Edvard Munch Vampyr 1894

Edvard Munch was an influential Norwegian painter and printmaker in the Expressionist style. Munch studied in Oslo before travelling to Paris and later Berlin, before returning in his later career to Oslo. He is widely known for his iconic painting "The Scream", for which four versions...

Edvard Munch, c. 1889. Found in the collection of National Library of Norway, Oslo #MediaStorehouse

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A new show at the Neue Galerie finds the painter’s singular place in art history.

Edvard Munch is famous of death-related motifs that were to form a large, significant part of his pictorial world.

Download Image of Edvard Munch - Eye in Eye. Free for commercial use, no attribution required. Public domain photograph of 19th-century painting, free to use, no copyright restrictions image - Picryl description. Dated: 1900. Topics: 1900 s paintings by edvard munch, paintings by edvard munch in the munchmuseet, edvard munch, artist, art, painting, 19th century, modern art, paintings

1919 Self-Portrait after Spanish Influenza oil on canvas 150 x 131 cm National Museum of Art, Oslo The Norwegian artist Edvard Munch (1863-1944) is regarded as a pioneer in the Expressionist movement in modern painting. At an early stage Munch was : in Germany and central Europe as one of the creators of a new epoch. Munch’s art from the 1890s is the most well known, but his later work is steadily attracting greater attention. For full biographical notes on Munch see Edvard Munch part 1- introduction. For earlier works see parts 2-15 also. This is part 16 of a 20–part series of posts on the works of Edvard Munch: 1916-1925 Woman: 1916-18 Woman oil on canvas 200 x 267 cm Munch Museum, Oslo 1924-25 Woman oil on canvas 203 x 317 cm Munch Museum, Oslo 1925 Woman oil on canvas 155 x 230 cm Munch Museum, Oslo 1916-17 Coastal Landscape at Hvitsten oil on canvas 74 x 101 cm Private Collection 1916-17 Reclining Nude oil on canvas 31 x 41 cm Munch Museum, Oslo 1916-17 Reclining Woman and Standing African oil on canvas 75 x 96 cm Munch Museum, Oslo 1916-19 Kai Møller oil on canvas 133 x 113 cm Private Collection 1916-19 Waves Breaking on the Rocks oil on canvas 99 x 72 cm Munch Museum, Oslo 1916-20 Autumn Colours oil on canvas 71 x 100 cm Munch Museum, Oslo 1916-20 Ploughed Field oil on canvas 88 x 88 cm Munch Museum, Oslo 1916-20 Young Woman in the Garden oil on canvas 119 x 150 cm Munch Museum, Oslo 1916-21 Cleopatra and the Slave oil on canvas 100.5 x 125 cm Munch Museum, Oslo 1917 Behind the Plough oil on canvas 67 x 100 cm Munch Museum, Oslo 1917 Conversation oil on canvas 75 x 96 cm Private Collection 1917 Corn Harvest oil on canvas 75 x 100.5 cm Private Collection 1917 Dagny Konow oil and coloured chalk on canvas 78 x 66 cm Munch Museum, Oslo 1917 Dagny Konow oil on canvas 100 x 92 cm Munch Museum, Olso 1917 Female Nudes, Standing and Lying Down tempera on canvas 126 x 185.5 cm Munch Museum, Oslo 1917 Hieronymus Heyerdahl oil on canvas 100 x 72 cm Private Collection 1917 Hieronymus Heyerdahl oil on canvas 200 x 110 cm Munch Museum, Oslo 1917 Promenade in Spring oil on canvas 120 x 140.5 cm Munch Museum, Oslo 1917 Seated Female Nudes oil on canvas 60 x74 cm Private Collection 1917 The Haymaker oil on canvas 130 x 150 cm Munch Museum, Oslo 1917 Thorvald Løchen oil on canvas 199 x 119 cm Munch Museum, Oslo 1917 Thorvald Løchen oil on canvas 200 x 120 cm National Art Museum, Oslo 1917 Two Models oil on canvas 90.5 x 68 cm Private Collection 1917 Woman in a Green Meadow oil on canvas 98 x 74 cm Munch Museum, Oslo 1917 Women in the Bath oil on canvas 72 x 100 cm Munch Museum, Oslo 1917-19 Crouching Nude oil on canvas 70 x 90 cm Munch Museum, Oslo 1917-19 Nude Female Back oil on canvas 76 x 104.5 cm Munch Museum, Oslo 1917-20 Two White Horses in a Green Meadow oil on canvas 68.5 x 82.5 cm Munch Museum, Olso 1917-20 White Horse in a Green Meadow oil on canvas 79.5 x 100 cm Munch Museum, Oslo 1917-20 White Horse Seen from the Rear oil on canvas 135 x 180 cm Munch Museum, Oslo 1917c Mermaid on the Beach watercolour on cardboard 72 x 102.5 cm Munch Museum, Oslo 1918 Bathing Man oil on canvas 137.5 x 199 cm Munch Museum, Oslo 1918 Coastal Landscape oil on canvas 121 x 160.5 cm Kunstmuseum Basel, Switzerland 1918 Double Portrait oil on panel 32.5 x 46 cm Private Collection 1918 Landscape from Hvitsten oil on canvas 90 x 60 cm Munch Museum, Oslo 1918 Man with Horse oil on canvas 111 x 135 cm Private Collection 1918 Man with Horse oil on canvas 130 x 150 cm Private Collection 1918-19 Peace and the Rainbow oil on canvas 119 x 277 cm Munch Museum, Oslo 1918-19 War oil on canvas 72 x 197 cm Munch Museum, Oslo 1918-19 War oil on canvas 109.5 x 234 cm Munch Museum, Oslo 1918-19 Two Reclining Women oil on canvas 50 x 80 cm Private Collection 1918-19 Woman with Poppies oil on canvas 100 x 75 cm Munch Museum, Oslo 1919 17th of May in a Small Norwegian Town oil on canvas 114 x 90 cm Munch Museum, Oslo 1919 Autumn Ploughing oil on canvas 110.5 x 145.5 cm National Art Museum, Oslo 1919 Elm Forest in Autumn oil on canvas 90 x 120 cm Munch Museum, Oslo 1919 Female Nude in the Woods oil on canvas 129 x 79.5 cm Munch Museum, Oslo 1919 Male Nude in the Woods oil on canvas 160 x 110 cm Munch Museum, Oslo 1919 Murder on the Road oil on canvas 110 x 138 cm Munch Museum, Oslo 1919 Rugged Tree Trunks oil on canvas 100 x 150 cm Munch Museum, Oslo 1919 Self Portrait after the Spanish Flu oil on canvas 59 x 73 cm Munch Museum, Oslo 1919 Thawing Snow oil on canvas 97 x 97 cm Private Collection 1919 The Artist and his Model. Jealousy-Theme oil on canvas 85 x 115.5 cm Munch Museum, Oslo 1919 The Cat oil on canvas 82.4 x 79.3 cm Hirshhorn Museum and Sculpture Garden, Washington, DC 1919 The Magic Forest oil on canvas 110 x 145 cm Munch Museum, Oslo 1919 Two Women in the Garden oil on canvas 149 x 129.5 cm Munch Museum, Oslo 1919 Two Women in White Dresses in the Garden oil on canvas 100 x 77 cm Munch Museum, Oslo 1919 Two Women under the Tree in the Garden oil on canvas 120 x 160 cm Munch Museum, Oslo 1919 Under the Apple Tree oil on canvas 72 x 100 cm Munch Museum, Oslo 1919-1931 The Wave: 1919 The Wave oil on canvas 110 x 130 cm Private Collection 1921 The Wave oil on canvas 110 x 120 cm Munch Museum, Oslo 1931 The Wave oil on canvas 100 x 120 cm Munch Museum, Oslo

View The Hands by Edvard Munch and other Artworks on Artvee

Edvard Munch, Self-Portrait with Cigarette. 1895

Edvard Munch White Night 1900 Edvard Munch 1931 via A Long Time Alone Edvard Munch Sapins en Hiver 1902 via Blasted Heath Edvard Munch The Kiss 1892 Edvard Munch Girl on the Beach 1896 Edvard Munch 1893 via A Long Time Alone Edvard Munch via A Long Time Alone Edvard Munch The Apple Tree in the Garden 1932 - 34 Edvard Munch portrait Edvard Munch via A Long Time Alone Edvard Munch 1902 via A Long Time Alone Edvard Munch The Red House in the Snow 1926 via A Long Time Alone Edvard Munch From the Nordstrand 1892 Edvard Munch The Rainbow via A Long Time Alone Edvard Munch via Aka Pearl of a Girl Edvard Munch 1906 via A Long Time Alone  Edvard Munch via A Long Time Alone Edvard Munch Edvard Munch via A Long Time Alone Edvard Munch Edvard Munch Edvard Munch via A Long Time Alone Edvard Munch self-portrait Edvard Munch via A Long Time Alone  Edvard Munch 1924 via A Long Time Alone Edvard Munch via A Long Time Alone Edvard Munch Edvard Munch Edvard Munch via Along Time Alone Edvard Munch via A Long Time Alone Edvard Munch self-portrait 1904 Edvard Munch Edvard Munch Sapins en Hiver 1903 via Blasted Heath Edvard Munch The Red House via Pop Goes Red tumblr Munch kitchen Norwegian Expressionist painter, Edvard Munch (1863 - 1944) --best known for his iconic painting, "The Scream"--never married. His paintings were his children--and he said that "his sufferings are part of my self and my art."

Edvard Munch, (186-1944), Norwegian painter and printmaker whose intensely evocative treatment of psychological themes built upon some of the main tenets of late 19th-century Symbolism and greatly influenced German Expressionism in the early 20th century. His painting The Scream, or The Cry (1893)🎨, can be seen as a symbol of modern spiritual anguish.

1907 Edvard Munch Self-Portrait at 53 Am Strom in Warnemünde Munch Museum, Oslo The Norwegian artist Edvard Munch (1863-1944) is regarded as a pioneer in the Expressionist movement in modern painting. At an early stage Munch was : in Germany and central Europe as one of the creators of a new epoch. Munch’s art from the 1890s is the most well known, but his later work is steadily attracting greater attention. For full biographical notes on Munch see Edvard Munch part 1- introduction. For earlier works see parts 2-9 also. This is part 10 of a 20–part series of posts on the works of Edvard Munch: 1899 Man Bathing woodcut from two blocks on grey-ivory card 44.4 x 44.4 cm ( image ) Art Institute of Chicago, IL 1899 Man Bathing woodcut from two blocks on grey-ivory card 44.4 x 44.4 cm ( image ) 1899 Melancholy, Laura oil on canvas 110 x 126 cm Munch Museum, Oslo 1911 Melancholy oil on canvas 120 x 125 cm Stenersenmuseet, Oslo 1899 Munch's House and Studio in Åsgårdstrand oil on canvas 31.5 x 40.5 cm Private Collection 1899 Munch's House in Åsgårdstrand oil on cardboard 49 x 60 cm Munch Museum, Oslo 1899 On the Waves of Love lithograph 31.1 x 41.6 cm 1899 On the Waves of Love lithograph 31.1 x 41.6 cm 1899 Summer Night in Studenterlunden oil on canvas 101 x 91 cm Private Collection 1899 The Fat Harlot woodcut 1899 The Garden oil on canvas 64.5 x 95.5 cm Munch Museum, Oslo 1899 Winter in the Woods, Nordstrand oil on cardboard 60.5 x 90 cm National Art Museum, Oslo 1899 Winter oil and tempera on canvas 65 x 79.5 cm Private Collection 1899 Woman's Head against the Shore woodcut from two blocks on ivory Japanese paper 46.5 x 41.1 cm ( image ) 1899-1900 Eye in Eye oil on canvas 136 x 110 cm Munch Museum, Oslo 1899-1900 Fertility oil on canvas 120 x 140 cm Private Collection 1902 Fertility II 128 x 152 cm Munch Museum, Oslo 1899-1900 Red and White oil on canvas 93.5 x 129.5 cm Munch Museum, Oslo 1899-1900 The Dance of Life oil on canvas 125.7 x 190.5 cm National Gallery, Oslo 1899-1900 The Dance on the Beach oil on canvas 99 x 96 cm Narodni Muzej, Belgrade, Serbia 1900 Golgotha oil on canvas 80 x 120 cm Munch Museum, Oslo 1900 Harpie lithograph 36.5 x 32 cm ( image ) The National Museum of Western Art, Tokyo 1900 Landscape with Train near Togrok ( Train Smoke ) oil on canvas 84 x 109 cm Munch Museum, Oslo 1900 View from Nordstrand oil on cardboard 81 x 65 cm Private Collection 1900-01 New Snow oil on canvas 72 x 82 cm Munch Museum, Norway 1900-01 Starry Night oil on canvas 59.5 x 74 cm Museum Folkwang, Essen, Germany 1900-01 The Island oil on panel 99 x 108 cm Private Collection 1900-01 View from Nordstrand oil on canvas 80.5 x 65 cm Private Collection 1900-01 View from Nordstrand oil on panel 72.8 x 100.4 cm Kunsthalle Mannheim, Germany 1900-01 White Night oil on canvas 115.5 x 111 cm National Art Museum, Oslo 1900-01 Winter at Nordstrand oil on cardboard 64.5 x 80 cm Private Collection 1900-01 Winter Forest oil on cardboard 60.5 x 90 cm Hamburger Kunsthalle, Germany 1900-01 Winter Night oil on canvas 81 x 121 cm Kunsthaus, Zurich 1900-01 Winter Night oil on cardboard 73 x 49.5 cm Munch Museum, Oslo 1900-05 Under the Stars oil on canvas 90 x 120 cm Munch Museum, Oslo 1901 Birch in the Snow oil on cardboard 60.5 x 68 cm Private Collection 1901 Consul Christen Sandberg oil on canvas 215 x 147 cm Munch Museum, Oslo 1901 Landscape with a Road oil on cardboard 50 x 80 cm Private Collection 1901 Night Café etching 15.1 x 20 cm ( plate ) The Metropolitan Museum of Art, New York 1901 Spring Landscape with Snow Plough oil on canvas 61 x 82.5 cm Private Collection 1901 Street in Asgardstrand oil on canvas 88.5 x 114 cm Kunstmuseum Basel, Switzerland 1901 Street in Åsgårdstrand oil on canvas 68 x 90 cm Private Collection 1901 The Book Family oil on canvas 197 x 122 cm Thielska Galleriet, Sweden 1901 White Night oil on canvas 115.5 x 110.5 cm National Art Gallery, Oslo 1901 Wilhelm le Fèvre Grimsgaard oil on canvas 75.5 x 64.2 cm Private Collection 1901-02 Albert Kollmann and Sten Drewsen oil on canvas 59 x 73.5 cm Hamburger Kunsthalle, Germany 1901-02 Albert Kollmann oil on canvas 81.5 x 66 cm Kunsthaus Zurich, Switzerland 1901-02 Children in the Forest oil and casein on canvas 90 x 100 cm Munch Museum, Oslo 1901-02 Forest on the Way to Borre oil on canvas 36.5 x 45 cm Private Collection 1901-02 Forest on the Way to Borre oil on canvas 60 x 60 cm Private Collection 1901-02 The Fairytale Forest oil on canvas 79 x 106.5 cm National Art Museum, Oslo 1901-02 Two Children on Their Way to the Fairytale Forest oil and casein on canvas 84 x 121 cm Munch Museum, Oslo 1901 - 1927 The Girls on the Bridge: 1901 Girls on a Bridge oil on canvas 84 x 129.5 cm Hamburger Kunsthalle, Germany 1901 The Girls on the Bridge oil on canvas 136 x 125.5 cm National Gallery of Art, Oslo 1902 Girls on the Bridge oil on canvas 100 x 102 cm Private Collection 1902 The Girls on the Bridge oil on canvas 83 x 73 cm Pushkin Museum of Fine Arts, Moscow 1902 Women on the Bridge oil on canvas 184 x 205 cm Bergen Art Museum 1902-03 Kiøsterudgärden oil on canvas 100 x 95 cm Private Collection 1903 The Ladies on the Bridge oil on canvas 203 x 230 cm Thielska Galleriet, Stockholm, Sweden 1903 Three Girls on the Jetty oil on canvas 91.5 x 78.7 cm Private Collection 1904-07 Women on the Bridge oil on canvas 142 x 158 cm Munch Museum, Oslo 1905 The Girls on the Bridge oil on canvas 126 x 126 cm Wallraf-Richartz-Museum & Fondation Corboud, Cologne, Germany 1912-13 Girls on the Jetty lithograph in black with hand colouring on tan wove paper Private Collection 1918-20 The Girls on the Bridge woodcut and lithograph 49.7 x 43.3 cm ( image ) 1927 Girls on the Bridge oil on canvas 100 x 90 cm Munch Museum, Olso

As a rare Munch show opens in Britain, we travel to Norway to find the forces that unleashed his macabre art – from flame-haired Medusas to primal screams

1886 Self-Portrait oil on canvas 33 x 24.5 cm National Art Museum, Oslo The Norwegian artist Edvard Munch (1863-1944) is regarded as a pioneer in the Expressionist movement in modern painting. At an early stage Munch was recognized in Germany and central Europe as one of the creators of a new epoch. Munch’s art from the 1890s is the most well known, but his later work is steadily attracting greater attention. For full biographical notes on Munch see Edvard Munch part 1- introduction. For earlier works see parts 2-3 also. This is part 4 of a 20–part series of posts on the works of Edvard Munch: 1886 Man on the Veranda oil on canvas 32 x 19 cm Kreeger Museum, Washington, DC 1886 Red-Haired Girl with White Rat oil on canvas 38.5 x 22.5 cm Kunstmuseum Basel 1886 Thorvald Torgersen oil on canvas 100 x 68 cm Stenersenmuseet, Oslo 1886 Woman and Children in Arendal oil on canvas 31 x 52 cm Private Collection 1887 Betzy Nilsen oil on canvas 25.5 x 29 cm National Art Museum, Oslo 1887 Halvard Stub Holmboe oil on canvas 75 x 59 cm Bergen Art Museum 1887 Veierland near Tønsberg oil on canvas mounted on cardboard 66.5 x 44 cm National Art Museum, Oslo 1887 Woodland Landscape with Lake oil on canvas 32.7 x 51.2 cm Private Collection 1887c Seated Young Girl oil on canvas 32 x 20.5 cm Private Collection 1887c Two Men by the Window oil on cardboard 15.5 x 23.5 cm Private Collection 1888 Andreas Bjølstad oil on cardboard 56.5 x 37 cm Munch Museum, Oslo 1888 At the General Store in Vrengen oil on cardboard 45 x 69 cm Lillehammer Art Museum 1888 Beach oil on canvas 38 x 47 cm Munch Museum, Oslo 1888 Bendix Lange oil on cardboard 32.5 x 23 cm Private Collection 1888 Evening oil o canvas 75 x 100.5 cm Museo Thyssen-Bornemisza, Madrid 1888 Evening oil on cardboard 37 x 74 cm Private Collection 1888 Inger in the Sunshine oil on cardboard 73 x 46 cm Bergen Art Museum 1888 Karen Bjølstad oil on canvas 54.5 x 36.5 cm Munch Museum, Oslo 1888 Man Binding Fishnet oil on canvas 55 x 81 cm Private Collection 1888 Marius Selmer oil on cardboard 34 x 23 cm Private Collection 1888 On the Pier oil on canvas 40 x 59 cm Private Collection 1888 Self-Portrait oil on canvas 77.5 x 52 cm Munch Museum, Oslo 1888 Summer Day on the Pier oil on canvas 45.5 x 31 cm Private Collection 1888 The Tonsbergfjord oil on canvas 38.5 x 49 cm Private Collection 1888 Woman on Sea Coast woodcut 1888-89 Aasta Carlsen oil on canvas 46 x 30.5 cm 1888-89 Writer Hans Jaeger oil on canvas National Art Museum, Oslo 1889 Beach oil on canvas 55 x 75.5 cm Private Collection 1889 Beachscape oil on panel 25 x 35 cm Wallraf-Richartz-Museum & Fondation Corboud, Cologne 1889 Charlotte Dørnberger oil on canvas 47.5 x 35.3 cm Private Collection 1889 From Åsgårdtstrand oil on panel 25 x 35.5 cm Private Collection 1889 From Karl Johan oil on canvas 50.5 x 82 cm Munch Museum, Oslo 1889 Karl Dørnberger oil on canvas 133.5 x 91.6 cm Museum der Bildenden Künste, Leipzig 1889 Man Standing in the Doorway oil on canvas 55 x 35 cm Private Collection 1889 Morton Dammen's House, near Asgardstrand oil on canvas 40.6 x 68 cm Private Collection 1889 Shore oil on canvas 35.5 x 24 cm Private Collection 1889 Spring oil on canvas 169.5 x 263.5 cm National Art Museum, Oslo Summer Evening 1889 - 1925/7: 1889 Summer Evening oil on canvas 150.2 x 195.3 cm Statens Museum for Kunst, Copenhagen 1925-27 Summer Evening oil on canvas 147 x 187 cm Munch Museum, Oslo 1889 Summer Night. Inger on the Beach oil on canvas 126.5 x 161.5 cm Bergen Art Museum 1889c Inger on the Beach watercolour on paper mounted on card 18.4 x 27.6 cm Private Collection 1889 Summer oil on canvas 54 x 39 cm Stenersenmuseet, Oslo 1889 The Military Band on Karl Johan Street oil on canvas 101.5 x 140.5 cm Kunsthaus, Zurich 1890 Arrival of the Mail Boat oil on canvas 98 x 130 cm Private Collection 1890 Beach oil on canvas 52.5 x 147.5 cm Private Collection 1890 Garden Path 35 x 25 cm Private Collection 1890 In the Bar oil on canvas 64.5 x 70.5 cm Städelsche Kunstinstitut und Städtische Galerie, Frankfurt 1890 In the Café oil on canvas 59.5 x 49.5 cm Munch Museum, Oslo 1890 Landscape oil on canvas 35 x 31.5 cm Bergen Art Museum 1890 Landscape oil on canvas 47.5 x 39.5 cm Private Collection 1890 Night in Saint-Cloud oil on canvas 64.5 x 54 cm National Art Museum, Oslo 1890 Norwegian Spring Landscape oil on canvas 52.5 x 46 cm Private Collection 1890 Sunny Day in Åsgårdstrand oil on canvas 69.5 x 52 cm Private Collection 1890 Tavern in St. Cloud pastel on paper 49.5 x 64.5 cm Private Collection 1890 The Absinth Drinkers pastel on canvas 58 x 96 cm Private Collection Night in Saint-Cloud 1890 - 1895: 1890 Night in Saint-Cloud oil on canvas 70 x 56.5 cm National Art Museum, Oslo 1892 Night in Saint-Cloud oil on paper 28 x 23.5 cm Private Collection 1892 Night in Saint-Cloud pastel and crayon on canvas 78.5 x 73.5 cm Private Collection 1892 Night in Saint-Cloud pastel on canvas 73 x 69 cm Private Collection 1893 Night in Saint-Cloud oil on canvas 70 x 56.5 cm Private Collection 1895 Moonlight. Night in St Cloud drypoint with open bite and burnishing on cream wove paper 35.5 x 26.5 cm ( plate ) Art Institute of Chicago, IL

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Edvard Munch, Woman Making Love. (1894)

Edvard Munch bridged 19th-century Symbolism and 20th-century Expressionism movements. A retrospective of this Norwegian artist reveals themes of isolation and loss addressed throughout his entire career as an artist. Instructor Jerry N. Weiss delves deeper into how these anxieties fueled Munch's artwork.

A new exhibition in New York is positioning Munch as a revolutionary who advanced composition, and was much more than a symbolist scream

The Scream is a composition created by Norwegian artist Edvard Munch in 1893. The agonized face in the painting has become one of the most iconic images of art, seen as symbolizing the anxiety of the human condition.

1907 Edvard Munch Self-Portrait at 53 Am Strom in Warnemünde Munch Museum, Oslo The Norwegian artist Edvard Munch (1863-1944) is regarded as a pioneer in the Expressionist movement in modern painting. At an early stage Munch was : in Germany and central Europe as one of the creators of a new epoch. Munch’s art from the 1890s is the most well known, but his later work is steadily attracting greater attention. For full biographical notes on Munch see Edvard Munch part 1- introduction. For earlier works see parts 2-9 also. This is part 10 of a 20–part series of posts on the works of Edvard Munch: 1899 Man Bathing woodcut from two blocks on grey-ivory card 44.4 x 44.4 cm ( image ) Art Institute of Chicago, IL 1899 Man Bathing woodcut from two blocks on grey-ivory card 44.4 x 44.4 cm ( image ) 1899 Melancholy, Laura oil on canvas 110 x 126 cm Munch Museum, Oslo 1911 Melancholy oil on canvas 120 x 125 cm Stenersenmuseet, Oslo 1899 Munch's House and Studio in Åsgårdstrand oil on canvas 31.5 x 40.5 cm Private Collection 1899 Munch's House in Åsgårdstrand oil on cardboard 49 x 60 cm Munch Museum, Oslo 1899 On the Waves of Love lithograph 31.1 x 41.6 cm 1899 On the Waves of Love lithograph 31.1 x 41.6 cm 1899 Summer Night in Studenterlunden oil on canvas 101 x 91 cm Private Collection 1899 The Fat Harlot woodcut 1899 The Garden oil on canvas 64.5 x 95.5 cm Munch Museum, Oslo 1899 Winter in the Woods, Nordstrand oil on cardboard 60.5 x 90 cm National Art Museum, Oslo 1899 Winter oil and tempera on canvas 65 x 79.5 cm Private Collection 1899 Woman's Head against the Shore woodcut from two blocks on ivory Japanese paper 46.5 x 41.1 cm ( image ) 1899-1900 Eye in Eye oil on canvas 136 x 110 cm Munch Museum, Oslo 1899-1900 Fertility oil on canvas 120 x 140 cm Private Collection 1902 Fertility II 128 x 152 cm Munch Museum, Oslo 1899-1900 Red and White oil on canvas 93.5 x 129.5 cm Munch Museum, Oslo 1899-1900 The Dance of Life oil on canvas 125.7 x 190.5 cm National Gallery, Oslo 1899-1900 The Dance on the Beach oil on canvas 99 x 96 cm Narodni Muzej, Belgrade, Serbia 1900 Golgotha oil on canvas 80 x 120 cm Munch Museum, Oslo 1900 Harpie lithograph 36.5 x 32 cm ( image ) The National Museum of Western Art, Tokyo 1900 Landscape with Train near Togrok ( Train Smoke ) oil on canvas 84 x 109 cm Munch Museum, Oslo 1900 View from Nordstrand oil on cardboard 81 x 65 cm Private Collection 1900-01 New Snow oil on canvas 72 x 82 cm Munch Museum, Norway 1900-01 Starry Night oil on canvas 59.5 x 74 cm Museum Folkwang, Essen, Germany 1900-01 The Island oil on panel 99 x 108 cm Private Collection 1900-01 View from Nordstrand oil on canvas 80.5 x 65 cm Private Collection 1900-01 View from Nordstrand oil on panel 72.8 x 100.4 cm Kunsthalle Mannheim, Germany 1900-01 White Night oil on canvas 115.5 x 111 cm National Art Museum, Oslo 1900-01 Winter at Nordstrand oil on cardboard 64.5 x 80 cm Private Collection 1900-01 Winter Forest oil on cardboard 60.5 x 90 cm Hamburger Kunsthalle, Germany 1900-01 Winter Night oil on canvas 81 x 121 cm Kunsthaus, Zurich 1900-01 Winter Night oil on cardboard 73 x 49.5 cm Munch Museum, Oslo 1900-05 Under the Stars oil on canvas 90 x 120 cm Munch Museum, Oslo 1901 Birch in the Snow oil on cardboard 60.5 x 68 cm Private Collection 1901 Consul Christen Sandberg oil on canvas 215 x 147 cm Munch Museum, Oslo 1901 Landscape with a Road oil on cardboard 50 x 80 cm Private Collection 1901 Night Café etching 15.1 x 20 cm ( plate ) The Metropolitan Museum of Art, New York 1901 Spring Landscape with Snow Plough oil on canvas 61 x 82.5 cm Private Collection 1901 Street in Asgardstrand oil on canvas 88.5 x 114 cm Kunstmuseum Basel, Switzerland 1901 Street in Åsgårdstrand oil on canvas 68 x 90 cm Private Collection 1901 The Book Family oil on canvas 197 x 122 cm Thielska Galleriet, Sweden 1901 White Night oil on canvas 115.5 x 110.5 cm National Art Gallery, Oslo 1901 Wilhelm le Fèvre Grimsgaard oil on canvas 75.5 x 64.2 cm Private Collection 1901-02 Albert Kollmann and Sten Drewsen oil on canvas 59 x 73.5 cm Hamburger Kunsthalle, Germany 1901-02 Albert Kollmann oil on canvas 81.5 x 66 cm Kunsthaus Zurich, Switzerland 1901-02 Children in the Forest oil and casein on canvas 90 x 100 cm Munch Museum, Oslo 1901-02 Forest on the Way to Borre oil on canvas 36.5 x 45 cm Private Collection 1901-02 Forest on the Way to Borre oil on canvas 60 x 60 cm Private Collection 1901-02 The Fairytale Forest oil on canvas 79 x 106.5 cm National Art Museum, Oslo 1901-02 Two Children on Their Way to the Fairytale Forest oil and casein on canvas 84 x 121 cm Munch Museum, Oslo 1901 - 1927 The Girls on the Bridge: 1901 Girls on a Bridge oil on canvas 84 x 129.5 cm Hamburger Kunsthalle, Germany 1901 The Girls on the Bridge oil on canvas 136 x 125.5 cm National Gallery of Art, Oslo 1902 Girls on the Bridge oil on canvas 100 x 102 cm Private Collection 1902 The Girls on the Bridge oil on canvas 83 x 73 cm Pushkin Museum of Fine Arts, Moscow 1902 Women on the Bridge oil on canvas 184 x 205 cm Bergen Art Museum 1902-03 Kiøsterudgärden oil on canvas 100 x 95 cm Private Collection 1903 The Ladies on the Bridge oil on canvas 203 x 230 cm Thielska Galleriet, Stockholm, Sweden 1903 Three Girls on the Jetty oil on canvas 91.5 x 78.7 cm Private Collection 1904-07 Women on the Bridge oil on canvas 142 x 158 cm Munch Museum, Oslo 1905 The Girls on the Bridge oil on canvas 126 x 126 cm Wallraf-Richartz-Museum & Fondation Corboud, Cologne, Germany 1912-13 Girls on the Jetty lithograph in black with hand colouring on tan wove paper Private Collection 1918-20 The Girls on the Bridge woodcut and lithograph 49.7 x 43.3 cm ( image ) 1927 Girls on the Bridge oil on canvas 100 x 90 cm Munch Museum, Olso

[National Gallery, Oslo - Oil on canvas]

Una exposición de Edvard Munch (1863-1944) en el Thyssen Bornemisza implica expectación. La principal hoy en día reside en si va a atraer muchos visitantes, si va a ser un blockbuster. Y, como siempre que sucede esto y se produce un importante aparato mediático, se entra de lleno en la semántica, en la gran importancia de pequeños matices. Para empezar, esta no es La Gran Exposición de Edvard Munch. Es una Muy Buena Exposición Sobre Edvard Munch. La muestra se subtitula Arquetipos, pero no está casi ninguno de los cuadros arquetípicos de Munch en sus versiones principales. Lo que hay es un intenso repaso a varios arquetipos del sentimiento que plasmó Munch. Y un vídeo oficial que nos informa de que Munch es más que El grito, pero se hace raro ver El grito en su versión menos representativa: un dibujo en blanco y negro. Literalmente, no hay color. Estas carencias, disimuladas en la mediación, no impiden que esta de Munch sea una exposición de lo más interesante. Desoladora, digámoslo ya. Al visitante se le va cayendo el alma a los pies en cada una de las salas y cuando se llega a la que trata sobre el Amor, que debía ser más alegre, y se encuentra con unos cuadros que parecen de amantes depresivos o agonizantes (cuando no vampíricos, otra obra de Munch muy similar), ya ve difícil levantar cabeza. Es una exposición dura pero intensa, porque así es a veces la vida. Por otra parte, la idea básica que guía a los comisarios de Arquetipos (Paloma Alarcó y el noruego Jon-Ove Steihaug) se extrae explícitamente de un retrato de Munch en su casa-estudio de invierno rodeado de cuadros propios. Al menos cinco de ellos están aquí presentes y en otros casos se ha seguido el tema de la foto. Parece como si ese mundo condensado en grises de Munch se hubiera expandido y llegado hasta hoy lleno de colores y de variaciones. "No pinto lo que veo, sino lo que vi" El primer texto a la entrada de la primera sala Melancolía (ya se ve que el tema recurre) dice: “No pinto lo que veo, sino lo que vi”. Si se une esta frase a la descripción del propio Edvard Munch sobre cómo nació El Grito (1893) tendremos clara una forma de proceder. La anécdota fue potente y se remonta a su juventud: Esta experiencia alucinatoria, sucedida en principio en 1892, pudo tener muchas causas, desde una droga psicodélica a un ataque de pánico o ansiedad. Pero lo significativo es que Munch no imaginó El grito sino que lo vio. Y aunque posiblemente no volviera a tener una experiencia tan fuerte como la descrita, deja claro que Munch, como Kaspar David Friedrich, como tantos, no pintaba la naturaleza (humana) misma, sino el recuerdo, la impresión y las reflexiones que le provocaron tal o cual escena vivida. Reflexiones profundas, marcadas por Freud y Jung, por el existencialismo de un Kierkegaard capaz de escribir aquello de “la nada es un agujero en el ser”, por una cultura escandinava en pleno cuestionamiento de algunos mitos nórdicos, una escena realmente bohemia en Kristianía (Oslo) y veinte años viviendo y trabajando con éxito en París y Berlín. Pero también fue marcado por sus propias vivencias, como muertes familiares, soledad, ludopatía, alcoholismo y seguramente otro tipo de sustancias, entonces plenamente legales y en boga. De la fotografía se extraen los temas de las salas. Son nueve: Melancolía, Muerte, Pánico, Mujer, Melodrama, Amor, Nocturnos, Vitalismo y Desnudos. No parece la alegría de la huerta, pero en realidad es peor. Es cierto que las últimas salas parecen proponer una visión más ligera de la vida, pero si pensamos que en Amor encontramos esas parejas más inquietantes que tiernas y una investigación casi maníaca sobre los celos, tampoco es que ahí vaya a esponjarse el espíritu. Y sí, la sala Vitalismo está llena de alegres colores y una visión algo menos trágica de la vida, hasta que leemos cómo Munch pensaba que ese es el mundo de naturaleza que surgiría de su cuerpo muerto y descompuesto. Pero son alegres, mal que le pesara a su autor. El resto es un trayecto por esos temas que se resumen en uno: Soledad. Ya en 1888 el retrato definitivo de Laura en Atardecer la muestra ensimismada y sola. Como solo esta el hombre genérico de Melancolía (1891-92), solas están las parejas que raramente se miran (hay incluso una obra en varias versiones llamada Dos seres humanos. Los solitarios (1894-99-1935), solos aunque acompañados están los agonizantes. La desasogante Pubertad (1914) está sola, como las figuras de la Madonna (1902) o Mujer Pelirroja con ojos verdes. El Pecado (1902). Al final de su vida vio cómo los nazis no solo descolgaban sus cuadros de los museos alemanes y le incluían en el "arte degenerado". Esos mismos nazis invadieron su tierra. Para un artista así, debió de ser una experiencia especialmente dura. Ha de advertirse algo: siendo El grito una de las obras de arte sometidas a más intenso marketing junto, quizá, a la Mona Lisa, ese tipo de pintura pertenece solo a aquella época, la más extremadamente expresionista, la que le daría fama en Europa casi desde un principio. Hay algunas constantes que luego se mantienen, pero Munch desarrolló un repertorio amplio, relacionado con el postimpresionismo, con los fauves, hay momentos incluso de un puntillismo curioso, cuadros de un expresionismo a la Blaue Reiter… Es una exposición en absoluto aburrida, pero sí muy obsesiva. Retratos del alma, que diría Edvard Munch.

Edvard Munch, Flowery Meadow at Veierland. (1887)

Edvard Munch : The Hands (1893) Canvas Gallery Wrapped Giclee Wall Art Print Edvard Munch's ''The Hands'' canvas print. Types: ➤Archival Paper Print (rolled) ➤Canvas Print, Gallery wrapped (mirrored edges) on 2cm depth pine wooden frame (stretched), rolled in a tube, or framed (wood floater frame). Options: ➤Archival Paper Print (rolled) ➤Rolled Canvas Print ➤Stretched and Ready to Hang 1 Panel Canvas Print ➤Stretched and Ready to Hang 3 Panel Canvas Print ➤Canvas in Black, Brown or White Wood Floating Frame (2'' | 5cm thick) ★★★WHAT'S THE DIFFERENCE BETWEEN A ROLLED CANVAS PRINT AND AN ARCHIVAL PAPER PRINT? ★★★ Whereas our canvas prints come with that typical characteristic texture own to canvas, our archival paper prints come on cotton rag paper without texture. A rolled canvas print is normally stretched on wood stretcher bars, whereas archival paper prints are not. Additionally, a stretched canvas can be framed, but it doesn't need to be. Thus, our rolled canvas prints come in their advertized size + mirrored edges by default for easy stretching. Prefer a cut to size rolled canvas print instead, because you want to frame it in a traditional fine art frame behind glass? Then just type ''cut to size'' in our personalization box (listing top right ''add your personalization''). Note that our rolled canvas prints do not come with stretcher bars or frames. Either take it to your local framer, or stretch/frame it yourself. Other sizes than listed in our drop-down menu available upon request! Have something in mind that you don't see in our shop? Anything at all? We've got your back! Here you can order anything you'd like: https://www.etsy.com/listing/1528183805 Our high quality images are environmentally friendly printed on museum grade canvas, with high quality inks that will last for over 200 years. Our canvas prints are odorless and stable to UV-radiation. Please note that our standard processing time is 3-5 days. Our actual canvases may slightly differ from the pictures shown, as every item that we sell is created especially for you. Our canvas prints actually look BETTER in real life. Please note: all watermarks shown will not be seen on the actual product. **All images and advertized text courtesy of VNTGARTGallery. Text and photos may not be used without written permission.**

1909 Self-Portrait at Professor Jacobson's Hospital oil on canvas 100 x 110 cm Rasmus Meyer Collection, Bergen The Norwegian artist Edvard Munch (1863-1944) is regarded as a pioneer in the Expressionist movement in modern painting. At an early stage Munch was : in Germany and central Europe as one of the creators of a new epoch. Munch’s art from the 1890s is the most well known, but his later work is steadily attracting greater attention. For full biographical notes on Munch see Edvard Munch part 1- introduction. For earlier works see parts 2-13 also. This is part 14 of a 20–part series of posts on the works of Edvard Munch: 1908-09 Dr. Daniel Jacobson oil on canvas 55 x 43.5 cm Munch Museum, Oslo 1909 Dr. Daniel Jacobson oil on canvas 204 x 11.5 cm Munch Museum, Oslo 1908 Photograph of Munch painting his portrait of his doctor, Dr. Daniel Jacobsen 1909 Bjørnstjerne Bjørnson Speaking to the People oil on canvas 140 x 218.5 cm Munch Museum, Oslo 1909 Christen Sandberg oil on canvas 215 x 147 cm Munch Museum, Oslo 1909 Christian Gierloff oil on canvas 207 x 100.5 cm Göteborgs konstmuseum, Sweden 1909 Jappe Nilssen oil on canvas 193 x 94.5 cm Munch Museum, Oslo 1909 Jens Thiis oil on canvas 203 x 102 cm Munch Museum, Oslo 1909 Ludvig Ravensberg oil on canvas 174 x 77 cm Munch Museum 1909 Thorvald Stang oil on canvas 292 x 96.5 cm Munch Museum, Oslo 1909-11 Torvald Stang and Edvard Munch oil on canvas 100 x 125 cm Munch, Museum, Oslo 1909 Nurses Holding a Sheet oil on canvas 110 x 94 cm Private Collection 1909 Tiger Head lithograph 30.5 x 26 cm ( image ) The National Museum of Western Art, Tokyo 1909-11 Ship being Scrapped tempera on canvas 100 x 110 cm Munch Museum, Oslo 1909-15 Two Women beneath a Tree oil on canvas 95 x 164 cm Munch Museum, Oslo 1910 Children on the Crag oil on canvas 106.5 x 151.5 cm Munch Museum, Oslo 1910 Street in Kragerø oil on canvas 100 x 120 cm Munch Museum, Oslo 1910 The Murderer oil on canvas 94.4 x 154.5 cm Munch Museum, Oslo 1910 Two Old Men oil on canvas 130 x 200 cm Private Collection 1910 Workers in Snow oil on canvas 163 x 200 cm Munch Museum, Oslo 1910 Workers in Snow oil on canvas 223.5 x 162 cm The National Museum of Western Art, Tokyo 1910-11 Fruit Trees in Blossom oil on canvas 117 x 98 cm Munch Museum, Oslo 1910-11 Galloping Horse oil on canvas 148 x 120 cm Munch Museum, Oslo 1915 Galloping Horse etching on paper 39.1 x 34 cm ( plate ) Art Institute of Chicago, IL 1910-11 Summer in Kragerø oil on canvas 96.5 x 122 cm Private Collection 1910-12 Man with a Sledge oil on canvas 65 x 115.5 cm Munch Museum, Oslo 1910-12 Ship's Deck in Storm oil on canvas 125 x 205 cm Munch Museum, Oslo 1910-11 The Sun oil on canvas 450 x 772 cm Munch Museum, Oslo 1911 The Sun oil on canvas 455 x 780 cm Universitetets Aula, Oslo 1912 The Sun oil on canvas 163 x 205.5 cm Munch Museum, Oslo 1910-14 Spring Work in the Skerries oil on canvas 89 x 199 cm Munch Museum, Oslo 1910-15 Children in the Street oil on canvas 92 x 100 cm Munch Museum, Oslo 1910-15 The House in the Skerries oil on canvas 78 x 63 cm Munch Museum, Oslo 1910-16 Nude Couple on the Beach oil on canvas 134 x 91 cm Munch Museum, Olso 1911 Geese in the Garden oil on canvas 90 x 68 cm Museo Thyssen-Bornemisza, Madrid 1911 Self-Portrait with Hand under Cheek oil on canvas 83 x 69.5 cm Munch Museum, Oslo 1911-12 Ingeborg Kaurin oil on canvas 98 x 75 cm Munch Museum, Oslo 1911-12 Ingeborg Kaurin oil on panel 55 x 37 cm Munch Museum, Oslo 1912 Ingeborg in Green oil on canvas 163 x 97.5 cm Museum of Fine Arts, Boston, MA 1911-12 Large and Small Dog oil on canvas 89.5 x 99.5 cm Munch Museum, Oslo 1911-12 Morning in the Garden oil on canvas 70 x 119.5 cm Munch Museum, Oslo 1911-12 Two Dogs oil on canvas 69 x 83 cm Malmö Konsthall, Sweden 1911-12 Waves against the Shore oil on canvas 98 x 132.5 cm Munch Museum, Oslo 1911-13 Pine Trees by the Sea oil on canvas 89 x 99 cm Munch Museum, Oslo 1911-15 Budding Leaves oil on canvas 70 x 90 cm Private Collection 1911-16 Alma Mater oil on canvas 455 x 1160 cm Oslo University, Norway 1911-16 History oil on canvas 429 x 1155 cm Munch Museum, Oslo 1911-16 Awakening Men from the Oslo University Aula decoration oil on canvas 455 x 305 cm Oslo University 1912 Felling Area oil on canvas 107 x 127 cm Private Collection 1912 The Yellow Log oil on canvas 129.5 x 159.5 cm Munch Museum, Oslo 1912 Horse in a Landscape oil on canvas 68 x 90.5 cm Private Collection 1912 Jensen with a Duck oil on canvas 150 x 100 cm Private Collection 1912 Jensen with Slaughtered Duck oil on canvas 150 x 99 cm Munch Museum, Oslo 1912 Kragerø in Spring oil on canvas 1912 Landscape from Kragerø oil on canvas 72.4 x 100.3 cm The Metropolitan Museum of Art, New York 1912 Snow Landscape from Kragerø oil on canvas 96 x 125.5 cm Private Collection 1912 Winter, Kragerø oil on canvas 131.5 x 131 cm Munch Museum, Oslo 1912-13 Foot Bath oil on canvas 111 x 100 cm Munch Museum, Oslo 1912-13 The Pathfinder oil on canvas 120 x 89 cm Munch Museum, Oslo 1912-13 The Sower oil on canvas 123 x 76 cm Munch Museum, Oslo 1912-14 Seated Man lithograph on cream wove paper 32.5 x 25 cm Art Institute of Chicago, IL 1912-15 Boy in Rocky Landscape oil on canvas 77.5 x 67.5 cm Detroit Institute of the Arts, MI 1912-15 Man and Woman oil on canvas 89 x 115.5 cm Munch Museum, Oslo 1913 Beneath the Red Apples 1913 Elsa Glaser oil on canvas 120 x 85 cm Munch Museum, Oslo 1913 Elsa Glaser oil on canvas 120.5 x 85 cm Kunsthaus, Zurich