In his first solo show, Franck Lundangi uses mystical imagery to portray links between humans and nature.
Shamanistic Object Evenki (Siberia) The British Museum
Ruben Komangapik Pond Inlet/Quebec 2010/11 Walrus skull with ivory tusks, sperm whale teeth, baleen, copper, antler, narwhal ivory 18 3/4 x 20 1/2 x 12 in.
THE TURKISH CULTURE Paintings SHAMAN - IN TURKISH : KAM THE TURKS by ALEXEI ULTURGASHEV from HAKASYA L...
Chauvet Cave: Four aurochs and two rhinoceros 1. Introduction 2. Chronology , distribution, and nature of Palaeolithic art a. Chronology b. Geographical distri…
"The center of life is female - we all come from our mothers. I've always drawn women or female spirits. I feel deeply about this - who gives a damn about some guy on a cross? My mother's creativity was smothered after she married and raised a family, but she was supportive of me - even my father expected me to carry on in her footsteps. I prefer to have no kids but lots of animals." - Vali Myers, via an 1994 article by Alex Burns found here After the relatively mechanical compositions of Louis Nevelson, we now arrive on the other side of the artistic spectrum, where we find Vali Myers, an Australian artist, who was born in 1930 and died several years ago, at the age of 73. A pale skinned, red-haired beauty, she was similar to Nevelson, however, in the way that she was known as much for her notorious style as she was for her art; tattooing her face and hands long before "tribal" was so radically chic, and dressing like the mad gypsy she was, dripping with beads and bangles. Legend has it that she also tattooed a thunderbolt on rocker/poet Patti Smith's knee in memory of Crazy Horse, the celebrated Lakota warrior. She fostered numerous animals; some domestic, some wild. Her familiar or totem animal was the fox. Legend also has it that she owned a large indoor cage, but it was not for her four-legged companions; it was the place she went to do her art - works that were completed in pen and ink using an actual feather quill. Born in Melbourne, and growing up in Sydney, Australia, she left home at 14 and gravitated to Paris where she struggled as a dancer, and struggled with Parisian authorities over the lack of a visa. After spending time in a French prison she was deported, and went wandering across Europe. During a second trip to Paris, and now married to the son of a Hungarian gypsy, she befriended such notables as Jean Cocteau, Jean Genet and Sartre. She also befriended opium, and when this "friendship" turned sour, she relocated once again, this time to Italy, to the Positano valley. This became the turning point in her life for it was there that she bonded with an orphaned fox - a relationship that was to last longer than her marriage - and begin the body of work that she is known for today. She took a teenaged lover at this time - possibly over 20 years her junior - artist Gianni Menichetti, who remained her close companion for the next 30 years, (Menichetti still maintains their original property). They lived for the most part in Positano, once again battling government officials in their efforts to have the valley declared a preserve by the World Wildlife Fund. (They succeeded.) Meanwhile, in an effort to sell her artwork, Myers began traveling to Manhattan, occasionally living in the infamous Chelsea Hotel. She was to become the darling of many of the 70's elite... attracting the likes of Andy Warhol, George Plimpton, Dali, Mick Jagger, and Marianne Faithful, to name a few. But, eventually she would come full circle and return to Australia where she lived and worked - and commuted to Positano - till she contracted a terminal stomach cancer in 2003. Hers, however, was not really a tragic ending... she died in a Melbourne hospital the same way she lived: fearlessly, and, at the same time, with a sense of humor. Her dying wish was to bequeath the remainder of her life's work to the "great... no bullshit... people of Victoria". These and other examples of Vali Myers' work can be found here. (For larger views of two images below, click on the images) Unlike Louise Nevelson's spare, monochromatic, rectilinear structures, Myer's creations (samples above) were bold, colorful, neo-primative expressions which very often employed the spiral motif and intricate lattice patterns echoing her own tattoos. As it was, many of her images were self-portraits, or visions of herself amid her beloved animals; illuminations that were more informed by the ancient traditions of ritualistic magic than they were by the black-lit psychedelia of her time. Unlike the fashionista of today, Meyers reveled in her spiritualism, a spiritualism that welled up from her like fathomless spring. Had Aliester Crowely been alive, I think he would've turned to Myers to illustrate his famous Tarot. As a budding artist, I remember first discovering her in the pages of a magazine - I don't remember which - and deciding at once that she was the sort of artist I wanted to be. Of course, when all is said and done, I could never be a Vali Myers... so effortlessly bold, so self-assured, so demonstratively passionate. Vali Myers was that one class act that can't be followed. Other resources not previously linked to: A review of Gianni Menichetti's "Vali Myers: A Memoir" by Louis Landes Levi The Final Dream of a Bohemian Princess by James Norman The Outre Gallery page with more examples of Myers' work Articles found here, and here, and here. "Letter to Diane & Shelley from Vali" Note: I was amazed at how many blog entries I found regarding Vali Myers, while researching this post... many of them dated from earlier this year... a veritable Myers constellation!
Susan Seddon Boulet [1941-1997] Brazilian-born American painter, was born in Brazil of british parents who had emigrated from South Africa. Ms. Boulet's early childhood was spent on a large citrus and cattle ranch. She loved the connection to nature offered by farm life and enjoyed a rich fantasy life fed by folk tales told her by her father and by the farmworkers.
Susan Seddon Boulet [1941-1997] Brazilian-born American painter, was born in Brazil of british parents who had emigrated from South Africa. Ms. Boulet's early childhood was spent on a large citrus and cattle ranch. She loved the connection to nature offered by farm life and enjoyed a rich fantasy life fed by folk tales told her by her father and by the farmworkers.
Original painting devoted to a unique plant with an ancient history "Nymphaea caerulea / Blue Lotus" - oil and acrylic on canvas. Treat yourself and your dear ones with this magic artwork. This painting makes any interior look exclusive, and celebrates the intelligence and beauty of Nature. The blue lotus also served as an essential component in religious ceremonies and shamanistic rituals thanks to its psychoactive properties. Egyptians believed the blue lotus could provide a spiritual connection to the afterlife and communication with the divine. Find more of my art here: Instagram: @irene_antonez_art YouTube: www.ireneantonez.com Facebook: @ireneantonezart
Susan Seddon Boulet [1941-1997] Brazilian-born American painter, was born in Brazil of british parents who had emigrated from South Africa. Ms. Boulet's early childhood was spent on a large citrus and cattle ranch. She loved the connection to nature offered by farm life and enjoyed a rich fantasy life fed by folk tales told her by her father and by the farmworkers.
Spiritual, ritualistic, shamanistic, summoning of the natural world. Acrylic and fabric collage.
Susan Seddon Boulet [1941-1997] Brazilian-born American painter, was born in Brazil of british parents who had emigrated from South Africa. Ms. Boulet's early childhood was spent on a large citrus and cattle ranch. She loved the connection to nature offered by farm life and enjoyed a rich fantasy life fed by folk tales told her by her father and by the farmworkers.
HOW TO FIND YOUR ANIMAL TOTEM What is an Animal Totem? The phrase “animal totem” literally means a symbolic representation of your animal guide; such as a crest, a totem pole, an emblem, a small fi…
Explore cheyanne54's 2088 photos on Flickr!
Daily Angel Oracle Card: Shaman, from the Earth Magic Oracle Card deck, by Stephen D Farmer Shaman: “Ancient Healing Wisdom.” “The deep, compassionate eyes of this Native American…
Susan Seddon Boulet [1941-1997] Brazilian-born American painter, was born in Brazil of british parents who had emigrated from South Africa. Ms. Boulet's early childhood was spent on a large citrus and cattle ranch. She loved the connection to nature offered by farm life and enjoyed a rich fantasy life fed by folk tales told her by her father and by the farmworkers.
Susan Seddon Boulet [1941-1997] Brazilian-born American painter, was born in Brazil of british parents who had emigrated from South Africa. Ms. Boulet's early childhood was spent on a large citrus and cattle ranch. She loved the connection to nature offered by farm life and enjoyed a rich fantasy life fed by folk tales told her by her father and by the farmworkers.
Susan Seddon Boulet [1941-1997] Brazilian-born American painter, was born in Brazil of british parents who had emigrated from South Africa. Ms. Boulet's early childhood was spent on a large citrus and cattle ranch. She loved the connection to nature offered by farm life and enjoyed a rich fantasy life fed by folk tales told her by her father and by the farmworkers.
A vision quest is a rite of passage, similiar to an initiation, or the literary ‘Hero’s Journey’. It is a turning point in life taken around the time of puberty/young adulthood to…
I thought that I would share with you all, a little local politics. It's important social politics at that - with far reaching consequences. Over the past few months there has been a growing dissatisfaction amongst some of the Saami community, with regards to products on sale, relating to the Saami identity. The two main items of enquiry are the use of their national dress and the noitarumpu drum and its symbols. Personally, I have never understood why anyone non Saami would want to buy themselves a Saami costume and thus have never looked to sell them, although I have had many enquiries worldwide! However, of course I do sell noitarumpu drums and am intensely interested in the study of the drum and its shaman symbols. The word noitarumpu translates to witch's drum and is known by many, under either name or also by the term, shaman's drum. Poppamies. Symbol of magician drawing in control over the four elements. For those that are not aware, the noitarumpu drum was self crafted, owned and used by the Shaman of a Saami tribe and used ceremonially as a tool for the northern people, since before records began. It is deeply engrained in the heritage of the Saami folk. The Shaman would call for the help of the great spirits by beating on the drum with the reindeer bone hammer until they fell in a trance. During trance, the Shaman would wander the Underworld, where the dead provided advice for solving a problem. Much like the wise old witch woman, with her herbs and poultices in most european villages through the dark ages.. the Shaman was the main person of the Saami tribe. The word Shaman originates from the Siberian Evenki Tribe word 'Saman', that means knowledge and vision. Shamanism is a traditional and ancient way of taking care of both spiritual and physical welfare. The Shaman's aid was and is, the drum. Healing involves rituals comprising chanting and the use of various natural powers provided by objects such as stones and feathers. Anyway, back to politics... In october there were problems raised to Saami council court level about the interior decorations and marketing of the Hotel Santa Claus, situated in Rovaniemi (which is on the Arctic circle border itself). Inside, on the walls, are witch drum symbols and some members of the Saami community raised concerns that this was an abuse of their heritage. However, the Saami Council** decision was that there was nothing wrong with this decoration, said by the hotel to emphasise local heritage, not aimed to abuse it. **An elected body who deal with the Sami language, culture and traditional matters with regards to matters of in both a national and international context. Image from yle.fi However, it has not ended there.. as the Saami who do not agree with this decision have said that the government's decision does not represent the whole of Finland's Saami population and they wish to get them recalled. They say that with only a few Saami members in the Government and whilst an elected body, their views cannot be the legitimate situation and cannot decide for all people. Since then, there have been demonstrations in the streets of Rovaniemi, by Saami youths in which the Saami of Finland, Sweden, Norway and Russia took part. According to the demonstrators, the use of Lapland costumes are being used improperly in Lapland's tourism guides, advertising and tourist trinkets. The demonstrators hope to have access to establishing negotiations, over when, how and who can not keep a Lapland suit and for replica dress sales to cease. They also state that tourism, with a the lack of data, creates stereotypes and in turn is undermining the Saami identity. They said that the majority of Saami do not accept the governments position over the use of symbols in tourism and are making their statements based from a UN indigenous declaration on the protection of indigenous cultural heritage. Nili, a Saami food storage hut above ground and out of reach of predators It has to be said that currently the situation is contradictory, on one hand, there is an encouragement for the use of the Saami manual workers for their products, but on the other hand, an accepting of industrially produced witch drums, which are most definitely not Saami handicrafts. Saami Parliament encourage tourism businesses to negotiate with the Saami handicrafters, the Saami manual workers' organization, Sami Duodjin over the use of the symbols in home decoration. According to the opinion of the Council these recent activities may well damage the Saami entrepreneur and their products marketing. They said that it gives the wrong message to tourism entrepreneurs, who do not dare to use Saami products and may even lead to a Saami product boycott. They encourage entrepreneurs in the Saami product and tourism field to be responsible and respectful of Saami culture. They wish to encourage tourism - but with the use of Saami crafts, Sami Duodjia, interior design, foods and raw materials and that they are acquired directly from Saami Duodji-craftsperson or a Saami manual worker. Individual symbols pyrographied on horn pendants It has also been pointed out that the Shaman drum and its decorations are not solely a Saami culture and its symbols are of paganism. That the Shaman Drum has spread throughout the Arctic indigenous peoples' cultures and religions, so the Saami can not own it only to their own culture. Akka, fertiliy Goddess and wife to Ukko, the supreme Thunder God At this point, I would like to interject that the drums that I sell are NOT a factory printed reproduction drum. Believe me, there are many of those out there on the market, printed automatically and instantly recognisable as mass made. The drums I sell however, are totally made of natural materials - genuine Reindeer leather over an arctic Pine wood frame, hand dyed and treated, with natural ingredients, such as moss, berries and roots. The symbols are painted by hand with a proper ink, you can see each stroke and the due care in which they are made by hand as they are very slightly raised from the leather's surface - they are not drawn with a felt tip pen (as I have seen on some drums - surprising and as horrid as that might sound...) Each creation is a work of art and OOAK. (One Of A Kind) The maker of these drums has Saami parentage, is wise, shamanistic and incredibly knowledgable about the history of the drum, its symbols and meanings. I am deeply honoured to know this drum maker and be able to work with them. Sadly, I have to inform you though..that they have decided to withdraw noitarumpu drums from sale - for the time being at least. This, because there have been a number of personal situations for them recently where they were demeaned by other Saami for creating the noitarumpu! It has been an immensely disturbing time for both the drum maker and the drum maker's partner, also with Saami parentage. This is their life and this is a small community. Until the situation is resolved finally, I do not think more noitarumpu drums will be crafted. Having said that, the drums in an undecorated form, or with other decoration may be created and we will be working together sensitively on this matter. The drum maker has written to the Saami union to see what can be done and if the situation moves favourably then noitarumpu drums will come back on sale. I will at no point purchase commercially made drums for sale. I love this drum maker and respect the noitarumpu drum itself too much! Noitarumpu horn pendants As you can imagine, the debate goes on.. and may go on for a good while yet. So, if you are looking to buy Saami goods...my suggestion is to do it sooner rather than later.. as time may not be on your side. Here are some links to information online - from where I have stated the above facts. They are in Finnish.. but you can run the URL through the Google translator and read it with about 95% accuracy in English. http://yle.fi/uutiset/24h/id106083.html http://lotta.yle.fi/srwebanar.nsf/sivut/uutiset2004? opendocument&pageid=ContentC067A http://www.lapinkansa.fi/cs/Satellite?c=AMArticle_C&childpagename=LKA_newssite% 2FAMLayout&cid=1194606025681&p=1194596026331&pagename=LKAWrapper http://www.pohjolansanomat.fi/cs/Satellite? c=AMArticle_C&childpagename=PSA_newssite% 2FAMLayout&cid=1194606016108&p=1192554074212&pagename=PSAWrapper Reindeer, symbol of prosperity...never ask a Reindeer herder how many Reindeer they have..it's like asking how much money they have in their bank account!
7-8 May 2016 High Priestess Training and Community Welcome to a journey of the shamanistic powers of the female, the Wisewomen. Wisewomen have existed for thousands of years and still exist t…
Susan Seddon Boulet [1941-1997] Brazilian-born American painter, was born in Brazil of british parents who had emigrated from South Africa. Ms. Boulet's early childhood was spent on a large citrus and cattle ranch. She loved the connection to nature offered by farm life and enjoyed a rich fantasy life fed by folk tales told her by her father and by the farmworkers.
