Create a metal tooling design using 5 unique visual textures, arranging elements in either a static or dynamic composition for maximum impact. See examples of student work to gather ideas on your next metal embossing art lesson!

This is a fantastic lesson that's been on my 'to-teach' list for a few years now. I had always assumed it would be super messy, cutting...

zwei Zuhause

Tokyo-based artist Yuichi Ikehata creates striking organic sculptures by combining physical and digital elements. “The eerie humanoid forms are pierced with holes that reveal rudimentary …

After you've got your figure, create the base. Use foam core or cardboard, then stabilize the wire figure with newspaper. Tape the ne...

A World of Painted Stories

You can: follow, tweet, bleat, compete, inspire me on: Twitter, Flickr, Fb & LinkedIn & Instagram . zoerubens.com.

You know what? I don't think I've ever had students applaud me after a demonstration. But it happened. It happened in both of my drawi...

Artist Kent Epler’s fun, fantastic and crazy mixed-media sculptured characters stem from his overactive imagination.

Painted Cardboard Sculpture

My Students had a great time with this project ! Lots of smiling faces when they were done. ...

A selection of recent and past work made by Harriet for galleries, commercial installation, private commission and exhibition from 2007 – 2020 Click on an image to SLIDE ** Images on this sit…

Probably my favorite entry in The Paris Review’s print series is Marisol Escobar’s, from 1965. It hangs in our office, where, especially on hot summer days, I gaze at it when I’m feeling thirsty. It is, at zero calories, the ultimate in refreshment. But we can safely assume that Marisol had little interest in the […]

This artwork created by D. Washington, was an honorable mention in the Ilinois High School Regional Art Exhibition! Credit: Found the...

Si les productions que je vous montre vous paraissent difficiles, sachez qu'elles peuvent toujours être adaptées à l'âge de vos enfants, avec des supports variés, des consignes plus simples, des moyens plus modestes.De ces travaux graphiques trouvés...

Joyce Utting Schutter's mixed-media sculptures are filled with organic, abstract shapes that evoke the delicate unfurling of flower blossoms. Each piece is created through an interplay of steel armature and paper pulp, which she stretches across the metal frame to give the fiber a translucent effect. While the paper pulp is still wet, Schutter adds various materials between its layers to create various colors and textures. She developed this technique while in graduate school at the University of Iowa, and because of it, her work has a singular look that makes it instantly recognizable.

For some months now, they have lived together with Sati and her Dalmatian Rudy in her charmingly chaotic apartment in Berlin’s Charlottenburg. The

. . These are examples of student work and one of mine from my recent Assemblage workshop in Raleigh, NC. It's not too late to sign up for my two day Assemblage workshop in Denver, CO, on Jan 30-31, 2016. If you're a collector of "stuff", and want to turn your stuff into interesting art pieces, this workshop is for you. Please see my website for details by clicking here.

The term “repousse” means “to push out” in French and refers to the metal tooling technique used on these masks. The goals of this lesson were to tool the metal from both the front and the back, to…

.................................................................................................... First of all, please introduce yourself to our readers that might not be familiar with you and your work. Featured artist Jodi Colella. I am Jodi Colella, a mixed media sculptor from Somerville, Massachusetts. I grew up in Dorchester in an urban neighborhood brimming with kids and a lot of imaginative play. I’ve been making art with found materials and traditional handwork techniques for as long as I can remember. Working with my hands was a valued skill in my family, with birthdays and holidays being an excuse for my parents to shower us with art supplies. One of my earliest bodies of work in middle school included a collection of flattened soda cans found in the debris of an abandoned building behind my house. I would paint them to illustrate the figures I saw in the rusty shapes - everything from people to fire engines. I remember how disappointing it was when the paint I used started peeling after a short time… my first material mishap. I have a BA in biology from Boston University, and attended the Certificate program for Graphic Design at Mass. College of Art and Design. I studied at the School of the Museum of Fine Arts, Mass. College of Art and Design, and Art Institute of Boston. I’ve worked as a research technician at Dana Farber Cancer Institute; was a founder of Colella Graphic Design; and teach fiber arts and materials workshops and classes both locally and nationally. My professional affiliations include being a board member for Cambridge Art Association (2010-11), Faculty of DeCordova Museum, and a member of Surface Design Association, N.E. Sculpture Association and the Craft Council. Currently, what type of job(s) do you do besides making art? I work close to full time on my art and teach various fiber arts classes in the area and nationally. My teaching includes weekend workshops at the DeCordova, and national fiber arts conferences like Surface Design Association, as well as in my studio and other private venues. Students hard at work in a Sculptural Crochet workshop. 2011 photo by artist. Could you give our readers some insight into your work in general? What media do you work in? I create 3D objects as abstractions of natural forms. My work is very organic in nature in spite of the use of many inorganic materials. I explore the characteristics of material and transform them into unexpected forms. Jodi Colella, SEEDS, variable sizes, felted wool. 2008-09 photo by artist. Jodi Colella, RETICULAE, 4.5 x 4.5 x 4 in. felted wool. 2008 photo by artist. Jodi Colella, NUCLEI I, 15 x 14 x 13 in., felted wool. 2011 photo by artist. Jodi Colella, NUCLEI II, 15 x 15 x 13 in., felted wool. 2011 photo by artist. Jodi Colella, NUCLEI II, Detail. 2011 photo by artist. Would you like to share a bit your creative process with our readers? My techniques often begin with traditional handwork like crochet, knitting, embroidery and weaving but then move into other directions. I spend my time trying to express what it means to be a living being with all its highs and lows. Viewers often tell me that they feel a visceral reaction when viewing my work - that makes me happy. Jodi Colella, holding a study of a sculpture adapted from traditional irish crochet. 2011 photograph by Melody Komyerov. Jodi Colella working on an artwork inspired by the capillary–like nerve endings called dendrites. 2011 photo by Melody Komyerov. Jodi Colella, LICHEN (detail), 6 x 8 x 5 in., found fishing rope and copper wire. 2011 photo by artist. A simple needle felting tool used to sculpt wool. Studio shot Could you tell us what are the inspirations behind the creation of this body of work? How does it all start? For me it all starts with playing with material. A material will catch my attention and I’ll fiddle around to learn about it. I often discover a quality that is interesting enough to keep working. Eventually it becomes apparent to me what needs to be expressed, although sometimes it doesn’t. It’s all about experimentation and letting go. It sounds funny, but I learn by going, yet I have to go before I know where I’m going. work-in-progress Jodi Colella, DIANA, detail. 2011 photo by artist. Jodi Colella, DIANA, 7 x 9.5 x 6 in., felted wool and found driftwood. 2011 photo by artist. Science informs my designs. The organic forms reference both the macro and microscopic - exaggerated cellular forms that act as metaphors for the human condition in its most primitive state. I’m entranced with the patterns of everything from capillaries to bacteria to tree trunks, etc. I’m in awe of the elegance of the mechanisms of life and the efficiency of biological systems. The act of making is time consuming and repetitive, giving me the time to become totally engaged in the process. Jodi Colella, INSATIABLE, 12 x 26 in., polyester, floral wire and paint. 2011 photo by artist. Jodi Colella, INSATIABLE, detail. 2011 photo by artist. What is the most interesting comment about your work you have heard from a viewer? Somebody once said that ‘One Day’ looked like it was breathing. I was thrilled that it had such a presence that someone thought it was alive. Jodi Colella, ONE DAY, 43 x 48 x 12 in., plastic sleeves from delivered newspapers, handspun and crocheted. 2010 photo by artist Jodi Colella, ONE DAY, detail. How have you handled the business side of being an artist? I participated in a professional development program for visual artists called Artists Professional Toolbox. During this 8-month course a group of 30 artists met every other week for presentations on marketing, branding, writing, tax law, copyright, contracts etc. By organizing and thoughtfully defining my goals I have developed a methodical approach to the business of promoting my work. After the initial investment of time to pull my materials together (website, statement, photography of work, marketing plan etc.) I am able to have more time for art than before. Jodi Colella with UNDERCURRENT hanging in background. 2011 photo by Melody Komyerov. Jodi Colella, UNDERCURRENT, 6 ft x 9 ft x 7 in., aluminum screen and steel wire. 2008 photo by artist. Jodi Colella, UNDERCURRENT (Detail) Jodi Colella, UNDERCURRENT (Detail) What galleries have you recently exhibited in? Recent exhibitions include an installation for the Arlington Windows Project in October 2011; Wild Things curated by Stephanie Walker in the Round Barn, Vermont, September-October 2011; and IN/OUT at the Wallace L. Anderson Gallery, Bridgewater State College, August-September 2011 Jodi Colella, RECEPTOR, hanging in the Arlington Windows Project window on Medford St. in Arlington. October 2011 photo by artist. From April-September 2011, One Day was part of the international exhibit GREEN: A Color and a Cause at the Textile Museum in Washington D.C. Jodi Colella, ONE DAY exhibiting at the Textile Museum in Washington D.C. Green: A Color and a Cause. 2011 Photo by museum staff. Last spring I was in SCALE, a three person show at the Attleboro Arts Museum in Attleboro MA. Postcard for SCALE at Attleboro Arts Museum. 2011 Photo by artist. Jodi Colella with MARROW. Jodi Colella, MARROW, 10 x 22 x 8 in., felted wool and found driftwood. 2011 photo by artist. Jodi Colella, MARROW, detail. I also participated in Growth and Decay, a three person show at University Place Gallery located at 124 Mount Auburn Street in Cambridge, MA. My felt sculptures were exhibited in the project room at NK Gallery in Boston last July. Would you like to inform our readers of your current and upcoming exhibitions? I am currently exhibiting in the Cushing-Martin Gallery at Stonehill College in Easton, Massachusetts. The show Stitched: Nature Constructed is a student-curated show where a group of students chose a theme, created a call for work, visited studios and selected three artists to be included in the show. Jodi Colella, UNDERCURRENT and MARROW sharing some space at the show Stitched: Nature Constructed at the Cushing-Martin Gallery, Stonehill College in Easton, MA. The students chose three to four works from each of us and I actually had the opportunity to create an outdoor installation at the gallery entrance. Jodi Colella, MUSHROOMED, nylon, fiberfill, wool, wire and paint. 2011 photo by artist. Jodi Colella, MUSHROOMED (detail) 2011 Photo by artist. The sculpture was conceived of, designed and installed in the span of three weeks, hence the name MUSHROOMED, or ‘something that grew quickly as if from nothing’. Below photos illustrate some of the process involved in designing and creating MUSHROOMED. Jodi Colella, MUSHROOMED, in-progress. 2011 photo by artist. Jodi Colella, MUSHROOMED, in-progress. 2011 photo by artist. Jodi Colella, MUSHROOMED, in-progress. 2011 photo by artist. Working with these students has been a rewarding experience. I’m so impressed with their intelligence, creativity, dedication and enthusiasm. STITCHED: Nature Constructed is currently display at Cushing-Martin Gallery in Stonehill College located at 320 Washington Street in Easton, Massacusetts through December 12, 2011. Please follow the links below for further information: http://www.stonehill.edu/x12498.xml http://www.stonehill.edu/x24743.xml What are you working on right now? Are you planning any exhibitions of your work in the near future? I’m currently working on a solo show scheduled for June 2012 at NK Gallery located at 450 Harrison Avenue in Boston. My plan is to use the whole space of the room as a single installation. I’m continuing to examine the juxtaposition of growth and decay in the light of transcendence. As I typically do, I’ll be throwing myself into this with total abandon and can’t wait to see what follies I’ve created at the other end. That said, this could all change between now and the time I get there! Also, in March, ONE DAY will be participating in the international fiber event ‘Fiber Philadelphia 2012’ in the show Outside/Inside the Box. Fiber Philadelphia is an international biennial for fiber/textile art that takes place in and around Philadelphia, Pennsylvania, USA. Exhibitions are planned for over 30 locations including major institutions and independent venues. They will include work by renowned international artists and a new generation of artists breaking into the field. I am honored and excited to be a part of this event. OUTSIDE/INSIDE THE BOX Ice Box Project Space Crane Arts Building 1400 N American Street, Philadelphia, PA 19122 March 3-April 14, 2012 Opening Reception: March 3, 2012 Additional Reception: March 31, 2012 For more information about this exhibition, please follow this link. Please share with us the awards and recognition you received in the recent years. Lark Books – 500 Felt Objects – Sept. 2011 Metaphoric Fibers- ONE DAY awarded ‘Most Innovative Use of Materials’ – April 2010 New Fibers 2010 – ONE DAY awarded the Pat Williams Memorial Award – October 2010 The Artists Valentine Grant – May 2010 Studio 370 Artist Residence at Holliston High School – November 2008 Viewers Choice Award – Blanche Ames National Art Exhibition - 2006 Would you provide links to articles about your work for interested readers to learn more about your work? MATERIAL GIRL, an article about my process by Annie Laurie Sanchez for Boston University alumni magazine CELEBRATING GREEN: AS COLOR, AS CONCEPT, AS CAUSE, Susan Stamberg, NPR Morning Edition, Washington D.C., Wed. April 20, 2011 SHOWCASING A SHADE – AND AN IDEOLOGY, Michael O’Sullivan, Washington Post, Washington D.C. July 1, 2011 GREEN: THE COLOR AND THE CAUSE, Online Interactive Exhibition catalog, Washington D.C. AAM EXPLORES ‘SCALE’, The Sun Chronicle, No. Attleboro MA, Thursday April 14, 2011 GROWTH AND DECAY CELEBRATES CYCLES OF NATURE, Philip Gingerich, The Harvard Crimson, March 2011 EXPLORING THE MATERIAL WORLD, Denise Taylor, The Boston Globe, Sept. 2008 MATERIAL MEDITATION, Hope M. Stockman, Artscope, Sept. 2008 LIVING IN A MATERIAL WHIRL, Chris Bergeron, The Daily News, Sept. 2008 Jodi Colella, COLONY, 4 x 6 x 4 in., felted wool and found driftwood. 2011 photo by artist. Jodi Colella, COLONY, detail. 2011 photo by artist What advice would you give to an artist just starting out? It helps to strike a balance between following your instincts and still being open to feedback. Network and share as often as possible. It’s important to find a support group of other art professionals to share with and bounce ideas off of. Ask questions, be curious and read as much as you can. Studio shot Are you available for commissioned works? Do you offer any art classes? Do you have website? Jodi Colella, in studio during Joy Street Open Studios, November 2011. Photo by Kathy Chapman. I am available for commissioned works. I do offer workshops. Please visit my website for the new 2012 course offerings. My website is www.jodicolella.com and my blog is at www.jodicolella.blogspot.com. To sign up for my newsletter please contact me at [email protected]. ....................................................................................

Are you looking to brighten up your classroom or creative space this winter? Well, you have come to just the right place. My students have been busy creating some fun, mixed media landscapes inspir…