As Michael Brooke writes in the [[embed type=link nid=24519 title="April 2015 issue"]] of Sight & Sound, Vera Chytilová's films are "mercurial, energetic and instinctively pugnacious" – and so are their posters. Designs such as these, made in Communist-era Czechoslovakia, aren't as celebrated as their neighbouring Polish counterparts, but in the 1950s and 60s they were characterised by just as much graphic abandon and stylistic exuberance.