A personal message from the goddess from down the ages.

The aim of this article is to explain the history and meaning of aboriginal Wandjina. Aboriginal Wandjina are a unique art

The Jomon Period of Japanese history is so shrouded in the mists of time that any bid to fathom its secrets stretches even the usual bounds of prehistoric archeology. Yet as amateurs and experts alike have continued unearthing examples of Jomon pottery and stone tools for more than a century, the pieces of the puzzle are gradually coming together.

Бусы в древние времена не были простым украшением. Да и все остальные украшения не случайны. Но понять древнюю историю бус и украшений не просто. Cлишком мало сведений дошло до наших дней. А уж что думали при этом древние люди - можно только догадываться. Почему самые древние из…

Cartoons exhibit a long history and some ancient artists were as talented as those of the current day. The Cartoon History museums in America gather them all together.

Para #JumanjiLaPelícula la de la potnia theron o señora de los animales en la #Antigüedad. Este nombre suele aplicarse a representaciones de divinidades femeninas flanqueadas por animales. #Arqueología #Iconografía

48. It now became an important part of class instruction for all of us to sit in a circle and listen to our teacher both praise and explain the Captain’s marvelous sculpture to us. 49. I am not going to transcribe all the things she said for this reason, at the time I did not find it either interesting or enlightening, and so I think to myself, if I found it tedious, how much the worse for you, to hear my uninspired transcription of it. 50. Nevertheless, I need to point out certain observations. She pointed out how both of the front legs were touching. The reason for this was because merging the two forms into one added strength and stability. 51. Although the back legs did not touch, the Captain had cleverly added a tree trunk to his figure, and tree trunk managed to touch both of the back legs, and entirely fill the space between them.

Goddess Figurine Cyprus, 1450-1200 BC The Museum of Fine Arts, Boston

Victorian art critic, John Ruskin, in his book Proserpina, calls himself “the gentle and happy scholar of flowers”. A large part of his work is an attempt to connect nature, art and society. To prove this, he attempted to show that species can and do symbolize the ethical qualities of mankind, representing man’s states of good and evil, as well as the timeless human belief of destruction or redemption.

Explore Milton Sonn's 21776 photos on Flickr!

Felt applique from one of the frozen tombs in the Altai, southern Siberia, 4th century BC.

The term, 'bushman', came from the Dutch term, 'bossiesman', which meant 'bandit' or 'outlaw'. The 'bushman' term was first applied by white explorers & settlers over 200 years ago. Photo by Charles Fred The term San refers to a diverse group of hunter-gatherers living in Southern Africa who share historical and linguistic connections. The San were also referred to as Bushmen, but this term has since been abandoned as it is considered derogatory. Today, San communities can be found in Botswana, Namibia, South Africa and Angola. The San bushmen are also said to be related to the Hadzabe group found in Tanzania. More on Hadzabe click here Photos by Charles Fred The San bushmen people are one of the oldest ethnic groups in Southern Africa and in the world. For years the Bushmen a hunter and gatherer ethnic group spread throughout the South of Africa from the Zambezi river to the Cape of Good Hope in search of food, with their few possessions. ORIGIN The San Bushmen did not farm or keep livestock, for they had no concept of ownership of land or animals Photos by Petr Kosina The San bushmen have lived in Southern Africa for tens of thousands of years. The San are said to be descendants of Early Stone Age ancestors. They are nomadic group living in temporary shelters, caves or under rocky overhangs. With the arrival of the first Europeans settlers in 1652 in Southern Africa sparked clashes as they sought new territory they exterminated the Sans whom they deemed to be inferior like wild animals. They called them "Bushmen" and proceeded to wipe out 200,000 of them in 200 years. They also sold them in slave markets and to traveling circuses. Photo by Charles Fred SAN BUSHMEN TRIBES The San bushmen living in Southern Africa are mainly to be found within the Kalahari region and on its borders. San bushmen speak numerous dialects of a group of languages known for the characteristic 'clicks' that can be heard in their pronunciation, represented in writing by symbols such as ! or /.The San bushmen major language groups include !Kung, Khomani, Vasekela, Mbarakwena, /Auni, Auen, /Gwi, //Ganaa, Kua, /Tannekwe, /Geinin, /Xoma, //Obanen Ganin, /Xam-ka!ke and !Xo. (still to confirm) LEADERSHIP Photo by Charles Fred There is no formal leadership structure among the San bushmen community. Decisions are arrived at a consensus and issues are deliberated upon and discussed communally. Certain roles may require leadership from individuals with expertise such as hunting. No single group member holds positions of general influence over the rest of the community. This set up proved to be problematic to white colonialists when they wanted to enter into agreements with the San communities. The San bushmen are therefore free to do and go as they please within the constraints of their customs. If there is a disagreement within a group, the group may split and go their own separate ways with little or no coercion. They have no taxes, no Government, except that imposed upon them by outsiders. WHICH GROUP DO A SAN BELONG TO? Copyright South Africa Tourism The Sans are nomadic and move around in small groups with about about 20 clan members. Kinship bonds are said to provide the basic framework for political models. Membership in a group is determined by residency. As long as a person lives on the land of his group he maintains his membership. It is possible to hunt on land not owned by the group, but permission must be obtained from the owners. The small groups meet occasionally during the year to exchange news and gifts, for marriage arrangements and for social occasions. FOOD The San will eat anything available, both animal and vegetable. Their selection of food ranges from antelope, Zebra, porcupine, wild hare, Lion, Giraffe, fish, insects, tortoise, flying ants, snakes (venomous and non-venomous), Hyena, eggs and wild honey. The meat is boiled or roasted on a fire. The San are not wasteful and every part of the animal is used. The hides are tanned for blankets and the bones are cracked for the marrow. Elands Water is hard to come by, as the San are constantly on the move. Usually during the dry season, these migrants collect their moisture by scraping and squeezing roots. Scrapped roots are squeezed to provide drinking water Photos by amelie_et_arnaud Photo by pfaelzerbub Root water is also used for bathing and cleaning oneself If they are out hunting or traveling, they would dig holes in the sand to find water. They also carry water in an ostrich eggshell. Photo by Ruisj SAN BUSHMEN HUNTING Photos by Flouf The Sans are skillful hunters and can read the tracks in the Kalahari desert like a notebook. Hunting is usually done by men. They use traps or poisoned arrows and bow to catch their prey. Hunters carry a skin bag slung around one shoulder, containing personal belongings, poison, medicine, fly whisks and additional arrows. They may also carry a club to throw at and stun small game, a long probing stick to extract hares from their burrows or a stick to dig out Aardvark or Warthog. Photos by CharlesFred It takes a couple of hours before the prey dies when struck with the poisoned arrows. In cases of large game such a giraffe it can take up to 3 days. The poison used for hunting is made from various materials such as the larvae of a small beetle, poison from plants, such as the euphorbia, and snake venom. A caterpillar called ka or ngwa is also used to make toxic poison hence handled with extreme care so as to avoid fatal accidents. Photos by Mielamundi Photo by bonnafejp's The poison used for hunting is said to be neuro toxic and does not contaminate the whole animal. The spot where the arrow strikes is cut out and thrown away, whereas the rest of the game is fit for consumption. Hunting is a team effort and every game hunted is shared amongst the tribe members. Whilst the men are hunting the women forage for edible wild vegetables and fruits. Though the men can equally assist the women in gathering wild vegetables and fruits. SAN BUSHMEN ROCK ART Manganese oxide and charcoal, bird droppings or kaolin and the blood of an Eland are some of the items used to make paint for the Rock Art. The Sans rock art is one of the greatest in the world. The San/bushmen paintings are one of Southern Africa's greatest cultural treasures. Subjects of the bushmen/san paintings range from animals (mainly eland) to humans, therianthropes to ox-wagons and mounted men with rifles. When Europeans first encountered rock art of the San people, or Bushmen, in southern Africa some 350 years ago, they considered it primitive and crude. They were just “Bushman paintings,” two-dimensional accounts of hunting and fighting and daily life. Twentieth-century scholars had much more respect for the aesthetics of the paintings—often finely detailed and exquisitely colored—but many also viewed them largely as narrative accounts of hunter-gatherer life. A closer look in recent years has yielded another picture altogether. For the San, rock paintings weren’t just representations of life; they were also repositories of it. When shamans painted an eland, they didn’t just pay homage to a sacred animal; they also harnessed its essence. They put paint to rock and opened portals to the spirit world. When entering a trance, shamans often bleed from their nose and experience excruciating physical pain. The shamans’ arms stretch behind them as the transformation into the spirit world takes place. Scholars believe that the trance dance serves as the foundation for rock art, and clear corollaries between cave images and trance ceremonies appear in the ...cave paintings. These ancient images offer a record into ages past. Source Drakensberg Tourism CHILD BIRTH AND DEATH Photos by CharlesFred Amongst the San Bushmen there are no formal ceremonies or elaborate preparation for child birth. The expectant mother will simply go behind a bush and give birth to the baby. She may take a female relative for support and comfort. Once she a has given birth she gets back to her daily routine. If a child is born under very severe drought conditions, when the fertility of the Bushman women are in any case low, perhaps to prevent such an occurrence. The mother will quietly relieve the just born baby of severe and certain future suffering by ending its life. This is most likely to happen in lean years, if she is still suckling another child and will obviously not be able to feed both of the children. This is accepted behaviour, and born out of necessity and not malice or any other consideration. It stems from the simple reality of live in a harsh climate, and the realisation that the life of the child that a lot has already been invested in, and that might be put at risk by tender feelings for a new-born that are in any case likely to die soon, are not likely to have a good outcome. Photo by CharlesFred Death is a very natural thing to the Bushmen as shown by the following lines from a Bushman song, quoted by Coral Fourie in her book "Living Legends of a dying culture". "The day we die a soft breeze will wipe out our footprints in the sand. When the wind dies down, who will tell the timelessness that once we walked this way in the dawn of time?" If some-ones dies at a specific camp, the clan will move away and never camp at that spot again. Bushmen will never knowingly cross the place where some-one has been buried. If they have to pass near such a place, they will throw a pebble on the grave and mutter under their breath, to the spirits to ensure good luck. They never step on a grave and believe that the spirit remains active on that spot above ground, and they don't want to offend it.Source Kalahari Kgalagadi RELIGION AND BELIEFS The San bushmen believe that there is a supreme god and lesser gods. There are other supernatural beings as well, and the spirits of the dead. According the San bushmen of the Kalahari they believe that the supreme god is associated with life and the rising sun, and the lesser god with illness and death. The shamans, have access to the lesser gods who cased illness during the ritual dance trance. The San bushmen also pay homage to the spirits of the deceased. Most San believed that upon death, the soul went back to the great god’s house in the sky. The dead influenced the lives of the living. For example when a medicine man died, the Sans would be concerned as to whether his spirit may return to haunt and endanger the living. Birth, death, gender, rain and weather were all believed to have supernatural significance, for example, people acquired good or bad rain-bringing abilities at birth and this ability was reactivated when the person died. San Bushmen do not have initiation ceremonies as witnessed in other neighboring communities. However, they do have rituals that may be percieved to be similar to initiation rites for women and men. Photo by Flouf In one of their rituals young boys are told how to track an Eland and how the Eland will fall once shot with an arrow. The boys graduate to adulthood once they have killed their first large antelope, preferably an Eland. Once caught, the Eland is skinned and the fat from the animal’s throat and collarbone is made into a broth. In the girls' puberty rituals, a young girl is isolated in her hut at her first menstruation. The women of the tribe perform the Eland Bull Dance where they imitate the mating behavior of the Eland cows. A man will play the part of the Eland bull, usually with horns on his head. This ritual is said will keep the girl beautiful, free from hunger and thirst and peaceful. Marriage amongst the San Bushmen is a private low key event. Just an agreement between two couples. Guests are said to be invited only in exceptional cases. As part of the marriage ritual, the man gives the fat from the Elands' heart to the girls' parents. At a later stage, the girl is anointed with Eland fat. SAN BUSHMEN MUSIC & DANCE The great 'medicine or healing dance' and the rain dance were rituals as well as a social function in which everyone in the San bushman group participated. The women sit around a central fire singing and clap their hands whereas the men wearing rattles on their legs made from dried seed pods dance around the women. The ritual dance serves to heal the group Photos by Petr Kosina The first few hours of a trance dance are relaxed and sociable. Singing and clapping becomes more intense as the dancing enter into a trance. The men sweat profusely as they begin to breath heavily and have glossy stares. Whilst in a trance the men are transported to the spirit world where they would plead for the souls of the sick and ask for them to be healed. When entering a trance, shamans often bleed from their nose and experience excruciating physical pain. A ritual dance can last from half to full day. Photos by Petr Kosina Following the healing dance the shaman narrates their experiences in the spiritual world. It is from these experiences that the San Bushmen painted the rock art and more recently on canvas. Men in their late teens may serve as an apprentice to an experienced shaman for years. The men who seek to become shamans normally do it not for personal gain but to be able to serve the members within their communities in that capacity LIFE IN THE 21ST CENTURY Photo by Dragonwoman The San bushmen traditional lifestyle is perceived by some as being primitive and outdated. They currently encounter various problems depending where they reside within southern africa as there are efforts to assimilate their groups with the rest of the modern societies they live in. In South Africa, for example, the !Khomani are said to have most of their land rights recognized, whereas the Sans in Botswana were forcibly evicted from the Central Kalahari Game Reserve by the Botswana government to make way for diamond mines in 2002. Recently, the Botswana court held in favour of the bushmen ruling that they were illegally removed from their land. The court further ruled that the bushmen have the right to decide when and how they want to join the modern world. The San Bushmen have been able to survive their changed fortunes and the harsh conditions of the Kalahari Desert in which they are now mostly concentrated. There are organizations that seek to help them address the numerous challenges they currently face such as health problems, land rights, language preservation, environmental challenges, job creation and education. SAN BUSHMEN VIDEOS The Gods Must Be Crazy A Coke bottle dropped from an airplane disrupts the quiet life of a family of a San family living in the deep isolation of the Kalahari desert. Xi, the head of the family, takes the evil thing and embarks on a journey to the end of the world to return it to the gods. Clips from The God Must Be Crazy 1 Clip 1 Clip 2 Clip 3San Bushmen Documentary Iindawo Zikathixo (In God's Places) Bushmen The Kalahari Bushmen - Botswana TEXT SOURCES AND MORE INFORMATION African Bushmen Creation Myth Mike Elliot Bushmen San By KrugerPark Art of Africa Specialists in San Bushmen Arts and CraftsBushmen and Survival force De Beers withdrawal from Kalahari reserve African Bushmen Creation Myth

Sculpteur ,Nicolas Rubinstein créé des œuvres qui montrent à la fois l’enveloppe et l’ossature des choses, comme pour voir au-delà des apparences.

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Ως η θεά με τα φίδια ονομάζεται ο τύπος αγαλματίδιου που βρέθηκε σε ανασκαφές στους Μινωικούς αρχαιολογικούς τόπους που παρουσιάζει γυναίκα εξώστηθη να κρατάει φίδια. Τα αγαλματίδια χρονολογούνται …