this is another wrapped up item...in fact if you go to the post, you will see they have tied up all kinds of objects! I like that not only are the items hidden below...well almost! But if you go to the post, there are boxes etc tied up with no access allowed, and no sense of what is inside. So you can wrap in all kinds of ways! This next example is from Robin-Marie Smith, circa 2010! Again, it's a simple pocket with hidden contents, journalling style. There is a wealth of colour, texture on her blog, I adore her style, so cheerful and full of sunshine. Here's an actual book made from envelopes. I have heaps of these, they are quite dinky in size, and great if you want to keep special things or vintage items a bit more private. Here's the link to the post. And here is another idea, this is from a French blog, and there are several ideas using a correspondence theme for travel journalling/ scrapping. I love how she has used airmail envelopes to scrapbook onto, it looks so cool around the edges! Check out the post here from some more fabulous ideas! Here is another pocket style idea... ...with an instructional video ...And the cousin to pockets is of course flaps I found this one from a Faber Castell Blog Hop. It's mail art and boy that takes me back! We used to send mail art regularly way back when...like over a decade ago!! It's so much fun as the recipient gets very excited about how beautiful the outside looks, so they are itching to see what is inside! Perhaps you might like to send something to somebody this week, and decorate the envelope? Now this one is a bit different... Crafty Dogma on Flickr has created a collage, but the face is kind of hidden, or looks almost shrouded, Whatever it is, I really like the effect that the person is kind of hiding behind something...I think the use of white helps contribute to that impression. Here is another face, but it's a face behind a face which is very clever, inferring quite a bit about the ageing process. It's from a tumblr account. I think its wonderful imagery! ...this little guy is hidden, and in a bit of a pickle too by the look of it! This one is also interesting. Objects on fabric, with what looks like a soft layer of muslin glued/ stitched over the top and moulded carefully around the items to show their relief. In crafting terms, we tend to do this in a similar way with objects slathered in paint or gesso. Niches also work for this topic, especially if you put doors on them!! Like the Shadowbox below....see the door to the left? Itching to open that!! And lastly, here is a totally stunning book...well more like many books inside books! With a fabulous message about patience buried in the centre! Check out the video below. You must go to the site of the book artist Randi Parkhurst! You can and watch the video here or click play below to see how she has impeccably constructed these books. Patience from Glowing Heads on Vimeo. So you have 2 weeks to think about what you can hide and where! If you are still stuck, check out my pinterest board here for this Topic. I will be pinning loads more over the next 2 weeks, you can follow this and many other PA related boards here. You can also follow the PaperArtsy pinterest page here. Whatever you choose to do, we can't wait to see it! Don't forget the challenge is open for 2 weeks for you to join in! ~Leandra Topic 11:Hidden Objects. You are welcome to share your ideas and link up your creativity to this page. All links go in the draw to win a voucher to spend on products of your choice from the PaperArtsy online store. The Bottles link will close 17:00 (London Time) Sunday, June 21st, winner will be announced 2 hours later at 19:00. 1. The challenge is a chance for you to show how you have been inspired by a particular technique of the fortnight. Your entry should contain: - a mention of which post inspired you and why, and - a link in your blog post to that original post on the PA blog. The whole concept of this challenge is 'play along with us'. You are encouraged to put your own twist on ideas you see on our blog. We love to see how you are inspired! 2. The link you put on our linky page must lead directly to the specific post on your blog where you have explored the technique/ idea mentioned in point 1 above. Don't link to the home page of your blog, or we will be unable to find the post to leave you comments. 3. Spam links will be deleted. 4. We prefer your challenge post is created exclusive to our challenge, but if our topic fits perfectly with another challenge, then of course your post may link to both if you feel it is appropriate. 5. You are most welcome to use stamps/ products/ substrates you have to hand from a variety of companies, we do not expect you to exclusively use PA products - it's lovely when you do though! 6. You can enter as many times as you like in the fortnight. We don't want to restrict your creativity or participation! Link closes at 17:00 Sunday June 21st (London Time) 7. The winner of the random draw will receive a £50 credit to be redeemed on the PaperArtsy Website, the credit includes VAT and postage. We request that one of your purchases is an A5 rubber stamp. You can add any other items to your basket, but the final total should not exceed £50 8. Each Sunday fortnight the winner will be announced at 19:00, also, in the same post, the link for the next fortnight will be posted. It's your responsibility to claim your prize coupon from Darcy: email her [email protected] Good Luck! If you have any questions, don't hesitate to ask!

Brazilian art duo Bicicleta Sem Freio is about to make its London debut.

Explore else-where's 345 photos on Flickr!

I've blogged about many of my art shows. You can read about the one from 2012 here and here; 2013 here and here and 2014 here and here! Well, it's that time o' year: ART SHOW TIME! I know for many of you art teachers out there, you've already wrapped up your annual show and I'm sure it was a success. I just finished off my 12th art show and I gotta tell ya, I'm still learning. Fortunately I have learned a thing or ten over the years and I thought I'd share them with you in this here post: The Top 10 Ways to Host a Humongo Art Show! Enjoy, y'all! And please share your tips and tricks in the comments, I'd love to hear from you. This big ole collaborative piece was created a couple of years ago and still hangs outside my room. Second graders created the Jackson Pollack-inspired papers that frame the piece, while fourth graders created the tissue flowers and third made the brown palette and bristles of the brush. Make big beautiful stuff like this and you have instant and permanent art on your walls! 1. Start organizing early. Bwahahaha!! For those of you that know me, please pick yourself up off the floor and stop laughing. Folks are starting to stare. Y'all. I'm the least organized person On Planet Earth. That should make you feel pretty good about yourself for a coupla reasons: 1. You prolly can find your keys, wallet and phone every morning without a panic attack and 2. You can totally pull off a Humongo Art Show! In all cerealness, might I recommend you do the following: * Keep all student artwork organized by class. You already do this, I'm sure. I hoard every single thing the kids have made all year long for the art show. I remind the kids of this plan. In the meantime, I attempt to share as much of their work in temporary displays in the halls as well as on Artsonia. * Matte their work as they complete it. I think everything looks a little nicer with a black frame. If you frame things as they complete them (or have the kids do it if you like that lopsided frame look, ahem), it will be a lot less stressful during art show time. * Have the kids sign their work. Personally, I don't like labels on art work. I find them distracting. Imagine Mona Lisa with a big ole white label slapped at the bottom. Distracting much? What I do like is seeing an artist's signature. We spend a long time talking about how when an artist signs their work, that's their way of saying, "masterpiece complete". We sign our work either at the top or bottom in black sharpie. I let the kids decide if they'd like to write just their first name or their entire name. Kindergarten artwork hung by one parent volunteer... Kindergarten art work hung by another parent volunteer. Notice how differently each parent hung the work. My theory: if it's up, it's good enough for me! By the way, here are some links to those projects seen above: clay birds, snowy landscapes, shape paintings, line paintings, self-portraits. 2. Get help. Lots of it. My school has had an art show since before my time ("BC", Before Cassie, was a lot loss crazy I know!) so it's well established. My first couple of years, I hung everything every.single.thing. myself. I spent my spring break hanging. I spent my mornings and late nights hanging. During my third year, my brother was in a terrible car accident (he's a fine now. An English teacher on a reservation. Sup, Kris!), I was unable to hang the art show and something magical happened: parent volunteers came in and HUNG IT ALL. From there on out, I've utilized my parent volunteers to hang the art show. Here's how I do it: * Woo them with donuts. At the start of the school year, I had a meeting during my morning planning for parent volunteers. I called it "Donuts with the Art Teacher". I walked my potential volunteers thru some options: volunteering in the art room during projects, hanging art work, mounting pieces and/or Artsonia help. I scored two dozen emails and kept them mildly busy until the art show. * Give them art hanging direction but don't be a micro-manager. Here's my theory: we are hanging EVERYTHING that EVERY KID has created throughout the year. I teach over 400 kids and they make between 5-7 two dimensional pieces. That's a whole lotta art work to hang. I tell the parents just a couple of things: where to hang the work (we hang all artwork outside of the student's classrooms so they can easily find their pieces) and what to hang it with (more on that in a sec) but I leave the aesthetics of hanging the work up to them. Some parents like to hang work by projects and some like to scatter the work as you can see in those pics above. Let them take ownership and enjoyment in hanging the work. That's what will keep 'em coming back. * No parents? Let's talk alternative routes. Before I tapped into my parent volunteer network, I had the students help me hang the work. We'd walk our stack of pieces out the hall with our balled up pieces of sticky tack on the back and work on hanging. This was very effective with my older students and is something I plan to go back to when we hang smaller displays. Once finished hanging, the students could write criticisms, a-glow-and-a-grow or simply chat about their work. You could also utilize your fellow teachers. I find that bribery works wonders. Bring in some pizza, provide the sticky tac and make an afternoon of it. What would take them an hour would take you thirty. Presented to your colleagues that way just might get them to see your point of view. There's nothing worse than spending hours hanging artwork only to see it all on the floors in the morning. This year, my GENIUS bookkeeper came up with a solution! And it even works on walls we've never been able to hang on before! Fourth grade project lessons: donuts, landscapes, woven pouches, metal relief work and suns, just follow the link! 3. Nothing sticks to cinderblock. But this works. Oh, cinderblock. I've tried it all: masking tape, nope; blue sticky stuff, sometimes but that's only when the kids don't peel it off the back of the work and do I-don't-wanna-know with it; double-sided sticky tape, yeah, that works. But it's expensive and can tear the art work when it's removed from the walls. And don't even get me started on hot glue. Oh Lawd. I've lost fingernails trying to remove that from walls. This year, my bookkeeper suggested we use deer mesh. We taped it to the walls behind the cork strip molding and reinforced it with some push pins. Then artwork was simply paper clipped to the mesh. NOTHING FELL OFF THE WALLS. It was the most amazing experience to not find dozens of pieces of art on the floor each morning. Not only that but the mesh is practically invisible and not distracting. And it was super cheap. We bought 6 rolls for about $100 and only used 4. Many of the classroom teachers even kept their mesh to display class work. If only I'd thought of this years ago! 4. Get the kids excited. Since we've been doing an art show at my school since the beginning of time, the kids know that all of their work throughout the year will be on display. And they're excited by this! We finish off our masterpieces, create big banners and signs (visit here) and we write up lil artist bios so folks can get to know a little about the person behind the work. We write these every year so by the end of their fourth grade year, the kids have a nice collection to look back upon. It's just one of those fun ways to get the kids amped up about the art show. Here's some other things we've done: * Create an Art Show Pin. One year, back in my pre-blogging days, our art show fell very close to Mother's Day. So each student in the school created a small ceramic flower that we adhered a pin to. Students then created invitations with the pin inside. It was such a thrill on the night of the art show to see moms comparing their handmade pins. I just might have to do that again this coming year! * Have the kids create invitations. This year, we simply let parents know via email, newsletter and a phone call about the art show. In years past, the kids have designed and created invitations that they shared with family and teachers. * Make posters and banners announcing the show. We did a lot of that this year. We hung them throughout the school and even used the left over paintings as backdrops for the words Think, Imagine, Create, Inspire that now hang in my art room. 5. Invite the big wigs. Your kids have worked hard all year. Your volunteers have busted their tails getting it all up and displayed. You just might have lost countless hours of sleep and reality television show watching time to prepare. INVITE EVERYONE YOU KNOW. You better believe my superintendent and entourage came. You better believe he was tweeting as fast as his fingers would allow. Y'all. Brag on yourself. It's good for the soul. 6. Get a sub the day of the art show. So years ago I was at an NAEA convention listening to some magical art teacher talk about her magical art show. And I was feeling a little peeved because I was all, "I could never pull all that off!" Then she spoke the magical words: GET.A.SUB. Yes! I've been doing it every since. The day of the art show, my art classes are held in an alternative location while I clear my room, set up displays and generally run around like a mad woman until 6pm. I'm fortunate to have a truly understanding and supportive administration. They get it. I bet yours will as well if you tell them what a big event you have in mind. Doesn't hurt to mention that you've invited those aforementioned big wigs! Second grade artwork on display. Project ideas: circle loom weaving, symmetrical butterflies, collage landscapes, penguins, ojos de dios, and metal relief still life lessons. 7. Offer free ice cream and they will come. We usually have between 400-500 folks show for our art show. That's not too shabby with a school of about 400 kids. It's been long established that we also have an ice cream social on that evening which is a big draw. The school provides the ice cream but that's about as much as I know. I never make it out of my art room to get any! We used to also have a book fair on the same evening but this year, it just didn't work out timing wise. I don't do craft tables or make-and-takes for a couple of reasons: 1. I think the artwork speaks for itself. To me, the evening is about the student work. and 2. I'm just not that organized! I love the idea in theory but with our crowds, I think it could get real crazy real fast. I admire those that can pull it off tho! Special thanks to my buddy Laura over at Painted Paper for the fabulous Mexican art lessons! You can read more about those leaf print banners that first grade created here. 8. Make it easy to find art work. There's nothing as unfun as having one million children and their not-so-happy parents come up to you and say "I can't find my artwork!" Well, make it easy for them! I always hang all student artwork outside of their classroom. We try to have everything up a good week or more before the show that way the kids can spend some time finding their work. This also helps me when lil Clementine comes to me and says "hey! I can't find myself portrait hanging up!" Well, Clemmie, that's cuz your crazy art teacher hung it with a different class. Best to get all that cleared up before the big night. Same goes with clay display! Have those pieces sorted by class and have the kids create labels to go next to their work. If you are super organized (read: not like me), have the kids create the displays themselves that way they know EXACTLY there their work is. Clay fish and sculpture lesson here. 9. Create artwork throughout the year and then LEAVE IT UP! Bam! Instant work on the walls! The second grade created those reversible dot paintings at the start of the year for International Art Day. They got such a great response, I just left 'em up! Our Gallery of Gratitude still gets a lot of stops and stares. Not to mention it's such a nice warm-fuzzy of a collaborative piece. By the way, signs like the one you see on the left really help folks find artwork. Also for Dot Day, the first graders created that mural which still looks happy outside my door. And those Kandinsky dots were created with a sub! I love how they brighten up my door. Perma-art is the way to go, y'all! Third grade desert landscape lesson here. 10. Taking it all down and sending it home. Sniff. Okay, so that's a drag. Here's how I (don't) take down artwork: * Request super nicely that the classroom teachers do it. Our art show is very near the end of the school year. Which means we teachers are cleaning out and packing up. Many of the teachers have their older students carefully remove the artwork. Others prefer to do it themselves or call in a room mom to do the job. I leave this portion of the art show in their hands. I just kindly remind them that what would take them 45 minutes would take me that times 23. After the work is taken down, the teachers return all my push pins, blue sticky tack and mesh. * Have portfolios made. The super awesome aides at my school create portfolios for EVERY KID IN THE SCHOOL. It's simply a large sheet of bulletin board paper folded in half and stapled. Many of the teachers have the kids work on decorating those while they take down and pass back artwork. Third grade ceramic flower lesson here. * Send fragile work home safely. The last couple of years, the day after the art show has been field day. This works out perfectly for me as that means I don't have art class. Instead, I arrange for each and every class to come to my room accompanied by their teacher. The kids sit on the floor and for 10-15 minutes, the classroom teachers and I wrap up clay projects in newspaper, put them in cheapo brown lunch bags and staple the name tag to the top. This insures all clay projects get home safely (except for the random kid who drops their bag and you hear that terrible CRACK sound) and out of your art room! I manage to knock all of that out by noon so I can enjoy a little field day action and room clean up. Why do an art show, y'all? Moments like this. Whew! Was that enough info for you? I certainly hope so! If you have any questions, please lemme know! And I'd love to hear your art show tips and tricks as there's always a better way, right? Thanks, y'all! And special thanks to all the parent volunteers that always make the art show possible year after year. I love y'all!

I make these artworks to show and document some of the melancholic, sorrowful and depressing moments I live and to tell a personal story in every piece.