This haunting show, in the cool gallery spaces high above the city that Dora Maar knew so well, makes it clear that she was indeed a star, a leading figure in Surrealist photo-montage of the mid-1930s. Maar’s largest exhibition in France, it contains over 400 of her works, yet, like the model in the banner, she turns away, and hides her face, remaining enigmatic in her work. In Self-Portrait with Fan (1930), she shows only her reflection in a mirror, her serious gaze shrouded by the circles of an electric fan. She looks as if she might blow away, dissolve into fragments.