The two paintings in fog suite 3 are both warm muddy colors: potters clay and rosy peach. I knew right away that I wanted them grouped together, and square and suggestive of a foggy earthen field.A couple years ago I started exploring mark making. Up until that point, my paintings were void of mark--it is in fact my signature. A pristine surface absent of brushstroke or line and evoking air and atmosphere and light. But making marks can be fun and I wanted to find a way to use line that was