Michael Taylor was born in 1952 in Sussex County, Great Britain. and studied at the Worthing School of Art (1969-70) and Goldsmiths School of Art (1970-73). He has received many awards for his paintings and undertaken a number of important portrait commissions. Three of his works are in the National Portrait Gallery, London: portraits of the musician Julian Bream, the composer Sir John Tavener, and the writer P D James, Baroness James of Holland Park. The artist says of his work, “I see this as a life-long process, involving as it does contemplation, reflection and production” His chosen way of working inevitably leads to a certain complexity of content that only reveals itself with time and familiarity. As Mary Rose Beaumont wrote: “the paintings do not simply record what is seen, but also what might be seen with the inner eye. They represent thoughts and feelings that are not visible ….. They are for the individual who is prepared to let them enter his bloodstream, who will return again and again to savour the slow release quality of these remarkable paintings”. 'Grido solamente il silenzio grido me grido te d'ogni dubbio e verità del caos nella mia mente...' tratto da "Il silenzio del caos" di ~ Catherine La Rose ~
Michael Taylor was born in 1952 in Sussex County, Great Britain. and studied at the Worthing School of Art (1969-70) and Goldsmiths School of Art (1970-73). He has received many awards for his paintings and undertaken a number of important portrait commissions. Three of his works are in the National Portrait Gallery, London: portraits of the musician Julian Bream, the composer Sir John Tavener, and the writer P D James, Baroness James of Holland Park. The artist says of his work, “I see this as a life-long process, involving as it does contemplation, reflection and production” His chosen way of working inevitably leads to a certain complexity of content that only reveals itself with time and familiarity. As Mary Rose Beaumont wrote: “the paintings do not simply record what is seen, but also what might be seen with the inner eye. They represent thoughts and feelings that are not visible ….. They are for the individual who is prepared to let them enter his bloodstream, who will return again and again to savour the slow release quality of these remarkable paintings”. 'Grido solamente il silenzio grido me grido te d'ogni dubbio e verità del caos nella mia mente...' tratto da "Il silenzio del caos" di ~ Catherine La Rose ~
Kai Fine Art is an art website, shows painting and illustration works all over the world.
Michael Taylor was born in 1952 in Sussex County, Great Britain. and studied at the Worthing School of Art (1969-70) and Goldsmiths School of Art (1970-73). He has received many awards for his paintings and undertaken a number of important portrait commissions. Three of his works are in the National Portrait Gallery, London: portraits of the musician Julian Bream, the composer Sir John Tavener, and the writer P D James, Baroness James of Holland Park. The artist says of his work, “I see this as a life-long process, involving as it does contemplation, reflection and production” His chosen way of working inevitably leads to a certain complexity of content that only reveals itself with time and familiarity. As Mary Rose Beaumont wrote: “the paintings do not simply record what is seen, but also what might be seen with the inner eye. They represent thoughts and feelings that are not visible ….. They are for the individual who is prepared to let them enter his bloodstream, who will return again and again to savour the slow release quality of these remarkable paintings”. 'Grido solamente il silenzio grido me grido te d'ogni dubbio e verità del caos nella mia mente...' tratto da "Il silenzio del caos" di ~ Catherine La Rose ~
Have you ever wondered who paints the pictures used in movies? For his recent film The Grand Budapest Hotel, director Wes Anderson commissioned contemporary British figurative painter Michael Taylor to paint a fictional Renaissance portrait titled Boy with Apple. The film’s plot builds from the artwork, which features a stately, pre-pubescent boy in sumptuous fabrics, holding a plump, if not slightly bruised green apple. The charming intrigue of the subject is underscored by a slightly hesitant darkness in the boy’s expression and the less than perfect condition of the fruit of sin. This thematic element makes the subject present and vigilant, inciting anxiety and curiosity within the viewer. In many ways, this is Taylor’s signature.
In this Spotlight, we ask Michael Taylor, a member of the Royal Society of Portrait Painters, about his experiences and inspiration.
Michael Taylor was born in 1952 in Sussex County, Great Britain. and studied at the Worthing School of Art (1969-70) and Goldsmiths School of Art (1970-73). He has received many awards for his paintings and undertaken a number of important portrait commissions. Three of his works are in the National Portrait Gallery, London: portraits of the musician Julian Bream, the composer Sir John Tavener, and the writer P D James, Baroness James of Holland Park. The artist says of his work, “I see this as a life-long process, involving as it does contemplation, reflection and production” His chosen way of working inevitably leads to a certain complexity of content that only reveals itself with time and familiarity. As Mary Rose Beaumont wrote: “the paintings do not simply record what is seen, but also what might be seen with the inner eye. They represent thoughts and feelings that are not visible ….. They are for the individual who is prepared to let them enter his bloodstream, who will return again and again to savour the slow release quality of these remarkable paintings”. 'Grido solamente il silenzio grido me grido te d'ogni dubbio e verità del caos nella mia mente...' tratto da "Il silenzio del caos" di ~ Catherine La Rose ~
Kai Fine Art is an art website, shows painting and illustration works all over the world.
Photos of over the top '70s and '80s decor from a California original.
Have you ever wondered who paints the pictures used in movies? For his recent film The Grand Budapest Hotel, director Wes Anderson commissioned contemporary British figurative painter Michael Taylor to paint a fictional Renaissance portrait titled Boy with Apple. The film’s plot builds from the artwork, which features a stately, pre-pubescent boy in sumptuous fabrics, holding a plump, if not slightly bruised green apple. The charming intrigue of the subject is underscored by a slightly hesitant darkness in the boy’s expression and the less than perfect condition of the fruit of sin. This thematic element makes the subject present and vigilant, inciting anxiety and curiosity within the viewer. In many ways, this is Taylor’s signature.
No puedo dejar de mirarlo…
Michael Taylor was born in 1952 in Sussex County, Great Britain. and studied at the Worthing School of Art (1969-70) and Goldsmiths School of Art (1970-73). He has received many awards for his paintings and undertaken a number of important portrait commissions. Three of his works are in the National Portrait Gallery, London: portraits of the musician Julian Bream, the composer Sir John Tavener, and the writer P D James, Baroness James of Holland Park. The artist says of his work, “I see this as a life-long process, involving as it does contemplation, reflection and production” His chosen way of working inevitably leads to a certain complexity of content that only reveals itself with time and familiarity. As Mary Rose Beaumont wrote: “the paintings do not simply record what is seen, but also what might be seen with the inner eye. They represent thoughts and feelings that are not visible ….. They are for the individual who is prepared to let them enter his bloodstream, who will return again and again to savour the slow release quality of these remarkable paintings”. 'Grido solamente il silenzio grido me grido te d'ogni dubbio e verità del caos nella mia mente...' tratto da "Il silenzio del caos" di ~ Catherine La Rose ~
Michael Taylor was born in 1952 in Sussex County, Great Britain. and studied at the Worthing School of Art (1969-70) and Goldsmiths School of Art (1970-73). He has received many awards for his paintings and undertaken a number of important portrait commissions. Three of his works are in the National Portrait Gallery, London: portraits of the musician Julian Bream, the composer Sir John Tavener, and the writer P D James, Baroness James of Holland Park. The artist says of his work, “I see this as a life-long process, involving as it does contemplation, reflection and production” His chosen way of working inevitably leads to a certain complexity of content that only reveals itself with time and familiarity. As Mary Rose Beaumont wrote: “the paintings do not simply record what is seen, but also what might be seen with the inner eye. They represent thoughts and feelings that are not visible ….. They are for the individual who is prepared to let them enter his bloodstream, who will return again and again to savour the slow release quality of these remarkable paintings”. 'Grido solamente il silenzio grido me grido te d'ogni dubbio e verità del caos nella mia mente...' tratto da "Il silenzio del caos" di ~ Catherine La Rose ~
Michael Taylor was born in 1952 in Sussex County, Great Britain. and studied at the Worthing School of Art (1969-70) and Goldsmiths School of Art (1970-73). He has received many awards for his paintings and undertaken a number of important portrait commissions. Three of his works are in the National Portrait Gallery, London: portraits of the musician Julian Bream, the composer Sir John Tavener, and the writer P D James, Baroness James of Holland Park. The artist says of his work, “I see this as a life-long process, involving as it does contemplation, reflection and production” His chosen way of working inevitably leads to a certain complexity of content that only reveals itself with time and familiarity. As Mary Rose Beaumont wrote: “the paintings do not simply record what is seen, but also what might be seen with the inner eye. They represent thoughts and feelings that are not visible ….. They are for the individual who is prepared to let them enter his bloodstream, who will return again and again to savour the slow release quality of these remarkable paintings”. 'Grido solamente il silenzio grido me grido te d'ogni dubbio e verità del caos nella mia mente...' tratto da "Il silenzio del caos" di ~ Catherine La Rose ~
Michael Taylor was born in 1952 in Sussex County, Great Britain. and studied at the Worthing School of Art (1969-70) and Goldsmiths School of Art (1970-73). He has received many awards for his paintings and undertaken a number of important portrait commissions. Three of his works are in the National Portrait Gallery, London: portraits of the musician Julian Bream, the composer Sir John Tavener, and the writer P D James, Baroness James of Holland Park. The artist says of his work, “I see this as a life-long process, involving as it does contemplation, reflection and production” His chosen way of working inevitably leads to a certain complexity of content that only reveals itself with time and familiarity. As Mary Rose Beaumont wrote: “the paintings do not simply record what is seen, but also what might be seen with the inner eye. They represent thoughts and feelings that are not visible ….. They are for the individual who is prepared to let them enter his bloodstream, who will return again and again to savour the slow release quality of these remarkable paintings”. 'Grido solamente il silenzio grido me grido te d'ogni dubbio e verità del caos nella mia mente...' tratto da "Il silenzio del caos" di ~ Catherine La Rose ~
Michael Taylor was born in 1952 in Sussex County, Great Britain. and studied at the Worthing School of Art (1969-70) and Goldsmiths School of Art (1970-73). He has received many awards for his paintings and undertaken a number of important portrait commissions. Three of his works are in the National Portrait Gallery, London: portraits of the musician Julian Bream, the composer Sir John Tavener, and the writer P D James, Baroness James of Holland Park. The artist says of his work, “I see this as a life-long process, involving as it does contemplation, reflection and production” His chosen way of working inevitably leads to a certain complexity of content that only reveals itself with time and familiarity. As Mary Rose Beaumont wrote: “the paintings do not simply record what is seen, but also what might be seen with the inner eye. They represent thoughts and feelings that are not visible ….. They are for the individual who is prepared to let them enter his bloodstream, who will return again and again to savour the slow release quality of these remarkable paintings”. 'Grido solamente il silenzio grido me grido te d'ogni dubbio e verità del caos nella mia mente...' tratto da "Il silenzio del caos" di ~ Catherine La Rose ~
Michael Taylor was born in 1952 in Sussex County, Great Britain. and studied at the Worthing School of Art (1969-70) and Goldsmiths School of Art (1970-73). He has received many awards for his paintings and undertaken a number of important portrait commissions. Three of his works are in the National Portrait Gallery, London: portraits of the musician Julian Bream, the composer Sir John Tavener, and the writer P D James, Baroness James of Holland Park. The artist says of his work, “I see this as a life-long process, involving as it does contemplation, reflection and production” His chosen way of working inevitably leads to a certain complexity of content that only reveals itself with time and familiarity. As Mary Rose Beaumont wrote: “the paintings do not simply record what is seen, but also what might be seen with the inner eye. They represent thoughts and feelings that are not visible ….. They are for the individual who is prepared to let them enter his bloodstream, who will return again and again to savour the slow release quality of these remarkable paintings”. 'Grido solamente il silenzio grido me grido te d'ogni dubbio e verità del caos nella mia mente...' tratto da "Il silenzio del caos" di ~ Catherine La Rose ~
Michael Taylor was born in 1952 in Sussex County, Great Britain. and studied at the Worthing School of Art (1969-70) and Goldsmiths School of Art (1970-73). He has received many awards for his paintings and undertaken a number of important portrait commissions. Three of his works are in the National Portrait Gallery, London: portraits of the musician Julian Bream, the composer Sir John Tavener, and the writer P D James, Baroness James of Holland Park. The artist says of his work, “I see this as a life-long process, involving as it does contemplation, reflection and production” His chosen way of working inevitably leads to a certain complexity of content that only reveals itself with time and familiarity. As Mary Rose Beaumont wrote: “the paintings do not simply record what is seen, but also what might be seen with the inner eye. They represent thoughts and feelings that are not visible ….. They are for the individual who is prepared to let them enter his bloodstream, who will return again and again to savour the slow release quality of these remarkable paintings”. 'Grido solamente il silenzio grido me grido te d'ogni dubbio e verità del caos nella mia mente...' tratto da "Il silenzio del caos" di ~ Catherine La Rose ~
Michael Taylor was born in 1952 in Sussex County, Great Britain. and studied at the Worthing School of Art (1969-70) and Goldsmiths School of Art (1970-73). He has received many awards for his paintings and undertaken a number of important portrait commissions. Three of his works are in the National Portrait Gallery, London: portraits of the musician Julian Bream, the composer Sir John Tavener, and the writer P D James, Baroness James of Holland Park. The artist says of his work, “I see this as a life-long process, involving as it does contemplation, reflection and production” His chosen way of working inevitably leads to a certain complexity of content that only reveals itself with time and familiarity. As Mary Rose Beaumont wrote: “the paintings do not simply record what is seen, but also what might be seen with the inner eye. They represent thoughts and feelings that are not visible ….. They are for the individual who is prepared to let them enter his bloodstream, who will return again and again to savour the slow release quality of these remarkable paintings”. 'Grido solamente il silenzio grido me grido te d'ogni dubbio e verità del caos nella mia mente...' tratto da "Il silenzio del caos" di ~ Catherine La Rose ~
Spread the love Taylor Hill, girlfriend of 33 year old ‘Michael Stephen Shank’ is an…
Calypso (Michael Taylor, 2010, Monotype, 72x53cm) Centrefold (Michael Taylor, 2010, Gouache, 60x60cm) Drama. Capital D (Michael Taylor, 2010, Gouache, 50x50cm) Early morning spooky (Michael Taylor, 2010, Monotype, 107x72cm) Forgive and forget (Michael Taylor, 2010, Gouache, 60x60cm) Grand entrance (Michael Taylor, 2010, Monotype, 53x36cm) Impromptu holiday (Michael Taylor, 2010, Monotype, 72x53cm) Sucker for love (Michael Taylor, 2010, Monotype, 53x36cm) Sunshine boozy (Michael Taylor, 2010, Monotype, 53x36cm) Teddy (Michael Taylor, 2010, Monotype, 53x36cm) The be-all and end-all (Michael Taylor, 2010, Gouache 60x60cm) The dawdling thespian (Michael Taylor, 2010, Gouache, 50x43cm) The deliberating sculptor (Michael Taylor, 2010, Gouache, 50x50cm) The destroyed animator (Michael Taylor, 2010, Gouache, 50x43cm) The dippy curator (Michael Taylor, 2010, Gouache, 50x50cm) The pedlar (Michael Taylor, 2010, Monotype, 36x53cm) The pretender (Michael Taylor, 2010, Monotype, 36x53cm) Treat (Michael Taylor, 2010, Monotype, 53x36cm) Trouble (Michael Taylor, 2010, Monotype, 53x36cm) A marvellous gesture (Michael Taylor, 2010, Gouache, 50x45cm) Aphrodisiac (Michael Taylor, 2010, Ink and pencil, 62x90cm) Been there, done that (Michael Taylor, 2010, Gouache, 50x45cm) Can no longer bear it (Michael Taylor, 2010, Ink, 37x30cm) Cape Town (Michael Taylor, 2010, Ink, 36x24cm) Crash and burn (Michael Taylor, 2010, Ink, 90x61cm) Drips and drabs (Michael Taylor, 2010, Ink, 37x26cm) First time barfly (Michael Taylor, 2010, Ink, 37x27cm) Ginger at home (Michael Taylor, 2010, Ink, 90x61cm) Home for the holidays (Michael Taylor, 2010, Ink, 35x27cm) Hope for the best (Michael Taylor, 2010, Ink and pencil, 62x90cm) King of the jumble (Michael Taylor, 2010, Gouache, 35x27cm) One leap too many (Michael Taylor, 2010, Ink, 37x26cm) Ordinary birthday (Michael Taylor, 2010, Gouache, 45x45cm) Pleasures of the king (Michael Taylor, 2010, Ink, 37x27cm) Poised for greater things (Michael Taylor, 2010, Ink, 36x24cm) Put-on soccer mom (Michael Taylor, 2010, Gouache, 50x45cm) Robbed of his senses (Michael Taylor, 2010, Gouache, 45x43cm) Sibling rivalry (Michael Taylor, 2010, Gouache, 50x43cm) Sleep for no reason (Michael Taylor, 2010, Gouache, 50x45cm) The early years (Michael Taylor, 2010, Ink, 37x27cm) The mayors of Cape Town (Michael Taylor, 2010, Gouache, 60x60cm) The wreckers (Michael Taylor, 2010, Ink and pencil, 62x90cm) Truth or dare (Michael Taylor, 2010, Ink and pencil, 62x90cm) Two-timer (Michael Taylor, 2010, Gouache, 60x60cm) Unfazed by the bugger (Michael Taylor, 2010, Ink, 37x32cm) Working sideways (Michael Taylor, 2010, Gouache, 50x45cm)
Swift just broke the record for most wins by a female artist, tying her for second overall. See the full top 10.
Taylor Swift photographed by Michael Thompson
Michael Taylor was born in 1952 in Sussex County, Great Britain. and studied at the Worthing School of Art (1969-70) and Goldsmiths School of Art (1970-73). He has received many awards for his paintings and undertaken a number of important portrait commissions. Three of his works are in the National Portrait Gallery, London: portraits of the musician Julian Bream, the composer Sir John Tavener, and the writer P D James, Baroness James of Holland Park. The artist says of his work, “I see this as a life-long process, involving as it does contemplation, reflection and production” His chosen way of working inevitably leads to a certain complexity of content that only reveals itself with time and familiarity. As Mary Rose Beaumont wrote: “the paintings do not simply record what is seen, but also what might be seen with the inner eye. They represent thoughts and feelings that are not visible ….. They are for the individual who is prepared to let them enter his bloodstream, who will return again and again to savour the slow release quality of these remarkable paintings”. 'Grido solamente il silenzio grido me grido te d'ogni dubbio e verità del caos nella mia mente...' tratto da "Il silenzio del caos" di ~ Catherine La Rose ~
More detail has come out about Taylor Swift and Travis Kelce’s Las Vegas gala date. A source told Entertainment Tonight that there was no shortage of PDA.
Taylor Swift graces GQ’s November cover in a sexy beachside shoot with photographer Michael Thompson
Michael Taylor
American superstar Taylor Swift takes the cover story of American GQ's November 2015 issue captured by fashion photographer Michael Thompson
American superstar Taylor Swift takes the cover story of American GQ's November 2015 issue captured by fashion photographer Michael Thompson
Taylor Swift graces GQ’s November cover in a sexy beachside shoot with photographer Michael Thompson
Taylor Swift 'was not at a weed party' when she enjoyed a star-studded Uno game night in New York City this week - rapper QuestLove has revealed.
San Francisco’s Spoke Art gallery hosts annual exhibitions of Wes Anderson-themed paintings, prints and sculptures, collected in a new book
Where a few of this cast will lead, the rest are following!
Michael Taylor ,British born 1952 Worthing, Sussex. Michael Taylor works quietly and carefully on one painting at a time, spending about three months
📸| @TaylorSwift13's 6th public appearance this year!
