Photoworks, which he began to produce in the late 1940s, testify to Steinberg’s lifelong practice of crossing boundaries between media. These hybrid
Saul Steinberg b.1914 American cartoonist, illustrator,
Triennale Milano dedica un’attesissima mostra a Saul Steinberg (1914-1999), a cura di Italo Lupi e Marco Belpoliti con Francesca Pellicciari.
As the art world will come to a standstill for the next few weeks or months due the Coronavirus, Juxtapoz will be highlighting a series of films, clas...
Steinberg’s inside art for The New Yorker grew more cerebral, more involved with the life of the mind than the life of the streets—in individual drawings
«Los estudios de arquitectura son un magnífico entrenamiento para hacer cualquier otra cosa menos arquitectura.» Saul Steinberg Saul Steinberg (Ramnicul Sarat, Rumanía 1914 – Manhattan 1999) …
The late 1960s and early 1970s—like other moments in Steinberg’s career—saw more than one stylistic or conceptual innovation. The most arresting, and
Portrait of artist Saul Steinberg (1914-1999), wearing a small mask on his nose
As a cartoonist myself, I am dismayed that there’s little of Saul Steinberg's that I can steal, the crossover in the Venn diagram of the image-as-itself versus as-what-it-represents being depressingly slim. I am painfully aware that in comics, stories generally kill the image. But Steinberg’s images grow and even live on the page; somewhere in the viewing of a Steinberg drawing the reader follows not only his line, but also his line of thought.
Saul Steinberg , Untitled (Canal Street), 2017.330
Triennale Milano and Electa are devoting a long-awaited exhibition to Saul Steinberg (1914-1999), curated by Italo Lupi and Marco Belpoliti
Saul Steinberg | photo by Inge Morath, 1958 Saul Steinberg (1914-1999) is not easy to categorize within the world of art. His work re...
SAUL STEINBERG (1914-1999) - Doubling Up, 1946 Source: bonhams.com
Within and beyond The New Yorker, introspection and metaphor now steer Steinberg and his cast of characters, in an art still often grounded in graphic
Sadly, my only encounter with the great Saul Steinberg was when, as a newly hired art director for the Times OpEd page, I called him. He was one of the first on my list of artist-heroes to contact when I got my dream job. The call did not go well. I was warned that he was angry that a few of the starring OpEd regulars were at times more than a little influenced by his work – they copied it. Actually, who could not be influenced by his brand of Eastern European comic surrealis
As Triennale Milano dedicates a show to the legendary artist and illustrator, Domus goes back to the article dedicated by writer Aldo Buzzi to a lifetime friend, halfway between his Italian and American lives.
Book Jacket / Saul Steinberg (by steveartist)
